{"lots":[{"startPrice":1400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19606/015/015.jpg"],"available":false,"description":{"en":"sculpture made in metal of golden hue. signed on the back, on its base: \u201cbosio\u201d. this work follows the model kept in the louvre museum in paris made by françois joseph bosio himself, who signs the louvre original as \u201c\u201dbosio premier sculpteur du roi / soyer ciseleur / fondu en 1824 par odiot orfevre\": \n \n  \n \n \n https://collections.louvre.fr/ark:/53355/cl010089377 \n \n \n  \n \n \n the sculpture preserved in the louvre museum has lost both the scabbard and the blade of the saber carried by the king, so the work we are concerned with here takes on greater relevance by showing an original part of the work conceived by bosio. \n \n \n  \n \n \n françois joseph bosio (monaco, 1768 - paris, 1845) was a sculptor of napoleon, josephine and the first french empire and restoration. a student of augustin pajou, he realized in 1808 the bas-reliefs of the vendôme column (place vendôme, paris) by order of vivant denon. he sculpted the quadriga that crowns the triumphal arch of the carrousel. king louis xviii made him a knight of the order of st. michael in 1821. later he made the equestrian sculpture of king louis xiv for the place des victoires in paris. he was named baron by charles x in 1825. \n \n \n \n \n  \n \n \n provenance: \n \n \n france, private collection. \n \n \n ansorena subastas; painting and decorative arts, madrid 7-11-2023, lot 902, p. 266. \n \n \n spain, private collection. \n \n \n  \n \n \n dimensions: 68 cm (total height)","es":"escultura realizada en metal de tonalidad dorada. firmada en el reverso, en su base: \"bosio\". esta obra sigue el modelo que se conserva en el museo del louvre en parís realizado por el mismo françois joseph bosio, quien firma el original del louvre como \"\"bosio premier sculpteur du roi / soyer ciseleur / fondu en 1824 par odiot orfevre\": \n https://collections.louvre.fr/ark:/53355/cl010089377  \n  \n la escultura que conserva el museo del louvre ha perdido tanto la vaina como la hoja del sable que porta el rey, por lo que la obra que aquí nos ocupa cobra mayor relevancia al mostrar una parte original de la obra concebida por bosio. \n  \n françois joseph bosio (mónaco, 1768 - parís, 1845) fue escultor de napoleón, josefina y del primer imperio francés y restauración. alumno de augustin pajou, realizó en 1808 los bajorrelieves de la columna vendôme (plaza vendôme, parís) por orden de vivant denon. esculpió la cuadriga que corona el arco del triunfo del carrousel. el rey luis xviii le nombró caballero de la orden de san miguel en 1821. mäs tarde realizó la escultura ecuestre del rey luis xiv con destino a la plaza de las victorias de parís. fue nombrado barón por carlos x en 1825. \n  \n procedencia: \n francia, colección particular. \n ansorena subastas; pintura y artes decorativas , madrid 7-11-2023, lote 902, pág. 266. \n españa, colección particular. \n  \n medidas: 68 cm (altura total)"},"lotNumber":"1","title":{"en":"françois joseph bosio (monaco 1768-paris1845) - henry iv, king of france","es":"françois joseph bosio (mónaco 1768-parís 1845) - enrique iv, rey de francia"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19606/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1400,"lastUpdate":"2026-07-01T00:23:19.055Z","textCase":"lower","currency":"EUR","id":19606},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19592/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19592/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19592/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19592/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19592/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19592/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19592/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19592/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19592/010/010.jpg"],"available":false,"description":{"en":"signed and dated in the lower left corner: \u201cj. vilallonga paris 1887\u201d. oil on canvas. with its original period frame in veneered wood and gilded brass nails. measures: 89 x 116 cm (canvas); 122 x 150 x 7 cm (frame). \n  \n original work by the catalan painter jaume vilallonga (barcelona 1861 - tossa de mar 1904). this painting shows the church in the town of giverny, northwest of paris, famous today for being the place where from 1883 claude monet moved his residence, first renting and then acquiring his house and workshop, which can be visited today. there he created his famous garden, a source of inspiration for numerous pictorial compositions and also a meeting place for artists of the time. perhaps jaume vilallonga could have met monet in giverny, since the canvas we present here is dated by the catalan painter in 1887, the year of the master's safe residence in that town. let us remember that during that interval of time 1887/1888 vilallonga was working in paris at the louvre museum, enjoying the mastery of the painter collant and training at the prestigious colarossi academy, where artists such as anglada camarasa, nonell, maillol, gauguin, grosz, modigliani or mucha attended. \n  \n claude monet died in giverny and his remains rest there. \n  \n reference bibliography: \n gener, pompeyus: on jaume vilallonga. in \u201cilustració catalana\u201d, any iii, barcelona, 6 d'agosto de 1905, n.º 114, pp. 507 and ss.","es":"firmado y fechado en el ángulo inferior izquierdo: \" j. vilallonga paris 1887\". \n óleo sobre lienzo. con su marco original de época en madera chapada y clavazones de latón dorados. medidas: 89 x 116 cm (lienzo); 122 x 150 x 7 cm (marco). \n  \n obra original realizada por el pintor catalán jaume vilallonga (barcelona 1861 - tossa de mar 1904). esta pintura muestra la iglesia de la localidad de giverny, al noroeste de parís, célebre hoy por ser el lugar donde a partir de 1883 claude monet trasladó su residencia, al alquilar primero y adquirir después, su casa y taller hoy visitables. allí formó su famoso jardín, fuente de inspiración para numerosas composiciones pictóricas y, además, centro de reunión de artistas de la época. quizá jaume vilallonga pudo conocer a monet en giverny, pues el lienzo que aquí presentamos lo fecha el pintor catalán en 1887, año de residencia segura del maestro en aquella localidad. recordemos que durante aquel intervalo de tiempo 1887/1888 vilallonga se encontraba trabajando en parís en el museo del louvre, disfrutando de la maestría del pintor collant y formándose en la prestigiosa academia colarossi, donde acudieron artistas como anglada camarasa, nonell, maillol, gauguin, grosz, modigliani o mucha.  \n   \n claude monet falleció en giverny y allí descansan sus restos.  \n  \n bibliografía de referencia: \n gener, pompeyus: en jaume vilallonga. en \"ilustració catalana\", any iii, barcelona, 6 d'agosto de 1905, n.º 114, pp. 507 y ss."},"lotNumber":"2","title":{"en":"jaume vilallonga (1861-1904) - church at giverny (france)","es":"jaume vilallonga (1861-1904) - iglesia de giverny (francia)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19592/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T00:23:19.057Z","textCase":"lower","currency":"EUR","id":19592},{"startPrice":1600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19586/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19586/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19586/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19586/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19586/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19586/008/008.jpg"],"available":false,"description":{"en":"oil on canvas depicting saint anne teaching the virgin mary to read as a child. quality details in the execution of compositional details, such as the crown of the girl, the flowers, scissors, cat... it has a smooth frame in gilded wood from the 19th century. \n \n measurements: 155,5 x 98,5 cm (canvas); 167,4 x 110,4 x 5 cm (frame)","es":"óleo sobre lienzo que representa a santa ana enseñando a leer a la virgen maría siendo niña. detalles de calidad en la realización de detalles compositivos, como la corona de la niña, las flores, tijeras, gato... presenta marco liso en madera dorada del siglo xix. \n \n \n \n medidas: 155,5 x 98,5 cm (lienzo); 167,4 x 110,4 x 5 cm (marco)"},"lotNumber":"3","title":{"en":"anonymous hispanic colonial c. 1700 - st. anne teaching the infant virgin how to read","es":"anónimo hispano colonial c. 1700 - santa ana enseñando a leer a la virgen niña"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19586/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1600,"lastUpdate":"2026-07-01T00:23:19.059Z","textCase":"lower","currency":"EUR","id":19586},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19583/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19583/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19583/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19583/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19583/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19583/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19583/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19583/016/016.jpg"],"available":false,"description":{"en":"spanish school c. 1930. painting showing a gypsy woman with a pack of cards in her right hand. the work is dedicated and signed, with the following text: \u2018to my very good friend figuerola / on the day of his benefit (?) / dedicates this / ... (signature illegible)\u2019. \n \n oil on canvas with its period frame in wood and paste. \n \n \n measurements: 80 x 60 cm (canvas); 94 x 73,5 x 4 cm (frame)","es":"escuela española c. 1930. pintura donde se representa una mujer gitana con una baraja de naipes en su mano derecha. la obra aparece dedicada y firmada, con el siguiente texto: \"a mi buenísimo amigo figuerola / en el día de su beneficio (?) / dedica esta / ... (firma ilegible)\". \n \n \n \n óleo sobre lienzo con su marco de época en madera y pasta. \n \n \n medidas: 80 x 60 cm (lienzo); 94 x 73,5 x 4 cm (marco)"},"lotNumber":"4","title":{"en":"illegible signature - maldita vida","es":"firma ilegible - maldita vida"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19583/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T00:23:19.060Z","textCase":"lower","currency":"EUR","id":19583},{"startPrice":4500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19590/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19590/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19590/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19590/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19590/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19590/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19590/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19590/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19590/009/009.jpg"],"available":false,"description":{"en":"oil on panel. size: 149 x 106,5 x 2 cm. \n \n the painting represents the immaculate conception. it is a work ascribed to the spanish school of the xvi century. it is remarkable the support of the painting itself, consisting of a large board worked and lowered with a gouge, a tool that has left its original marks. support up to 2 cm thick. anonymous authorship","es":"óleo sobre tabla. medidas: 149 x 106,5 x 2 cm. \n la pintura representa la inmaculada concepción. es obra adscrita a la escuela española del siglo xvi. llama la atención el soporte de la propia pintura, constituido por una gran tabla trabajada y rebajada a base de gubia, herramienta que ha dejado sus originales marcas. soporte de hasta 2 cm de grosor. autoría anónima"},"lotNumber":"5","title":{"en":"anonymous spanish 16th century - immaculate conception","es":"anónimo español siglo xvi - inmaculada concepción"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19590/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T00:23:19.061Z","textCase":"lower","currency":"EUR","id":19590},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19607/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19607/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19607/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19607/003/003.jpg"],"available":false,"description":{"en":"circa 1920. oil on canvas. signed on the left shoulder of the portrayed, \u201ce. chicharro\u201d; on the back, on the frame, \u201811\u2019. \n \n measurements: 72.5 x 58.5 cm. \n \n \n  \n \n \n permission granted by the spanish state for immediate export to countries of the european union, and other countries of the world, upon payment of a fee. \n \n \n  \n \n \n the painting represents an elderly woman in front of the viewer. she is wearing a spanish lace mantilla, which is visible under her coat, both garments in black, and the latter with a wide fur lapel in dark brown. her head is covered with another small lace shawl, also in black. the brooch she wears on her chest, golden and with rhinestones, together with her earrings, denote a certain social charge of the portrayed. \n \n \n  \n \n \n  \n \n \n the painting shows a strong contrast between the clarity that chicharro imprints on the face and jewelry of the old woman, in contrast to the dark clothing and ocher background of the work. this proposal should be understood as a plea against the absence of color and strength of line that the artist proposed in some of his works during the second decade of the twentieth century. \n \n \n  \n \n \n eduardo chicharro y agüera was born in madrid (june 18, 1873) in the upper corridor of san pablo and died in the same villa y corte (may 24, 1949). his father eduardo chicharro serrano was a glassmaker, also related to other artisan fields. at the age of 15 he began studying drawing and painting at the royal academy of fine arts of san fernando. \n \n \n  \n \n \n a disciple of joaquín sorolla and teacher of mexican muralist diego rivera, he studied in the workshop of the valencian master, who considered him one of his most gifted disciples. he traveled to italy in 1900 after winning first place and a scholarship from the academy ahead of such important painters as julio romero de torres and fernando álvarez sotomayor. four years later, in 1904, with his work los amores de armida y reinaldo, he won the first medal at the national exhibition of fine arts. immersed in the artistic environment of the madrid of his time, he decided to found and preside in 1910 the so-called association of painters and sculptors, from his own studio in madrid, an association that will create in turn in 1920 the salón de otoño, a contest still in force today. \n \n \n  \n \n \n from 1912 to 1925 he directed the spanish academy in rome, replacing ramón maría del valle inclán. between those years, on may 14, 1922, he joined the royal academy of fine arts of san fernando as an academician, with an outstanding speech entitled science and art of coloring, a message that we believe is represented in the portrait of an old woman that we present here, with its striking black clothing on a dark monochrome background: \u201cthe power of the line is immense, with only the stroke you can represent all the forms of nature (...) color does not have that power and needs the line as a framework on which to found itself\u201d. \n \n \n the tireless work of the vilches salon hosted in 1927 what was his first monographic exhibition entitled \u201cwomen\u201d. after this, and when the second spanish republic was declared, he received the position of general inspector of the schools of arts and crafts, which is still in force today. as a culmination of his career, he was appointed general director of fine arts in 1934. \n \n \n  \n \n \n his active participation in numerous national and foreign exhibitions led him to obtain different medals and mentions; the honorary mention in 1897; second medal in 1899; first medals in 1904 and 1908; medal of honor in 1922; silver medal in liege, 1905; gold medals in munich, 1905 and 1913; medal in zaragoza, 1908; medal in valencia, 1910; medals in barcelona in 1907 and 1911; medal in buenos aires in 1910; medal in panama in 1916; and great gold medal in berlin in 1914. \n \n \n  \n \n \n chamber painter with alfonso xii, he also portrayed alfonso xiii, king of spain. chicharro was knight of the legion of honor, grand officer of the crown of italy, grand cross of alfonso x the wise and adopted son of avila. \n \n \n several spanish and foreign museums keep his paintings. as an anecdotal fact, his work pygmalion, commissioned by the spanish government in 1925 for the current world trade organization (from gatt), based in the swiss city of geneva, came to light in 2007. \n \n \n he was the teacher of the outstanding mexican muralist diego rivera, of his son eduardo chicharro briones, who in addition to being a painter, wrote treatises on art and poetry, and of the basque painter julián de tellaeche aldasoro (bergara 1884 - lima 1957), among others. \n \n \n  \n \n \n reference bibliography: \n \n \n e. m. aguilera, eduardo chicharro: aspectos de su vida, su obra y su arte, barcelona, iberia, 1947; j. francés, tres pintores madrileños: leonardo alenza, eduardo chicharro y gutiérrez solana, madrid, discurso leído el 28 de octubre de 1961 con motivo de su ingreso en la real academia de bellas artes de san fernando, madrid, magisterio español, 1961; j. a. gaya nuño, la pintura española del siglo xx, madrid, ibérico europea de ediciones, 1970; j. contreras y lópez, eduardo chicharro en su centenario, madrid, 1973; b. de pantorba, historia y crítica de las exposiciones nacionales de bellas artes celebradas en españa, madrid, 1980; c. reyero y m. freixa, pintura y escultura en españa 1800-1910, madrid, cátedra, 1995; vv. aa., eduardo chicharro agüera, catálogo de la exposición, torreón de lozoya, mayo de 1998, segovia, 1998; arte para un siglo: colecciones del museo nacional centro de arte reina sofía. cambio de siglo: 1881-1925, madrid, confederación española de cajas de ahorros, 2002; l. fernández bastos, eduardo chicharro agüera, en \u201cdiccionario biográfico español\u201d, madrid, real academia de la historia.","es":"hacia 1920. óleo sobre lienzo. firmado sobre el hombro izquierdo de la retratada, \u201ce. chicharro\u201d; en el reverso, sobre el bastidor, \u201c11\u201d. \n medidas: 72,5 x 58,5 cm. \n  \n permiso concedido por el estado español para su exportación inmediata a países de la unión europea, y resto de países del mundo, previo pago de tasa. \n  \n la pintura representa una mujer de avanzada edad en posición frontal al espectador. viste mantilla española de blonda, que se deja ver bajo su abrigo, ambas prendas en color negro, y ésta última con amplia solapa de pelo en tonalidad marrón oscuro. lleva su cabeza cubierta con otra pequeña manteleta de encaje también en negro. el broche que luce sobre su pecho, dorado y con pedrería, en unión a sus pendientes, denotan cierta carga social de la retratada. \n  \n  \n \n la pintura muestra un fuerte contraste entre la claridad que chicharro imprime al rostro y joya de la anciana, en contraposición a la oscura indumentaria y fondo ocre de la obra. esta propuesta debe de entenderse como un alegato ante la ausencia de color y fortaleza de la línea que sobre la pintura el artista planteó en algunas de sus obras durante la segunda década del siglo xx. \n \n \n  \n \n \n \n \n eduardo chicharro y agüera nació en madrid (18 de junio de 1873) en la corredera alta de san pablo y falleció en la misma villa y corte (24 de mayo de 1949). su padre eduardo chicharro serrano fue vidriero, también relacionado con otros ámbitos artesanos. a la edad de 15 años comenzó a estudiar dibujo y pintura en la real academia de bellas artes de san fernando. \n \n \n  \n \n \n \n \n discípulo de joaquín sorolla y maestro del muralista mexicano diego rivera, estudió en el taller del maestro valenciano, quien le consideró uno de sus discípulos más aventajados. viajó por italia en el año 1900 tras conseguir un primer puesto y beca de la academia por delante de pintores tan relevantes como julio romero de torres y fernando álvarez sotomayor. cuatro años después, en 1904 con su obra los amores de armida y reinaldo, obtuvo la primera medalla de la exposición nacional de bellas artes. inmerso en el ambiente artístico del madrid de su época decidió fundar y presidir en 1910 la denominada asociación de pintores y escultores, desde su propio estudio en madrid, una asociación que creará a su vez en 1920 el salón de otoño, un certamen con vigencia hoy en día. \n \n \n  \n \n \n \n \n desde 1912 hasta 1925 dirigió la academia de españa en roma, sustituyendo a don ramón maría del valle inclán. entre esos años, el 14 de mayo de 1922, ingresó en la real academia de bellas artes de san fernando como académico suyo, con un destacado discurso titulado ciencia y arte del colorido, un mensaje que creemos queda representado en el retrato de anciana que aquí presentamos y nos ocupa, con su llamativa indumentaria negra sobre fondo monócromo oscuro: \u201cel poder de la línea es inmenso, con sólo el trazo se pueden representar todas las formas de la naturaleza (...) el color no tiene ese poder y necesita de la línea como armazón en que fundarse\u201d. \n \n \n  \n \n \n \n \n la labor incansable del salón vilches acogió en 1927 la que fuera su primera exposición monográfica titulada \u201cmujeres\u201d. tras esto, y al declararse la ii república española, recibió el cargo de inspector general de las escuelas de artes y oficios, de vigencia actual. como colofón a su trayectoria fue nombrado director general de bellas artes en 1934. \n \n \n  \n \n \n \n \n su activa participación en numerosas exposiciones nacionales y extranjeras le llevaron a obtener diferentes medallas y menciones; destacan la mención honorífica en 1897; segunda medalla en 1899; primeras medallas en 1904 y 1908; medalla de honor en 1922; medalla de plata en lieja, 1905; medallas de oro en munich, años 1905 y 1913; medalla en zaragoza, en 1908; medalla en valencia, 1910; medallas en barcelona en 1907 y 1911; medalla en buenos aires en 1910; medalla en panamá en 1916; y gran medalla de oro en berlín en 1914. \n \n \n  \n \n \n \n \n pintor de cámara con alfonso xii, retrató a su vez a alfonso xiii, rey de españa. chicharro fue caballero de la legión de honor, gran oficial de la corona de italia, gran cruz de alfonso x el sabio e hijo adoptivo de ávila. \n \n \n diferentes museos españoles y extranjeros conservan pinturas suyas. como dato anecdótico y dada por desaparecida, vió la luz en 2007 su obra pigmalión, encargada por el gobierno de españa en 1925 con destino a la actual organización mundial del comercio (procedente de gatt), con sede en la ciudad suiza de ginebra. \n \n \n fue maestro del destacado muralista mexicano diego rivera, de su hijo eduardo chicharro briones, que además de pintor, escribió tratados sobre arte y poesía, y del pintor vasco julián de tellaeche aldasoro (bergara 1884 \u2013 lima 1957), entre otros. \n \n \n  \n \n \n \n \n bibliografía de referencia: \n \n \n e. m. aguilera, eduardo chicharro: aspectos de su vida, su obra y su arte, barcelona, iberia, 1947; j. francés, tres pintores madrileños: leonardo alenza, eduardo chicharro y gutiérrez solana, madrid, discurso leído el 28 de octubre de 1961 con motivo de su ingreso en la real academia de bellas artes de san fernando, madrid, magisterio español, 1961; j. a. gaya nuño, la pintura española del siglo xx, madrid, ibérico europea de ediciones, 1970; j. contreras y lópez, eduardo chicharro en su centenario, madrid, 1973; b. de pantorba, historia y crítica de las exposiciones nacionales de bellas artes celebradas en españa, madrid, 1980; c. reyero y m. freixa, pintura y escultura en españa 1800-1910, madrid, cátedra, 1995; vv. aa., eduardo chicharro agüera, catálogo de la exposición, torreón de lozoya, mayo de 1998, segovia, 1998; arte para un siglo: colecciones del museo nacional centro de arte reina sofía. cambio de siglo: 1881-1925, madrid, confederación española de cajas de ahorros, 2002; l. fernández bastos, eduardo chicharro agüera, en \u201cdiccionario biográfico español\u201d, madrid, real academia de la historia."},"lotNumber":"6","title":{"en":"eduardo chicharro agüera (madrid 1873-1949) - elderly woman","es":"eduardo chicharro agüera (madrid 1873-1949) - anciana"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19607/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T00:23:19.063Z","textCase":"lower","currency":"EUR","id":19607},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19588/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19588/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19588/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19588/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19588/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19588/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19588/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19588/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19588/009/009.jpg"],"artist":{"en":"gil saiz (spanish school c. 1900)","es":"gil saiz (escuela española h. 1900)"},"available":false,"description":{"en":"oil on canvas. signed and dated in the lower right-hand corner: \u2018g. saiz / 1900 (?)\u2019. \n \n size: 48 x 23 cm (support); 51,5 x 27,5 x 2,5 cm (frame)","es":"óleo sobre lienzo. firmado y fechado en el ángulo inferior derecho: \"g. saiz / 1900 (?)\". \n \n \n \n medidas: 48 x 23 cm (soporte); 51,5 x 27,5 x 2,5 cm (marco)"},"lotNumber":"7","title":{"en":"gil saiz (spanish school s. xx) - view of a hermitage in castile","es":"gil saiz (escuela española s. xx) - vista de una ermita en castilla"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19588/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":200,"lastUpdate":"2026-07-01T00:23:19.065Z","textCase":"lower","currency":"EUR","id":19588},{"startPrice":2800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19608/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19608/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19608/003/003.jpg"],"soldDate":"2025-11-08","available":false,"description":{"en":"circa 1910. oil on canvas. signed lower left \u201ca. ferreras\u201d. \n \n measurements: 90 x 50 cm. \n \n \n permission granted by the spanish state for immediate export to countries of the european union, and other countries of the world, upon payment of a fee. \n \n \n  \n \n \n this painting of vertical rectangular format represents a group of flowers with an abundance of white, pink, red and yellow carnations accompanied by a bouquet of lilacs and some scattered bells. they are surrounded by fern leaves that group the diversity of color of these flowers. the violet background of the painting in the upper half of the canvas merges with another vegetal background in the lower half, extolling the vase. \n \n \n  \n \n \n catalan painter and illustrator who began to train and study drawing and painting at the school of fine arts in barcelona, specializing in floral motifs. she participated in various painting exhibitions both national and foreign, presented individually or collectively; highlights include the hispano-french exhibition of 1895, where she won a silver medal, the exhibition of arts and industries of mexico in 1896, the exhibition of artists of lleida in 1912 or the one held at the sala parés in barcelona in 1926. she combined her paintings on canvas as an illustrator for the nodomanski house in vienna. \n \n \n  \n \n \n the royal palace in madrid and the national art museum of catalonia in barcelona keep works by this artist. \n \n \n  \n \n \n reference bibliography: \n \n \n antolín paz, mario (dir.): diccionario de pintores y escultores españoles del siglo xx. madrid, forum artis, 1994, t. v, p. 1.299 \n \n \n diego, estrella de: la mujer y la pintura en la españa del siglo xix. mujeres pintoras en madrid: 1868-1910. tesis doctoral, ucm, 1987, p. 687.","es":"hacia 1910. óleo sobre lienzo. firmado abajo a la izquierda \u201ca. ferreras\u201d. \n medidas: 90 x 50 cm. \n permiso concedido por el estado español para su exportación inmediata a países de la unión europea, y resto de países del mundo, previo pago de tasa. \n  \n esta pintura de formato rectangular vertical representa un conjunto de flores donde abundan claveles blancos, rosas, rojos y amarillos acompañados por un ramo de lilas y algunas campanillas dispersas. se encuentran arropadas por hojas de helecho que agrupan la diversidad de color de estas flores. el fondo violáceo de la pintura en la mitad superior del lienzo se funde con otro fondo vegetal en su inferior, ensalzando el florero. \n  \n  \n mujer pintora e ilustradora catalana que comenzó a formarse y a estudiar dibujo y pintura en la escuela de bellas artes de barcelona, especializándose en motivos florales. participó en diferentes exposiciones de pintura tanto nacionales como extranjeras, presentándose de manera individual o colectiva; destacan la exposición hispano-francesa de 1895, donde consiguió medalla de plata, la exposición de artes e industrias de méxico de 1896, la exposición de artistas de lleida de 1912 o la celebrada en la sala parés de barcelona en 1926. compaginó sus pinturas en lienzo como ilustradora para la casa nodomanski en viena. \n  \n  \n el palacio real de madrid y el museo nacional de arte de catalunya de barcelona conservan obras de esta artista. \n  \n bibliografía de referencia: \n antolín paz, mario (dir.): diccionario de pintores y escultores españoles del siglo xx. madrid, forum artis, 1994, t. v, p. 1.299  \n diego, estrella de: la mujer y la pintura en la españa del siglo xix. mujeres pintoras en madrid: 1868-1910. tesis doctoral, ucm, 1987, p. 687."},"lotNumber":"8","title":{"en":"antonia ferreras bertrán (lleida 1873 - barcelona or lleida 1953) - flower vase","es":"antonia ferreras bertrán (lleida 1873 \u2013 barcelona o lleida 1953) - florero"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19608/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2800,"soldPrice":2800,"lastUpdate":"2026-07-01T00:23:19.066Z","textCase":"lower","currency":"EUR","id":19608},{"startPrice":1200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19604/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19604/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19604/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19604/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19604/005/005.jpg"],"soldDate":"2025-04-09","available":false,"description":{"en":"narcissus. oil on panel. 19th century. \n \n the painting depicts the classical myth of narcissus. according to classical mythology, narcissus was a very beautiful young man who cruelly rejected the love of the nymph echo, and was condemned by nemesis to fall in love with his own image. thus, when he saw himself reflected in a fountain or spring, he was absorbed and ended up committing suicide, becoming the flower that bears his name. \n \n \n size: 59.5 x 81.5 cm (support); 71 x 5.5 x 99 cm (frame).","es":"narciso. óleo sobre tabla. siglo xix. \n \n \n \n la pintura muestra el mito clásico de narciso. según la mitología clásica, narciso era un joven muy hermoso que rechazó cruelmente el amor de la ninfa eco, por lo que fue condenado por némesis a enamorarse de su propia imagen. así, al verse reflejado en una fuente o manantial quedó absorto y terminó suicidándose, convertido en la flor que lleva su nombre. \n \n \n medidas: 59,5 x 81,5 cm (soporte); 71 x 5,5 x 99 cm (marco)"},"lotNumber":"9","title":{"en":"école européenne s. xviii - narcisse","es":"escuela europea s. xviii - narciso"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19604/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"soldPrice":1200,"lastUpdate":"2026-07-01T00:23:19.068Z","textCase":"lower","currency":"EUR","id":19604},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19584/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19584/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19584/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19584/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19584/005/005.jpg"],"soldDate":"2025-04-09","available":false,"description":{"en":"oil on canvas. signed with the letters t and a intertwined (taviel de andrade) and dated in roman numerals mdccccxx (1920); 110 x 160 cm. \n \n  \n \n \n josé taviel de andrade y lerdo de tejada (1857-. 1920) was a prominent spanish painter and military man who became the personal bodyguard of \n josé rizal, national hero of the philippines.  \n \n \n  \n \n \n with an outstanding military career after serving his country in north africa, he fought against the carlists in 1876. at the age of 23, he was appointed by the army to the philippine islands (1880). manila, visayas and jolo were the places where he served his first peacetime tours, with decorations. \n \n \n  \n \n \n stationed in calamba, taviel de andrade was entrusted in august 1887 with the delicate task of taking over as josé rizal's personal guardian, a task laden with responsibility, which was to unite the two personalities in a close friendship. thus, before taviel's return to spain in 1888, josé rizal presented him with one of his translated literary works, \u2018sucesos de morga\u2019. numerous correspondence between the two attested to this friendship. \n \n \n  \n \n \n in 1891, he returned to mindanao and jolo in order to establish a period of pacification, with varying successes in linamon and malabang, among other places, which earned him the promotion to major of infantry. \n \n \n  \n \n \n years later he was appointed military governor of zamboanga, after josé rizal was executed in 1896. \n \n \n  \n \n \n on his return to spain and after a brief period in cuba, he was promoted to lieutenant colonel in 1906. \n \n \n  \n \n \n this interesting painting shows don quixote de la mancha seated in his friar's armchair, from the back of which hangs his sheathed sword. surrounding him in disarray are various books of chivalry, some read and others glanced at, where the reader does not seem to find comfort. \n \n \n  \n \n \n the date of the work, 1920, is very interesting, dated in roman numerals, whereas up to now, general historiography has considered 1910 to be the year of taviel de andrade's death.","es":"óleo sobre lienzo. firmado con las letras t y a entrelazadas (taviel de andrade) y fechado en números romanos mdccccxx (1920); 110 x 160 cm. \n  \n josé taviel de andrade y lerdo de tejada (1857-1920) fue destacado pintor y militar español que llegó a ser guardaespaldas personal de josé rizal, héroe nacional de filipinas . \n  \n con una destacable carrera militar tras servir a la patria en el norte de áfrica, luchó contra los carlistas en 1876. con tan sólo 23 años de edad, fue designado por el ejército a las islas filipinas (1880). manila, islas visayas y joló fueron los lugares donde ejerció sus primeras pacificaciones, con condecoraciones. \n  \n destinado en calamba, a taviel de andrade se le encomendó en agosto de 1887 la delicada tarea de tomar el cargo como guarda personal de josé rizal, un cometido cargado de responsabilidad, lo que uniría a ambas personalidades en una entrañable amistad. por ello, antes del regreso de taviel a españa en 1888, josé rizal le obsequió con uno de sus trabajos literarios traducidos, \"sucesos de morga\". numerosa correspondencia entre ambos certifica dicha amistad. \n  \n en 1891 volvió a mindanao y joló, con el fin de establecer un período de pacificación, con distintos éxitos en linamon y malabang, entre otros lugares, lo que le valdría el ascenso a comandante de infantería. \n  \n años más tarde fue nombrado gobernador militar de zamboanga, una vez que josé rizal fue ejecutado en 1896. \n  \n de regreso a españa y tras un breve periodo de tiempo en cuba, fue ascendido en 1906 a teniente coronel. \n  \n esta interesante pintura presenta a don quijote de la mancha sentado en su sillón frailero, de cuyo respaldo cuelga su espada de cazoleta, envainada. le rodean con desorden diferentes libros de caballería, leídos unos y ojeados otros, donde el lector no parece encontrar su consuelo. \n  \n interesantísima es la fecha de la obra, 1920, datada en números romanos, cuando hasta este momento, la historiografía general ha considerado 1910 como el año del fallecimiento de taviel de andrade."},"lotNumber":"10","title":{"en":"josé taviel de andrade (1857 - h. 1920) - don quixote de la mancha","es":"josé taviel de andrade (1857 - h. 1920) - don quijote de la mancha"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19584/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"soldPrice":2000,"lastUpdate":"2026-07-01T00:23:19.069Z","textCase":"lower","currency":"EUR","id":19584},{"startPrice":20000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19598/015/015.jpg"],"available":false,"description":{"en":"oil on canvas. size: 37 x 78 cm (support); 49 x 90 cm (frame). \n \n in 1784 the painter francisco bayeu y subías (1734-1795) directed the royal commission to conceive and carry out the sketches and cartons in painting that recreate costumbrist matters located in the town of madrid and its surroundings. the purpose was to weave the corresponding large tapestries that would decorate, as they do today, different rooms in royal palaces in madrid. the magnitude of the commission obliged francisco to rely on a team of collaborating artists, among whom was the painter and his brother ramón bayeu subías (1744-1793). \n \n \n the number and variety of the subjects to be composed and executed established a work team where the new compositional proposals would circulate fluently. the painting that concerns us here shows a thought to undertake one of the main subjects of this series, the bridge over the canal of the manzanares river, a tapestry destined for the so-called prince of asturias room located in the palace of el pardo (madrid, see image 16: © archivo moreno, 03330_c). at present, the dining room of the monastery of san lorenzo el real de el escorial (madrid) holds the great tapestry where this subject is shown together with others of this series in the same textile (see image 17: © archivo moreno, vn-22738). \n \n \n the final sketch was signed by francisco bayeu (madrid, © museo nacional del prado, cat. p000605) whose similarity with the painting to be auctioned is direct (see image 18). the more correct technique in the drawing with impasto in the oils of francisco's definitive canvas, contrasts with the undone mode, and sometimes certain imperfections in the stroke that, in our opinion, point to ramón as the possible author of this thought, who also made the subsequent definitive cardboard. the measurements between the two small paintings differ, 36 x 95 cm in the sketch signed by francisco, as opposed to 37 x 78 cm in the one exhibited here, a difference in the widths forced by the dimensions for his later cardboard and tapestry. without losing the definitive subject, that bridge that existed over the madrid canal, the different variations both in the detailed elements that make up both works and in the colors used (horses, postures, guitars...), we believe that they are signs that we are faced with different proposals for the same purpose, made by both brothers working as a team. \n \n \n this unpublished canvas, never previously published or exhibited in exhibition or trade, must respond to a chronology strictly prior to 1784, date considered until today to date the sketch of francisco bayeu. \n \n \n reference bibliography: \n \n \n catálogo 1990 \n \n \n catálogo de las pinturas. museo municipal de madrid. madrid, museo municipal, 1990, pp. 111-112. \n \n \n madrid 1992 \n \n \n madrid pintado. la imagen de madrid a través de la pintura. dirección científica a cargo de alfonso e. pérez sánchez; varios autores. madrid, museo municipal, de octubre-1992 a enero-1993, pp. 127-129. \n \n \n martínez ibáñez 1988 \n \n \n martínez ibáñez, m.ª antonia: pintura madrileña de antonio carnicero. en \"anales del instituto de estudios madrileños\", t. xxv, madrid, 1988, p. 69, fig. 3. \n \n \n matilla tascón 1960 \n \n \n matilla tascón, antonio: documentos del archivo del ministerio de hacienda, relativos a pintores de cámara y de las fábricas de tapices y porcelana. siglo xviii. en \"revista de archivos, bibliotecas y museos\", madrid, enero-junio de 1960, t. lxviii-1, pp. 199, 222 (doc. 77) y 224 (doc. 85). \n \n \n morales 1979 \n \n \n morales y marín, josé luis: los bayeu. caja de ahorros de zaragoza, aragón y rioja. zaragoza, 1979, p. 74, n.º 66 y p. 196, doc. n.º 33. \n \n \n sambricio 1955 \n \n \n sambricio, valentín de: francisco bayeu. csic. madrid, 1955, p. 39, n.º 34, lám. 34.","es":"óleo sobre lienzo. medidas: 37 x 78 cm (soporte); 49 x 90 cm (marco). \n \n \n \n \n \n \n \n en 1784 el pintor francisco bayeu y subías (1734-1795) dirigió el encargo real para concebir y realizar los bocetos y cartones en pintura que recrean asuntos costumbristas ubicados en la villa de madrid y su entorno. la finalidad fue tejer sus correspondientes tapices de grandes dimensiones que decorarían, como en la actualidad lo hacen, distintas estancias en palacios reales madrileños. la magnitud del encargo obligó a francisco a contar con un equipo de artistas colaboradores, entre los que se encontraba el también pintor y hermano suyo ramón bayeu subías (1744-1793). \n \n \n el número y variedad en los asuntos a componer y realizar estableció un equipo de trabajo donde las nuevas propuestas compositivas circularían con fluidez. la pintura que aquí nos ocupa muestra un pensamiento para acometer uno de los asuntos principales de esta serie, el puente sobre el canal del río manzanares, un tapiz con destino para el denominado cuarto del príncipe de asturias ubicado en el palacio de el pardo (madrid, véase imagen 16: © archivo moreno, 03330_c). en la actualidad el comedor del monasterio de san lorenzo el real de el escorial (madrid) custodia el gran tapiz donde este asunto se muestra de manera conjunta con otros de esta serie en un mismo textil (véase imagen 17: © archivo moreno, vn-22738). \n \n \n el boceto definitivo lo firmó francisco bayeu (madrid, © museo nacional del prado, cat. p000605) cuya similitud con la pintura a subastar es directa (véase imagen 18). la técnica más correcta en el dibujo con empaste en los óleos del lienzo definitivo de francisco, contrasta con el modo deshecho, y en ocasiones ciertas imperfecciones en el trazo que, en nuestra opinión, apuntan a ramón como posible autor de dicho pensamiento, quien además realizó el consiguiente cartón definitivo. las medidas entre ambas pequeñas pinturas difieren, 36 x 95 cm en el boceto firmado de francisco, frente a 37 x 78 cm del aquí expuesto, una diferencia en los anchos obligada según las dimensiones para su cartón y tapiz posteriores. sin perder el asunto definitivo, aquel puente que existió sobre el canal madrileño, las diversas variaciones tanto en los elementos pormenorizados que componen ambas obras como en los colores empleados (caballos, posturas, guitarras...), creemos que son signos de encontrarnos ante distintas propuestas para un mismo fin, realizadas por ambos hermanos ante un trabajo en equipo. \n \n \n este lienzo inédito, nunca anteriormente publicado ni expuesto en exposición ni comercio, debe de responder a una cronología estrictamente anterior a 1784, fecha hasta hoy considerada para datar el boceto de francisco bayeu. \n \n \n bibliografía de referencia: \n \n \n catálogo 1990 \n \n \n catálogo de las pinturas. museo municipal de madrid. madrid, museo municipal, 1990, pp. 111-112. \n \n \n madrid 1992 \n \n \n madrid pintado. la imagen de madrid a través de la pintura. dirección científica a cargo de alfonso e. pérez sánchez; varios autores. madrid, museo municipal, de octubre-1992 a enero-1993, pp. 127-129. \n \n \n martínez ibáñez 1988 \n \n \n martínez ibáñez, m.ª antonia: pintura madrileña de antonio carnicero. en \"anales del instituto de estudios madrileños\", t. xxv, madrid, 1988, p. 69, fig. 3. \n \n \n matilla tascón 1960 \n \n \n matilla tascón, antonio: documentos del archivo del ministerio de hacienda, relativos a pintores de cámara y de las fábricas de tapices y porcelana. siglo xviii. en \"revista de archivos, bibliotecas y museos\", madrid, enero-junio de 1960, t. lxviii-1, pp. 199, 222 (doc. 77) y 224 (doc. 85). \n \n \n morales 1979 \n \n \n morales y marín, josé luis: los bayeu. caja de ahorros de zaragoza, aragón y rioja. zaragoza, 1979, p. 74, n.º 66 y p. 196, doc. n.º 33. \n \n \n sambricio 1955 \n \n \n sambricio, valentín de: francisco bayeu. csic. madrid, 1955, p. 39, n.º 34, lám. 34."},"lotNumber":"11","title":{"en":"attributed to ramón bayeu subías (1744-1793) - bridge over the manzanares river canal (madrid)","es":"atribuido a ramón bayeu subías (1744-1793) - puente sobre el canal del río manzanares (madrid)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19598/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":20000,"lastUpdate":"2026-07-01T00:23:19.685Z","textCase":"lower","currency":"EUR","id":19598},{"startPrice":150,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19593/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19593/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19593/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19593/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19593/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19593/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19593/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19593/008/008.jpg"],"available":false,"description":{"en":"painted serge with scenes of scribes at work. tempera or gouache on paper and serge. piece that can be rolled up on itself. it conserves its two command staffs made of wood, possibly elm. some deterioration on the paper. \n \n measurements: 144.5 x 67 cm. length of each pole: approx. 83 cm. \n \n \n provenance: \n \n \n china. \n \n \n netherlands, antique market. \n \n \n madrid, private collection.","es":"sarga pintada con escenas de escribanos en sus oficios. témpera o gouache sobre papel y sarga. pieza con posibilidad de enrollar sobre sí misma. conserva sus dos bastones de mando realizados en madera, posiblemente de olmo. algunos deterioros sobre el papel. largo de cada bastón: 83 cm aprox. \n \n \n \n medidas: 144,5 x 67 cm. \n \n \n procedencia: \n \n \n china. \n \n \n países bajos, mercado anticuario. \n \n \n madrid, colección particular."},"lotNumber":"12","title":{"en":"xix century oriental anonymous - xix century oriental painting","es":"anónimo oriental del siglo xix - pintura oriental siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19593/view","tags":["esinternational_chinese","esinternational","esinternational_all"],"directSalePrice":150,"lastUpdate":"2026-07-01T00:23:19.688Z","textCase":"lower","currency":"EUR","id":19593},{"startPrice":150,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19594/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19594/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19594/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19594/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19594/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19594/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19594/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19594/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19594/009/009.jpg"],"artist":{"en":"xix century oriental anonymous","es":"anónimo oriental del siglo xix"},"available":false,"description":{"en":"painted serge with scenes of scribes at work. tempera or gouache on paper and serge. piece that can be rolled up on itself. it conserves its two command staffs made of wood, possibly elm. \n \n measurements: 156 x 67.5 cm. length of each pole: approx. 83 cm. \n \n \n provenance: \n \n \n china. \n \n \n netherlands, antique market. \n \n \n madrid, private collection.","es":"sarga pintada con escenas de escribanos en sus oficios. témpera o gouache sobre papel y sarga. pieza con posibilidad de enrollar sobre sí misma. conserva sus dos bastones de mando realizados en madera, posiblemente de olmo. \n \n medidas: 156 x 67,5 cm. largo de cada bastón: 83 cm aprox. \n \n \n procedencia: \n \n \n china. \n \n \n países bajos, mercado anticuario. \n \n \n madrid, colección particular."},"lotNumber":"13","title":{"en":"oriental painting xix century","es":"pintura oriental siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19594/view","tags":["esinternational_chinese","esinternational","esinternational_all"],"directSalePrice":150,"lastUpdate":"2026-07-01T00:23:19.689Z","textCase":"lower","currency":"EUR","id":19594},{"startPrice":550,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19603/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19603/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19603/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19603/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19603/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19603/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19603/007/007.jpg"],"available":false,"description":{"en":"oil painting on canvas. spanish school c. 1800. \n \n it has a 19th century carved and polychrome wooden frame, which follows 17th century models. \n \n \n measures: 83 x 105 cm (canvas); 100.5 x 123 cm (frame)","es":"pintura al óleo sobre lienzo. escuela española c. 1800. \n presenta marco de madera tallada y policromada del siglo xix, que sigue modelos del siglo xvii. \n medidas: 83 x 105 cm (lienzo); 100,5 x 123 cm (marco)"},"lotNumber":"14","title":{"en":"anonymous spanish, ca. 1800 - pastoral landscape","es":"anónimo español c. 1800 - escena pastoril"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19603/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":550,"lastUpdate":"2026-07-01T00:23:19.690Z","textCase":"lower","currency":"EUR","id":19603},{"startPrice":1700,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19570/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19570/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19570/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19570/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19570/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19570/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19570/007/007.jpg"],"available":false,"description":{"en":"oil on copper. \n \n \n \n dimensions: 53.5 x 71.5 cm (stand); 76.5 x 94.5 cm (frame). \n \n \n with frame in carved, polychrome and gilded wood from the second half of the 20th century. it has some old repainting.","es":"óleo sobre cobre. \n \n \n \n medidas: 53.5 x 71.5 cm (soporte); 76.5 x 94.5 cm (marco). \n \n \n con marco en madera tallada, policromada y dorada de la segunda mitad del siglo xx. presenta algunos antiguos repintes."},"lotNumber":"15","title":{"en":"anonymous 17th century flemish - entry of jesus into jerusalem","es":"anónimo flamenco del siglo xvii - entrada de jesús en jerusalén"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19570/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1700,"lastUpdate":"2026-07-01T00:23:19.692Z","textCase":"lower","currency":"EUR","id":19570},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19600/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19600/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19600/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19600/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19600/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19600/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19600/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19600/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19600/009/009.jpg"],"available":false,"description":{"en":"the rape of europa. oil on canvas. eighteenth-century (?) painting after models by the artist paolo veronese (verona 1528 - venice 1588). the subject of this work shows a scene from classical mythology \n \n classical mythology concerning the so-called rape of europa, a phoenician princess captured by zeus, who, transformed into a white bull, hid among other cattle of her father's herd in order to abduct the young woman. \n \n \n veronese depicted the same subject in his work of 1573 in the antecollegio in the palazzo ducale in venice and another in the museo capitolino in rome, dated between 1580 and 1585. \n \n \n the present painting is a version of the original capitoline o5iginal, a painting that was treated with some frequency by european painters who were followers of veronese. \n \n \n size: 134 x 167 cm (canvas); 158 x 191 x 7 cm (frame)","es":"el rapto de europa. óleo sobre lienzo. pintura del siglo xviii (?) siguiendo modelos del artista paolo veronés (verona 1528 - venecia 1588). el asunto de esta obra muestra la escena de la \n \n mitología clásica referente al denominado rapto de europa, princesa fenicia capturada por zeus, quien transformado en un toro blanco, se escondió entre otras reses del rebaño del padre de aquella, con el fin de raptar a la joven. \n \n \n veronés trató este mismo asunto en su obra de 1573 que conserva el antecolegio del palacio ducal de venecia, y otro del museo capitolino de roma, de entre 1580/1585. \n \n \n la pintura que aquí presentamos es una versión del o5iginal del capitolino, pintura tratada con cierta frecuencia por pintores europeos seguidores de veronés. \n \n \n medidas: 134 x 167 cm (lienzo); 158 x 191 x 7 cm (marco)"},"lotNumber":"16","title":{"en":"follower of paolo veronese 18th century - rape of europe","es":"seguidor de paolo veronés s. xviii - rapto de europa"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19600/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T00:23:19.693Z","textCase":"lower","currency":"EUR","id":19600},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19569/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19569/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19569/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19569/004/004.jpg"],"available":false,"description":{"en":"oil on canvas. \n \n \n \n measures: 77 x 62 cm (canvas). \n \n \n signature and date (back): \u201cpainted by nelson cook.- / rome, n.y, 1880\u201d. \n \n \n nelson cook was an american painter specialized in portrait painting. his works are kept in different american museums, institutions, and private collections, such as the metropolitan museum of art (james merrill cook and his wife anna cady cook, 1840), union college collection (thomas jefferson marvin, c. 1839), shelburne museum of vermont (little dandy, 1840), historical society of saratoga springs (reuben hyde walworth, 1840), sheffield historical society (rev. james bradford, 1847), genesee country village and museum, ny (millard powers fillmore, an american sportsman, c. 1850) or canton museum of art, oh (mrs. naramore, 1855), among others. \n \n \n the son of a cabinetmaker, his parents, joseph cook and mary ann tolman settled in malta around 1800, coming from wallingford, the original place of the family. during his youth, nelson cook helped his older brother in the furniture-making business, and that one provided some financial support to the painter to-be. in the 1830s, the painter settled in canada, where he presented his first portraits in a group exhibition celebrated in toronto in 1834, together with some painters of the canadian school, such as paul kane y james hamilton. in october 1837, having claimed in an autograph letter from said canadian city to have health problems, he settled with his family in different towns in new york state like rochester and buffalo. back in saratoga in the late 1850s, he joins the innovative school for women temple grove seminary as an art teacherse. \n \n \n his health problems continued while he lived in rome (ny, 10 liberty street), where he resided from 1875 to 1887. it was during his stay in this town when he painted this female portrait, as witnessed by the signature, the insciption and the date on the back of the canvas: \u201cpainted by nelson cook. rome, n.y, 1880\u201d. the portrayed woman, georgeanna m. vogell kingsley (13 june 1837, utica, ny \u2013 15 june 1919, rome, ny), reverend henry vogell\u2019s daughter, married the prominent doctor willey josiah pascal kingsley (9 july 1924, frankfort, ny \u2013 26 january 1912) on 4 december 1860. vogell, settled as a surgeon in rome in 1856, specialized in fight against cancer and founded an oncology hospital in the town three years later. his important professional career led him to hold the following positions in the town: vice president of the central new york institution for deaf mutes (1875-1895), president of roma iron works and the rome brass and copper company, vice president of rome cemetery association y the jervis literary association and mayor of the town of rome (1895-1899). georgeanna, who outlived his husband by deseven years, lies next him in rome cemetery (oneida county, ny, sect. h, grave #3). \n \n \n from the pictorial point of view, the portrayed woman poses with half a bust in front of the viewer; she is sitting on a wooden armchair or small sofa with dark green upholstery. her hairstyle shows a headdress with chained pieces, which ties his short hair. on the neck she wears a jewel from which a gold chain hangs on her chest, a proof of her well-off family standing. \n \n \n on the canvas, cook showed both mrs. kingsley\u2019s personality and psychology, whom undoubtedly met and no doubt he knew and had dealings with. the light complexion of her face stands out from the background; the artist placed his model in an interior with a neutral background for greater pictorial enhancement. there is a green knotted drapery curtain to match the furniture upholstery, in front of a diffuse fragment of wall or door. \n \n \n this painting must have matched with the portrait nelson cook made of doctor j.p. kingsley, georgeanna\u2019s husband, in 1879, an original painting today missing. the canvas we present here has been recently restored. its state of conservation is very good.","es":"oleo sobre lienzo. \n \n \n \n medidas: 77 x 62 cm (lienzo). \n \n \n firmado y fechado en el reverso del lienzo: \u201cpainted by nelson cook.- / rome, n.y, 1880\u201d. \n \n \n nelson cook fue pintor estadounidense especializado en pintura de retrato. esta obra debió de formar pareja con el retrato que cook realizó en 1879 del dr. willey j.p. kingsley, marido de georgeanna, pintura hoy en paradero desconocido. el lienzo que ahora presentamos ha sido restaurado recientemente con óptimo estado de conservación. otras obras de este artista se encuentran localizadas en diferentes museos, instituciones y colecciones privadas norteamericanas, como the metropolitan museum of art (james merrill cook y su esposa anna cady cook, 1840), union college collection (thomas jefferson marvin, c. 1839), shelburne museum of vermont (little dandy, 1840), historical society of saratoga springs (reuben hyde walworth, 1840), sheffield historical society (rev. james bradford, 1847), genesee country village and museum, ny (millard powers fillmore, an american sportsman, c. 1850) o canton museum of art, oh (mrs. naramore, 1855), entre otros. \n \n \n una vez domiciliado cook en rome (new york, 10 liberty street), vivió allí entre 1875 y 1887. durante su estancia en esta ciudad debe corresponder la pintura de este retrato de mujer, ya que así lo atestigua la firma, inscripción y fecha que aparece en el reverso del lienzo; \u201cpainted by nelson cook. rome, n.y, 1880\u201d. la retratada georgeanna m. vogell kingsley (13 de junio de 1837, utica, new york \u2013 15 de junio de 1919, rome, new york), hija del reverendo henry vogell, contrajo matrimonio el 4 de diciembre de 1860 con el destacado médico dr. willey josiah pascal kingsley (9 de julio de 1924, frankfort, new york \u2013 26 de enero de 1912). una vez establecido en 1856 como cirujano en rome, se especializó en la lucha contra el cáncer al fundar allí, tres años después, un hospital oncológico. su importante trayectoria profesional le llevó a ostentar en dicha ciudad los siguientes cargos: vicepresidente en the central new york institution for deaf mutes (1875-1895), presidente de roma iron works y the rome brass and copper company, vicepresidente de rome cemetery association y the jervis literary association y alcalde de la ciudad de rome (1895-1899). georgeanna, quien sobrevivió siete años al dr. kingsley, descansa junto a su marido en el cementerio de rome (oneida county, new york, sect. h, grave #3)."},"lotNumber":"17","title":{"en":"nelson cook (malta, saratoga c. new york 1808 - saratoga sp. new york 1892) - portrait of georgeanna mv kingsley","es":"nelson cook (malta, saratoga c. new york 1808 - saratoga sp. new york 1892) - retrato de georgeanna mv kingsley"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19569/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T00:23:19.694Z","textCase":"lower","currency":"EUR","id":19569},{"startPrice":18000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19575/017/017.jpg"],"available":false,"description":{"en":"oil on canvas. size: 48,8 x 57,2 cm. \n \n \n \n \n \n \n \n \n \n painting of great quality that we consider within the production of the master. it develops an interior scene with the common theme in this type of compositions of characters drinking, fighting or enjoying their moment. \n \n \n the specific types and models are within the common works of the artist. we must highlight, thus, one of the main characters in this painting, the woman leaning on the floor struggling with a man on her back and next to a girl, which could be related to the drawing of a head in profile attributed to the master that preserves the rijksmuseum in amsterdam (© rijksmuseum; buste van een vrouw, naar rechts in profiel, cornelis dusart (mogelijk), naar cornelis dusart, 1670 - 1750, ref. rp-t-1898-a-3666; see the last two images).","es":"óleo sobre lienzo. medidas: 48,8 x 57,2 cm. \n \n \n \n \n \n \n \n pintura de gran calidad que consideramos dentro de la producción del maestro. desarrolla una escena de interior con el asunto común en este tipo de composiciones de personajes bebiendo, peleando o disfrutando de su momento. \n \n \n los tipos y modelos específicos están dentro de las obras comunes del artista. debemos destacar, de este modo, uno de los personajes principales en esta pintura, la mujer apoyada en el suelo que forcejea con un hombre de espaldas y junto a una niña, que podría tener relación con el dibujo de una cabeza de perfil atribuído al maestro que conserva el rijksmuseum de amsterdam (© rijksmuseum; buste van een vrouw, naar rechts in profiel, cornelis dusart (mogelijk), naar cornelis dusart, 1670 - 1750, ref. rp-t-1898-a-3666; ver las últimas dos imágenes)."},"lotNumber":"18","title":{"en":"cornelis dusart (1660-1704). indoor scene with characters","es":"cornelis dusart (1660-1704). escena de interior con personajes"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19575/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T00:23:19.695Z","textCase":"lower","currency":"EUR","id":19575},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19580/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19580/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19580/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19580/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19580/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19580/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19580/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19580/018/018.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19580/019/019.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19580/020/020.jpg"],"available":false,"description":{"en":"oil on canvas. vertical octagonal format. with frame in carved and gilded wood. size: 77,8 x 77,8 cm (canvas); 110 x 88 x 3,5 cm (frame). \n  \n  \n \n \n \n \n \n \n \n \n \n provenance: \n \n \n mallorca. collection of the moix house. \n \n \n  \n \n \n \n \n private collection. \n \n \n the painting appears published and reproduced with direct authorship to the painter bartolomé pérez de la dehesa (ca. 1634-1698) together with another vase of the same format and practically similar measures also collected in the same publication. \n \n \n  \n \n \n \n \n specific bibliography: \n \n \n pinturas españolas. siglos xvi-xvii cuadros de colecciones españolas. sala parés, ed. edimar. barcelona, mcmlxvi, pp. 50-51, plate xxiv","es":"óleo sobre lienzo. formato octogonal vertical. con marco en madera tallada y dorada. medidas: 99,5 x 77,8 cm (lienzo); 110 x 88 x 3,5 cm (marco). \n  \n  \n \n \n \n \n \n \n \n procedencia: \n \n \n mallorca. colección de la casa moix. \n \n \n colección particular. \n \n \n  \n \n \n \n \n la pintura aparece publicada y reproducida con autoría directa al pintor bartolomé pérez de la dehesa (h. 1634-1698) junto a otro florero del mismo formato y medidas prácticamente similares también recogido en la misma publicación. \n \n \n  \n \n \n \n \n bibliografía específica: \n \n \n pinturas españolas. siglos xvi-xvii cuadros de colecciones españolas. sala parés, ed. edimar. barcelona, mcmlxvi, pp. 50-51, lám. xxiv"},"lotNumber":"19","title":{"en":"circle of bartolomé pérez (madrid ca. 1634-1698) - vase","es":"círculo de bartolomé pérez (madrid h. 1634-1698) - florero"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19580/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T00:23:19.697Z","textCase":"lower","currency":"EUR","id":19580},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19571/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19571/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19571/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19571/004/004.jpg"],"available":false,"description":{"en":"gouache and tempera. signed in the lower right corner, from bottom to top: \u201cdaffinger\u201d. \n \n moritz michael daffinger's (vienna, 1790-1849) relationship with the art of painting has its origins in the activity of his father, johann daffinger, a painter at the imperial porcelain manufactory in the austrian capital, where his son moritz entered as an apprentice at the age of 11. \n \n \n his admission to study at the vienna academy under the tutelage of masters hubert maurer and heinrich friedrich füger led him in 1804 to be awarded first prize in the discipline of drawing. 1812 was the year in which he became a painter for the imperial porcelain manufactory, an activity that eventually led to his dedication to painting miniatures. \n \n \n the influence received in his style, and that different art historians point out from the french master jean-baptiste isabey (1767-1855), miniaturist of marie antoinette (1755-1793) and protégé of napoleon bonaparte (1769-1821), comes from his selection along with other painters, after his attendance to the congress of vienna (1814-1815). \n \n \n the protection received by prince klemens von metternich (1814-1815) \n \n \n klemens von metternich (1773-1859), austrian foreign minister and bonaparte's enemy, made him one of the select painters of both the austrian imperial family and the high aristocracy of that country. his taste for the paintings of melanie, the prince's third wife, made him the curator of her collection of paintings, with whom he must have maintained an undoubted artistic contact. \n \n \n this miniature presents, signed on the right side \u201cdaffinger\u201d, the portrait of a young woman to be identified. her hairstyle corresponds to the viennese female fashion of the 1830s, if we compare it with the headdress worn by the archduchess sophie of austria (1805-1872) in the portrait of her painted by joseph karl stieler (1781-1858) in 1832. our portrait shows a certain candor and elegant bearing, with simple clothing, a fine earring and a chain around her neck. she could be a descendant of prince metternich, with three marriages and numerous daughters, plus another recognized illegitimate. \n \n \n the museo nacional del prado in madrid has a painting acquired in 1980 of franz joseph i, emperor of austria, an unsigned miniature attributed to daffinger (mnp, cat. no. o000707). \n \n \n measurements: 5.9 x 7.5 cm. \n \n \n measurements with frame: 8.5 x 9.9 cm","es":"gouache y témpera. firmado en el ángulo inferior derecho, de abajo hacia arriba: \u201cdaffinger.\u201d. \n \n la relación de moritz michael daffinger (viena, 1790-1849) con el arte de la pintura tiene su origen en la actividad de su padre, johann daffinger, pintor en la manufactura imperial de porcelana de la capital austríaca, donde su hijo moritz entró como aprendiz a la edad de 11 años. \n \n \n su ingreso para estudiar en la academia de viena bajo la tutela de los maestros hubert maurer y heinrich friedrich füger le llevó en 1804 a ser galardonado con el primer premio en la disciplina de dibujo. 1812 fue el año en el que pasó a ser pintor de la citada manufactura imperial de porcelana, una actividad que con el tiempo, derivó en su dedicación por la pintura de miniaturas. \n \n \n la influencia recibida en su estilo, y que diferentes historiadores del arte apuntan por parte del maestro francés jean- baptiste isabey (1767-1855), miniaturista de maría antonieta (1755-1793) y protegido de napoleón bonaparte (1769-1821), procede de su selección junto a otros pintores, tras su asistencia al congreso de viena (1814-1815). \n \n \n la protección recibida por el príncipe klemens von metternich (1773-1859), ministro de asuntos exteriores de austria y enemigo de bonaparte, le convirtió en uno de los pintores selectos tanto de la familia imperial austríaca como de la alta aristocracia de aquel país. el gusto por la pintura de melanie, tercera esposa del príncipe, le señaló como conservador de la colección de pinturas de ella, con quien debió de mantener un indudable contacto artístico. \n \n \n esta miniatura presenta, firmada en el lateral derecho \u201cdaffinger\u201d, el retrato de una mujer joven por identificar. su peinado corresponde con la moda femenina vienesa de la década de 1830, si lo comparamos con el tocado que porta la archiduquesa sofía de austria (1805-1872) en el retrato que de ella realizó joseph karl stieler (1781-1858) en 1832. nuestra retratada presenta cierta candidez y porte elegante, con una sencilla indumentaria, fino pendiente y cadena alrededor de su cuello. podría tratarse de alguna mujer descendiente del príncipe metternich, con tres matrimonios y numerosas hijas, más otra ilegítima reconocida. \n \n \n el museo nacional del prado en madrid conserva una pintura adquirida en 1980 donde se retrata a francisco josé i, emperador de austria, una miniatura sin firmar que se atribuye a daffinger (mnp, núm. cat. o000707). \n \n \n medidas: 5.9 x 7.5 cm \n \n \n medidas con marco: 8.5 x 9.9 cm"},"lotNumber":"20","title":{"en":"moritz m. daffinger (vienna 1790-1849) - portrait of a woman","es":"moritz m. daffinger (viena 1790-1849) - retrato de mujer"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19571/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T00:23:19.698Z","textCase":"lower","currency":"EUR","id":19571},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19576/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19576/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19576/003/003.jpg"],"available":false,"description":{"en":"painting on metal. with smooth period wooden frame. \n 17th-18th century european anonymous. \n 9.6 x 7.3 (support); 17.4 x 15 cm (frame)","es":"pintura sobre metal. con marco liso de época en madera. \n  \n \n anónimo europeo de los siglos xvii-xviii. \n \n \n medidas: 9.6 x 7.3 (soporte); 17.4 x 15 cm (marco)"},"lotNumber":"21","title":{"en":"17th-18th century anonymous - st. jerome","es":"anónimo ss. xvi-xviii - san jerónimo"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19576/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:23:20.117Z","textCase":"lower","currency":"EUR","id":19576},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19602/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19602/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19602/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19602/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19602/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19602/008/008.jpg"],"available":false,"description":{"en":"oil on canvas. second half of the 17th century, following models by baldassare franceschini (volterra, 1611 - florence, 1689). \n \n the figure of the saint is shown, dressed in her habit, three-quarter length, on a neutral background, joining her hands in prayer and with a crown of thorns on her head, looking towards the group of elements formed by a small sculpture of the crucified christ, a skull and some flowers. \n \n \n compare the present work with another of the same subject by carlo dolci (in dulwick picture gallery, \n \n \n london) and in particular with others by the aforementioned baldassare franceschini, safe or attributed, in their various versions (musée de grenoble, france, mg407; collections of the duomo of volterra, italy). \n \n \n size: 95 x 130 cm (canvas); 106 x 6 x 142 cm (frame)","es":"óleo sobre lienzo. segunda mitad del siglo xvii, siguiendo modelos de baldassare franceschini (volterra, 1611 - florencia, 1689). \n \n \n \n \n \n se presenta la figura de la santa, vestida con sus hábitos, de tres cuartos, sobre fondo neutro, uniendo sus manos en oración y con corona de espinas sobre su cabeza, mirando hacia el conjunto de elementos formados por una pequeña escultura de cristo crucificado, una calavera y unas flores. \n \n \n comparar la presente obra con otra del mismo asunto de carlo dolci (en dulwick picture gallery, londres) y en especial con otras del citado baldassare franceschini, seguras o atribuídas, en sus varias versiones (musée de grenoble, francia, mg407; colecciones del duomo de volterra, italia). \n \n \n medidas: 95 x 130 cm (lienzo); 106 x 6 x 142 cm (marco)"},"lotNumber":"22","title":{"en":"follower of baldassarre franceschini (1611-1689) - santa catalina de sena","es":"seguidor de baldassarre franceschini (1611-1689) - santa catalina de sena"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19602/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T00:23:20.119Z","textCase":"lower","currency":"EUR","id":19602},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19587/011/011.jpg"],"available":false,"description":{"en":"oil on panel. with carved frame, gilt and glass. \n \n size: 31,5 x 39,8 cm (canvas); 47,8 x 56,2 cm (frame)","es":"óleo sobre tabla. con marco tallado, dorado y cristal. \n \n \n \n medidas: 31,5 x 39,8 cm (lienzo); 47,8 x 56,2 cm (marco)"},"lotNumber":"23","title":{"en":"anonymous french 19th-20th century - landscape (barbizon school)","es":"anónimo francés siglos xix-xx - paisaje (escuela barbizon)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19587/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:23:20.120Z","textCase":"lower","currency":"EUR","id":19587},{"startPrice":340,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19589/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19589/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19589/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19589/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19589/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19589/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19589/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19589/008/008.jpg"],"soldDate":"2025-10-09","available":false,"description":{"en":"watercolour on paper. the frame has an original cartouche with the legend \u2018juste\u2019, a possible reference to the author of the work. \n \n size: 63 x 50 cm (support); 67 x 53.3 x 1.8 cm (frame)","es":"acuarela sobre papel. el marco presenta una cartela original con la leyenda \"juste\", posible referencia al autor o autora de la obra. \n \n \n \n medidas: 63 x 50 cm (soporte); 67 x 53,3 x 1,8 cm (marco)"},"lotNumber":"24","title":{"en":"attributed to juste, ca. 1940s . two majas with shawls","es":"atribuido a juste, h. 1940 - dos majas con mantones"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19589/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":340,"soldPrice":340,"lastUpdate":"2026-07-01T00:23:20.122Z","textCase":"lower","currency":"EUR","id":19589},{"startPrice":12000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19578/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19578/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19578/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19578/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19578/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19578/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19578/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19578/008/008.jpg"],"soldDate":"2025-10-31","available":false,"description":{"en":"painting signed \u2018r hidalgo\u2019 in reference to the filipino painter félix resurrección hidalgo (binondo, manila 1855 - barcelona 1913). known for his career and the relevance of his work, it should be noted that he died in barcelona, in the final stage of his life, he liked to paint views of the mediterranean sea, coastal landscapes and seascapes, such as the one presented here. \n \n size: 21.5 x 29.3 cm (support); 37 x 46 x 5.5 cm (frame). oil on panel. \n \n \n provenance: private catalan collection. \n \n \n this painting has been granted its corresponding export permit by the spanish ministry of culture and sport.","es":"pintura firmada \"r hidalgo\" en relación al pintor filipino félix resurrección hidalgo (binondo, manila 1855 - barcelona 1913). conocida su trayectoria y relevancia de su obra, se debe de destacar su fallecimiento en barcelona, en cuya etapa final de su vida, gustó por pintar vistas del mar mediterráneo, paisajes costeros y marinas, como la que aquí se presenta. \n \n medidas: 21,5 x 29,3 cm (soporte); 37 x 46 x 5,5 cm (marco). óleo sobre tabla. \n \n \n procedencia: colección particular catalana. \n \n \n esta pintura tiene concedido su correspondiente permiso de exportación concedido por el ministerio de cultura y deporte de españa"},"lotNumber":"25","title":{"en":"félix resurrección hidalgo (binondo, manila 1855 - barcelona 1913) - coastal landscape","es":"félix resurrección hidalgo (binondo, manila 1855 - barcelona 1913) - paisaje costero"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19578/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":12000,"soldPrice":12000,"lastUpdate":"2026-07-01T00:23:20.123Z","textCase":"lower","currency":"EUR","id":19578},{"startPrice":2600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19572/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19572/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19572/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19572/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19572/005/005.jpg"],"available":false,"description":{"en":"portrait of the musician pau casals (1876-1973), playing his cello. \n \n original painting by the valencian artist manuel moreno gimeno (valencia, 23 july 1900 - 26 january 1982). \n \n \n oil on canvas. with its original painted and marbled wooden frame. \n \n \n measures: 92 x 84 cm (support); 110 x 101 cm (frame).","es":"retrato del músico pau casals (1876-1973), interpretando con su violonchelo. \n \n pintura original realizada y firmada por artista valenciano manuel moreno gimeno (valencia, 23 de julio de 1900 \u2013 26 de enero de 1982). \n \n \n óleo sobre lienzo. con su marco original en madera pintada y marmoleada. \n \n \n medidas: 92 x 84 cm (soporte); 110 x 101 cm (marco)."},"lotNumber":"26","title":{"en":"manuel moreno gimeno (1900-1982) - portrait of pau casals","es":"manuel moreno gimeno (1900 -1982) - retrato de pau casals"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19572/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2600,"lastUpdate":"2026-07-01T00:23:20.125Z","textCase":"lower","currency":"EUR","id":19572},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19574/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19574/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19574/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19574/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19574/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19574/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19574/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19574/008/008.jpg"],"available":false,"description":{"en":"oil on canvas. \n \n anonymous dutch of the xviii century. presents illegible firm (see last image). remains of text in french printed on paper adhered to its stretcher, possibly from 19th century auction.","es":"óleo sobre lienzo. \n \n anónimo holandés del siglo xviii. presenta firme ilegible (ver última imagen). restos de texto en francés impreso sobre papel adherido a su bastidor, posiblemente de subasta del siglo xix."},"lotNumber":"27","title":{"en":"anonymous dutch 18th century - landscape","es":"anónimo holandés siglo xviii - paisaje"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19574/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T00:23:20.126Z","textCase":"lower","currency":"EUR","id":19574},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19577/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19577/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19577/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19577/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19577/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19577/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19577/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19577/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19577/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19577/010/010.jpg"],"available":false,"description":{"en":"oil on canvas with modern frame in carved and gilded wood, signed lower right: \u2018p. de laer\u2019. de laer\u2019. \n \n measurements: 43 x 37 cm (canvas): 56.5 x 50 x 5 cm (frame) \n \n \n van laer was a dutch draughtsman, painter and engraver who settled in italy. he stood out as a member of a group of artists who became known and called bamboccianti. its members painted, in particular, high quality scenes of country scenes amidst ruins and animals, with unidentified popular figures, in small and medium format, with their centre of activity in rome, which they developed approximately between 1600-1650. \n \n \n the present painting, signed \u2018p. de laer\u2019 is a clear example of this genre. the composition in reference to the white horse should be compared with the same motif that appears in another equine in the engraved print signed by de laer in the museo nacional del prado in madrid (see image). \n \n \n it comes from an old 19th-century collection where it has a handwritten annotation in black ink \u2018nº 6\u2019 on its original stretcher. it also retains a 20th century etching in reference to its framing done in geneva (switzerland): \u2018au cadre doré\u2019 / max willi / doreurs - bois / 6, bd dupont. d'arve / 1205 geneve tel. 251360\u2019. \n \n \n provenance: \n \n \n old collection 19th century; inv. no. 6 (reverse). \n \n \n france, trade. \n \n \n spain, private collection.","es":"óleo sobre lienzo con marco moderno en madera tallada y dorada. \n \n firmado abajo, hacia la derecha: \"p. de laer\". \n \n \n medidas: 43 x 37 cm (lienzo): 56.5 x 50 x 5 cm (marco) \n \n \n van laer fue dibujante, pintor y grabador holandés establecido en italia. destacó como miembro de un grupo de artistas que se conoció y denominó bamboccianti. sus miembros pintaron, en particular, escenas de gran calidad de tipo campestre entre ruinas y animales, con personajes populares sin identificar, en pequeño y mediano formato, teniendo su centro de actividad en roma que desarrollaron aproximadamente entre 1600-1650. \n \n \n la pintura que presentamos, firmada \"p. de laer\" es un claro ejemplo de este género pictórico. la composición en referencia al caballo blanco, debe compararse con el mismo motivo que aparece en otro equino de la estampa grabada y firmada por él que conserva en museo nacional del prado en madrid (ver imagen). \n \n \n procede de antigua colección del siglo xix donde conserva en su bastidor original una anotación manuscrita a tinta negra \"nº 6\". también conserva etqueta del siglo xx en referencia a su enmarcación realizada en ginebra (suiza): \"au cadre doré\" / max willi / doreurs \u2013 bois / 6, bd dupont. d\u2019arve / 1205 geneve tel. 251360\". \n \n \n procedencia: \n \n \n antigua colección siglo xix; n.º inv. 6 (reverso). \n \n \n francia, comercio. \n \n \n españa, colección particular."},"lotNumber":"28","title":{"en":"pieter van laer (haarlem, ca. 1599-1642) - country landscape","es":"pieter van laer (haarlem h. 1599-1642) - paisaje campestre"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19577/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T00:23:20.128Z","textCase":"lower","currency":"EUR","id":19577},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19581/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19581/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19581/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19581/004/004.jpg"],"available":false,"description":{"en":"the subject could be either the famous flight or the less studied return from egypt. it is a painting from the 18th-century spanish-colonial school. \n oil on canvas. with a period frame in plain black wood. \n \n size: 82 x 61 cm (canvas); 88 x 67,3 cm (frame)","es":"el asunto tratado podría ser tanto la famosa huida como el menos estudiado regreso desde egipto. se trata de pintura de la escuela hispano colonial del siglo xviii. \n óleo sobre lienzo. con marco de época en madera lisa de tonalidad negra. \n \n medidas: 82 x 61 cm (lienzo); 88 x 67,3 cm (marco)"},"lotNumber":"29","title":{"en":"anonymous hispanic colonial 18th century - flight to egypt","es":"anónimo hispano colonial siglo xviii - huida a egipto"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19581/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":400,"lastUpdate":"2026-07-01T00:23:20.129Z","textCase":"lower","currency":"EUR","id":19581},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19597/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19597/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19597/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19597/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19597/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19597/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19597/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19597/008/008.jpg"],"available":false,"description":{"en":"gouache, watercolour and ink on cardboard paper with period frame in wood and paste. \n \n \n \n signed and dated lower left: \"julien / pinxit / 1859\". inscribed lower right: \"68 years old\". with handwritten text on the back of the work in black and brown ink: \"murio de setenta y siete a 25 de / febrero de 1868\" (he died aged seventy-seven on the 25th of / february 1868).","es":"gouache, acuarela y tinta sobre papel cartón con marco de época en madera y pasta. \n \n \n \n firmado y fechado abajo a la izquierda: \"julien / pinxit / 1859\". inscripción abajo a la derecha: \"de 68 años.\". presenta texto manuscrito en el reverso de la obra a tinta negra y parda: \"murio de setenta y siete a 25 de / febrero de 1868\"."},"lotNumber":"30","title":{"en":"julien (19th century french or spanish school) - portrait of a seated man (1859)","es":"julien (escuela francesa o española del siglo xix) - retrato de hombre sentado (1859)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19597/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:23:20.131Z","textCase":"lower","currency":"EUR","id":19597},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19573/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19573/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19573/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19573/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19573/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19573/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19573/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19573/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19573/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19573/010/010.jpg"],"available":false,"description":{"en":"oil on canvas. frame in carved wood, gilded and gilded paste. \n \n measurements: 70.7 x 92.2 cm (canvas); 85.5 x 108 cm (frame). \n \n \n a large tree forms the central motif of this pictorial landscape over a field, whose arrangement and compositional presence make the rest of the elements participating in the work depend on it. thus, next to its trunk is a standing man, a seated woman and a black dog; under its shelter and shade stands a country house; on the other side, two people walk away towards a wood and a clearing towards the horizon. \n \n \n the canvas retains its original frame, made of carved wood and gilded paste. the work, which underwent minimal restoration in 2000, has no signature or inscription. the elements that make up the painting (canvas, stretcher and frame), together with its pictorial execution, lead us to believe that it is a european work, possibly french, from the second half of the 19th century.","es":"óleo sobre lienzo. marco de madera tallada, dorada y pasta dorada. \n \n \n \n medidas: 70,7 x 92,2 cm (lienzo); 85,5 x 108 cm (marco). \n \n \n un gran árbol conforma el motivo central de este paisaje pictórico sobre un campo, cuya disposición y presencia compositiva hacen que el resto de elementos partícipes en la obra dependan de él. así, junto a su tronco aparece un hombre en pie, una mujer sentada y un perro negro; bajo su abrigo y sombra se levanta una casa de campo; al otro lado, dos personas se alejan camino de un bosque y un claro hacia el horizonte. \n \n \n el lienzo conserva su marco original, realizado en madera tallada y pasta doradas. la obra, con una mínima restauración en el año 2000, no presenta firma ni inscripción alguna. los elementos que forman la pintura (lienzo, bastidor y marco) unidos a su factura pictórica, nos hacen pensar que se trata de una obra europea, posiblemente francesa, de la segunda mitad del siglo xix."},"lotNumber":"31","title":{"en":"anonymous 19th century european or french - landscape with tree","es":"anónimo europeo o francés del s. xix - paisaje con árbol"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19573/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":400,"lastUpdate":"2026-07-01T00:23:11.565Z","textCase":"lower","currency":"EUR","id":19573},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19595/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19595/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19595/003/003.jpg"],"available":false,"description":{"en":"oil on panel. signed in the lower right corner: \"santiago\". \n \n painting representing a coastline landscape with two figures and two boats. work with its frame in carved and gilded wood. \n \n \n measurements: 13,5 x 17,5 cm (panel): 25 x 29 x 4,5 cm (frame)","es":"óleo sobre tabla. firmado en el ángulo inferior derecho: \"santiago\". \n \n \n \n pintura representando un paisaje de línea de costa con dos personajes y dos embarcaciones. obra con su marco en madera tallada y dorado. \n \n \n medidas: 13,5 x 17,5 cm (tabla): 25 x 29 x 4,5 cm (marco)"},"lotNumber":"32","title":{"en":"santiago (19th-20th centuries) - landscape with fishermen","es":"santiago (siglos xix-xx) - paisaje con pescadores"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19595/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":110,"lastUpdate":"2026-07-01T00:23:11.567Z","textCase":"lower","currency":"EUR","id":19595},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19596/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19596/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19596/003/003.jpg"],"available":false,"description":{"en":"oil on panel. signed in the lower right corner: \"santiago\". \n \n painting representing a coastline landscape with several characters and three boats. work with its frame in carved and gilded wood. \n \n \n the back conserves an old sticker: \"raiz / taller de marcos / claudio coello 13 (...) madrid-1 / nº 95168\". \n \n \n measurements: 13,5 x 17,5 cm (board): 25 x 28,5 x 4,5 cm (frame)","es":"óleo sobre tabla. firmado en el ángulo inferior derecho: \"santiago\". \n \n pintura representando un paisaje de línea de costa con varios personajes y tres embarcaciones. obra con su marco en madera tallada y dorado. \n \n \n el reverso conserva una etiqueta adherida de antiguo : \"raiz / taller de marcos / claudio coello 13 (...) madrid-1 / nº 95168\". \n \n \n medidas: 13,5 x 17,5 cm (tabla): 25 x 28,5 x 4,5 cm (marco)"},"lotNumber":"33","title":{"en":"santiago (19th-20th centuries) - landscape with fishermen","es":"santiago (siglos xix-xx) - paisaje con pescadores"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/58024/lot/19596/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":110,"lastUpdate":"2026-07-01T00:23:11.569Z","textCase":"lower","currency":"EUR","id":19596}],"schema":"bidspirit-bots-feed/1","catalog":{"date":"2025-04-09","timedAuction":false,"liveAuctionDisabled":false,"type":"auction","catalogOnly":false,"number":"23","buyersPremiumPercent":20,"lotsCount":33,"currency":"EUR","state":"ENDED","contentType":"ART","key":58024,"feedUrl":"https://tools-bots.bidspirit.com/services/bots/catalogs/alarconsubastas/58024","address":{"EN":"Lagasca 36. 28001 Madrid España","en":"Lagasca 36. 28001 Madrid Spain","ES":"Lagasca 36. 28001 Madrid España","es":"Lagasca 36. 28001 Madrid 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