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produced in trapani in the centuries xvi / xvii / xviii. \n it is characteristic that the processing of copper, degrading towards the inside up to a small aedicula in central lunette, gives an effect of depth. bay the center is placed in christ on the cross, surrounded on top by zephyrs, while the base is found the virgin mary and the opposite lotus st. joseph, both in prayer. above the bezel, a central zefiro with small roses on the sides and a decorum commas interspersed with small roses that continues all the way round the central nicchi with the retro-fitting technique. two different levels, namely a double order of overlapping frames decorated with small ova and balls, close forming a dodecahedron along the outer perimeter, the frame is enhanced by a surface elegant hem lace in gilded copper, he worked tunnel on which stand out small roses fixed on gold pins. on the back of copper domed countered hand, it is a stylized cross. asorstudio","it":"antico capezzale in rame dorato e corallo, \n nello stile delle maestranze trapanesi del xvi/xvii secolo, raffigurante cristo in croce, madonna e san giovanni, con zefiri a forma \n di dodecaedro equilatero, cm 39x 33. corallo 275 gr circa \n quest'opera presenta varie affinit&agrave; di stile con altre che sono state prodotte a trapani nei secoli xvi/xvii/xviii. \n &egrave; caratterizzante la lavorazione del rame che, degradando verso l'interno fino ad una piccola edicola a lunetta centrale, d&agrave; un effetto di profondit&agrave;. nell\u2019alloggiamento centrale &egrave; posto in cristo in croce, attorniato in alto da zefiri, mentre alla base trovasi la madonna e al loto opposto san giuseppe, entrambi in preghiera. sopra la lunetta, uno zefiro centrale con rosoncini ai lati ed un decoro a virgole intervallato da rosette che prosegue per tutto il giro della nicchia centrale con la tecnica del retroincastro. due livelli differenti, ovvero un doppio ordine di cornici sovrapposte, decorate a piccoli ovuli e palline, chiudono formando un dodecaedro lungo il perimetro esterno, la cornice &egrave; arricchita da un aereo elegante orlo a merletto in rame dorato, lavorato a traforo sul quale risaltano rosette fissate su perni dorati. sul retro bombato di rame ribattuto a mano, &egrave; stilizzata una croce. asorstudio"},"lotNumber":"1","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21199/view","tags":["itDecorativeArts_Metalware","itArt_Sculpture","itDecorativeArts","itArt","itDecorativeArts_all","itArt_all"],"directSalePrice":4800,"soldPrice":7500,"lastUpdate":"2026-07-19T07:48:58.145Z","textCase":"lower","currency":"EUR","id":21199,"category":{"en":"Art objects","it":"Oggetti 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twentieth century. h 40 cm, base 23x13","it":"coppia di leoni marzocco di firenze in legno dorato e argentato, inizi xx secolo. h cm 40, base 23x13"},"lotNumber":"6","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21204/view","tags":["itArt_Sculpture","itDecorativeArts_Figurines","itDecorativeArts","itArt","itDecorativeArts_all","itArt_all"],"directSalePrice":350,"soldPrice":350,"lastUpdate":"2026-07-19T07:48:58.150Z","textCase":"lower","currency":"EUR","id":21204,"category":{"en":"Art objects","it":"Oggetti 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h cm 59 cm base 40, bracket 10 cm depth.","it":"fronte di edicola in marmo bianco e applicazioni di diaspri siciliani in rosso, sicilia, xviii secolo. h cm 59 base cm 40, mensola profondita cm 10."},"lotNumber":"10","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21208/view","tags":["itAntiqueVintageFurniture_SalvageArchitecturalAntiques","itAntiqueVintageFurniture","itAntiqueVintageFurniture_all"],"directSalePrice":1500,"lastUpdate":"2026-07-19T07:48:58.154Z","textCase":"lower","currency":"EUR","id":21208,"category":{"en":"Art objects","it":"Oggetti d'arte"}},{"startPrice":6800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21209/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21209/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21209/006/006.jpg"],"available":false,"description":{"en":"big chandelier in murano glass, 16 + 3 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he was a pupil of guilliam du gardijn, cornelis de bie and barent graat, but the landscape painters nicolaes berchem and karel dujardin had the greatest influence on him. in 1653 the roos family back to germany, where johann and his brother theodor roos work together on a commission for a cloister in mainz. between 1654 and 1659, johann worked for ernst, landgrave of hesse-rheinfels (son of maurice lived between 1623 and 1693), where he painted a portrait of a prince (1654, heidelberg, kurpf&auml;lzisches museum) and religious scenes. in 1664 he was invited to paint at the court of charles i louis, elector palatine. because of conditions unsatisfactory work, he moved with his family to frankfurt in 1667, where he very successfully, but lost everything in a fire in 1685. \n the painting in question seems to be the best that could express the painter, when voule represent the union of men and animals in idyllic harmony with nature - this was his thought that aspired to give his paintings a realistic character footprint, especially in rural scenes and depictions of animals. in the present case, there is a sense of racy lingerie, almost familiar, that globalization in a union harmonizing landscape, and therefore nature, humans and animals. if we were induced to a comparison with his son philipp peter, we could say that is much more moody and intimate in the search for a link with the whole of nature, and less theatrical, almost not wanting to be enfatizzante as the son, who often adopts in the foreground scenes of animals and depictions portraiture almost the same. asorstudio","it":"johann heinrich roos (otterberg, 29 settembre 1631 - francoforte sul meno, 3 ottobre 1685), dipinto ad olio su tela raffigurante paesaggio con ruderi, cascate e gregge. firmato in basso a destra j. roos. cm 90,5x129,5, in cornice cm 116x153. \"la sua famiglia emigra ad amsterdam a causa della guerra dei trent'anni nel 1640. fu allievo di guilliam du gardijn, cornelis de bie e barent graat, ma i pittori del paesaggio nicolaes berchem e karel dujardin hanno avuto la pi&ugrave; grande influenza su di lui. nel 1653 la famiglia roos torna in germania, dove johann e suo fratello theodor roos lavorano insieme su una commissione per un chiostro a magonza. tra il 1654 e il 1659, johann lavora per ernst, landgrave di hesse-rheinfels (figlio di maurice, visse tra il 1623 e il 1693), dove dipinge un ritratto di a prince (1654, heidelberg, kurpf&auml;lzisches museum) e scene religiose. nel 1664 &egrave; invitato a dipingere alla corte di carlo i luigi, elettore palatino. a causa di condizioni di lavoro insoddisfacenti, si trasferisce con la famiglia a francoforte nel 1667, dove ha molto successo, ma perde tutto in un incendio nel 1685. \n il dipinto in questione sembra essere quanto di meglio potesse esprimere il pittore, allorch&eacute; voule rappresentare quella unione di uomini e animali in armonia idilliaca con la natura - tale era il suo pensiero che aspirava a dare alle sue raffigurazioni una impronta di carattere realistico, soprattutto nelle scene agresti e nelle rappresentazioni degli animali. nel caso in specie, si avverte un senso di intimo sapore, quasi familiare, che globalizza in un'unione armonizzante paesaggio, e quindi natura, uomini e animali. se fossimo indotti ad un paragone col figlio philipp peter, potremmo affermare che rimane molto pi&ugrave; umorale e intimista nella ricerca di un legame con la natura tutta, e meno teatrale, quasi a non voler essere enfatizzante come il figlio, che spesso adotta in primo piano scene di animali e raffigurazioni quasi ritrattistiche degli stessi. asorstudio"},"lotNumber":"17","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21215/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":6000,"lastUpdate":"2026-07-19T07:48:57.999Z","textCase":"lower","currency":"EUR","id":21215,"category":{"en":"Ancient painings","it":"Dipinti d'epoca"}},{"startPrice":1900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21216/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21216/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21216/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21216/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21216/010/010.jpg"],"available":false,"description":{"en":"philippe wouwermann (haarlem 1619-1668), oil paintinging on canvas depicting two figures on horseback. cm 57x76. philippe wouwerman, son of the painter paul joosten wouwermann, grew up in a family of painters as also his brothers jean and peter were. known as a genre painter he devoted himself to the landscape in the wake of van de laer who was a painter who had been in italy and executed paintings of italianate landscapes. wouwerman's works are depictions of everyday life, peasant falls in the tradition of bamboccianti. he lived mostly in his hometown of haarlem immersed in the artistic influences of his time drawing but personalizing facilitated by a fast and agile ability to run stroke that allowed him a wide and substantial production. his depictions of horses are famous and very well known is to make it popular and it must be considered one of the greatest painters of the dutch golden age. this work is characterized by a composition where the light effect is given by a single contrast giving a colorful damped, the low point of view carries a compositional diagonal that is characteristic and frequent. the palette is dominated by brown color with details that stand out for their liveliness such as red drape on the back of the horse or the red dress of the figure on horseback. the tower at the top and nuanced landscape in the distance give an italianate tone in the manner of van de laer. the sharp contrast between the brown and light colors of the sky in shades of gray silver give a depth yield. the monogram p h w slightly discolored at the bottom right and notes listed on argue in favor of a certain paternity phillippe wouwermann. his works are on the rijksmuseum amsterdam, the national gallery in london, all'ermotage st. petersburg and above, with a remarkable collection, the museum of dresden. asorstudio","it":"philippe wouwermann (haarlem 1619-1668), dipinto ad olio su tela raffigurante due personaggi a cavallo. cm 57x76. philippe wouwerman, figlio del pittore paul joosten wouwermann, crebbe in una famiglia di pittori in quanto anche i suoi fratelli jean e peter lo erano. conosciuto come pittore di genere si dedic&ograve; al paesaggio sulla scia di van de laer che fu un pittore che era stato in italia ed eseguiva dipinti di paesaggi italianizzanti. le opere di wouwerman sono raffigurazioni della vita quotidiana, scende contadine, nella tradizione dei bamboccianti. visse principalmente nella sua citt&agrave; natale di haarlem immerso nell'ambiente artistico a lui contemporaneo traendone influssi ma personalizzandoli facilitato da una capacit&agrave; di esecuzione veloce e da una agile pennellata che gli permettevano una produzione ampia e considerevole. le sue raffigurazioni di cavalli sono famose e conosciutissime si da renderlo popolare e da farlo considerare uno dei maggiori pittori dell'et&agrave; dell'oro olandese. quest'opera &egrave; caratterizzata da una composizione dove l'effetto luce &egrave; dato da un solo contrasto dando un colorito smorzato, il punto di vista basso realizza una diagonale compositiva che gli &egrave; caratteristica e frequente . la tavolozza &egrave; dominata da colori bruni con particolari che risaltano per la loro vivacit&agrave; come ad esempio il drappo rosso sul dorso del cavallo o l'abito rosso della figura a cavallo. la torre in cima e il paesaggio sfumato in lontananza danno un tono italianizzante alla maniera di van de laer. il forte contrasto tra i marroni e i colori chiari del cielo nei toni del grigio argento danno una resa di profondit&agrave;. il monogramma p h w leggermente scolorito in basso a destra e le note su elencate fanno propendere per una paternit&agrave; certa di phillippe wouwermann . le sue opere si trovano al rijksmuseum di amsterdam, alla national gallery di londra, all'ermotage di san pietroburgo e soprattutto , con una notevole collezione, al museo di dresda. asorstudio"},"lotNumber":"18","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21216/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1900,"lastUpdate":"2026-07-19T07:48:58.001Z","textCase":"lower","currency":"EUR","id":21216,"category":{"en":"Ancient painings","it":"Dipinti d'epoca"}},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21217/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21217/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21217/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21217/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21217/010/010.jpg"],"available":false,"description":{"en":"oil paintinging on canvas depicting parca clotho and boy with candle, seventeenth century. cm 61x80. with no frame. \"the work is orally allegedly by venetian painter pietro della vecchia (vicenza, 1603 - venice 1678). \n known as peter muttoni until 1984, as a result of misinterpretation of abbot luigi lanzi, achieved fame around the end of the fourth decade of seventeenth century, to be considered one of the most important painters of venice, especially of religious art, and a great connoisseur of ancient drawings and paintings, the head of a large workshop. \n its first activity is affected by the venetian carlo saraceni color painting and padovanino padovanino, until suffering the influences of painting by giorgione, titian, romanino, palma il vecchio, the bassano and the genoese bernardo strozzi, the latter landed in venice in those years '30. \n after 1650 his art turns toward a wise and prevalent use of light, therefore, towards a greater drama, and resumes the first caravaggeschi models. \n it undergoes the fascination libertine atmosphere, vaguely subversive and anti-clerical, featuring the academy of incogniti, created by venetian nobleman giovan francesco loredan and frequented by a diverse mix of intellectual free thought, not only from veneto. these influences are particularly apparent in the iconography of some works of the mid-century, which tend to ridicule, to represent so grotesque, so challenging, the official and dominant culture. \n the painting probably depicts the frugal cloto, whose name derives from the greek klothes, spinner, who spins the thread of life, or the thread of fate. \n in hesiod's theogony, it is the inescapable fate, along with lachesis and atropos sisters, that thread play and finally severed, marking the life and death of every man. \n clotho, who works tirelessly day and night, illuminated by the candle boy, is also evoked in the purgatorio of dante, canto xxi, 25-27: \n \"but because she who day and night in a row, \n he still did not had the distaff, \n which clotho lays for each one and ... \" \n the evocative theme, the grotesque and realistic representation ruthlessly, the effects of spectral lights and the suffocating lack of space in the composition, then bring back the painting to the years and the atmosphere of the academy of incogniti, as well as the \"group of gloomy, \" which they were lucky to venice around 1660. \n the assignment could be confirmed by comparing the work with the secure creation of peter the old, representing the three fates with skull and preserved in galleries estes. \"asor studio","it":"dipinto ad olio su tela raffigurante parca cloto e ragazzo con candela, xvii secolo. cm 61x80. privo di cornice. \"l'opera &egrave; oralmente attribuita al pittore veneto pietro della vecchia (vicenza, 1603 - venezia 1678). \n conosciuto come pietro muttoni fino al 1984, a seguito di errate interpretazioni dell\u2019abate luigi lanzi, raggiunse notoriet&agrave; intorno alla fine del quarto decennio del seicento, fino ad essere considerato uno dei pi&ugrave; importanti pittori di venezia, soprattutto di arte sacra, e grande conoscitore di disegni e dipinti antichi, a capo di una grande bottega. \n la sua prima attivit&agrave; risente della pittura di colore dei veneti carlo saraceni e alessandro varotari il padovanino, fino a subire gli influssi della pittura di giorgione, tiziano, romanino, palma il vecchio, il bassano e del genovese bernardo strozzi, quest'ultimo approdato a venezia in quegli anni \u201930. \n dopo il 1650 la sua arte volge verso un uso sapiente e prevalente della luce, dunque verso una maggiore drammaticit&agrave;, e riprende i primi modelli caravaggeschi. \n subisce la fascinazione dell\u2019atmosfera libertina, vagamente anticlericale e sovversiva, che caratterizza l'accademia degli incogniti, creata dal patrizio veneziano giovan francesco loredan e frequentata da una variegata miscellanea di intellettuali di libero pensiero, non solo veneti. questi influssi si manifestano soprattutto nell'iconografia di alcune opere della met&agrave; del secolo, che tendono a ridicolizzare, rappresentare in modo grottesco, dunque contestare, la cultura ufficiale e dominante. \n la tela raffigura verosimilmente la parca cloto, il cui nome deriva dal greco klothes, filatrice, che tesse lo stame della vita, ovvero il filo del fato. \n nella teogonia di esiodo, rappresenta il destino ineluttabile, insieme alle sorelle l&agrave;chesi e &agrave;tropo, che quel filo svolgono e infine recidono, segnando la vita e la morte di ogni uomo. \n cloto, che lavora incessantemente giorno e notte, rischiarata dalla candela del ragazzo, viene evocata anche nel purgatorio di dante, canto xxi, 25-27: \n \u201cma perch&eacute; lei che d&igrave; e notte fila, \n non gli avea tratta ancora la conocchia, \n che cloto impone a ciascuno e compila\u2026\u201d \n la tematica suggestiva, la rappresentazione grottesca e spietatamente realistica, gli effetti di luci spettrali e la soffocante mancanza di spazio nella composizione, riconducono dunque il dipinto agli anni e all'atmosfera dell'accademia degli incogniti, nonch&eacute; del \u201cgruppo dei tenebrosi\u201d, che ebbero fortuna a venezia intorno al 1660. \n l\u2019attribuzione potrebbe trovare conferma confrontando l'opera con quella di sicura realizzazione di pietro della vecchia, rappresentante le tre parche con teschio e conservata nelle gallerie estensi.\" asorstudio asor studio"},"lotNumber":"19","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21217/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1500,"lastUpdate":"2026-07-19T07:48:58.002Z","textCase":"lower","currency":"EUR","id":21217,"category":{"en":"Ancient painings","it":"Dipinti d'epoca"}},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21218/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21218/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21218/006/006.jpg"],"available":false,"description":{"en":"oil paintinging on slate depicting apollo schooi marsyas, seventeenth century. cm 29x32. in frame 40x42 cm. thickness 10 mm.","it":"dipinto ad olio su ardesia raffigurante apollo che scuoia marsia, xvii secolo. cm 29x32. in cornice cm 40x42. spessore mm 10."},"lotNumber":"20","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21218/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":12000,"lastUpdate":"2026-07-19T07:48:58.003Z","textCase":"lower","currency":"EUR","id":21218,"category":{"en":"Ancient painings","it":"Dipinti d'epoca"}},{"startPrice":8500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21219/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21219/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21219/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21219/008/008.jpg"],"available":false,"description":{"en":"allegedly by pieter van bloemen, known as banner, (antwerp, january 17, 1657 - antwerp, 1720), oil paintinging on canvas depicting a battle scene cm. 84x119. in frame 110x143 cm. pieter van bloemen belongs to a family of flemish painters and designers, active between italy and france. \n in 1673 he became a member of the guild of saint luke in antwerp and ten years later in lyon in the company of dutch artist adriaen van der cabel and gillis weenix. \n since 1686 lives in rome, where he joined the \"schildersbent\", an association of painters, mainly dutch and flemish, where pieter acquired the nickname standaart or banner, probably as a result of the implementation of standards, which usually depict scenes battle. this period is full of success and influence his work until the end. \n in 1694 returns to antwerp and, in 1699, became dean of the guild of saint luke. the painting is considered a battle scene. the assignment could be confirmed by comparing it with the paintings of the same subject and certain attribution to the author himself. in particular, we can refer to the canvas with a battle scene, lot 176 rod 343 of the house foreign exchange, on which we find the same attention to atmospheric rendering, such as bulging eyes of the characters, the realization of trees and branches, the bright colors of ' clothing of the figures in contrast with gray and dark brown of the funds, or the white horse, which plays a primary role in the composition. asorstudio","it":"attribuito a pieter van bloemen, detto lo stendardo, (anversa, 17 gennaio 1657 - anversa, 1720), dipinto ad olio su tela raffigurante scena di battaglia, cm. 84x119. in cornice cm 110x143. pieter van bloemen appartiene ad una famiglia di pittori e disegnatori fiamminghi, attivi tra italia e francia. \n nel 1673 diventa membro della corporazione di san luca ad anversa e dieci anni pi&ugrave; tardi &egrave; a lione in compagnia degli artisti olandesi adriaen van der cabel e gillis weenix. \n dal 1686 vive a roma, dove entra a far parte della \u201cschildersbent\u201d, un'associazione di pittori, principalmente olandesi e fiamminghi, dove pieter acquista il soprannome di standaart o stendardo, probabilmente a seguito della realizzazione di stendardi, che suole dipingere nelle scene di battaglia. tale periodo &egrave; ricco di successi ed influenza il suo lavoro fino alla fine. \n nel 1694 ritorna ad anversa e, nel 1699, diviene decano della corporazione di san luca. il dipinto preso in esame rappresenta una scena di battaglia. l'attribuzione potrebbe trovare conferma confrontandolo con le tele di analogo soggetto e di attribuzione certa allo stesso autore. in particolare possiamo riferirci alla tela con scena di battaglia, lotto 176 dell\u2019asta 343 della casa cambi, sulla quale ritroviamo la stessa attenzione alla resa atmosferica, come gli occhi strabuzzati dei personaggi, la realizzazione di alberi e rami, i colori vivaci dell'abbigliamento delle figure in contrasto con i grigi e i marroni scuri dei fondi, o il cavallo bianco, che gioca un ruolo primario nella composizione. asorstudio"},"lotNumber":"21","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21219/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":8500,"lastUpdate":"2026-07-19T07:48:53.690Z","textCase":"lower","currency":"EUR","id":21219,"category":{"en":"Ancient painings","it":"Dipinti d'epoca"}},{"startPrice":12500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21220/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21220/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21220/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21220/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21220/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21220/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21220/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21220/016/016.jpg"],"available":false,"description":{"en":"alfred de dreux (paris 1810-paris 1860), oil paintinging on canvas depicting the return of the duchess d'almeda from a trip to koat-ven. 88x115 cm, 34,5x45,5 inches.","it":"alfred de dreux (parigi 1810-parigi 1860), dipinto ad olio su tela raffigurante il ritorno della duchessa d\u2019almeda da un viaggio a koat-ven. cm 88x115, pollici 34,5x45,5."},"lotNumber":"22","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21220/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":12500,"lastUpdate":"2026-07-19T07:48:53.693Z","textCase":"lower","currency":"EUR","id":21220,"category":{"en":"Ancient painings","it":"Dipinti d'epoca"}},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21221/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21221/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21221/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21221/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21221/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21221/012/012.jpg"],"available":false,"description":{"en":"oil paintinging on canvas depicting tivoli, allegedly by richard wilson (1714-1782). cm 44x53 in frame 53x62 cm.","it":"dipinto olio su tela raffigurante tivoli, attribuito a richard wilson (1714-1782). cm 44x53 in cornice cm 53x62."},"lotNumber":"23","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21221/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3000,"lastUpdate":"2026-07-19T07:48:53.695Z","textCase":"lower","currency":"EUR","id":21221,"category":{"en":"Ancient painings","it":"Dipinti d'epoca"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21222/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21222/004/004.jpg"],"available":false,"description":{"en":"lamp in silvered and gilt metal, late eighteenth. h 58 cm","it":"lampada da chiesa in metallo argentato e dorato, fine xviii. h cm 58"},"lotNumber":"24","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21222/view","tags":["itHomeDecor_LampsLighting","itHomeDecor","itHomeDecor_all"],"directSalePrice":200,"lastUpdate":"2026-07-19T07:48:53.697Z","textCase":"lower","currency":"EUR","id":21222,"category":{"en":"Chandeliers, ceiling lights and lamps","it":"Lampadari, plafoniere e lumi"}},{"startPrice":4800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21223/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21223/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21223/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21223/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21223/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21223/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21223/014/014.jpg"],"available":false,"description":{"en":"ecce homo, polychrome wooden sculpture of a bust, xv / xvi century. h 72 cm \n h 71 cm, 40,25 cm base. \n this work expressive performance with extreme psychological realism, shows christ at a time when, according to the gospel of john, pontius pilate - governor of rome - showing the crowd the christ in the famous phrase \"ecce homo.\" asorstudio \n the sculpture, made of wood, technically according to the early medieval use, has been emptied of the internal marrow to ensure that over time does not manifest cracks and fissures. \n the work is very simple in structure and is sculptural whole time to the representation, especially in the face slightly inclined downwards and in the exceptional construction of the linked hands. \n the intended pathos is expressed by the face that is liturgical clothing the observer. it seems that arouses and increases the dramatic power forward as if the work there was the crowd that stands before when pilate had to express his opinion. \n also hands tied seem to point us in the condition of christ, in fact, the right hand does the pointing finger towards himself, as to want to push to observe the state in which he was reduced to save all of humanity. \n these attitudes are the basic compositional timing of this sculpture that, in this way, it fulfills the maximum focusing a psychological realism regardless of the volamps and forms that although are optimal. \n \n asorstudio","it":"ecce homo, scultura lignea policroma a mezzo busto, xv/xvi secolo. h cm 72 \n h cm 71, base 40,25 cm. \n quest'opera resa espressiva con estremo realismo psicologico, mostra il cristo nel momento in cui, secondo il vangelo di giovanni, ponzio pilato - governatore di roma - mostra alla folla il cristo pronunciando la famosa frase \u201cecce homo\u201d. \n l scultura, realizzata in legno, tecnicamente secondo l'uso altomedievale, &egrave; stata svuotata del midollo interno per far si che col tempo non si manifestassero crepe e fessurazioni. \n l'opera &egrave; molto semplice nella struttura scultorea ed &egrave; tutta volta alla rappresentazione, soprattutto del viso leggermente inclinato verso il basso e nell\u2019eccezionale costruzione delle mani legate. \n l\u2019inteso patetismo viene espresso dal viso che &egrave; rivolto verso l'osservatore. sembra che susciti e accresca il potere drammatico come se avanti all'opera ci fosse la folla che gli sta innanzi nel momento in cui pilato doveva esprimere il suo giudizio. \n inoltre le mani legate sembrano indicarci la condizione del cristo, infatti la mano destra ha l'indice rivolto verso se stesso, come a volerci spingere ad osservare lo stato in cui egli &egrave; stato ridotto per salvare l'umanit&agrave; intera. \n questi atteggiamenti sono i tempi compositivi basilari di questa scultura che, in tal modo, adempie alla massima focalizzazione di un realismo psicologico prescindendo dai volumi e dalle forme che pur sono ottimali. \n \n asorstudio"},"lotNumber":"25","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21223/view","tags":["itArt_Sculpture","itArt","itArt_all"],"directSalePrice":4800,"lastUpdate":"2026-07-19T07:48:53.699Z","textCase":"lower","currency":"EUR","id":21223,"category":{"en":"Religious Art 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\n elegant and refined baroque piece made silver, made in naples in seventeenth century, bearing the marks of the assayer for the removable parts and the silver hallmark with \"nap\" letters which covers the period from 1619 to 1680. the base rests on four feet to curl with vegetable decorated with acanthus leaves, a globe of gilded silver engraved with the universe symbols and signs of the zodiac says a gilded statue of the virgin mary bearer of his son's cross and supporting a wounded heart in which the fringes there is an angel and on the other hand, three ears of corn. in flaming heart and hurt engages a receptacle with a double row of beams decorated with branches of grapes. in the head radially, the apical cross. \n this work is part of a production of silver on the furnishings for eucharistic and liturgical ceremonies that often became personal for the celebrant. although they were carried out in full membership and granting of the council dictates, they became a display of wealth and magnificence churchlike. huge sums were used for the embellishment of furnishings for the revival of the cult. we believe the work full expression of the neapolitan baroque.","it":"ostensorio in argento e argento vermeil, altezza cm 70, kg 2.352 \n opera di elegante e raffinata fattura barocca in argento, eseguita a napoli nel xvii secolo, recante i segni del saggiatore per le parti staccabili ed il punzone con le lettere \u201cnap\u201d che riguarda il periodo che va dal 1619 al 1680. la base poggia su quattro piedi a riccio con ornati vegetali a fogli d\u2019acanto, un globo in argento dorato inciso con i simboli dell'universo ed i segni dello zodiaco sostiene una statuina dorata raffigurante la madonna portatrice della croce del figlio e sostenente un cuore ferito al cui latere vi &egrave; un angioletto e, dall'altra parte, tre spighe di grano. nel cuore fiammeggiante e ferito si innesta un ricettacolo a doppio ordine di raggi decorato con tralci di uva. in testa alla raggiera, la croce apicale. \n quest'opera fa parte di una produzione di argenti riguardanti gli arredi eucaristici per e cerimonie liturgiche che spesso diventavano personali per il celebrante. sebbene fossero realizzate in piena adesione e concessione dei dettami conciliari, diventavano uno sfoggio di ricchezza e magnificenza chiesastica. ingenti somme venivano impiegate per l\u2019abbellimento di suppellettili per il rilancio del culto. riteniamo l'opera piena espressione del barocco napoletano."},"lotNumber":"27","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21225/view","tags":["itDecorativeArts_SilverSilverplateditems","itDecorativeArts","itDecorativeArts_all"],"directSalePrice":6000,"lastUpdate":"2026-07-19T07:48:53.700Z","textCase":"lower","currency":"EUR","id":21225,"category":{"en":"Religious Art Objects","it":"Oggetti d'arte 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statue of virgin mary with child, tuscany nineteenth century. in the fourteenth century primitive ways. h cm 45. base diameter 11 cm chipped in the base","it":"statua in terracotta policroma raffigurante madonna con bambino, toscana, xix secolo. nei modi dei primitivi del xiv secolo. h cm 45. diametro base cm 11. sbeccata nella base"},"lotNumber":"29","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21227/view","tags":["itArt_Sculpture","itDecorativeArts_Ceramics","itDecorativeArts","itArt","itDecorativeArts_all","itArt_all"],"directSalePrice":400,"lastUpdate":"2026-07-19T07:48:53.704Z","textCase":"lower","currency":"EUR","id":21227,"category":{"en":"Religious Art Objects","it":"Oggetti d'arte 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decorated with embossed silver-gilt paten with floral motifs, early twentieth centuries. based on religious symbols. h 15 cm. 490 gr. with original case.","it":"calice con patena in argento vermeil decorato a sbalzo con motivi floreali, primi xx secoli. sulla base simboli religiosi. h cm 15 . gr 490 . con custodia originale."},"lotNumber":"30","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21228/view","tags":["itDecorativeArts_SilverSilverplateditems","itDecorativeArts","itDecorativeArts_all"],"directSalePrice":800,"lastUpdate":"2026-07-19T07:48:53.705Z","textCase":"lower","currency":"EUR","id":21228,"category":{"en":"Religious Art Objects","it":"Oggetti d'arte 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depicting still life of flowers. early twentieth century. 60x90 cm, in frame cm 75x105","it":"dipinto ad olio su tela raffigurante natura morta di fiori. inizi xx secolo. cm 60x90, in cornice cm 75x105"},"lotNumber":"376","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21569/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":120,"soldPrice":120,"lastUpdate":"2026-07-19T07:49:26.934Z","textCase":"lower","currency":"EUR","id":21569,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e 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85x115"},"lotNumber":"377","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21570/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":140,"lastUpdate":"2026-07-19T07:49:26.936Z","textCase":"lower","currency":"EUR","id":21570,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e 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raffigurante giovani amanti. inizi xx secolo. cm 80x60, in cornice cm 95x70"},"lotNumber":"379","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21572/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":100,"lastUpdate":"2026-07-19T07:49:26.939Z","textCase":"lower","currency":"EUR","id":21572,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e contemporanea"}},{"startPrice":400,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21573/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21573/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21573/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21573/008/008.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"oil paintinging on cardboard depicting \"herbs and pink # 2\". signed on the lower left corner g. omiccioli. giovanni omiccioli (roma 1901 \u2013 roma 1975). provenance the barcaccia naples and munchener olmalpappe. 51x37 cm, in frame 52x48 cm","it":"dipinto ad olio su cartone pressato raffigurante \"erbe e rosa n.2\". firmato in basso a sinistra g. omiccioli. giovanni omiccioli ( \n roma 1901 \u2013 roma 1975). provenienza la barcaccia napoli e munchener olmalpappe. cm 51x37, in cornice cm 52x48"},"lotNumber":"380","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21573/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":400,"soldPrice":650,"lastUpdate":"2026-07-19T07:49:26.941Z","textCase":"lower","currency":"EUR","id":21573,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e 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paintings","it":"Dipinti d'arte moderna e contemporanea"}},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21575/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21575/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21575/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21575/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21575/010/010.jpg"],"available":false,"description":{"en":"silvio parrello. spring. 40x60, oil painting on canvas. signed on the lower right corner. on the back dated 2013, authentic painter.","it":"silvio parrello. la primavera. 40x60, olio su tela. firmato in basso a destra. sul retro datato 2013, autentica del pittore."},"lotNumber":"382","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21575/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":120,"lastUpdate":"2026-07-19T07:49:26.943Z","textCase":"lower","currency":"EUR","id":21575,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e contemporanea"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21576/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21576/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21576/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21576/008/008.jpg"],"available":false,"description":{"en":"oil paintinging on canvas depicting still life with wicker basket. 59x119 cm, in frame cm 85x145","it":"dipinto ad olio su tela raffigurante natura morta con cesto di vimini. cm 59x119, in cornice cm 85x145"},"lotNumber":"383","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21576/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":200,"lastUpdate":"2026-07-19T07:49:26.944Z","textCase":"lower","currency":"EUR","id":21576,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e contemporanea"}},{"startPrice":200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21577/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21577/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21577/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21577/008/008.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"oil paintinging on canvas depicting a woman's face, signed d'angelo (catania). in frame 86x76 cm","it":"dipinto ad olio su tela raffigurante volto di donna, firmato d\u2019angelo (catania). in cornice cm 86x76"},"lotNumber":"384","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21577/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":200,"soldPrice":350,"lastUpdate":"2026-07-19T07:49:26.946Z","textCase":"lower","currency":"EUR","id":21577,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e contemporanea"}},{"startPrice":350,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21578/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21578/004/004.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), collodion photos depicting three young men in the garden with olive trees. numbered 1096. it has no signature, but published on page 10 of the book love and art wilhelm von gloeden, and. avvenire 2000 messina, malambri author. cm 11,8x16,5 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed erotic intent and explicit, while remaining faithful to a composition-oriented classical and mythological construction. \"","it":"wilhelm von gloeden (1856-1931), foto al collodio raffigurante tre giovani in giardino con alberi di ulivo. numerata 1096. non presenta firma ma pubblicata a pag.10 del libro amore e arte wilhelm von gloeden, ed. avvenire 2000 messina, autore malambr&igrave;. cm 11,8x16,5 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica.\" asorstudio"},"lotNumber":"385","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21578/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":350,"lastUpdate":"2026-07-19T07:49:26.947Z","textCase":"lower","currency":"EUR","id":21578,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":350,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21579/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21579/004/004.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting nude guy. published on page 14 of the book love and art wilhelm von gloeden, and. avvenire 2000 messina, malambri author. cm 11,4x15,8 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological \"","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante nudo di ragazzo. pubblicata a pag.14 del libro amore e arte wilhelm von gloeden, ed. avvenire 2000 messina, autore malambr&igrave;. cm 11,4x15,8 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all\u2019incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\""},"lotNumber":"386","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21579/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":350,"soldPrice":450,"lastUpdate":"2026-07-21T14:19:53.240Z","textCase":"lower","currency":"EUR","id":21579,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":400,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21580/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21580/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21580/006/006.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), depicting nude photos of two boys. numbered on the back 1117. cm 20,9x15. photo late original slab of von gloeden \n \n \"wilhelm von gloeden was a german-born photographer who spent much of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto raffigurante nudo di due ragazzi. numerata sul retro 1117. cm 20,9x15. foto tarda su lastra originale di von gloeden \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all\u2019ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all\u2019antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l\u2019obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all\u2019incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell\u2019ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"387","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21580/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":400,"soldPrice":500,"lastUpdate":"2026-07-21T14:19:53.242Z","textCase":"lower","currency":"EUR","id":21580,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":400,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21581/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21581/004/004.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), depicting nude pictures of guy. numbered on the back 695. cm 23,3x17. photo late original slab of von gloeden \n \n \"wilhelm von gloeden was a german-born photographer who spent much of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto raffigurante nudo di ragazzo. numerata sul retro 695. cm 23,3x17. foto tarda su lastra originale di von gloeden \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all\u2019ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"388","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21581/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":400,"soldPrice":600,"lastUpdate":"2026-07-21T14:19:53.244Z","textCase":"lower","currency":"EUR","id":21581,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":350,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21582/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21582/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21582/006/006.jpg"],"available":false,"description":{"en":"wilhelm von gloeden, albumen photos depicting a view of mount venus and castelmola with characters. numbered on the back 2598. tear up. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden, foto all'albumina raffigurante vista di monte venere e castelmola con personaggi. numerata sul retro 2598. strappo in alto. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"389","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21582/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":350,"lastUpdate":"2026-07-21T14:19:53.246Z","textCase":"lower","currency":"EUR","id":21582,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":550,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21583/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21583/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21583/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21583/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting teenage couple. numbered 876 and hallmarked on the back. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante coppia di giovani. numerata sul retro 876 e timbrata. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"390","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21583/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":550,"lastUpdate":"2026-07-21T14:19:53.247Z","textCase":"lower","currency":"EUR","id":21583,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21584/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21584/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21584/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21584/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting greek theater of taormina. numbered 2298 and hallmarked on the back. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante teatro greco di taormina. numerata sul retro 2298 e timbrata. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"391","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21584/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":400,"lastUpdate":"2026-07-21T14:19:53.249Z","textCase":"lower","currency":"EUR","id":21584,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21585/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21585/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21585/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21585/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting capo taormina. numbered 2286 and hallmarked on the back. dated 1/10/09 in pencil. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante capo taormina. numerata sul retro 2286 e timbrata. datata a matita 1/10/09. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"392","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21585/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"lastUpdate":"2026-07-21T14:19:53.250Z","textCase":"lower","currency":"EUR","id":21585,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21586/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21586/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21586/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21586/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting pair of characters in an olive grove in taormina. hallmarked on the back and dated 1872. numbered in pencil on the back 2. winner of the medal of the ministry of education oro 1900. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante coppia di personaggi in un uliveto a taormina. timbrata sul retro e datata a matita 1872. numerata sul retro 2. vincitrice della medaglia d'oro del ministero pubblica istruzione 1900. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"393","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21586/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":400,"lastUpdate":"2026-07-21T14:19:53.252Z","textCase":"lower","currency":"EUR","id":21586,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":350,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21587/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21587/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21587/006/006.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting child with flower in hand. numbered on the back 870. it does not have the stamp. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante bambina con fiore in mano. numerata sul retro 870. non presenta il timbro. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"394","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21587/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":350,"lastUpdate":"2026-07-20T15:46:47.821Z","textCase":"lower","currency":"EUR","id":21587,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":350,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21588/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21588/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21588/006/006.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting the girl's face in profile. numbered on the back 2516. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante volto di ragazza di profilo. numerata sul retro 2516. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"395","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21588/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":350,"lastUpdate":"2026-07-20T15:46:47.823Z","textCase":"lower","currency":"EUR","id":21588,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":350,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21589/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21589/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21589/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21589/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), depicting pictures of taormina greek theater with etna view. hallmarked and numbered on the back to 107. dated 07/30/1910 pencil. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto raffigurante teatro greco di taormina con vista dell\u2019etna. timbrata e numerata sul retro 107. datata a matita 30/07/1910. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"396","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21589/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":350,"lastUpdate":"2026-07-19T07:49:29.752Z","textCase":"lower","currency":"EUR","id":21589,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21590/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21590/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21590/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21590/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21590/010/010.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting capo taormina with character. double stamp on the back and numbered 210. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante capo taormina con personaggio. doppio timbro sul retro e numerata 210. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"397","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21590/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"soldPrice":200,"lastUpdate":"2026-07-19T07:49:29.754Z","textCase":"lower","currency":"EUR","id":21590,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":700,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21591/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21591/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21591/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21591/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), vintage photo print on salted paper depicting \"young patio under a\" c. 1910. hallmarked and numbered \"192\" on the reverse. slight foxing stains \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), stampa fotografica vintage su carta salata raffigurante \u201cgiovani sotto un patio\u201d c. 1910. timbrata e numerata \u201c192\u201d al verso. lievi macchie di foxing \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"398","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21591/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":700,"lastUpdate":"2026-07-19T07:49:29.756Z","textCase":"lower","currency":"EUR","id":21591,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":700,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21592/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21592/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21592/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21592/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), vintage photo print on salted paper depicting \"young siciliana in traditional clothes\", c 1911. signed at the top right. numbered \"37\" and hallmarked on the back. foxing stains on the reverse. \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), stampa fotografica vintage su carta salata raffigurante \u201cgiovane siciliana in vestiti tradizionali\u201d, c 1911. firmata in alto a destra. numerata \u201c37\u201d e timbrata al retro. macchie di foxing al verso. \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"399","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21592/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":700,"lastUpdate":"2026-07-19T07:49:29.757Z","textCase":"lower","currency":"EUR","id":21592,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21593/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21593/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21593/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21593/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), vintage photo print on salted paper depicting \"female half-nude and agave\", c 1910. signed on the reverse and back. cm 40x27. slight deficiencies to the lower edges \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), stampa fotografica vintage su carta salata raffigurante \u201cdonna seminuda e agave\u201d, c 1910. firmata al verso e sul retro. cm 40x27. lievi mancanze ai bordi inferiori \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"400","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21593/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":900,"lastUpdate":"2026-07-19T07:49:29.758Z","textCase":"lower","currency":"EUR","id":21593,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":700,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21594/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21594/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21594/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21594/008/008.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), vintage photo print on salted paper depicting \"bimba gloeden with jar in the backyard\", c 1900. numbered \"212\" and hallmarked on the back. cm 39x29,5. slight foxing stains in verse \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), stampa fotografica vintage su carta salata raffigurante \u201cbimba con giara nel giardino di casa gloeden\u201d, c 1900. numerata \u201c212\u201d e timbrata sul retro. cm 39x29,5. lievi macchie di foxing al verso \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"401","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21594/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":700,"soldPrice":700,"lastUpdate":"2026-07-19T07:49:29.759Z","textCase":"lower","currency":"EUR","id":21594,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":700,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21595/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21595/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21595/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21595/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21595/010/010.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), vintage photo print on salted paper depicting \"villa tasca palermo\", c 1910. signed on the lower right corner and numbered \"151\" and hallmarked on the back. cm 39x29. present of foxing stains \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), stampa fotografica vintage su carta salata raffigurante \"villa tasca palermo\", c 1910. firmata in basso a destra e numerata \u201c151\u201d e timbrata al retro. cm 39x29. presenti macchie di foxing \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"402","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21595/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":700,"lastUpdate":"2026-07-19T07:49:29.761Z","textCase":"lower","currency":"EUR","id":21595,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21596/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21596/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21596/006/006.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting sicilian boys at the fountain. double stamp on the back. numbered 7b. published page 44 of the book .. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante ragazzi siciliani alla fontana. doppio timbro sul retro. numerata 7b. pubblicata pag.44 del libro.. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"403","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21596/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":500,"lastUpdate":"2026-07-19T07:49:29.762Z","textCase":"lower","currency":"EUR","id":21596,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":350,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21597/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21597/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21597/006/006.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting the inner courtyard of the courtyard san domenico (1500/1600). numbered and hallmarked on the back 58a. dated in pencil 1905. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante cortile interno del cortile san domenico (1500/1600). numerata sul retro 58 bis e timbrata. datata a matita 1905. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"404","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21597/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":350,"lastUpdate":"2026-07-19T07:49:29.764Z","textCase":"lower","currency":"EUR","id":21597,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":450,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21598/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21598/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21598/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21598/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting guy at the greek theater of taormina. numbered and hallmarked on the back 46. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante ragazzo al teatro greco di taormina. numerata sul retro 46 e timbrata. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"405","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21598/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":450,"lastUpdate":"2026-07-19T07:49:29.765Z","textCase":"lower","currency":"EUR","id":21598,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":350,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21599/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21599/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21599/006/006.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting monk with his habit. signed and dated 1910 on the front and on the back numbered 179. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante frate con saio. firmata e datata 1910 sul fronte e numerata sul retro 179. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"406","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21599/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":350,"lastUpdate":"2026-07-19T07:49:30.351Z","textCase":"lower","currency":"EUR","id":21599,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21600/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21600/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21600/006/006.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photo depicting a bust of young taormina. hallmarked on the back and named as pancrazio dall'ura. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante mezzo busto di giovane taorminese. timbrata sul retro e nominata con il nome pancrazio dall\u2019ura. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"407","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21600/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":500,"soldPrice":700,"lastUpdate":"2026-07-19T07:49:30.353Z","textCase":"lower","currency":"EUR","id":21600,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21601/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21601/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21601/006/006.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting climb trees with taormina (now via luigi pirandello). signed and numbered on the front in 2485 on the back. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante salita con alberi di taormina (oggi via luigi pirandello). firmata sul fronte e numerata 2485 sul retro. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"408","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21601/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":300,"lastUpdate":"2026-07-19T07:49:30.355Z","textCase":"lower","currency":"EUR","id":21601,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21602/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21602/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21602/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21602/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), depicting photos albumin group of characters in sicilian costumes. numbered and hallmarked on the back 13. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante gruppo di personaggi in costumi siciliani. numerata sul retro 13 e timbrata . cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"409","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21602/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":400,"lastUpdate":"2026-07-19T07:49:30.357Z","textCase":"lower","currency":"EUR","id":21602,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21603/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21603/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21603/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21603/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting monaco talks with character. numbered and hallmarked on the back 19. small lack on the right side up. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante monaco a colloquio con personaggio. numerata sul retro 19 e timbrata. piccola mancanza sul lato destro in alto. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"410","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21603/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":300,"lastUpdate":"2026-07-19T07:49:30.359Z","textCase":"lower","currency":"EUR","id":21603,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":450,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21604/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21604/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21604/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21604/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photo depicting a young sicilian girl. numbered and hallmarked on the back 10. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante giovane ragazza siciliana. numerata sul retro 10 e timbrata. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"411","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21604/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":450,"lastUpdate":"2026-07-19T07:49:30.364Z","textCase":"lower","currency":"EUR","id":21604,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":350,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21605/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21605/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21605/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21605/008/008.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting couple of kids in costume sicilian villa. hallmarked on the back. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante coppia di ragazzini in costume siciliani in villa. timbrata sul retro. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"412","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21605/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":350,"soldPrice":450,"lastUpdate":"2026-07-19T07:49:30.366Z","textCase":"lower","currency":"EUR","id":21605,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21606/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21606/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21606/006/006.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting surroundings of taormina with monks. numbered on the back 2475. small lack on the left side at the top. cm 17x22 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante dintorni di taormina con monaci. numerata sul retro 2475. piccola mancanza sul lato sinistro in alto. cm 17x22 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"413","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21606/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"lastUpdate":"2026-07-19T07:49:30.369Z","textCase":"lower","currency":"EUR","id":21606,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":250,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21607/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21607/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21607/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21607/008/008.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting child crouching with dog. numbered 1258 and hallmarked on the back. published on page 15 of the book love and art wilhelm von gloeden, and. avvenire 2000 messina, malambri author. cm 11,5x16 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante bambino accovacciato con cane. numerata sul retro 1258 e timbrata. pubblicata a pag.15 del libro amore e arte wilhelm von gloeden, ed. avvenire 2000 messina, autore malambr&igrave;. cm 11,5x16 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"414","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21607/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":250,"soldPrice":400,"lastUpdate":"2026-07-19T07:49:30.371Z","textCase":"lower","currency":"EUR","id":21607,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21608/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21608/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21608/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21608/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting sicilian characters. numbered 1000 and hallmarked on the back. dated 1900. cm 11x15 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante personaggi siciliani. numerata sul retro 1000 e timbrata. datata 1900. cm 11x15 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"415","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21608/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"lastUpdate":"2026-07-19T07:49:30.373Z","textCase":"lower","currency":"EUR","id":21608,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21609/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21609/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21609/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21609/008/008.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting the young sicilian face. numbered 1015 and hallmarked on the back. cm 11x16 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante volto di giovane siciliano. numerata sul retro 1015 e timbrata. cm 11x16 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"416","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21609/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"soldPrice":650,"lastUpdate":"2026-07-20T15:46:47.825Z","textCase":"lower","currency":"EUR","id":21609,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21610/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21610/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21610/006/006.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting young sicilian. numbered 489 and hallmarked on the back. small gaps on the right and top left. cm 11,5x17 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante giovane siciliano. numerata sul retro 489 e timbrata. piccole mancanze sul lato destro e in alto a sinistra. cm 11,5x17 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"417","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21610/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"lastUpdate":"2026-07-20T15:46:47.826Z","textCase":"lower","currency":"EUR","id":21610,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21611/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21611/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21611/006/006.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting young sicilian boy who plays the flute. numbered in pencil on the back 434b and hallmarked. cm 12x16 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante giovane ragazzo siciliano che suona il flauto. numerata a matita sul retro 434b e timbrata. cm 12x16 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"418","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21611/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"soldPrice":200,"lastUpdate":"2026-07-20T15:46:47.828Z","textCase":"lower","currency":"EUR","id":21611,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21612/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21612/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21612/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21612/008/008.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), photos depicting young man with flute in the villa. numbered 168 and hallmarked on the back. cm 10,5x15 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto raffigurante giovane con flauto in villa. numerata sul retro 168 e timbrata. cm 10,5x15 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"419","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21612/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"soldPrice":350,"lastUpdate":"2026-07-20T15:46:47.829Z","textCase":"lower","currency":"EUR","id":21612,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":250,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21613/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21613/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21613/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21613/008/008.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting young sicilian with palm tree. numbered in pencil on the back and hallmarked 404. cm 12x16 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante giovane siciliano con palma. numerata a matita sul retro 404 e timbrata. cm 12x16 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"420","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21613/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":250,"soldPrice":350,"lastUpdate":"2026-07-20T15:46:47.831Z","textCase":"lower","currency":"EUR","id":21613,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":250,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21614/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21614/004/004.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting the sicilian girl first floor. numbered and hallmarked on the back three. cm 11x16 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante primo piano di ragazza siciliana. numerata sul retro 3 e timbrata. cm 11x16 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"421","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21614/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":250,"soldPrice":250,"lastUpdate":"2026-07-20T15:46:47.832Z","textCase":"lower","currency":"EUR","id":21614,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21615/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21615/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21615/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21615/008/008.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting the young sicilian face. numbered in pencil on the back and hallmarked 329. read faults right. cm 11x16 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante volto di giovane siciliana. numerata a matita sul retro 329 e timbrata. leggere mancanze a destra. cm 11x16 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"422","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21615/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"lastUpdate":"2026-07-20T15:46:47.834Z","textCase":"lower","currency":"EUR","id":21615,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21616/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21616/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21616/006/006.jpg"],"available":false,"description":{"en":"wilhelm von gloeden (1856-1931), albumin photos depicting young guy sitting. numbered 317 and hallmarked on the back. cm 12x16 \n \n \"wilhelm von gloeden was a german-born photographer who spent most of his life in sicily, specifically in taormina, a city that he chose as a second home. it was the youth health issues to take in the peninsula. specifically, the choice of taormina is linked dreamy ideal of sicily that the photographer releases in his pictures through the choice of models dressed as always. \n he began his career as a hobby, but soon his pictures became famous thanks to the publication in london in 1893 of a snap her. \n his work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. \n in fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed messina in 1908, the taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. it was these photos, often used as postcards, to increase the myth of the city and its tourism. the taormina von gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over europe, but really poor and economically still underdeveloped. it was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of von gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. \n by the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. this production lasted roughly until the first world war. \n today it is widely recognized internationally not only for the issues addressed above all for its technical quality. his photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. in addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. just think of a lotion that was often used to clear skin blemishes of his photographic subjects. interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. \" asorstudio","it":"wilhelm von gloeden (1856-1931), foto all'albumina raffigurante giovane ragazzo seduto. numerata sul retro 317 e timbrata. cm 12x16 \n \n \"wilhelm von gloeden fu un fotografo di origine tedesca che pass&ograve; parte della sua vita in sicilia, nello specifico a taormina, citt&agrave; che scelse come seconda casa. furono i problemi di salute giovanili a portarlo nella penisola. nello specifico la scelta di taormina &egrave; legata all'ideale onirico della sicilia che il fotografo sprigiona nella sua foto attraverso la scelta di modelli abbigliati alla maniera classica. \n inizi&ograve; la sua carriera per hobby, ma ben presto le sue foto diventarono famose anche grazie alla pubblicazione a londra nel 1893 di un suo scatto. \n la sua opera &egrave; oggi riconosciuta a livello internazionale ed &egrave; legata principalmente alle foto di nudo caratterizzate da soggetti giovanili e in vesti che si rifanno all'antichit&agrave; classica. \n in realt&agrave; la sua produzione &egrave; ben pi&ugrave; vasta e caratterizzata da una vasta gamma di foto dedicate alla cronaca, come quelle dedicate al terremoto che distrusse messina nel 1908, al paesaggio taorminese e alle sue vestigia antiche ma anche ai personaggi locali, come contadini, in vesti tradizionali. furono queste foto, usate spesso come cartoline, ad accrescere il mito della citt&agrave; e il suo turismo. la taormina di von gloeden &egrave; infatti alla fine dell\u2019ottocento una citt&agrave; affascinante e misteriosa in grado di attirare intellettuali e artisti da tutta europa, ma in realt&agrave; povera ed economicamente ancora poco sviluppata. fu proprio questo il motivo che spesso spinse i giovani taorminesi ad accettare di posare nudi per l'obiettivo di von gloeden, che per questa sua vena erotica inizialmente non fu ben visto dalla popolazione locale e delle autorit&agrave; ecclesiastiche. \n con il tempo il fotografo venne accettato dalla comunit&agrave; locale e continu&ograve; la sua produzione fatta basata su foto di giovani taorminesi ritratti quali divinit&agrave;, con ornamenti dal gusto classico. questa produzione dur&ograve; all'incirca fino alla prima guerra mondiale. \n oggi &egrave; riconosciuto unanimemente a livello internazionale non solo per le tematiche trattate ma soprattutto per le sue qualit&agrave; tecniche. le sue foto sono infatti sapientemente bilanciate e studiate grazie al\u2019uso dell\u2019illuminazione e alla posa dei soggetti. inoltre la sua innovazione sta nella sperimentazione nell'ambito dei filtri fotografici e delle accortezze prese nei confronti dei suoi modelli. basti pensare a una lozione che spesso veniva usata per annullare le imperfezioni della pelle dei suoi soggetti fotografici. interessante vedere come nonostante le critiche mosse nei suoi confronti, la sua fotografia non sia mai sfociata realmente in intenti erotici spinti ed espliciti, rimanendo sempre fedele a una composizione orientata alla costruzione classica e mitologica\". asorstudio"},"lotNumber":"423","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21616/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"lastUpdate":"2026-07-20T15:46:47.835Z","textCase":"lower","currency":"EUR","id":21616,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21617/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21617/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21617/006/006.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"guglielmo pluschow (wismar 1852 -berlino 1930), albumen photos depicting nude woman. hallmarked on the back guglielmo pluschow rome and numbered 11160. cm 22x16 \n \n \"photographer, in the early 70s he moved to naples where he changed his name to william and where he began his activities devoted to the study of nudes. \n he opened a studio in via mergellina, second flight of posillipo, no 55, as shown by the stamps placed on his photos. he stayed on capri and also had many social contacts with wilhelm von gloeden. \n in 1890 he opened a studio in rome, again witnessed by the presence of the stamps, but his italian experience ended in 1910 when he was forced to return to berlin after the sentencing receipt for procuring homosexual. \n just in the years prior to his return to germany he thinks he converted to landscape photos in hopes of being able to stay in italy, but this production was not particularly successful. \n the reputation of the photographer over time has been lost as a result of the name of his cousin dell'imporsi von gloeden. but, despite this, in recent years his artistic personality has been rediscovered thanks largely to the immediacy and strength that give off his photos. \n he never gave up to an excess of decoration and tinsel but rather chose to proceed along the path of openness easily slipping into the vulgar and pornographic, to the standards of the time. \" \n \n asorstudio","it":"guglielmo pluschow (wismar 1852 -berlino 1930), foto all'albumina raffigurante nudo di donna. timbrata sul retro guglielmo pluschow roma e numerata 11160. cm 22x16 \n \n \"fotografo, nei primi anni \u201970 si trasfer&igrave; a napoli dove cambi&ograve; il suo nome in guglielmo e dove inizi&ograve; la sua attivit&agrave; dedicandosi allo studio di nudi. \n apr&igrave; uno studio in via mergellina, seconda rampa di posillipo, n 55, come risulta dai timbri apposti sulle sue foto. soggiorn&ograve; anche a capri ed ebbe anche molte frequentazioni con wilhelm von gloeden. \n nel 1890 apr&igrave; uno studio a roma, sempre testimoniato dalla presenza dei timbri, ma la sua esperienza italiana si concluse nel 1910 quando fu costretto a fare ritorno a berlino in seguito alla condanna ricevuta per prossenetismo omosessuale. \n proprio negli anni precedenti al suo ritorno in germania si pensa che si convert&igrave; alla foto di paesaggio nella speranza di poter rimanere in italia, ma questa sua produzione non ebbe particolare successo. \n la fama del fotografo nel tempo si &egrave; persa come conseguenza dell\u2019imporsi del nome del cugino von gloeden. ma, nonostante ci&ograve;, negli ultimi anni la sua personalit&agrave; artistica &egrave; stata riscoperta soprattutto grazie all'immediatezza e alla forza che sprigionano le sue foto. \n non si abbandon&ograve; mai a un eccesso di decorazione e orpelli ma anzi scelse di procedere lungo la via della schiettezza scivolando facilmente nel volgare e pornografico, per gli standard del tempo\". \n \n asorstudio"},"lotNumber":"424","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21617/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"soldPrice":250,"lastUpdate":"2026-07-21T14:19:44.676Z","textCase":"lower","currency":"EUR","id":21617,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21618/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21618/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21618/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21618/008/008.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"guglielmo pluschow (1852-1930), albumin photos depicting nude woman. hallmarked on the back guglielmo pluschow rome. cm 22x16 \n \n \n \"photographer, in the early 70s he moved to naples where he changed his name to william and where he began his activities devoted to the study of nudes. \n he opened a studio in via mergellina, second flight of posillipo, no 55, as shown by the stamps placed on his photos. he stayed on capri and also had many social contacts with wilhelm von gloeden. \n in 1890 he opened a studio in rome, again witnessed by the presence of the stamps, but his italian experience ended in 1910 when he was forced to return to berlin after the sentencing receipt for procuring homosexual. \n just in the years prior to his return to germany he thinks he converted to landscape photos in hopes of being able to stay in italy, but this production was not particularly successful. \n the reputation of the photographer over time has been lost as a result of the name of his cousin dell'imporsi von gloeden. but, despite this, in recent years his artistic personality has been rediscovered thanks largely to the immediacy and strength that give off his photos. \n he never gave up to an excess of decoration and tinsel but rather chose to proceed along the path of openness easily slipping into the vulgar and pornographic, to the standards of the time. \" \n \n asorstudio","it":"guglielmo pluschow (1852-1930), foto all'albumina raffigurante nudo di donna. timbrata sul retro guglielmo pluschow roma. cm 22x16 \n \n \n \"fotografo, nei primi anni \u201970 si trasfer&igrave; a napoli dove cambi&ograve; il suo nome in guglielmo e dove inizi&ograve; la sua attivit&agrave; dedicandosi allo studio di nudi. \n apr&igrave; uno studio in via mergellina, seconda rampa di posillipo, n 55, come risulta dai timbri apposti sulle sue foto. soggiorn&ograve; anche a capri ed ebbe anche molte frequentazioni con wilhelm von gloeden. \n nel 1890 apr&igrave; uno studio a roma, sempre testimoniato dalla presenza dei timbri, ma la sua esperienza italiana si concluse nel 1910 quando fu costretto a fare ritorno a berlino in seguito alla condanna ricevuta per prossenetismo omosessuale. \n proprio negli anni precedenti al suo ritorno in germania si pensa che si convert&igrave; alla foto di paesaggio nella speranza di poter rimanere in italia, ma questa sua produzione non ebbe particolare successo. \n la fama del fotografo nel tempo si &egrave; persa come conseguenza dell\u2019imporsi del nome del cugino von gloeden. ma, nonostante ci&ograve;, negli ultimi anni la sua personalit&agrave; artistica &egrave; stata riscoperta soprattutto grazie all'immediatezza e alla forza che sprigionano le sue foto. \n non si abbandon&ograve; mai a un eccesso di decorazione e orpelli ma anzi scelse di procedere lungo la via della schiettezza scivolando facilmente nel volgare e pornografico, per gli standard del tempo\". \n \n asorstudio"},"lotNumber":"425","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21618/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"soldPrice":300,"lastUpdate":"2026-07-21T14:19:44.679Z","textCase":"lower","currency":"EUR","id":21618,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21619/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21619/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21619/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21619/008/008.jpg"],"soldDate":"2021-05-29","available":false,"description":{"en":"guglielmo pluschow (1852-1930), albumin photo depicting a young woman in traditional costume. hallmarked on the back guglielmo pluschow rome. cm 22x16 \n \n \n \"photographer, in the early 70s he moved to naples where he changed his name to william and where he began his activities devoted to the study of nudes. \n he opened a studio in via mergellina, second flight of posillipo, no 55, as shown by the stamps placed on his photos. he stayed on capri and also had many social contacts with wilhelm von gloeden. \n in 1890 he opened a studio in rome, again witnessed by the presence of the stamps, but his italian experience ended in 1910 when he was forced to return to berlin after the sentencing receipt for procuring homosexual. \n just in the years prior to his return to germany he thinks he converted to landscape photos in hopes of being able to stay in italy, but this production was not particularly successful. \n the reputation of the photographer over time has been lost as a result of the name of his cousin dell'imporsi von gloeden. but, despite this, in recent years his artistic personality has been rediscovered thanks largely to the immediacy and strength that give off his photos. \n he never gave up to an excess of decoration and tinsel but rather chose to proceed along the path of openness easily slipping into the vulgar and pornographic, to the standards of the time. \" \n \n asorstudio","it":"guglielmo pluschow (1852-1930), foto all'albumina raffigurante giovane donna in costume tipico. timbrata sul retro guglielmo pluschow roma. cm 22x16 \n \n \n \"fotografo, nei primi anni \u201970 si trasfer&igrave; a napoli dove cambi&ograve; il suo nome in guglielmo e dove inizi&ograve; la sua attivit&agrave; dedicandosi allo studio di nudi. \n apr&igrave; uno studio in via mergellina, seconda rampa di posillipo, n 55, come risulta dai timbri apposti sulle sue foto. soggiorn&ograve; anche a capri ed ebbe anche molte frequentazioni con wilhelm von gloeden. \n nel 1890 apr&igrave; uno studio a roma, sempre testimoniato dalla presenza dei timbri, ma la sua esperienza italiana si concluse nel 1910 quando fu costretto a fare ritorno a berlino in seguito alla condanna ricevuta per prossenetismo omosessuale. \n proprio negli anni precedenti al suo ritorno in germania si pensa che si convert&igrave; alla foto di paesaggio nella speranza di poter rimanere in italia, ma questa sua produzione non ebbe particolare successo. \n la fama del fotografo nel tempo si &egrave; persa come conseguenza dell\u2019imporsi del nome del cugino von gloeden. ma, nonostante ci&ograve;, negli ultimi anni la sua personalit&agrave; artistica &egrave; stata riscoperta soprattutto grazie all'immediatezza e alla forza che sprigionano le sue foto. \n non si abbandon&ograve; mai a un eccesso di decorazione e orpelli ma anzi scelse di procedere lungo la via della schiettezza scivolando facilmente nel volgare e pornografico, per gli standard del tempo\". \n \n asorstudio"},"lotNumber":"426","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21619/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"soldPrice":200,"lastUpdate":"2026-07-19T07:49:31.931Z","textCase":"lower","currency":"EUR","id":21619,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21620/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21620/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21620/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21620/008/008.jpg"],"available":false,"description":{"en":"gaetano d'agata (1883-1949), photos depicting children dancing with flute player. signed on the front and hallmarked on the back. numbered 244 cm 22,5x18 \n \n \"gaetano d'agata is part of the group of photographers who end up on the 800 dedicated themselves to photography in southern italy, working closely with the likes of von gloeden caliber. \n a native of aci sant'antonio, moved soon to taormina where he married a local woman and worked with von gloeden as witnessed by many photos of the latter set in the villa's garden. \n despite the multiple trips outside italy that led to the opening of a studio in new york, he settled in taormina, where he opened his studio to the corso umberto. \n the fame of this artist even if confirmed over the years, was less than that of his contemporaries. indeed, his photograph dedicated to young nude, fashion theme in the late '800, it is the least successful in what is often limited emulation of models already proposed by his colleague von gloeden. his most famous production is dedicated to landscapes and genre scenes, which were often printed and used as postcards, sold around the way and that they increased taormina notoriety for its natural and unspoiled beauty. \" \n asorstudio","it":"gaetano d'agata (1883-1949), foto raffigurante ragazzini che ballano con suonatore di flauto. firmata sul davanti e timbrata sul retro. numerata 244. cm 22,5x18 \n \n \"gaetano d'agata fa parte del gruppo di fotografi che sul finire dell'800 si dedicarono alla fotografia nel meridione d\u2019italia, lavorando a contatto con artisti del calibro di von gloeden. \n originario di aci sant\u2019antonio, si trasfer&igrave; ben presto a taormina dove spos&ograve; una donna del luogo e lavor&ograve; con von gloeden come testimoniato da molte foto ambientate nel giardino della villa di quest'ultimo. \n nonostante i molteplici viaggi fuori dall'italia che lo portarono all'apertura di un atelier a new york, si stabil&igrave; definitivamente a taormina dove apr&igrave; il suo studio al corso umberto. \n la fama di questo artista seppur confermata nel corso degli anni, fu minore di quella dei suoi contemporanei. infatti, la sua fotografia dedicata al nudo giovanile, tematica di moda sul finire del\u2019800, risulta la meno riuscita in quanto spesso si limit&ograve; all\u2019emulazione dei modelli gi&agrave; proposti dal collega von gloeden. la sua produzione pi&ugrave; famosa &egrave; quella dedicata al paesaggio e alle scene di genere, che spesso venivano stampate e usate come cartoline, vendute in giro per il modo e che accrebbero la notoriet&agrave; di taormina per le sue bellezze naturalistiche e incontaminate\". \n asorstudio"},"lotNumber":"427","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21620/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":250,"lastUpdate":"2026-07-19T07:49:31.933Z","textCase":"lower","currency":"EUR","id":21620,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21621/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21621/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21621/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21621/008/008.jpg"],"available":false,"description":{"en":"gaetano d'agata (1883-1949), photos depicting the young. hallmarked on the back. numbered 169 cm 22,5x18 \n \n \"gaetano d'agata is part of the group of photographers who end up on the 800 dedicated themselves to photography in southern italy, working closely with the likes of von gloeden caliber. \n a native of aci sant'antonio, moved soon to taormina where he married a local woman and worked with von gloeden as witnessed by many photos of the latter set in the villa's garden. \n despite the multiple trips outside italy that led to the opening of a studio in new york, he settled in taormina, where he opened his studio to the corso umberto. \n the fame of this artist even if confirmed over the years, was less than that of his contemporaries. indeed, his photograph dedicated to young nude, fashion theme in the late '800, it is the least successful in what is often limited emulation of models already proposed by his colleague von gloeden. his most famous production is dedicated to landscapes and genre scenes, which were often printed and used as postcards, sold around the way and that they increased taormina notoriety for its natural and unspoiled beauty. \" \n asorstudio","it":"gaetano d'agata (1883-1949), foto raffigurante giovani. timbrata sul retro. numerata 169. cm 22,5x18 \n \n \"gaetano d'agata fa parte del gruppo di fotografi che sul finire dell'800 si dedicarono alla fotografia nel meridione d\u2019italia, lavorando a contatto con artisti del calibro di von gloeden. \n originario di aci sant\u2019antonio, si trasfer&igrave; ben presto a taormina dove spos&ograve; una donna del luogo e lavor&ograve; con von gloeden come testimoniato da molte foto ambientate nel giardino della villa di quest'ultimo. \n nonostante i molteplici viaggi fuori dall'italia che lo portarono all'apertura di un atelier a new york, si stabil&igrave; definitivamente a taormina dove apr&igrave; il suo studio al corso umberto. \n la fama di questo artista seppur confermata nel corso degli anni, fu minore di quella dei suoi contemporanei. infatti, la sua fotografia dedicata al nudo giovanile, tematica di moda sul finire del\u2019800, risulta la meno riuscita in quanto spesso si limit&ograve; all\u2019emulazione dei modelli gi&agrave; proposti dal collega von gloeden. la sua produzione pi&ugrave; famosa &egrave; quella dedicata al paesaggio e alle scene di genere, che spesso venivano stampate e usate come cartoline, vendute in giro per il modo e che accrebbero la notoriet&agrave; di taormina per le sue bellezze naturalistiche e incontaminate\". \n asorstudio"},"lotNumber":"428","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21621/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"lastUpdate":"2026-07-19T07:49:31.934Z","textCase":"lower","currency":"EUR","id":21621,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21622/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21622/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21622/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21622/008/008.jpg"],"available":false,"description":{"en":"gaetano d'agata (1883-1949), depicting nude photos of women. hallmarked on the back. numbered 382. cm 22,5x18 \n \n \"gaetano d'agata is part of the group of photographers who end up on the 800 dedicated themselves to photography in southern italy, working closely with the likes of von gloeden caliber. \n a native of aci sant'antonio, moved soon to taormina where he married a local woman and worked with von gloeden as witnessed by many photos of the latter set in the villa's garden. \n despite the multiple trips outside italy that led to the opening of a studio in new york, he settled in taormina, where he opened his studio to the corso umberto. \n the fame of this artist even if confirmed over the years, was less than that of his contemporaries. indeed, his photograph dedicated to young nude, fashion theme in the late '800, it is the least successful in what is often limited emulation of models already proposed by his colleague von gloeden. his most famous production is dedicated to landscapes and genre scenes, which were often printed and used as postcards, sold around the way and that they increased taormina notoriety for its natural and unspoiled beauty. \" \n asorstudio","it":"gaetano d'agata (1883-1949), foto raffigurante nudo di donna. timbrata sul retro. numerata 382. cm 22,5x18 \n \n \"gaetano d'agata fa parte del gruppo di fotografi che sul finire dell'800 si dedicarono alla fotografia nel meridione d\u2019italia, lavorando a contatto con artisti del calibro di von gloeden. \n originario di aci sant\u2019antonio, si trasfer&igrave; ben presto a taormina dove spos&ograve; una donna del luogo e lavor&ograve; con von gloeden come testimoniato da molte foto ambientate nel giardino della villa di quest'ultimo. \n nonostante i molteplici viaggi fuori dall'italia che lo portarono all'apertura di un atelier a new york, si stabil&igrave; definitivamente a taormina dove apr&igrave; il suo studio al corso umberto. \n la fama di questo artista seppur confermata nel corso degli anni, fu minore di quella dei suoi contemporanei. infatti, la sua fotografia dedicata al nudo giovanile, tematica di moda sul finire del\u2019800, risulta la meno riuscita in quanto spesso si limit&ograve; all\u2019emulazione dei modelli gi&agrave; proposti dal collega von gloeden. la sua produzione pi&ugrave; famosa &egrave; quella dedicata al paesaggio e alle scene di genere, che spesso venivano stampate e usate come cartoline, vendute in giro per il modo e che accrebbero la notoriet&agrave; di taormina per le sue bellezze naturalistiche e incontaminate\". \n asorstudio"},"lotNumber":"429","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21622/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":250,"lastUpdate":"2026-07-19T07:49:31.936Z","textCase":"lower","currency":"EUR","id":21622,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21623/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21623/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21623/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21623/008/008.jpg"],"available":false,"description":{"en":"gaetano d'agata (1883-1949), albumin photos depicting etna view from the terrace of the hotel timeo in taormina. hallmarked on the back. numbered 166 cm 22x17 \n \n \"gaetano d'agata is part of the group of photographers who end up on the 800 dedicated themselves to photography in southern italy, working closely with the likes of von gloeden caliber. \n a native of aci sant'antonio, moved soon to taormina where he married a local woman and worked with von gloeden as witnessed by many photos of the latter set in the villa's garden. \n despite the multiple trips outside italy that led to the opening of a studio in new york, he settled in taormina, where he opened his studio to the corso umberto. \n the fame of this artist even if confirmed over the years, was less than that of his contemporaries. indeed, his photograph dedicated to young nude, fashion theme in the late '800, it is the least successful in what is often limited emulation of models already proposed by his colleague von gloeden. his most famous production is dedicated to landscapes and genre scenes, which were often printed and used as postcards, sold around the way and that they increased taormina notoriety for its natural and unspoiled beauty. \" \n asorstudio","it":"gaetano d'agata (1883-1949), foto all'albumina raffigurante vista dell'etna dal terrazzo dell'hotel timeo di taormina. timbrata sul retro. numerata 166. cm 22x17 \n \n \"gaetano d'agata fa parte del gruppo di fotografi che sul finire dell'800 si dedicarono alla fotografia nel meridione d\u2019italia, lavorando a contatto con artisti del calibro di von gloeden. \n originario di aci sant\u2019antonio, si trasfer&igrave; ben presto a taormina dove spos&ograve; una donna del luogo e lavor&ograve; con von gloeden come testimoniato da molte foto ambientate nel giardino della villa di quest'ultimo. \n nonostante i molteplici viaggi fuori dall'italia che lo portarono all'apertura di un atelier a new york, si stabil&igrave; definitivamente a taormina dove apr&igrave; il suo studio al corso umberto. \n la fama di questo artista seppur confermata nel corso degli anni, fu minore di quella dei suoi contemporanei. infatti, la sua fotografia dedicata al nudo giovanile, tematica di moda sul finire del\u2019800, risulta la meno riuscita in quanto spesso si limit&ograve; all\u2019emulazione dei modelli gi&agrave; proposti dal collega von gloeden. la sua produzione pi&ugrave; famosa &egrave; quella dedicata al paesaggio e alle scene di genere, che spesso venivano stampate e usate come cartoline, vendute in giro per il modo e che accrebbero la notoriet&agrave; di taormina per le sue bellezze naturalistiche e incontaminate\". \n asorstudio"},"lotNumber":"430","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/15324/lot/21623/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":200,"lastUpdate":"2026-07-19T07:49:31.937Z","textCase":"lower","currency":"EUR","id":21623,"category":{"en":"Auteur Photography","it":"Fotografia d'autore"}},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21624/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21624/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/21624/006/006.jpg"],"available":false,"description":{"en":"gaetano d'agata (1883-1949), depicting picture girl with jug. hallmarked on the back. numbered 419 cm 22x17 \n \n \"gaetano d'agata is part of the group of photographers who end up on the 800 dedicated themselves to photography in southern italy, working closely with the likes of von gloeden caliber. \n a native of aci sant'antonio, moved soon to taormina where he married a local woman and worked with von gloeden as witnessed by many photos of the latter set in the villa's garden. \n despite the multiple trips outside italy that led to the opening of a studio in new york, he settled in taormina, where he opened his studio to 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