{"lots":[{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103590/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103590/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103590/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103590/004/004.jpg"],"artist":{"en":"francesco rizzo di bernardino da santacroce (san pellegrino terme - venezia) circle of","it":"francesco rizzo di bernardino da santacroce (cerchia di)\n(san pellegrino terme 1485 ca. - venezia dopo il 1545)"},"soldDate":"2026-06-25","available":false,"description":{"en":"tempera on panel \n cm. 37x43. framed","it":"tempera su tavola \n cm. 37x43. con cornice"},"estimateMax":5000,"lotNumber":"1","title":{"it":"madonna con il bambino, san giovannino e santa elisabetta"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103590/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2000,"soldPrice":2200,"lastUpdate":"2026-06-25T13:10:26.663Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac5,000","currency":"EUR","id":103590,"estimateMin":3000},{"startPrice":1500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103591/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103591/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103591/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103591/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103591/005/005.jpg"],"artist":{"en":"artista emiliano, xvi secolo","it":"artista emiliano, xvi secolo\n()"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on panel \n cm. 91x60","it":"olio su tavola \n cm. 91x60"},"estimateMax":4500,"lotNumber":"2","title":{"it":"la circoncisione di gesù"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103591/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1500,"soldPrice":1500,"lastUpdate":"2026-06-25T13:11:19.503Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac4,500","currency":"EUR","id":103591,"estimateMin":2500},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103592/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103592/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103592/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103592/004/004.jpg"],"artist":{"en":"artista toscano, seconda metà xvi secolo","it":"artista toscano, seconda metà xvi secolo\n()"},"available":false,"description":{"en":"oil on copper \n cm. 17x30,5 \n the work is a typical product of late sixteenth-century tuscan mannerism, primarily reflecting the refined pictorial language of giorgio vasari and francesco salviati. the painting is characterized by a marked dynamic tension and a nervous anatomical definition, recalling above all the style of girolamo macchietti.","it":"olio su rame \n cm. 17x30,5 \n l\u2019opera è un prodotto tipico del \n manierismo toscano di secondo cinquecento, guardando in primo luogo al raffinato linguaggio pittorico di \n giorgio vasari e francesco salviati. il dipinto è \n caratterizzata da  \n un marcata tensione dinamica e da una nervosa definizione anatomica che richiama soprattutto i modi \n di girolamo macchietti \n ."},"estimateMax":3000,"lotNumber":"3","title":{"it":"cristo coronato di spine"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103592/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1200,"lastUpdate":"2026-06-25T17:20:28.994Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":103592,"estimateMin":2000},{"startPrice":1800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103593/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103593/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103593/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103593/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103593/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103593/006/006.jpg"],"artist":{"en":"tiziano vecellio (pieve di cadore - venezia, 1576) follower of","it":"tiziano vecellio (seguace di)\n(pieve di cadore 1488-1490 - venezia 1576)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 98x81,5. framed \n the painting draws inspiration from the composition of the \n salome with the head of saint john the baptist , titian\u2019s youthful masterpiece now preserved in the galleria doria pamphilj, rome. of particular note is the significant stylistic variation introduced in the face of the female figure, clearly derived from leonardesque models.","it":"olio su tela \n cm. 98x81,5. con cornice \n il dipinto trae ispirazione dalla composizione della \n salomè con la testa del battista , capolavoro giovanile di tiziano vecellio oggi conservato nella galleria doria pamphilj di roma. si segnala la rilevante variazione di registro stilistico operata nel volto della figura femminile, chiaramente derivata da modelli leonardeschi."},"estimateMax":5000,"lotNumber":"4","title":{"it":"figura femminile con cesto di frutta e paggio al seguito"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103593/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1800,"soldPrice":2800,"lastUpdate":"2026-06-25T13:13:39.152Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac5,000","currency":"EUR","id":103593,"estimateMin":3000},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103594/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103594/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103594/003/003.jpg"],"artist":{"en":"artista attivo a bruges, prima metà xvi secolo","it":"artista attivo a bruges, prima metà xvi secolo\n()"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on panel \n cm. 29x23. framed \n the reverse of the panel bears an old inscription on a stretcher of the parquet: \u201cattribué à hans holbein\u201d. \n \n  \n \n \n the attribution to a master of bruges active in the first decades of the sixteenth century has been proposed by dr. peter van den brink in an email communication to the owner, after examining a high-resolution digital image of the painting. \n \n the panel shows extensive restorations and retouching throughout. \n \n \n  \n \n \n many paintings produced in bruges in the sixteenth century have been grouped around works securely attributed to masters such as isenbrant, benson, or the claeissens family. however, this classification into a limited number of clusters of works appears clearly disproportionate to the number of artists\u2019 names recorded in bruges archives, considering that in the first forty years of the sixteenth century approximately ninety artists obtained the status of master in bruges, while surviving works from the same period are associated with no more than a dozen names. \n \n \n the present painting, like a large number of related works, can at the current state of knowledge be placed within the artistic production of bruges on the basis of its stylistic features and iconographic characteristics, without, however, allowing for a more precise attribution.","it":"olio su tavola di tiglio \n cm. 29x23. con cornice a tabernacolo \n la tavola reca al retro una vecchia iscrizione su una traversa della parchettatura: \"attribuè à hans holbein\". \n \n l\u2019attribuzione a un maestro di bruges attivo nei primi decenni del xvi secolo è stata proposta dal dr. \n peter van den brink con una comunicazione via email alla proprietà dopo aver visionato un\u2019immagine digitale in alta risoluzione del dipinto. \n  \n  \n \n  la tavola presenta diffusi restauri e ritocchi. \n  \n  \n \n  molti dipinti realizzati a bruges nel xvi secolo sono stati raggruppati \n  attorno alle opere attribuite con sicurezza a maestri quali isenbrant, benson \n  o alla famiglia claeissens. questa classificazione all'interno di pochi nuclei di opere \n  appare  \n  tuttavia chiaramente sproporzionata rispetto alla quantità di nomi di artisti tramandati dagli archivi di bruges, se si pensa che ne \n  i primi quarant'anni del xvi secolo circa novanta artisti ottennero la qualifica di maestro a bruges, mentre l \n  e opere dello stesso periodo conservate \n  sono associate al massimo a una dozzina di nomi.  \n  il dipinto qui in oggetto, come un gran numero di altri ad esso affini, alla stato delle conoscenze può essere \n  localizzato all'interno della produzione artistica di bruges  \n  sulla base dei suoi caratteri stilistici e delle sue peculiarità  \n  iconografiche, senza che però ci si possa spingere oltre nella direzione di un'attribuzione più precisa."},"estimateMax":6000,"lotNumber":"5","title":{"it":"ritratto di giovane nobildonna con orecchini di rubino"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103594/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2000,"soldPrice":5000,"lastUpdate":"2026-06-25T13:15:38.493Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac6,000","currency":"EUR","id":103594,"estimateMin":4000},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103595/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103595/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103595/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103595/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103595/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103595/006/006.jpg"],"artist":{"en":"flemish artist, end of xvi century - early xvii century","it":"artista fiammingo, fine xvi - inizio xvii secolo\n()"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 106x157. framed","it":"olio su tela \n cm. 106x157. con cornice"},"estimateMax":5000,"lotNumber":"6","title":{"en":"market scene with sellers of poultry, eggs, and bread","it":"scena di mercato con venditori di volatili, uova e pane"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103595/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2000,"soldPrice":2600,"lastUpdate":"2026-06-25T13:16:43.625Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac5,000","currency":"EUR","id":103595,"estimateMin":3000},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103596/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103596/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103596/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103596/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103596/005/005.jpg"],"artist":{"en":"sebastiano luciani detto del piombo (venezia, 1485 - roma, 1547) follower of","it":"sebastiano luciani detto del piombo (seguace di)\n(venezia 1485 - roma 1547)"},"available":false,"description":{"en":"oil on copper \n cm. 18,5x21. framed \n the painting draws inspiration from the celebrated \n pietà by sebastiano del piombo, now preserved in the museo civico of viterbo, faithfully replicating the figure of the recumbent christ in the foreground. \n \n \n provenance: \n private collection, rome.","it":"olio su rame \n cm. 18,5x21. con cornice \n il dipinto trae ispirazione dalla celebre pietà di sebastiano del piombo, oggi conservata al museo civico di viterbo, della quale replica fedelmente la figura del cristo disteso in primo piano. \n \n \n provenienza: \n collezione privata, roma."},"estimateMax":5000,"lotNumber":"7","title":{"it":"compianto sul cristo morto"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103596/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1500,"lastUpdate":"2026-06-25T17:20:28.999Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac5,000","currency":"EUR","id":103596,"estimateMin":3000},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103597/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103597/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103597/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103597/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103597/005/005.jpg"],"artist":{"en":"girolamo muziano (brescia, 1532 - roma, 1592) circle of","it":"girolamo muziano (cerchia di)\n(brescia 1532 - roma 1592)"},"available":false,"description":{"en":"oil on copper \n cm. 24,5x19,5. framed","it":"olio su rame \n cm. 24,5x19,5. con cornice"},"estimateMax":3500,"lotNumber":"8","title":{"it":"san francesco riceve le stimmate"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103597/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1800,"lastUpdate":"2026-06-25T17:20:29.004Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,500","currency":"EUR","id":103597,"estimateMin":2500},{"startPrice":1000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103598/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103598/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103598/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103598/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103598/005/005.jpg"],"artist":{"en":"federico barocci (urbino, 1535 - 1612) follower of","it":"federico barocci (seguace di)\n(urbino 1535 - 1612)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 69x58. framed \n \n \n provenance: \n private collection, rome.","it":"olio su tela \n cm. 69x58. con cornice \n \n \n provenienza: \n collezione privata, roma."},"estimateMax":4000,"lotNumber":"9","title":{"it":"salvator mundi"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103598/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1000,"soldPrice":3800,"lastUpdate":"2026-06-25T13:19:30.898Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac4,000","currency":"EUR","id":103598,"estimateMin":2000},{"startPrice":1200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103599/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103599/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103599/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103599/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103599/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103599/006/006.jpg"],"artist":{"en":"artista fiammingo, fine xvi - inizio xvii secolo","it":"artista fiammingo, fine xvi - inizio xvii secolo\n()"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on copper \n cm. 24,5x32,7. framed \n \n \n provenance: \n private collection, florence.","it":"olio su rame \n cm. 24,5x32,7. con cornice \n \n \n provenienza: \n collezione privata, firenze."},"estimateMax":4000,"lotNumber":"10","title":{"it":"adorazione dei magi"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103599/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1200,"soldPrice":1200,"lastUpdate":"2026-06-25T13:20:35.215Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac4,000","currency":"EUR","id":103599,"estimateMin":2000},{"startPrice":2400,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103600/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103600/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103600/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103600/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103600/005/005.jpg"],"artist":{"en":"raffaello sanzio (urbino , 1483 - roma, 1520) based on","it":"raffaello sanzio (copia da)\n(urbino 1483 - roma 1520)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 92x135 \n the work is a fine-quality copy of the celebrated fresco by raphael, which gives its name to the second of the vatican rooms frescoed by the great master on commission from pope julius ii, immediately after the so-called stanza della segnatura. as with all the extraordinary compositions conceived by raphael in the stanze, the expulsion of heliodorus from the temple, thanks to its unparalleled balance between complexity of subject, boldness of invention, and narrative clarity, enjoyed vast and uninterrupted success over the centuries, lasting into the neoclassical period, of which the present example is an eloquent testimony.","it":"olio su tela \n cm. 92x135 \n l\u2019opera costituisce una copia di bella qualità del celebre affresco di raffaello opera che da il nome alla seconda delle \n stanze vaticane affrescate da grande maestro su commissione di papa giulio ii, subito dopo quella cosiddetta della segnatura. come tutte le straordinarie composizioni ideate d \n a raffaello nelle stanze anche la cacciata di eliodoro dal tempio, grazie al suo ineguagliabile equilibrio fra complessità del soggetto, arditezza dell'invenzione e chiarezza narrativa, riscosse una vastissima e ininterrotta fortuna, perdurante per secoli sino alla stagione neoclassica, della quale l'esemplare qui in oggetto costituisce un'eloquente testimonianza."},"estimateMax":5000,"lotNumber":"11","title":{"it":"la cacciata di eliodoro dal tempio"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103600/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2400,"soldPrice":2400,"lastUpdate":"2026-06-25T13:21:37.132Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac5,000","currency":"EUR","id":103600,"estimateMin":3000},{"startPrice":1800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103601/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103601/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103601/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103601/004/004.jpg"],"artist":{"en":"jan gossaert il mabuse (maubege, 1478 - anversa, 1532) follower of","it":"jan gossaert il mabuse (seguace di)\n(maubege 1478 - anversa 1532)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on panel \n cm. 60x46. framed \n the painting bears an illegible inscription in the bottom right-hand corner. \n \n \n provenance: \n private collection, rome.","it":"olio su tavola \n cm. 60x46. con cornice \n il dipinto reca iscrizione illeggibile in basso a destra. \n \n \n provenienza: \n collezione privata, roma."},"estimateMax":4000,"lotNumber":"12","title":{"it":"madonna con bambino"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103601/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1800,"soldPrice":1800,"lastUpdate":"2026-06-25T13:22:26.784Z","textCase":"lower","estimate":"\u20ac3,000 - 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/ praepositvs ecclesiae / veronen. primvs\u201d; a monogram and date: \u201ca. b. 1552\u201d; and the inventory number: \u201c590\u201d. \n \n probably trained in verona by his uncle francesco, who appointed him his heir, antonio badile maintained a highly successful workshop through which passed some of the finest veronese artists of the following generation: battista zelotti, orlando flacco, dario varotari, and above all paolo veronese. such an exceptional group of pupils leaves no doubt as to the prestige and authority achieved by antonio on the veronese artistic scene. today known primarily for his altarpieces, antonio badile was also an excellent portrait painter, as the present panel clearly demonstrates, even though portraiture remains the least studied and sparsest area of his oeuvre. \n \n the sitter depicted in the present painting belonged to an ancient and noble family which, at the date of the work, had only recently received the title of counts from the venetian senate. the inscription on the reverse of the panel informs us of the ecclesiastical role of monsignor girolamo, provost regent, whom badile portrays here at approximately fifty years of age. the elegant monogram explicitly recalls that of dürer, whose painting badile appears particularly attentive to in this work, endowing the portrait with a distinctly northern quality\u2014introspective, austere, and minutely realistic. \n \n \n \n provenance: \n collection of don alfonso falcó de moura y valcárcel, marquis of castel rodrigo, prince pio of savoy; thence by descent until 1998; private collection, rome. \n \n \n literature: \n e. safarik, m.i. safarik, \n arte ricercata. nuovo capitolo del collezionismo mitteleeuropeo , hradec kralové 2016, pp. 19-24.","it":"olio su tavola di quercia \n cm. 23x16,5. con cornice antica ebanizzata \n la tavola reca al retro iscrizione antica: \"m.d.l.i. / [...]hieronymvs tvrrianvs / praepositvs ecclesiae / veronen . primvs\". al centro del tavola monogramma con data: \"a. b. 1552\" e numero di inventario: \"590\". \n \n formatosi probabilmente a verona presso lo zio francesco, che lo nominò suo erede, antonio badile ebbe una bottega fiorentissima, dove passarono i migliori artisti scaligeri della generazione successiva: battista zelotti, orlando flacco, dario varotari e soprattutto paolo veronese. un simile \n parterre di allievi non lascia dubbi sul prestigio e l'autorevolezza raggiunti da antonio sulla scena artistica veronese. noto oggi soprattutto sul versante delle pale d'altare, antonino badile fu anche un eccellente ritrattista, come la tavola che qui si presenta dimostra chiaramente, anche se oggi si tratta del segmento più scarno e meno indagato del suo catalogo. \n il personaggio effigiato nel nostro dipinto apparteneva ad un'antica e nobile casata, che alla data dell'opera aveva appena ricevuto dal senato veneziano il titolo di conti. l'iscrizione sul verso della tavola ci informa del ruolo ecclesiastico di monsignor girolamo, reggente della prepositura, che il ritratto di badile immortala all'incirca cinquantenne. il bel monogramma si richiama esplicitamente a quello di dürer, alla pittura del quale badile si mostra qui particolarmente attento, conferendo al ritratto un'aria singolarmente nordica, introspettiva, severa e minuziosamente realistica. \n \n \n provenienza: \n collezione don alfondo falcò de moura y valcàrcel, marchese di castel rodrigo, principe pio di savoia; per discendenza agli eredi fino al 1998; collezione privata, roma. \n \n \n bibliografia: \n e. safarik, m.i. safarik, \n arte ricercata. nuovo capitolo del collezionismo mitteleeuropeo , hradec kralové 2016, pp. 19-24."},"estimateMax":25000,"lotNumber":"40","title":{"it":"ritratto di girolamo della torre"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103629/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":10000,"soldPrice":10000,"lastUpdate":"2026-06-25T13:51:10.386Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac25,000","currency":"EUR","id":103629,"estimateMin":15000},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103630/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103630/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103630/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103630/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103630/005/005.jpg"],"artist":{"en":"domenico fiasella (sarzana, 1589 - genova, 1669) attributed to","it":"domenico fiasella (attribuito a)\n(sarzana 1589 - genova 1669)"},"available":false,"description":{"en":"oil on canvas \n cm. 99x120. framed \n dipinto in prima tela. \n \n domenico fiasella, detto il sarzana, fu tra i protagonisti della pittura ligure nella prima metà del seicento, introducendovi, tra l'altro, elementi caravaggeschi di prima mano frutto del suo lungo soggiorno romano (dal 1607 a circa il 1616). oltre a permettergli un'approfondita conoscenza diretta di tutti gli orientamenti della pittura a roma di quegli anni, la residenza nell'urbe gli guadagnò l'attenzione di committenti di primissimo piano, \n in primis il marchese vincenzo giustiniani. questo inedito \n sogno di giacobbe permette di ammirare alcune qualità tipiche di fiasella: il caldo colorismo, la studiata regia luministica, col sapiente contrato tra la zona d'ombra occupata dalla figura dormiente sdraiata in primo piano e l'acceso chiarore riservato alla scala con le presenza angeliche sullo sfondo, come pure l'atmosfera di soffuso lirismo, d'accordo col contenuto narrativo dell'episodio biblico. tra i termini di confronto nel catalogo di fiasella si possono qui ricordare l' \n ebbrezza di noè (la spezia, coll. carispe), \n lot e le figlie (la spezia, coll. privata), e \n diana ed endimione , pure in collezione privata. \n \n \n provenance: \n collezione privata, genova.","it":"olio su tela \n cm. 99x120. con cornice antica \n dipinto in prima tela. \n \n domenico fiasella, detto il sarzana, fu tra i protagonisti della pittura ligure nella prima metà del seicento, introducendovi, tra l'altro, elementi caravaggeschi di prima mano frutto del suo lungo soggiorno romano (dal 1607 a circa il 1616). oltre a permettergli un'approfondita conoscenza diretta di tutti gli orientamenti della pittura a roma di quegli anni, la residenza nell'urbe gli guadagnò l'attenzione di committenti di primissimo piano, \n in primis il marchese vincenzo giustiniani. questo inedito \n sogno di giacobbe permette di ammirare alcune qualità tipiche di fiasella: il caldo colorismo, la studiata regia luministica, col sapiente contrato tra la zona d'ombra occupata dalla figura dormiente sdraiata in primo piano e l'acceso chiarore riservato alla scala con le presenza angeliche sullo sfondo, come pure l'atmosfera di soffuso lirismo, d'accordo col contenuto narrativo dell'episodio biblico. tra i termini di confronto nel catalogo di fiasella si possono qui ricordare l' \n ebbrezza di noè (la spezia, coll. carispe), \n lot e le figlie (la spezia, coll. privata), e \n diana ed endimione , pure in collezione privata. \n \n \n provenienza: \n collezione privata, genova."},"estimateMax":12000,"lotNumber":"41","title":{"it":"il sogno di giacobbe"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103630/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":6000,"lastUpdate":"2026-06-25T17:20:29.262Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":103630,"estimateMin":8000},{"startPrice":6000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103631/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103631/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103631/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103631/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103631/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103631/006/006.jpg"],"artist":{"en":"artista napoletano, seconda metà xvii secolo","it":"artista napoletano, seconda metà xvii secolo\n()"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 76,5x124. framed \n this agitated scene, depicting a group of roman soldiers attacking several half-naked enemies, reveals a certain influence of the young poussin ( \n the victory of gideon over the midianites , vatican pinacoteca, rome) and above all of aniello falcone, unmistakably placing the author of the painting within the neapolitan milieu around the mid-seventeenth century. unlike these illustrious models, however, the canvas disregards any classicising filter, and the representation unfolds in a chaotic manner, with a clear emphasis on the brutality of the action carried out by the soldiers. the composition even appears to retain traces of late mannerist influence, in the manner of belisario corenzio: a combination of elements that may also be found in more peripheral figures of the neapolitan artistic scene such as carlo coppola and scipione compagno. \n \n \n provenance: \n private collection, rome.","it":"olio su tela \n cm. 76,5x124. con cornice antica \n questa scena concitata, che vede un gruppo di soldati romani infierire su alcuni nemici seminudi, mostra una certa influenza del giovane poussin ( \n vittoria di gedeone contro i medianiti , roma, pinacoteca vaticana) e soprattutto di aniello falcone, collocando inequivocabilmente l'autore del dipinto in area napoletana intorno alla metà del seicento. diversamente da questi illustri modelli, nella tela è però ignorato qualsiasi filtro classicista e la rappresentazione si sviluppa in modo caotico, con un'evidente sottolineatura dell'efferatezza dell'azione compiuta dai miliziani. la composizione sembra, anzi, rivelare un residuo di suggestioni tardo-manieriste, sul modello di belisario corenzio: una combinazione di elementi che si possono rinvenire in attori più defilati della scena artistica napoletana come carlo coppola e scipione compagno. \n \n \n provenienza: \n collezione privata, roma."},"estimateMax":12000,"lotNumber":"42","title":{"it":"milizie romane aggrediscono i civili di una città nemica"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103631/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":6000,"soldPrice":6000,"lastUpdate":"2026-06-25T13:52:42.514Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":103631,"estimateMin":8000},{"startPrice":17000,"sold":false,"artist":{"en":"giulio campi (cremona, 1502 - 1572) attributed to","it":"giulio campi (attribuito a)\n(cremona 1502 - 1572)"},"available":false,"description":{"en":"oil on panel \n cm. 53x40,5. \n the painting is accompanied by an expert opinion by prof. mauro lucco. \n \n the work is also accompanied by an export license. \n \n \n  \n \n \n this remarkable panel painting is representative of a mannerist portrait tradition that does not look to central italian currents, but is instead to be related to the artistic tendencies prevalent between emilia and lombardy, primarily in parma, modena, and cremona. the author of the portrait shows clear influences of parmigianino, mazzola bedoli, nicolò dell\u2019abate, and girolamo da carpi, without, however, being persuasively identifiable with any of these major names. here we find a combination of nervous elegance, psychological concentration, and more naturalistic physical concreteness that seems to shift the centre of gravity of the work towards lombardy, and specifically cremona. mauro lucco has noted, in particular, its affinity with the donor figure in the \n madonna with child and saints , painted around 1530 by giulio campi for the church of san mattia \n  in cremona and now in the pinacoteca di brera in milan. even when turning directly to the portrait production of giulio campi, significant points of contact can be observed with the present work, such as the \n galeazzo campi in the uffizi. \n \n \n the painting is also of considerable interest as a document of fashion and costume history, due to the care devoted to the sitter\u2019s austere black attire, almost military in character, which seems to restore the gentleman\u2019s primary masculine and martial identity, softened however by the white shirt collar and cuffs just visible at the edges, and by the medallion on the cap. \n \n \n finally, mention should be made of an alternative attribution hypothesis recently proposed by beatrice tanzi, who, by more closely relating the portrait to an emilian context, suggests the name of the still little-known modenese painter gian gherardo dalle catene, for whom this work would in fact constitute the first known portrait. \n \n \n \n provenance: \n antichità cignaroli, verona (1980); giuseppe alessandra collection, treviso; private collection, london. \n \n \n exhibitions: \n  \n da tiziano a van dyck. il volto del '500 , curated by e. merkel, ca' dei carraresi, treviso, 28 settembre 2018 - 3 febbraio 2019. \n \n \n literature: \n m. lucco, in \n arte dal gotico al novecento. contributi e schede , 2003, pp. 88-89; a. del pozo matè, in \n da tiziano a van dyck. il volto del '500 , cat. of exhibition, curated by e. merkel, treviso 2018, n. 37, pp. 148-151.","it":"olio su tavola \n cm. 53x40,5. con cornice a listello \n il dipinto è accompagnato da un'expertise del prof. mauro lucco. \n l'opera è corredata di attestato di libera circolazione. \n \n questo notevole dipinto su tavola è ben rappresentativo di una ritrattistica di gusto manierista che non guarda alle correnti centro-italiane, ma va ricondotta alle tendenze in auge tra emilia e lombardia e primariamente tra parma, modena e cremona. l'autore del ritratto mostra chiari influssi di parmigianino, mazzola bedoli, nicolò dell'abate e girolamo da carpi, senza però che lo si possa persuasivamente identificare in nessuno di questi nomi illustri. troviamo qui una combinazione di eleganza nervosa, concentrazione psicologica e più naturalistica concretezza fisica che sembrano spostare il baricentro dell'opera più sul versante lombardo e segnatamente cremonese. mauro lucco ha rilevato, in particolare, l'affinità col donatore della \n madonna con bambino e santi , eseguita verso il 1530 da giulio campi per la chiesa di san mattia a cremona e oggi nella pinacoteca di brera a milano. ma anche rivolgendosi direttamente alla produzione ritrattistica di giulio si possono rilevare significativi punti di contatto col nostro dipinto: si pensi solo al \n galeazzo campi degli uffizi. il dipinto presenta un notevole interesse anche come documento di storia della moda e del costume, per la cura riservata al severo abbigliamento in nero, quasi militaresco, che sembra riportare il gentiluomo alla sua primaria immagine virile e bellicista, ingentilita però dal colletto e dal polsino della camicia bianca, appena sporgenti, e dal medaglione sulla berretta. \n merita infine di essere segnalata un'ipotesi attributiva alternativa proposta di recente da beatrice tanzi, che, riconducendo in termini più stringenti il ritratto alla matrice emiliana, propone il nome dell'ancora poco noto pittore modenese gian gherardo dalle catene, di cui il nostro esemplare, peraltro, costituirebbe il primo ritratto noto. \n \n \n provenienza: \n antichità cignaroli, verona (1980); collezione giuseppe alessandra, treviso; collezione privata, londra. \n \n \n esposizioni: \n  \n da tiziano a van dyck. il volto del '500 , a cura di e. merkel, ca' dei carraresi, treviso, 28 settembre 2018 - 3 febbraio 2019. \n \n \n bibliografia: \n m. lucco, in \n arte dal gotico al novecento. contributi e schede , 2003, pp. 88-89; a. del pozo matè, in \n da tiziano a van dyck. il volto del '500 , cat. della mostra, a cura di e. merkel, treviso 2018, n. 37, pp. 148-151."},"estimateMax":30000,"lotNumber":"43","title":{"it":"ritratto di gentiluomo in nero con berretto"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/104111/view","directSalePrice":17000,"lastUpdate":"2026-06-25T17:20:29.303Z","textCase":"lower","estimate":"\u20ac22,000 - \u20ac30,000","currency":"EUR","id":104111,"estimateMin":22000},{"startPrice":7500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103633/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103633/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103633/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103633/004/004.jpg"],"artist":{"en":"francesco lupicini (firenze, 1590 - saragoza, 1656)","it":"francesco lupicini\n(firenze 1590 - saragoza 1656)"},"available":false,"description":{"en":"oil on canvas \n cm. 65x51,5. framed \n the painting is accompanied by an expertise by prof. sandro bellesi. \n \n the painting is recorded in the zeri photo archive (inv. no. 75309). \n \n \n  \n \n \n this fine \n penitent mary magdalene has been recognized by sandro bellesi as an autograph work by francesco lupicini, the florentine painter trained in the circle of cristofano allori and later active in spain. the saint, immersed in a deeply dark space and absorbed in meditation before a small wooden cross, is rendered with strong introspective intensity and a luminous plastic clarity that enhances the devotional character of the image. \n \n \n as noted by bellesi, the painting is connected to a group of nearly identical versions preserved, among others, at the palmer museum of art of pennsylvania state university and in a private new york collection, confirming the importance of the magdalene theme within the artist\u2019s production. the pictorial handling, slightly more broken and textured than in the other known examples, also reveals affinities with early seventeenth-century florentine painting, particularly with cristofano allori, francesco curradi, and matteo rosselli.","it":"olio su tela \n cm. 65x51,5. con cornice \n il dipinto è accompagnato da un'expertise del prof. sandro bellesi. \n il dipinto è p \n resente nella fototeca zeri (n. inv. 75309). \n \n questa bella \n maria maddalena penitente è stata riconosciuta da sandro bellesi come opera autografa di francesco lupicini, pittore fiorentino formatosi nell\u2019ambito di cristofano allori e attivo successivamente in spagna. la santa, immersa in uno spazio scurissimo e raccolta in meditazione davanti a una piccola croce lignea, è resa con forte intensità introspettiva e con una luminosa evidenza plastica che accentua il carattere devozionale dell\u2019immagine. \n \n come osservato da bellesi, il dipinto si collega a un nucleo di versioni quasi identiche conservate, tra l\u2019altro, al palmer museum of art della pennsylvania state university e in una collezione privata newyorkese, confermando l\u2019importanza del tema della \n maddalena nella produzione dell\u2019artista. la stesura pittorica, leggermente più franta e materica rispetto agli altri esemplari noti, rivela inoltre affinità con il linguaggio del primo seicento fiorentino, in particolare con cristofano allori, francesco curradi e matteo rosselli."},"estimateMax":15000,"lotNumber":"44","title":{"it":"maria maddalena penitente"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103633/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":7500,"lastUpdate":"2026-06-25T17:20:29.354Z","textCase":"lower","estimate":"\u20ac10,000 - \u20ac15,000","currency":"EUR","id":103633,"estimateMin":10000},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103634/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103634/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103634/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103634/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103634/005/005.jpg"],"artist":{"en":"giovanni martinelli (montevarchi, 1600 - firenze, 1659)","it":"giovanni martinelli\n(montevarchi 1600 - firenze 1659)"},"available":false,"description":{"en":"oil on canvas \n cm. 74x60. framed \n the painting is accompanied by an expertise by prof. francesca baldassarri. \n \n  \n \n \n this elegant female figure, identifiable as a sibyl through her antique dress and the presence of books on the table, is attributed by francesca baldassarri to giovanni martinelli and constitutes a significant addition to the artist\u2019s catalogue within the sphere of secular subjects. the composition, centered on the enigmatic gaze of the protagonist and the soft sensuality of the flesh tones, fully reveals martinelli\u2019s refined pictorial language, characterized by rich brushwork, warm brown tonalities, and dramatic lighting effects. as noted by the scholar, close typological and stylistic comparisons may be drawn above all with the \n allegoria della conoscenza del sapere umano , formerly in the feroni collection and now preserved in the gallerie degli uffizi, florence (inv. s. marco e cenacoli, feroni, no. 15).","it":"olio su tela \n cm. 74x60. con cornice \n il dipinto è accompagnato da un'expertise della prof.ssa francesca baldassarri. \n \n questa elegante figura femminile, identificabile in una sibilla per l\u2019abito all\u2019antica e la presenza dei volumi sul tavolo, è assegnato da francesca baldassarri a giovanni martinelli e costituisce un significativo ampliamento del catalogo dell\u2019artista nell'ambito dei soggetti \"profani\". \n \n la composizione, costruita attorno allo sguardo enigmatico della protagonista e alla morbida sensualità dell\u2019incarnato, rivela pienamente il linguaggio raffinato di martinelli, caratterizzato da pennellate pastose, tonalità brunite e intensi effetti luministici. come osservato dalla studiosa, stringenti confronti tipologici e stilistici si colgono soprattutto con l\u2019 \n allegoria della conoscenza del sapere umano , già nella collezione feroni oggi conservata alle gallerie degli uffizi a firenze (inv. s. marco e cenacoli, feroni, n. 15)."},"estimateMax":15000,"lotNumber":"45","title":{"it":"sibilla"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103634/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":8000,"lastUpdate":"2026-06-25T17:20:29.369Z","textCase":"lower","estimate":"\u20ac10,000 - \u20ac15,000","currency":"EUR","id":103634,"estimateMin":10000},{"startPrice":10000,"sold":false,"artist":{"en":"santi di tito (sansepolcro, 1536 - firenze, 1603)","it":"santi di tito\n(sansepolcro 1536 - firenze 1603)"},"available":false,"description":{"en":"oil on panel \n cm. 91x73. framed \n in the upper left, the painting bears a brush inscription: \u201cetat[is] annor[um] / xxviii mens[ium] iiii / etat[is] annor[um] x / mensi[um] x\u201d. \n \n  \n \n \n the typology of the double portrait was frequently explored by santi di tito, who enjoyed equal reputation and authority both as a painter of sacred subjects and as a specialist in portraiture. the present remarkable painting constitutes a noble testimony to florentine portraiture in the final decades of the sixteenth century, by then distant from the boldness of pontormo and mannerism, and directed instead towards a more restrained and domestic naturalism: in line, moreover, with the private and familial function of the work and the presumably \u201cbourgeois\u201d status of the sitters, also confirmed by the simplicity of their clothing. of the sitters, the painting records only their ages (28 and 10), which, however, do not necessarily indicate a father-and-son relationship, but could also suggest a fraternal bond between the two figures. \n \n \n the present painting can be convincingly compared with two other double portraits by santi di tito: the one depicting domenico passerini with his son lorenzo (dorotheum sale, wien 15 october 2013, as lot 553, and again pandolfini florence sale, 15 april 2016, as lot 164) and the one with a gentlewoman, young daughter, and small dog (piasa sale, paris, 18 december 2002). \n \n \n \n provenance: \n giuseppe alessandra collection, treviso; private collection, london. \n \n \n literature: \n e. merkel, in \n arte dal gotico al novecento. contributi e schede , 2003, no. 35, pp. 138-141.","it":"olio su tavola \n cm. 91x73. con cornice \n in alto a sinistra il dipinto reca iscrizione a pennello: \"etat[is] annor[um] / xxviii mens[ium] iiii / etat[is] annor[um] x / mensi[um] x\". \n \n la tipologia del doppio ritratto venne più volte sperimentata da santi di tito, che conobbe altrettanta reputazione e autorevolezza come pittore di soggetti sacri che come specialista nel genere della ritrattistica. il nostro notevole dipinto costituisce una nobile testimonianza della ritrattistica fiorentina degli ultimi decenni del cinquecento, lontana ormai dalle arditezze pontormesche e manieriste, e indirizzata verso un naturalismo più pacato e domestico: in linea, del resto, con la destinazione privata e familiare dell'opera e con il rango presumibilmente \"borghese\" dei committenti, confermato anche dalla semplicità dei loro indumenti. di questi ultimi il quadro specifica solo l'età (28 e 10 anni) che, peraltro, non corrisponde necessariamente alla relazione padre e figlio, ma potrebbe indicare anche un legame di fratellanza fra i due personaggi. \n il nostro dipinto può essere persuasivamente avvicinato ad altri due doppi ritratti di santi di tito: quello raffigurante \n domenico passerini col figlio lorenzo (vendita dorotheum vienna, 15 ottobre 2013, lotto 553, e di nuovo pandolfini firenze, 15 aprile 2016, lotto 164) e quello con \n gentildonna, giovane figlia e cagnolino , asta piasa, parigi, 18 dicembre 2002. \n \n \n provenienza: \n collezione giuseppe alessandra, treviso; collezione privata, londra. \n \n \n bibliografia: \n e. merkel, in \n arte dal gotico al novecento. contributi e schede , 2003, n. 35, pp. 138-141."},"estimateMax":20000,"lotNumber":"46","title":{"it":"ritratto di gentiluomo con figlio"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/104112/view","directSalePrice":10000,"lastUpdate":"2026-06-25T17:20:29.386Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac20,000","currency":"EUR","id":104112,"estimateMin":15000},{"startPrice":5500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103636/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103636/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103636/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103636/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103636/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103636/006/006.jpg"],"artist":{"en":"artista attivo a napoli, seconda metà xvii secolo","it":"artista attivo a napoli, seconda metà xvii secolo\n()"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 127,5x102,5. framed \n this remarkable painting reflects a broad and sophisticated visual culture, fully informed by the most significant developments in neapolitan, roman, and emilian painting throughout the seventeenth century. while echoes of guido reni, lanfranco, guercino, and domenichino can be perceived, it is above all to naples that one must turn in order to define more precisely the artistic coordinates of the author of the canvas. in particular, the work reveals a careful and personal re-elaboration of the painting of andrea vaccaro, massimo stanzione, mattia preti, and luca giordano: a complex web of influences that may point towards the cavaliere giacomo farelli, who, moreover, counted among his most successful works several versions of david with the \n head of goliath . \n \n \n provenance: \n private collection, rome.","it":"olio su tela \n cm. 127,5x102,5. con cornice \n questo notevole dipinto testimonia una cultura figurativa vasta e aggiornata alle tendenze più significative della pittura napoletana, romana ed emiliana maturate nel corso del seicento. se appaiono percepibili echi da guido reni, lanfranco, guercino e domenichino, è soprattutto a napoli che bisogna rivolgersi per stabilire in modo più puntuale le coordinate dell'autore della tela. in particolare, si segnala un'attenta e personale rielaborazione della pittura di andrea vaccaro, massimo stanzione, mattia preti e luca giordano: un complesso di influenze che potrebbe indirizzare verso il cavaliere giacomo farelli, il quale, tra l'altro, annovera tra le opere più riuscite proprio le sue varie redazioni del \n davide con la testa di golia. \n \n \n provenienza: \n collezione privata, roma."},"estimateMax":12000,"lotNumber":"47","title":{"it":"davide con la testa di golia"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103636/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":5500,"soldPrice":15000,"lastUpdate":"2026-06-25T13:56:37.723Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":103636,"estimateMin":8000},{"startPrice":20000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103637/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103637/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103637/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103637/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103637/005/005.jpg"],"artist":{"en":"jacopo robusti detto il tintoretto (venezia, 1518 - 1594) and help","it":"jacopo robusti detto il tintoretto (e aiuti)\n(venezia 1518 - venezia 1594)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 113x88,5 \n the painting is accompanied by expertises by prof. jürgen winckelmann, prof. rodolfo pallucchini, and prof. enrico maria dal pozzolo. \n \n the work is also accompanied by a comprehensive report following a diagnostic campaign carried out on the painting in december 2024 by driart ag. \n \n \n the painting is further accompanied by an export licence. \n \n \n  \n \n \n in the study accompanying the painting, enrico maria dal pozzolo notes that in this powerful portrait the direct execution of jacopo tintoretto should be identified in the doge\u2019s face, due to the fluid brushwork and sculptural force typical of the master. as often occurred in the production dynamics of the tintoretto workshop, the less demanding parts of official portraits (doges in particular, but also senators and procurators), after an initial fully or largely autograph execution, were subsequently entrusted to assistants, who were required to faithfully maintain the master\u2019s stylistic imprint. \n \n \n at least three other versions of the portrait of doge girolamo priuli (in office from 1 november 1559 until his death on 4 november 1567) are known: those in the institute of arts in detroit, the former getty museum in malibu, and the gallerie dell\u2019accademia in venice, none of which can be considered entirely autograph by jacopo tintoretto. in the present version as well, in agreement with dal pozzolo, the figure of the doge and the hands should be attributed to an assistant, possibly to be identified among the three sons of jacopo who were painters: domenico, marco, and marietta. \n \n \n \n provenance: \n marchese casati stampa collection, soncino; private collection, london.","it":"olio su tela \n cm. 113x88,5 \n il dipinto è accompagnato dalle expertise del prof. jurgen winckelmann, del prof. rodolfo pallucchini e del prof. enrico maria dal pozzolo. \n l'opera è corredata da un ampio report a seguito di una campagna diagnostica sul dipinto effettuata nel dicembre 2024 dalla ditta driart ag. \n il dipinto è accompagnato dall'attestato di libera circolazione. \n \n nello studio che accompagna il dipinto, enrico maria dal pozzolo rileva come in questo potente ritratto si debba individuare la diretta esecuzione di jacopo tintoretto nel volto del doge, per la scioltezza della pennellata e la forza plastica tipiche del maestro. come spesso accadeva nella dinamica produttiva della bottega tintorettesca, le parti meno impegnative dei ritratti ufficiali (dogi \n in primis , ma anche senatori e procuratori), dopo una prima redazione integralmente o prevalentemente autografa, nelle ulteriori versioni successive erano affidate agli aiuti, che dovevano conservare credibilmente l'imprinting stilistico del maestro. del ritratto del doge girolamo priuli (in carica del 1 novembre 1559 fino alla morte il 4 novembre 1567) esistono almeno altre tre versioni: quella all'institute of art di detroit, quella già presso il getty museum di malibu e nelle gallerie dell'accademia di venezia, nessuna delle quali può dirsi integralmente autografa di jacopo tintoretto. anche nella nostra, d'accordo con dal pozzolo, la figura del doge e le mani devono essere ricondotte all'intervento di un aiuto, da individuarsi forse in uno dei tre figli di jacopo che esercitarono la professione di pittori: domenico, marco e marietta. \n \n \n provenienza: \n collezione marchese casati stampa, soncino; collezione privata, londra."},"estimateMax":40000,"lotNumber":"48","title":{"it":"ritratto di girolamo priuli, doge di venezia"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103637/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":20000,"soldPrice":24000,"lastUpdate":"2026-06-25T13:57:59.477Z","textCase":"lower","estimate":"\u20ac30,000 - \u20ac40,000","currency":"EUR","id":103637,"estimateMin":30000},{"startPrice":10000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103638/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103638/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103638/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103638/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103638/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103638/006/006.jpg"],"artist":{"en":"mattia preti (taverna, 1613 - la valletta, 1699)","it":"mattia preti\n(taverna 1613 - la valletta 1699)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 134x95. framed \n the painting is accompanied by an expertise by prof. nicola spinosa. \n \n the painting bears a brush inscription on the scroll at the right margin: \u201ccarnis re / surrectio / nem\u201d. \n \n \n  \n \n \n this intense and powerful figure of a saint is attributed to mattia preti by nicola spinosa, who dates the work to the artist\u2019s neapolitan years, between 1653 and 1660, prior to his definitive transfer to malta. characterized by strong naturalism and a vibrant treatment of light, the painting depicts an apostle, probably identifiable as saint jude thaddeus, according to an iconography dear to the mature production of the cavalier calabrese. \n \n \n as observed by spinosa, the work displays close stylistic affinities with other paintings of similar subject executed by preti during the same years, including \n the calling of saint matthew in the church of san pietro a maiella in eboli, the \n feast in the house of the pharisee in the museo di capodimonte, and the \n saint paul the hermit in the cleveland museum of art. the vigorous chiaroscuro structure, the expressive intensity of the face, and the rich pictorial handling further confirm the autograph quality of the work.","it":"olio su tela \n cm. 134x95. con cornice \n il dipinto è accompagnato da un'expertise del prof. nicola spinosa. \n il dipinto reca iscrizione a pennello sul cartiglio al margine destro: \"carnis re / surrectio / nem\". \n \n questa intensa e possente figura di santo è attribuita a mattia preti da nicola spinosa, che ne colloca l\u2019esecuzione negli anni napoletani dell\u2019artista, tra il 1653 e il 1660, prima del definitivo trasferimento a malta. il dipinto, caratterizzato da un forte naturalismo e da una vibrante resa luministica, raffigura un apostolo identificabile probabilmente con san giuda taddeo, secondo un\u2019iconografia cara alla produzione matura del cavalier calabrese. \n \n come osserva spinosa, l\u2019opera presenta stringenti affinità stilistiche con altre tele di soggetto analogo realizzate da preti negli stessi anni, tra cui la \n vocazione di san matteo della chiesa di san pietro a maiella a eboli, il \n convito in casa del fariseo del museo di capodimonte e il \n san paolo eremita del cleveland museum of art. la vigorosa costruzione chiaroscurale, l\u2019intensità espressiva del volto e la ricca materia pittorica costituiscono ulteriori elementi a conferma dell\u2019autografia del maestro."},"estimateMax":20000,"lotNumber":"49","title":{"it":"santo apostolo"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103638/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":10000,"soldPrice":23000,"lastUpdate":"2026-06-25T14:00:03.834Z","textCase":"lower","estimate":"\u20ac13,000 - \u20ac20,000","currency":"EUR","id":103638,"estimateMin":13000},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103639/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103639/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103639/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103639/004/004.jpg"],"artist":{"en":"virginia vezzi o da vezzo (attribuito a)(velletri, 1601 - prigi, 1638)","it":"virginia vezzi o da vezzo (attribuito a)(velletri 1601 - prigi 1638)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 60,5x50. framed \n after moving to rome with her family in 1611, virginia immediately showed an excellent artistic aptitude, although her first training remains uncertain. it is certain that by 1622 she was living in via frattina, where the following year simon vouet, newly arrived in the city, also took residence, and shortly thereafter virginia began to frequent his workshop, becoming his distinguished follower. in 1624 she was admitted to the accademia di san luca, among the few women to receive such public recognition in the seventeenth century, and in 1626 she married vouet in the church of san lorenzo in lucina. in 1627 the couple moved to paris, where virginia continued her activity as an artist and drawing teacher, repeatedly serving as a model in her husband\u2019s works until her early death in 1638. the beautiful painting presented here may be considered a possible self-portrait, based on comparison both with claude mellan\u2019s engraving of her likeness, executed in rome in 1626, and with the drawing portraying her made in 1636 by her pupil marie metezeau, now in the musée des beaux-arts of rennes. \n \n \n provenance: \n w. apolloni gallery, rome; private collection, rome. \n \n \n literature: \n  \n  \n  simon vouet (les années italiennes 1613 / 1627) , cat. of the exhibition, nantes - besançon, 2008 - 2009, hazan, vanves 2008, pp. 25-26, fig. 5.","it":"olio su tela \n cm. 60,5x50. con cornice antica \n trasferitasi con la famiglia a roma nel 1611, virginia mostrò subito un'eccellente predisposizione artistica, ma non sappiamo con esattezza presso quale bottega avvenne la sua prima formazione. di sicuro dal 1622 risedette in via frattina, dove l'anno seguente prese alloggio anche simon vouet, appena trasferitosi nell'urbe, e di lì a poco virginia iniziò a frequentare la sua bottega divenendo sua egregia seguace. nel 1624 fu ammessa all'accademia di san luca, tra le poche donne a ricevere questo pubblico riconoscimento nel xvii secolo, e nel 1626 si sposò con vouet nella chiesa di san lorenzo in lucina. nel 1627 la coppia si trasferì a parigi, dove virginia continuò a operare come artista e insegnante di disegno, posando a più riprese in opere del marito sino alla morte prematura che la colse nel 1638. il bellissimo dipinto che qui si presenta può essere ritenuto il suo possibile autoritratto grazie al confronto sia con l'incisione di claude mellan con la sua effige, eseguita a roma nel 1626, sia col disegno che la ritrae eseguito nel 1636 dalla sua allieva marie metezeau e oggi al musée des beaux-arts di rennes. \n \n \n \n provenienza: \n galleria w. apolloni, roma; collezione privata, roma. \n \n \n bibliografia: \n  \n simon vouet (les années italiennes 1613 / 1627) , cat. della mostra nantes - besançon, 2008 - 2009, hazan, vanves 2008, pp. 25-26, fig. 5."},"estimateMax":10000,"lotNumber":"50","title":{"it":"ritratto di giovane gentildonna (autoritratto?)"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103639/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":5000,"soldPrice":8500,"lastUpdate":"2026-06-25T14:02:11.392Z","textCase":"lower","estimate":"\u20ac7,000 - \u20ac10,000","currency":"EUR","id":103639,"estimateMin":7000},{"startPrice":8000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103640/012/012.jpg"],"artist":{"en":"giuseppe bartolomeo chiari (roma, 1654 - 1727)","it":"giuseppe bartolomeo chiari\n(roma 1654 - 1727)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 33x29,3 each. framed \n these are two preparatory bozzetti for the fresco decoration of the rospigliosi chapel in the roman church of san francesco a ripa. at the beginning of the second decade of the eighteenth century, giuseppe chiari was entrusted with the entire pictorial programme of the chapel: he executed the altarpiece depicting \n saint peter of alcantara and saint paschal baylon in eucharistic adoration, as well as the four oval ceiling frescoes representing \n allegories of virtues . the present pair of paintings clearly relates to two of these ceiling frescoes, in which chiari expresses his full compositional skill and elegance, within the classicising tradition of his master carlo maratta, alongside his impeccable draughtsmanship. \n \n \n provenance: \n  \n  \n  sotheby's sale, london united kingdom, 2003-12-10, as lot 35;  \n  w. apolloni gallery, rome; p \n  rivate collection, rome.","it":"olio su tela \n cm. 33x29,3 cad. con cornice \n si tratta di due bozzetti preparatori in vista della decorazione ad affresco della cappella rospigliosi nella chiesa romana di san francesco a ripa. a giuseppe chiari, al principio del secondo decennio del settecento, fu affidata tutta la decorazione pittorica della cappella: eseguì così la pala d'altare raffigurante \n s. pietro d\u2019alcantara e s. pasquale baylon in adorazione eucaristica e i quattro ovali del soffitto raffiguranti \n allegorie di virtù . a due di questi ultimi affreschi fa chiaramente riferimento la nostra coppia di tele, in cui chiari riversa tutta la sua sapienza ed eleganza compositiva, nel solco classicista del suo maestro carlo maratti, come pure le sue impeccabili virtù disegnative. \n \n \n provenienza: \n  \n  \n  asta sotheby's, londra 10 dicembre 2003, lotto 35;  \n  galleria w. apolloni, roma; c \n  ollezione privata, roma."},"estimateMax":15000,"lotNumber":"51","title":{"it":"a) allegoria della prudenza; b) allegoria della fortezza. coppia di dipinti"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103640/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":8000,"soldPrice":12000,"lastUpdate":"2026-06-25T14:03:34.615Z","textCase":"lower","estimate":"\u20ac10,000 - \u20ac15,000","currency":"EUR","id":103640,"estimateMin":10000},{"startPrice":8000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103641/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103641/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103641/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103641/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103641/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103641/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103641/007/007.jpg"],"artist":{"en":"paolo anesi (1697 - 1773)","it":"paolo anesi\n(1697 - 1773)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 66x112. framed \n this magnificent landscape by paolo anesi depicts a rare view of loreto, with the flank of the sanctuary of the holy house emerging in the distance, originally framed between two majestic oak trees that form a scenic foreground repoussoir. the painting is executed with exceptional refinement: the trunks and delicate foliage of the trees are minutely described, as are the sumptuous two-horse carriage with a beggar approaching to ask for alms, the characteristic pair of shepherds resting nearby, and the carefully rendered topographical depiction of the fortified town in the background. along the road beyond, several travellers can be seen, perhaps pilgrims making their way towards the sanctuary, while monte conero overlooking the sea dominates the right-hand side of the composition. the landscape is bathed in the diffused luminosity characteristic of anesi and structured according to his distinctive panoramic vision, which lends the image an airy quality, expansive compositional breadth, and a light, graceful lyricism worthy of his finest views painted from nature, such as the \n veduta del campidoglio e di campo vaccino and the roman forum in the museum of rome and the \n veduta del tevere a ponte rotto in the walters art museum, baltimore. \n \n \n provenance: \n w. apolloni gallery, rome (until 1992); private collection, rome.","it":"olio su tela \n cm. 66x112. con cornice salvator rosa antica \n questo magnifico paesaggio di paolo anesi mostra una rara veduta di loreto, con la fiancata del santuario della santa casa emergere originalmente sullo sfondo, inquadrata tra due maestose querce a fare da quinta in primo piano. il dipinto presenta una fattura raffinatissima, con i tronchi e le foglioline delle chiome degli alberi minutamente descritte, la sontuosa carrozza a due cavalli col mendicante che si avvicina a chiedere l\u2019elemosina, la tipica coppia di pastori a riposo e l\u2019accurata raffigurazione topografica della città fortificata sullo fondo. nella strada retrostante si notano alcuni viandanti, forse pellegrini in cammino verso il santuario, mentre il monte conero affacciato sul mare domina la zona destra della composizione. il paesaggio è immerso nella diffusa luminosità tipica di anesi e impaginato secondo il suo peculiare senso panoramico, che conferisce all\u2019immagine un\u2019ariosità, uno sviluppo compositivo e un lirismo lieve e leggiadro degni delle sue più felici vedute dal vero, come la \n veduta del campidoglio e di campo vaccino del museo di roma, o la \n veduta del tevere a ponte rotto della walters art gallery di baltimora. \n \n \n provenienza: \n galleria w. apolloni, roma (fino al 1992); collezione privata, roma"},"estimateMax":18000,"lotNumber":"52","title":{"it":"veduta di loreto con il monte conero sullo sfondo, carrozza, pellegrini e viandanti"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103641/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":8000,"soldPrice":13000,"lastUpdate":"2026-06-25T14:04:48.232Z","textCase":"lower","estimate":"\u20ac12,000 - \u20ac18,000","currency":"EUR","id":103641,"estimateMin":12000},{"startPrice":9000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103642/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103642/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103642/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103642/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103642/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103642/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103642/007/007.jpg"],"artist":{"en":"gaspare traversi (napoli, 1722 - roma, 1770)","it":"gaspare traversi(napoli 1722 - roma 1770)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas  cm. 57,5x70,5. framed \n due to its historical and artistic significance, on 23 june 2026 the work was submitted to a procedure for the declaration of cultural interest by the soprintendenza speciale archeologia, belle arti e paesaggio of rome. this painting, an important and secure autograph work by traversi, constitutes a valuable artistic, social, and documentary testimony. it in fact illustrates the rules and practices governing marital agreements between families, which ritually required the drafting of a marriage contract before a notary, binding the bride\u2019s father to the payment of a dowry, followed by a dance led by the two newlyweds in the centre of the salon where the ceremony took place. this final act is the one represented in traversi\u2019s painting here under discussion, which may have as its pendant the  marriage contract now in the galleria nazionale di palazzo barberini. the artist adopts here a disenchanted register, tinged with subtly melancholic irony, capable of introducing a grotesque note into the seemingly objective recording of bourgeois ritual.   \n \n provenance: \n nigro collection, genoa; w. apolloni gallery, roma (until 1997); private collection, rome. \n \n \n exhibitions: \n  \n la moda in cinque secoli di pittura , torino, palazzo madama 1951; \n  \n  luce sul settecento. gaspare traversi e l'arte del suo tempo in emilia , curated by l. fornari schianchi and n. spinosa, parma, galleria nazionale di palazzo della pilotta, 2004, pp. 136-137, n. 40b; \n  \n  \n  gaspare traversi. napoletani del '700 tra miseria e nobiltà , curated by n. spinosa, napoli castel sant'elmo 2003-2004, pp. 130-131, n. 33b. \n  \n \n \n literature: \n  \n la moda in cinque secoli di pittura , cat. della mostra, torino 1951, p. 73, fig. 124; f. antal, \n hogart and his place in european art , london 1962, p. 105, figg. 86a e 87b; f. bologna, \n gaspare traversi nell'illuminismo europeo , napoli 1980, p. 55 fig. 37; n. spinosa, \n pittura napoletana del settecento. dal rococò al classicismo , napoli 1987, p. 101, fig. 115; \n gaspare traversi. napoletani del '700 tra miseria e nobiltà , exhibition catalogue, a cura di n. spinosa, napoli castel sant'elmo 2003-2004, pp. 130-131, n. 33b.","it":"olio su tela  cm. 57,5x70,5. con cornice antica \n per la sua importanza storico-artistica l'opera è stata sottoposta in data 23/06/2026 a procedimento di dichiarazione di interesse culturale da parte delle soprintendenza speciale archeologia, belle arti e paesaggio di roma.  \n questo dipinto, rilevante e sicura opera autografa di traversi, costituisce una preziosa testimonianza al contempo artistica, sociale e documentaria. testimonia, infatti, delle regole e delle pratiche vigenti nell'ambito degli accordi coniugali fra famiglie che prevedevano ritualmente la stesura di un contratto matrimoniale davanti a un notaio, che vincolava il padre della sposa al versamento di una dote, seguito da un danza aperta dai due sposi al centro del salone della casa in cui aveva luogo il rituale. quest'ultimo atto è quello rappresentato nel dipinto di traversi qui in oggetto, che ha il suo probabile pendant nel contratto nuziale oggi conservato nella galleria nazionale di palazzo barberini. l'artista adotta qui un registro disincantato e venato di un'ironia sottilmente malinconica, capace di introdurre una nota grottesca nella registrazione apparentemente oggettiva del rituale borghese.    \n \n provenienza: \n collezione nigro, genova; galleria w. apolloni, roma (fino al 1997); collezione privata, roma. \n \n \n esposizioni: \n  \n la moda in cinque secoli di pittura , torino, palazzo madama 1951; \n  \n luce sul settecento. gaspare traversi e l'arte del suo tempo in emilia , a cura di l. fornari schianchi e n. spinosa, parma, galleria nazionale di palazzo della pilotta, 2004, pp. 136-137, n. 40b; \n  \n gaspare traversi. napoletani del '700 tra miseria e nobiltà , a cura di n. spinosa, napoli, castel sant'elmo, 2003-2004, pp. 130-131, n. 33b. \n \n \n bibliografia: \n  \n la moda in cinque secoli di pittura , cat. della mostra, torino 1951, p. 73, fig. 124; \n f. antal, hogart and his place in european art , londra 1962, p. 105, figg. 86a e 87b;  \n f. bologna, gaspare traversi nell'illuminismo europeo , napoli 1980, p. 55 fig. 37;  \n n. spinosa, pittura napoletana del settecento. dal rococò al classicismo , napoli 1987, p. 101, fig. 115;  \n gaspare traversi. napoletani del '700 tra miseria e nobiltà \n , cat. della mostra, a cura di n. spinosa, napoli castel sant'elmo 2003-2004, pp. 130-131, n. 33b."},"estimateMax":18000,"lotNumber":"53","title":{"it":"la danza degli sposi"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103642/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":9000,"soldPrice":9000,"lastUpdate":"2026-06-25T14:06:22.904Z","textCase":"lower","estimate":"\u20ac12,000 - \u20ac18,000","currency":"EUR","id":103642,"estimateMin":12000},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103643/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103643/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103643/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103643/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103643/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103643/006/006.jpg"],"artist":{"en":"artista francese, fine xviii secolo","it":"artista francese, fine xviii secolo\n()"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on copper \n cm. 18,5x27,5. framed \n this delightful neoclassical copper painting, formerly part of the gianni versace collection, in its elegance and compositional clarity recalls the style of jacques sablet (morges, switzerland, 1749 \u2013 paris 1803), a leading figure in grand tour painting in the second half of the eighteenth century. \n \n \n provenance: \n gianni versace collection; w. apolloni gallery, rome; private collection, rome.","it":"olio su rame \n cm. 18,5x27,5. con cornice in bronzo dorato \n questo delizioso rame neoclassico, già parte della collezione di gianni versace, nella sua eleganza e chiarezza compositiva richiama lo stile di jacques sablet (morges, svizzera, 1749 \u2013 parigi 1803), figura di primo piano della pittura del grand tour della seconda metà del settcento. \n \n \n provenienza: \n collezione gianni versace; galleria w. apolloni, roma; collezione privata, roma."},"estimateMax":5000,"lotNumber":"54","title":{"it":"giovane coppia elegante in visita ad una suonatrice d'arpa"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103643/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2000,"soldPrice":2600,"lastUpdate":"2026-06-25T14:07:24.700Z","textCase":"lower","estimate":"\u20ac3,500 - \u20ac5,000","currency":"EUR","id":103643,"estimateMin":3500},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103644/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103644/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103644/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103644/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103644/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103644/006/006.jpg"],"artist":{"en":"pierre françois léonard fontaine (pontoise, 1762 - parigi, 1853)","it":"pierre françois léonard fontaine\n(pontoise 1762 - parigi 1853)"},"available":false,"description":{"en":"tempera on paper \n cm. 49x62,5. framed \n the painting bears a signature and date on the statue\u2019s pedestal: \u201cfontaine / 1815\u201d. \n \n \n provenance: \n w. apolloni gallery, rome; private collection, rome.","it":"tempera su carta \n cm. 49x62,5. con cornice coeva \n il dipinto reca firma e data sul piedistallo della statua: \"fontaine / 1815\". \n \n \n provenienza: \n galleria w. apolloni, roma; collezione privata, roma."},"estimateMax":6000,"lotNumber":"55","title":{"it":"capriccio con rovine e monumenti romani, un gruppo di turisti e la statua del marte ludovisi"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103644/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3000,"lastUpdate":"2026-06-25T17:20:29.397Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac6,000","currency":"EUR","id":103644,"estimateMin":4000},{"startPrice":9000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103645/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103645/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103645/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103645/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103645/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103645/006/006.jpg"],"artist":{"en":"etienne parrocel detto le romain (avignone, 1696 - roma, 1775)","it":"etienne parrocel detto le romain(avignone 1696 - roma 1775)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas  cm. 97,5x73. framed  the reverse of the original canvas bears an old brush inscription: \u201cdipinto in roma / da stefano parrocel / 1751\u201d. \n  \n due to its historical and artistic significance, on 23 june 2026 the work was submitted to a procedure for the declaration of cultural interest by the soprintendenza speciale archeologia, belle arti e paesaggio of rome.  this magnificent painting represents one of étienne parrocel\u2019s most accomplished works in the field of portraiture, a genre he practiced less frequently than religious painting. parrocel played a leading role in eighteenth-century painting, especially for ecclesiastical commissions in rome and throughout the territories of the papal state (notably umbria and the marche), although he still awaits full critical reassessment as well as a complete catalogue raisonné of his works. having arrived in rome in 1717 together with his uncle pierre, also a painter and his first teacher, étienne parrocel remained in the city for the rest of his life, earning the nickname \u201cle romain\u201d.  \n \n in the present work, the refined quality of the painting and the perfect balance of the composition best illustrate the artist\u2019s classicising vein, while the carefully staged, informal elegance of the pose, as well as the compelling intensity of the gaze, evoke pierre subleyras and support the hypothesis, previously advanced, of a self-portrait. \n \n \n \n provenance: \n w. apolloni gallery, rome (until 1993); p \n rivate collection, rome. \n \n \n exhibitions: \n  \n il settecento a roma , ed. by a. lo bianco e a. negro, rome, palazzo venezia, 10 november 2005 - 26 february 2006. \n \n \n literature: \n  \n \n  g. sestieri, \n  repertorio della pittura romana della fine del seicento e del settecento , turin 1994, vol. iii, no. 852; a. imbellone, in \n  il settecento a roma , exhibition catalogue, rome 2005\u20132006, cinisello balsamo 2005, no. 151, pp. 254\u2013255.","it":"olio su tela  cm. 97,5x73. con cornice coeva  il dipinto reca al retro della prima tela un'antica iscrizione a pennello: \"dipinto in roma / da stefano parrocel / 1751\". \n  \n per la sua importanza storico-artistica l'opera è stata sottoposta in data 23/06/2026 a procedimento di dichiarazione di interesse culturale da parte delle soprintendenza speciale archeologia, belle arti e paesaggio di roma.  \n  questo magnifico dipinto rappresenta una della più riuscite prove di etienne parrocel nell'ambito della ritrattistica, genere che praticò più di rado rispetto alla pittura sacra. parrocel ebbe un ruolo di assoluto spicco nella pittura del settecento, soprattutto di destinazione ecclesiastica, a roma e in tutti i territori dello stato pontificio (segnatamente umbria e marche), ma attende ancora la piena rivalutazione critica come pure un catalogo ragionato delle sue opere. approdato nel 1717 nell'urbe assieme allo zio pierre, pure pittore e suo primo maestro, etienne parrocel rimase a roma tutto il resto della sua vita, meritandosi il soprannome \"le romain\". nel dipinto qui in oggetto la politezza della pittura e il perfetto bilanciamento della composizione illustrano al meglio la vena classicista dell'artista, mentre la studiata, domestica sprezzatura della posa, nonché la coinvolgente intensità dello sguardo, fanno pensare a pierre subleyras e autorizzano l'ipotesi, già in precedenza formulata, di un'autoritratto.    \n \n provenienza: \n galleria w. apolloni, roma (fino al 1993); collezione privata, roma. \n \n \n esposizioni: \n  \n il settecento a roma , a cura di a. lo bianco e a. negro, roma, palazzo venezia, 10 novembre 2005 - 26 febbraio 2006. \n \n \n bibliografia: \n g. sestieri, \n repertorio della pittura romana della fine del seicento e del settecento , torino 1994, v. iii, n. 852; \n a. imbellone, in il settecento a roma , cat. della mostra, roma 2005-2006, cinisello balsamo 2005, n. 151, pp. 254-255."},"estimateMax":20000,"lotNumber":"56","title":{"it":"ritratto di gentiluomo in veste da camera"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103645/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":9000,"soldPrice":9000,"lastUpdate":"2026-06-25T14:09:51.552Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac20,000","currency":"EUR","id":103645,"estimateMin":15000},{"startPrice":7000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103646/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103646/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103646/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103646/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103646/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103646/006/006.jpg"],"artist":{"en":"vincenzo camuccini (roma, 1771 - 1844)","it":"vincenzo camuccini\n(roma 1771 - 1844)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 58,5x100,5. framed \n the painting is on its original canvas and stretcher. \n \n  \n \n \n this superb painting was executed by vincenzo camuccini in connection with one of the most important and monumental commissions received by the artist in the 1790s, by the will of lord bristol. alongside the \n death of virginia , the commission also included the \n death of caesar : two episodes from roman history that clearly embody the concept of \n exempla virtutis . the grand canvases were completed in 1804, but the patron of both works died in 1803; it was therefore gioacchino murat who negotiated their purchase on behalf of the neapolitan crown, although in fact it was king ferdinand i of naples, recently reinstated after the fall of napoleon, who finalised the acquisition. counted among the absolute masterpieces of the painter, the two works are today preserved in the so-called camuccini hall at the museo nazionale di capodimonte in naples. numerous preparatory studies and bozzetti for the \n death of virginia are known, but, due to its perfect finish and brilliant painterly execution, the present example may be considered the final model prepared for submission to the patron\u2019s judgment. \n \n \n  \n \n \n comparative litterature: \n \n \n g. piantoni de angelis, \n vincenzo camuccini (1771\u20131844). bozzetti e disegni dallo studio dell\u2019artista , exhibition catalogue, rome 1978, pp. 27\u201337. \n \n \n \n provenance: \n wilma steinitz, wien? (as per the old label on the original frame); \n w. apolloni gallery, rome;  \n private collection, rome.","it":"olio su tela \n cm. 58,5x100,5. con cornice \n il dipinto è in prima tela e con telaio originale. \n \n questo superbo dipinto fu eseguito da vincenzo camuccini in relazione con una delle più importanti e monumentali commissioni ricevute dall'artista negli anni novanta del settecento, per volontà di lord bristol. accanto alla \n morte di virginia l\u2019incarico prevedeva la raffigurazione della \n morte di cesare : due episodi di storia romana che rivestivano chiara valenza di \n exempla virtutis . le grandiose tele furono ultimate nel 1804, ma il committente dei due dipinti morì nel 1803: fu quindi gioacchino murat che ne trattò l\u2019acquisto per conto della corona di napoli, anche se in effetti fu il re di napoli ferdinando i, appena reinsediato dopo la caduta di napoleone, che ne concluse l\u2019acquisto. da annoverare tra i capolavori assoluti del pittore, i due dipinti sono oggi conservati nel cosiddetto salone camuccini al museo nazionale di capodimonte di napoli. si conoscono molti studi e bozzetti preparatori della \n morte di virginia , ma per la sua perfetta rifinitura e la smagliante resa pittorica il presente esemplare può essere considerato il modello finale predisposto per essere presentato al giudizio del committente. \n \n bibliografia di confronto: \n  \n  \n \n g. piantoni de angelis, \n vincenzo camuccini (1771-1844). bozzetti e disegni dallo studio dell\u2019artista , cat. della mostra, roma 1978, pp. 27-37. \n \n \n \n provenienza: \n wilma steinitz, vienna? (come da vecchia etichetta sul telaio originale); \n galleria w. apolloni, roma; c \n ollezione privata, roma."},"estimateMax":15000,"lotNumber":"57","title":{"it":"morte di virginia"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103646/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":7000,"soldPrice":35000,"lastUpdate":"2026-06-25T14:16:30.530Z","textCase":"lower","estimate":"\u20ac10,000 - \u20ac15,000","currency":"EUR","id":103646,"estimateMin":10000},{"startPrice":13000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103647/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103647/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103647/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103647/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103647/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103647/006/006.jpg"],"artist":{"en":"rosalba carriera (venezia, 1673 - 1757)","it":"rosalba carriera\n(venezia 1673 - 1757)"},"soldDate":"2026-06-25","available":false,"description":{"en":"pastels on paper \n cm. 29x24,8. framed \n on the reverse of the support board, protecting the paper, an old ink inscription reads: \u201crosalba carriera\u201d. \n \n the pastel has the typical eighteenth-century frame associated with rosalba carriera\u2019s works in the collection of augustus iii, elector of saxony (who assembled around 150 pastels by the venetian artist, today largely preserved in the gemäldegalerie, dresden), complete with the metal plaque bearing inventory number \u201c83\u201d. \n \n \n  \n \n \n there are small tears along the lower margin of the paper. \n \n \n  \n \n \n the pastel most likely depicts faustina bordoni, the celebrated venetian singer and wife of the composer johann adolf hasse, a friend of rosalba carriera and portrayed by her on several occasions. in this case, the artist chose to depict her crowned with laurel, as a sort of allegorical figure of poetry. of particular note is the proximity to the portrait of faustina in the museo di ca\u2019 rezzonico, venice, and especially to the version in the dresden museum, which likewise features the motif of laurel leaves and pearl earrings. \n \n \n \n provenance: \n augustus iii elector of saxony (?); w. apolloni gallery, rome; private collection, rome.","it":"pastello su carta \n cm. 29x24,8. con cornice antica \n \n \n al retro della tavoletta a protezione della carta, vecchia iscrizione a penna: \"rosalba carriera\". \n il pastello presenta la tipica cornice settecentesca delle opere di rosalba carriera di proprietà di augusto iii elettore di sassonia (che collezionò circa 150 pastelli dell'artista veneziana, oggi in buona parte confluiti nelle raccolte della gemäldegalerie di dresda), con la placchetta di metallo recante il numero di inventario \"83\". \n \n \n \n piccoli strappi al margine inferiore della carta. \n \n il pastello raffigura quasi certamente faustina bordoni, celebre cantante veneziana, moglie del compositore johann adolf hasse, amica di rosalba carriera e da lei più volte ritratta. in questo caso l'artista sceglie di rappresentarla coronata di lauro, come una sorta di figura allegorica della poesia. merita, in particolare, di essere rilevata la vicinanza con il ritratto di faustina oggi al museo di ca' rezzonico a venezia e soprattutto con quello del museo di dresda che pure presenta il motivo delle foglie di alloro e degli orecchini di perle. \n \n \n provenienza: \n augusto iii elettore di sassonia e discendenti (?); galleria w. apolloni, roma; collezione privata, roma."},"estimateMax":25000,"lotNumber":"58","title":{"it":"ritratto di giovane gentildonna coronata di lauro (faustina bordoni?)"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103647/view","tags":["itArt_Drawings","itArt","itArt_all"],"directSalePrice":13000,"soldPrice":100000,"lastUpdate":"2026-06-25T14:20:50.783Z","textCase":"lower","estimate":"\u20ac17,000 - \u20ac25,000","currency":"EUR","id":103647,"estimateMin":17000},{"startPrice":10000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103648/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103648/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103648/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103648/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103648/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103648/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103648/007/007.jpg"],"artist":{"en":"agostino masucci (roma, 1690 - 1758)","it":"agostino masucci\n(roma 1690 - 1758)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 135,5x74,5. framed \n this remarkable canvas constitutes the model, intended for final approval by the patron, for the large altarpiece by agostino masucci, signed and dated 1757, destined for the second chapel on the right (dedicated to saint anne) in the roman church of the santissimo nome di maria. it is a work of particular importance, crowning the commission entrusted to the artist for the pictorial decoration of the church, which masucci donated to the archconfraternity that had recently built it, he himself being a member. \n \n the present painting exemplifies at the highest qualitative level masucci\u2019s late manner, marked by an elegance, rationality, and formal and compositional balance that may be described as proto-neoclassical, albeit with clear references to the late seventeenth-century roman tradition, above all carlo maratta. a fine bozzetto of the composition is also known in the lemme collection, executed in a more rapid and synthetic manner, yet already presenting the image in its final conception, as found in both the present model and the altarpiece. three preparatory studies for the altarpiece are also known, one of which shows the composition at a highly advanced stage of development, demonstrating the exceptional precision and stylistic, iconographic, and narrative calibration reserved by masucci for the work. \n \n \n  \n \n \n comparative litterature: \n \n \n a. agresti, in \n il museo del barocco romano. la collezione lemme in palazzo chigi in ariccia , exhibition catalogue, ariccia 2007\u20132008, rome 2007, no. 50, pp. 102\u2013104. \n \n \n \n provenance: \n w.apolloni gallery, roma (until 2000); \n private collection, rome.","it":"olio su tela \n cm. 135,5x74,5. con cornice \n questa mirabile tela costituisce il modello, destinato all'approvazione finale da parte della committenza, della grande pala d'altare di agostino masucci, firmata e datata 1757, destinata alla seconda cappella di destra (dedicata a sant'anna) della chiesa romana del santissimo nome di maria. si tratta di un'opera di particolare importanza che corona l'affidamento all'artista della decorazione pittorica della chiesa e che masucci donò all'arciconfraternita che l'aveva da poco fatta edificare in quanto anch'egli suo membro. \n il nostro dipinto esemplifica al più alto livello qualitativo la maniera tarda di masucci, di un'eleganza, razionalità ed equilibrio formale e compositivo che si potrebbe definire pro-neoclassiche, sia pur nei chiari riferimenti alla tradizione romana tardo-seicentesca, carlo maratti \n in primis . del dipinto è noto anche un bel bozzetto nella collezione lemme, di esecuzione più rapida e sintetica, ma in cui l'immagine appare già condotta al suo stadio finale, quale riscontriamo nel modello qui presente e nella pala d'altare. della pala d'altare sono noti anche tre studi preparatori, uno dei quali mostra la composizione ad uno stadio di sviluppo già molto avanzato a dimostrazione della speciale accuratezza e calibratura stilistica, iconografica e narrativa riservate all'opera da masucci. \n \n bibliografia di confronto: \n a. agresti, in \n il museo del barocco romano. la collezione lemme in palazzo chigi in ariccia , cat. della mostra, ariccia, 2007-2008, roma 2007, n. 50, pp. 102-104. \n \n \n provenienza: \n galleria w. apolloni, roma (fino al 2000); \n collezione privata, roma."},"estimateMax":20000,"lotNumber":"59","title":{"it":"l'educazione della vergine"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103648/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":10000,"soldPrice":11000,"lastUpdate":"2026-06-25T14:22:50.280Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac20,000","currency":"EUR","id":103648,"estimateMin":15000},{"startPrice":3800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103649/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103649/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103649/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103649/004/004.jpg"],"artist":{"en":"angelika kauffmann (coira, 1741 - roma, 1807) attributed to","it":"angelika kauffmann (attribuito a)\n(coira 1741 - roma 1807)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 55x46,5. framed \n this refined painting reveals the distinctive features of angelika kauffmann\u2019s portrait art. the captivating intensity of the gaze, directed with grace and composure toward the viewer, the balanced classicising elegance, and the luminous painterly execution can be associated with the artist\u2019s mature production in the last two decades of the eighteenth century, after her definitive relocation to rome. one may think of the \n self-portrait in the neue pinakothek, munich, the \n portrait of princess catherine skawronska in the germanisches nationalmuseum, nuremberg, the \n portrait of a lady in the hermitage museum, saint petersburg, or the \n portrait of anna zamoisky in a private collection. \n \n \n provenance: \n w. apolloni gallery, rome (until 1997); private collection, rome.","it":"olio su tela \n cm. 55x46,5. con cornice coeva con decorazioni floreali dipinte \n in questo raffinato dipinto si riconoscono i caratteri salienti dell'arte ritrattistica di angelika kauffmann. l'intensità catturante dello guardo, puntato con grazia e fermezza verso il riguardante, l'equilibrata eleganza classicista, la luminosa resa pittorica possono essere associati alla produzione matura della pittrice, negli ultimi due decenni del settecento, ormai definitivamente trasferitasi a roma. si pensi all' \n autoritratto della neue pinakothek di monaco, al \n ritratto della principessa catherine skawronska del germanisches nationalmuseum di norimberga, il \n ritratto di dama dell'ermitage di san pietroburgo o al \n ritratto di anna zamoisky in collezione privata. \n \n \n provenienza: \n galleria w. apolloni, roma (fino al 1997); collezione privata, roma."},"estimateMax":8000,"lotNumber":"60","title":{"it":"ritratto di giovane gentildonna"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103649/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3800,"soldPrice":6000,"lastUpdate":"2026-06-25T14:25:57.994Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac8,000","currency":"EUR","id":103649,"estimateMin":5000},{"startPrice":3800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103650/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103650/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103650/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103650/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103650/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103650/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103650/007/007.jpg"],"artist":{"en":"felicita sartori (pordenone, 1713 - sacile, 1782) attributed to","it":"felicita sartori (attribuito a)\n(pordenone 1713 - sacile 1782)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on copper \n ø cm. 14,7 each. framed \n a pupil and follower of rosalba carriera, felicita sartori must be regarded as one of her most accomplished disciples, capable of winning in venice the admiration of a collector and art enthusiast such as frederick christian, prince of saxony, son of elector augustus iii. thanks to the catalogues of the dresden gallery, we are able to form at least a general idea of sartori\u2019s artistic personality, although it still requires a more thorough reconstruction. she was certainly a skilled miniaturist and a refined portraitist in the tradition of rosalba, as her very few secure works attest. in this delicate pair of panels, linked thematically by the act of decapitation carried out by the two female protagonists\u2014rendered, however, without brutality and even with a certain detached elegance\u2014we find a well-balanced combination of bolognese and venetian influences. \n \n \n provenance: \n w. apolloni gallery, rome; private collection, rome.","it":"olio su rame \n ø cm. 14,7 cad. con cornice \n allieva e pupilla di rosalba carriera, felicita sartori si deve considerare una delle sue migliori seguaci, capace di guadagnare a venezia l'ammirazione di un collezionista e appassionato d'arte come federico cristiano principe di sassonia, figlio dell'elettore augusto iii. proprio grazie ai cataloghi della galleria di dresda siamo in grado di dare una sia pur generica fisionomia alla personalità artistica di felicita, sebbene ancora bisognosa di una ricostruzione meno sommaria. certo ella fu un'abile miniaturista e una delicata ritrattista nel solco di rosalba, come testimoniano le sue pochissime opere sicure. in questa delicata coppia di rami, legati tematicamente dall'atto della decapitazione compiuta dalle due protagoniste femminili, rappresentato però senza efferatezza e perfino con una certa distaccata eleganza, rinveniamo una ben bilanciata combinazione di suggestioni bolognesi e venete. \n \n \n provenienza: \n galleria w. apolloni, roma; collezione privata, roma."},"estimateMax":8000,"lotNumber":"61","title":{"it":"a) giuditta con la testa di oloferne; b) erodiade con la testa del battista. coppia di dipinti"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103650/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3800,"soldPrice":4000,"lastUpdate":"2026-06-25T14:27:01.854Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac8,000","currency":"EUR","id":103650,"estimateMin":5000},{"startPrice":9000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103651/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103651/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103651/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103651/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103651/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103651/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103651/007/007.jpg"],"artist":{"en":"carlo maratti (camerano, 1625 - roma, 1713) studio of","it":"carlo maratti (studio)\n(camerano 1625 - roma 1713)"},"available":false,"description":{"en":"oil on canvas \n cm. 146x132. framed \n the painting constitutes a faithful contemporary replica of the highest quality of the canvas executed by carlo maratti in 1656 for the basilica of san marco evangelista in rome. as is well known, maratti\u2019s workshop saw the passage of many of the finest painters active on the roman and central italian artistic scene between the second half of the seventeenth century and the early eighteenth century. in this splendid canvas, one must recognize an excellent product by one of the master\u2019s best assistants and followers, with a level of painterly mastery that, in its most successful passages, rivals maratti himself. notably, in a recent study on the work, alessandro delpriori has proposed an attribution to giuseppe bartolomeo chiari, who was without doubt maratti\u2019s most gifted pupil.","it":"olio su tela \n cm. 146x132. con cornice \n il dipinto costituisce un fedele replica coeva, di altissima qualità, della tela eseguita da carlo maratti nel 1656 per la basilica di san marco evangelista a roma. com'è noto, l'atelier di maratti ha visto passare molti dei migliori pittori attivi sulla scena artistica romana e centro-italiana tra la seconda metà del seicento e il primo quarto del settecento. in questa tela smagliante si deve riconoscere un eccellente prodotto di uno dei migliori aiuti e seguaci del maestro, con un livello di magistero pittorico che nei brani più riusciti del dipinto arriva a rivaleggiare con lo stesso maratti. non a caso, in un suo recente studio sull'opera, alessandro delpriori ha proposto l'attribuzione a giuseppe bartolomeo chiari, che di maratti fu senza dubbio l'allievo più dotato."},"estimateMax":18000,"lotNumber":"62","title":{"it":"adorazione dei magi"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103651/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":9000,"lastUpdate":"2026-06-25T17:20:29.426Z","textCase":"lower","estimate":"\u20ac12,000 - \u20ac18,000","currency":"EUR","id":103651,"estimateMin":12000},{"startPrice":7000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103652/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103652/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103652/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103652/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103652/005/005.jpg"],"artist":{"en":"artista attivo a roma, seconda metà xvii secolo","it":"artista attivo a roma, seconda metà xvii secolo\n()"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 131x94. framed \n questa potente raffigurazione di san girolamo penitente nel deserto si lega al linguaggio pittorico tenebroso che guarda a mattia preti e al primo luca giordano e prende piede a roma nella seconda metà del seicento, soprattutto nell'opera di giacinto brandi e giovan battista beinaschi. in particolare il nostro dipinto mostra affinità stilistiche ed espressive con l'opera di quest'ultimo: si pensi al \n sant'onofrio e al \n san girolamo già nella controfacciata di santa maria delle grazie a caponapoli e oggi ricoverate nei depositi della basilica dell'incoronata madre del buon consiglio, a napoli, o alle varie versioni del \n san girolamo in atto di scrivere (vedi v. pacelli - f. petrucci, \n giovan battista beinaschi. pittore barocco tra roma e napoli , roma 2011, b 32-33, ca 22-24, pp. 287-288 e 303-305).","it":"olio su tela \n cm. 131x94. con cornice \n questa potente raffigurazione di san girolamo penitente nel deserto si lega al linguaggio pittorico tenebroso che guarda a mattia preti e al primo luca giordano e prende piede a roma nella seconda metà del seicento, soprattutto nell'opera di giacinto brandi e giovan battista beinaschi. in particolare il nostro dipinto mostra affinità stilistiche ed espressive con l'opera di quest'ultimo: si pensi al \n sant'onofrio e al \n san girolamo già nella controfacciata di santa maria delle grazie a caponapoli e oggi ricoverate nei depositi della basilica dell'incoronata madre del buon consiglio, a napoli, o alle varie versioni del \n san girolamo in atto di scrivere (vedi v. pacelli - f. petrucci, \n giovan battista beinaschi. pittore barocco tra roma e napoli , roma 2011, b 32-33, ca 22-24, pp. 287-288 e 303-305)."},"estimateMax":15000,"lotNumber":"63","title":{"it":"san girolamo nel deserto ode le trombe del giudizio universale"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103652/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":7000,"soldPrice":7500,"lastUpdate":"2026-06-25T14:28:46.931Z","textCase":"lower","estimate":"\u20ac10,000 - \u20ac15,000","currency":"EUR","id":103652,"estimateMin":10000},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103653/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103653/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103653/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103653/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103653/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103653/006/006.jpg"],"artist":{"en":"ciro ferri (roma, 1634 - 1689) circle of","it":"ciro ferri (cerchia di)\n(roma 1634 - 1689)"},"available":false,"description":{"en":"oil on canvas \n cm. 193,5x273. framed \n the painting is a fine early replica of the work by ciro ferri, now preserved in the musée des beaux-arts of angers.","it":"olio su tela \n cm. 193,5x273. con cornice \n il dipinto è una bella replica coeva dell'opera di ciro ferri oggi conservata al musée des beaux-arts di angers."},"estimateMax":15000,"lotNumber":"64","title":{"it":"giuseppe e la moglie di putifarre"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103653/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":8000,"lastUpdate":"2026-06-25T17:20:29.447Z","textCase":"lower","estimate":"\u20ac10,000 - \u20ac15,000","currency":"EUR","id":103653,"estimateMin":10000},{"startPrice":7000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103654/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103654/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103654/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103654/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103654/005/005.jpg"],"artist":{"en":"pier dandini (firenze, 1646 - 1712)","it":"pier dandini\n(firenze 1646 - 1712)"},"available":false,"description":{"en":"oil on canvas \n cm. 95x75,5. framed \n the painting is accompanied by an expertise by prof. sandro bellesi. \n \n  \n \n \n this elegant \n allegory of painting is attributed by sandro bellesi to pier dandini, one of the leading protagonists of late baroque florentine painting. the young female figure, depicted with palette and brushes within a dark and intimate setting, reveals the artist\u2019s refined pictorial culture, evident in the precious chromatic treatment of the silks, the soft definition of the flesh tones, and the lively freedom of the brushwork. \n \n \n as noted by bellesi, the work displays stylistic characteristics referable to the final phase of dandini\u2019s activity, between the end of the seventeenth century and the first decade of the eighteenth, showing affinities with paintings such as the \n allegory of the arts and sciences in the luzzetti collection and the altarpieces executed for the churches of the madonna del giglio and san niccolò in prato. the composition also reflects the artist\u2019s openness toward neo-venetian developments and sensibilities already approaching the \n rocaille taste.","it":"olio su tela \n cm. 95x75,5. con cornice \n il dipinto è accompagnato da un'expertise del prof. sandro bellesi. \n il dipinto è presente nella fototeca zeri (scheda n. 65887) attribuito a pietro dandini. \n \n questa elegante \n allegoria della pittura è attribuita da sandro bellesi a pier dandini, tra i maggiori protagonisti della pittura fiorentina tardobarocca. la giovane figura femminile, raffigurata con tavolozza e pennelli entro uno spazio scuro e raccolto, rivela la raffinata cultura figurativa dell\u2019artista, evidente nella preziosità cromatica delle sete, nella morbida definizione degli incarnati e nella vivace scioltezza della pennellata. \n \n come osservato da bellesi, l\u2019opera presenta caratteri stilistici riconducibili all\u2019ultima fase dell\u2019attività di dandini, tra la fine del seicento e il primo decennio del settecento, mostrando affinità con dipinti quali l\u2019 \n allegoria delle arti e delle scienze della collezione luzzetti e le pale eseguite per le chiese pratesi della madonna del giglio e di san niccolò. la composizione riflette inoltre l\u2019apertura dell\u2019artista verso aggiornamenti neo-veneziani e sensibilità già prossime al gusto \n rocaille ."},"estimateMax":15000,"lotNumber":"65","title":{"it":"allegoria della pittura"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103654/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":7000,"lastUpdate":"2026-06-25T17:20:29.476Z","textCase":"lower","estimate":"\u20ac10,000 - \u20ac15,000","currency":"EUR","id":103654,"estimateMin":10000},{"startPrice":6500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103655/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103655/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103655/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103655/004/004.jpg"],"artist":{"en":"luca giordano (napoli, 1634 - 1705)","it":"luca giordano\n(napoli 1634 - 1705)"},"available":false,"description":{"en":"oil on canvas \n cm. 66,5x48,5 \n the painting is accompanied by an expertise by prof. nicola spinosa. \n \n  \n \n \n this unpublished and intensely expressive \n head of a bearded saint is attributed by prof. spinosa to luca giordano and dated to around 1660, during the period of the neapolitan master\u2019s early maturity. the work still reveals echoes of mattia preti, particularly in its naturalistic approach and heightened expressive tension, while already displaying the precious handling and luminous richness of neo-venetian inspiration that characterize giordano\u2019s production after 1656. especially noteworthy are the rendering of the flesh tones, the long white beard, and the penetrating expression of the gaze. spinosa further notes close comparisons with the figure of socrates in the \n xanthippe pouring water over socrates formerly in the molinari pradelli collection, and with the isaac in the \n departure of jacob from the house of isaac in the harrach collection at schloss rohrau, austria, both datable to the early 1660s.","it":"olio su tela \n cm. 66,5x48,5. con cornice \n il dipinto è accompagnato da un'expertise del prof. nicola spinosa. \n \n questa inedita e intensa \n testa di santo barbuto,  è attribuita dal prof. spinosa a luca giordano e la sua esecuzione viene collocata intorno al 1660, nel momento della piena maturità giovanile del maestro napoletano. \n l\u2019opera rivela ancora suggestioni derivate da mattia preti, soprattutto nell\u2019impianto naturalistico e nell\u2019accentuata tensione espressiva, ma mostra già quella preziosità di stesura e quella ricchezza luministica di ascendenza neoveneta che caratterizzano la produzione di giordano dopo il 1656. particolarmente notevoli risultano la resa epidermica, la lunga barba bianca e l\u2019intensa espressione dello sguardo.  \n spinosa segnala stringenti confronti con la figura di socrate nella tela con santippe che versa l\u2019acqua su socrate della raccolta molinari pradelli e con l\u2019isacco della partenza di giacobbe dalla casa paterna della collezione harrach a schloss rohrau, in australia, entrambe riferibili ai primi anni sessanta del seicento."},"estimateMax":15000,"lotNumber":"66","title":{"it":"testa di santo barbuto"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103655/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":6500,"lastUpdate":"2026-06-25T17:20:29.491Z","textCase":"lower","estimate":"\u20ac9,000 - \u20ac15,000","currency":"EUR","id":103655,"estimateMin":9000},{"startPrice":4600,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103656/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103656/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103656/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103656/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103656/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103656/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103656/007/007.jpg"],"artist":{"en":"francesco trevisani (capodistria, 1656 - roma, 1746)","it":"francesco trevisani\n(capodistria 1656 - roma 1746)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on copper \n cm. 40,5x33. framed \n the painting is accompanied by an expertise by prof. laura muti. \n \n  \n \n \n this refined version of the \n  madonna sewing,  on copper, is confidently attributed to francesco trevisani by laura muti and may be dated to the very early years of the eighteenth century, during the period of the patronage of cardinal pietro ottoboni, whose coat of arms appears on the flower vase in the foreground. the work belongs to one of the artist\u2019s most successful devotional inventions, known in several versions, including the example preserved in the gallerie degli uffizi. the composition fully reveals trevisani\u2019s mature language, poised between marattesque classicism and a sensibility anticipating the rococo, with figures of elegant softness, luminous draperies, and a domestic lyricism of intense narrative grace. \n \n \n particularly noteworthy are the quality of the painterly execution, the delicate landscape glimpse to the right in which saint joseph appears, and the precious still-life passage with the transparency of the glass and the flowers rendered with refined sensitivity to light and colour. \n \n \n \n provenance: \n private collection, friuli venezia giulia.","it":"olio su rame \n cm. 40,5x33. con cornice \n il dipinto è accompagnato da un'experties della dott.ssa laura muti. \n \n questa raffinata versione della \n madonna del cucito,  su rame, è attribuita datata con sicurezza a francesco trevisani da laura muti e databile ai primissimi anni del settecento, durante il periodo della protezione del cardinale pietro ottoboni, il cui stemma compare sul vaso floreale in primo piano. \n l\u2019opera appartiene a una delle più fortunate invenzioni devozionali dell\u2019artista, nota in diverse redazioni, tra cui quella conservata alle gallerie degli uffizi. la composizione rivela pienamente il linguaggio maturo di trevisani, sospeso tra classicismo marattesco e una sensibilità che anticipa il rococò, con figure di elegante morbidezza, panneggi luminosi e un lirismo domestico di intensa grazia narrativa. \n \n particolarmente notevoli risultano la qualità della stesura pittorica, il delicato scorcio paesaggistico a destra in cui è inserito san giuseppe e il prezioso brano di natura morta con le trasparenze del vetro e i fiori resi con raffinata sensibilità luministica e cromatica. \n \n \n \n provenienza: \n collezione privata, friuli venezia giulia."},"estimateMax":8000,"lotNumber":"67","title":{"it":"madonna del cucito"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103656/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":4600,"soldPrice":4600,"lastUpdate":"2026-06-25T14:31:34.853Z","textCase":"lower","estimate":"\u20ac6,000 - \u20ac8,000","currency":"EUR","id":103656,"estimateMin":6000},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103657/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103657/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103657/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103657/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103657/005/005.jpg"],"artist":{"en":"francesco solimena (serino, 1657 - napoli, 1747) sphere of","it":"francesco solimena (ambito di)\n(serino 1657 - napoli 1747)"},"available":false,"description":{"en":"oil on canvas \n cm. 76x63. framed \n the various versions of the subject of the \n visitation that have been attributed, with varying degrees of persuasiveness, to francesco solimena and his circle all derive, to different extents, from the certainly autograph version executed by the painter for the transept of the neapolitan church of santa maria donnalbina between 1698 and 1701. owing to its simplicity and effectiveness, the composition devised by solimena lent itself particularly well to countless layout adaptations and compositional variations: indeed, both copies and paintings with altered arrangements or entirely original additions are recorded, produced either by his workshop or by his followers. within this group, the present example stands out for its overall high quality of execution. \n \n \n provenance: \n private collection, rome.","it":"olio su tela \n cm. 76x63. con cornice antica \n le varie versioni del tema della \n visitazione che, in modo più o meno persuasivo, sono state riferite a francesco solimena e alla sua cerchia dipendono tutte, con gradi molto variabili di similitudine, dalla redazione certamente autografa eseguita dal pittore per il transetto della chiesa napoletana di santa maria donnalbina tra il 1698 e il 1701. per la sua semplicità ed efficacia l'invenzione congegnata da solimena ben si prestava a innumerevoli adattamenti di impaginato e variazioni compositive: e in effetti si registrano sia copie, sia dipinti con varianti o inserti del tutto originali, dovuti alla sua bottega o ai suoi seguaci. all'interno di questo gruppo spicca il presente esemplare, che si distingue per la sua ottima tenuta qualitativa generale. \n \n \n provenienza: \n collezione privata, roma."},"estimateMax":8000,"lotNumber":"68","title":{"it":"visitazione"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103657/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":4000,"lastUpdate":"2026-06-25T17:20:29.501Z","textCase":"lower","estimate":"\u20ac6,000 - \u20ac8,000","currency":"EUR","id":103657,"estimateMin":6000},{"startPrice":4800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103658/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103658/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103658/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103658/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103658/005/005.jpg"],"artist":{"en":"artista veneto, prima metà xviii secolo","it":"artista veneto, prima metà xviii secolo\n()"},"available":false,"description":{"en":"oil on canvas \n cm. 80x100. framed \n the painting belongs to the climate of transition from baroque tenebrism towards the classical tendencies that became prevalent in venice from the beginning of the eighteenth century. the arrangement of the figures and the composition show influences of antonio molinari and antonio balestra, but the more vibrant painterly ductus looks especially to sebastiano ricci, as evidenced by the freer and more fluid brushwork compared to balestra\u2019s classicism, while also reflecting aspects of contemporary emilian painting.","it":"olio su tela \n cm. 80x100. con cornice \n il dipinto si inserisce nel clima di \n superamento del tenebrismo barocco verso le tendenze classiche in auge a venezia a partire dell'inizio del xviii secolo. l \n 'andamento delle figure e la composizione mostrano \n influenze di antonio molinari e antonio balestra, ma il ductus pittorico \n più vibrante guarda soprattutto a \n sebastiano ricci, come evidenzia la \n pennellata più libera e fluida  \n rispetto al classicismo del balestra, risentendo anche dei modi della coeva pittura emiliana."},"estimateMax":9000,"lotNumber":"69","title":{"it":"madonna del latte con san giuseppe"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103658/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":4800,"lastUpdate":"2026-06-25T17:20:29.515Z","textCase":"lower","estimate":"\u20ac6,000 - \u20ac9,000","currency":"EUR","id":103658,"estimateMin":6000},{"startPrice":5500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103659/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103659/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103659/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103659/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103659/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103659/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103659/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103659/008/008.jpg"],"artist":{"en":"pietro bardellino (napoli, 1732 - napoli, 1806)","it":"pietro bardellino\n(napoli 1732 - napoli 1806)"},"available":false,"description":{"en":"oil on canvas \n cm. 63,5x76. framed \n we are grateful to professor riccardo lattuada for identifying the present painting as an autograph work by pietro bardellino. \n \n  \n \n \n the refined painting under discussion reveals clear influences from the art of paolo de matteis and, above all, francesco de mura, reinterpreted through a more markedly elegant rococo sensibility. characterised by a pervasive luminosity and centred upon the holy family, around which all the other figures are arranged in a circular composition, the scene displays a distinctly de mura-inspired structure, at once lucid and far from conventional. every figure is captured in motion, each engaged in a specific action, while the rustic and domestic atmosphere, imbued with an almost familial intimacy, perfectly conveys the spirit of the narrative recounted in the gospel of luke (2:8\u201320). \n the brightness of the chromatic range, the graceful elegance of the composition, and the gently theatrical tone that animates the narrative all point to the youthful production of pietro bardellino, the most gifted among de mura\u2019s pupils. comparable examples may be found in the pair of paintings shepherds at a campfire and shepherds preparing ricotta, now in the national museum of basilicata in matera (from the camillo d\u2019errico collection at palazzo san gervasio). \n \n \n \n provenance: \n private collection, rome.","it":"olio su tela \n cm. 63,5x76. con cornice antica \n si ringrazia il prof. riccardo lattuada che ha riconosciuto nel presente dipinto un\u2019opera autografa di pietro bardellino. \n \n \n \n il raffinato dipinto qui in oggetto mostra chiari influssi dalla pittura di paolo de matteis e soprattutto di francesco de mura, sviluppati in una chiave di più accentuata eleganza rococò. caratterizzata da una diffusa luminosità e imperniata sul gruppo centrale della sacra famiglia, con tutti gli altri personaggi disposti a corona intorno ad essa, la composizione, di forte ascendenza demuriana, presenta una costruzione limpida ma per nulla banale. tutte le figure sono catturate in movimento, ciascuna impegnata in un\u2019azione ben precisa e l'atmosfera rustica e domestica, quasi di intimità familiare, centra alla perfezione lo spirito della narrazione del vangelo di luca (2, 8-20). il chiarore delle gamme cromatiche, la grazia leggiadra della composizione e il registro garbatamente teatrale che informa il racconto rimandano alla produzione giovanile di pietro bardellino, il migliore fra gli allievi di de mura: si pensi alla coppia pastori al bivacco e pastori intenti alla preparazione della ricotta del museo nazionale della basilicata di materia (collezione camillo d\u2019errico di palazzo san gervasio). \n \n \n \n provenienza: \n collezione privata, roma."},"estimateMax":10000,"lotNumber":"70","title":{"it":"adorazione dei pastori"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103659/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":5500,"lastUpdate":"2026-06-25T17:20:29.533Z","textCase":"lower","estimate":"\u20ac7,000 - \u20ac10,000","currency":"EUR","id":103659,"estimateMin":7000},{"startPrice":10000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103660/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103660/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103660/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103660/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103660/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103660/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103660/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103660/008/008.jpg"],"artist":{"en":"sebastiano conca (gaeta, 1680 - napoli, 1764)","it":"sebastiano conca\n(gaeta 1680 - napoli 1764)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on copper \n cm. 26,6x34,2. framed \n the painting bears a brush signature at the lower center: \u201ceques conca\u201d. \n \n  \n \n \n after his apprenticeship under francesco solimena in naples, sebastiano conca moved to rome in 1707, becoming one of the most renowned and authoritative artists active in the city, twice prince of the accademia di san luca. his painting is distinguished by a successful combination of late baroque elements, marattesque classical balance, and a light proto-rococo grace. in this elegant painting on copper, signed, we fully recognize the compositional mastery, decorative vivacity, fluid brushwork, and vivid, shimmering chromaticism that characterize his finest works. \n \n \n the presence of the title \u201ceques\u201d in the signature necessarily suggests a dating after 1729, when cardinal ottoboni awarded conca the knighthood of the order of the golden spur. \n \n \n \n provenance: \n private collection, umbria.","it":"olio su rame \n cm. 26,6x34,2. con cornice antica \n il dipinto reca firma a pennello in basso al centro: \"eques conca\". \n \n dopo l'alunnato presso francesco solimena a napoli, sebastiano conca si trasferì a roma nel 1707, divenendo uno degli artisti più rinomati e autorevoli attivi nell'urbe, per due volte principe dell'accademia di san luca. nella sua pittura si ammira la felice combinazione di elementi tardo-barocchi, equilibrio classicista di impianto marattesco e grazia leggiadra proto-rococò. in questo elegante dipinto su rame, firmato, ritroviamo pienamente la sapienza compositiva, il brio decorativo, la fluidità delle pennellata, il colorismo vivace e cangiante che caratterizzano le sue opere migliori. l'attributo di \"eques\" nella firma spinge necessariamente la datazione dopo il 1729, quando il il cardinale ottoboni conferì a conca la croce di cavaliere dello speron d'oro. \n \n \n provenienza: \n collezione privata, umbria."},"estimateMax":20000,"lotNumber":"71","title":{"it":"sacra famiglia con sant'antonio da padova e san marco evangelista"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103660/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":10000,"soldPrice":11000,"lastUpdate":"2026-06-25T14:34:42.139Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac20,000","currency":"EUR","id":103660,"estimateMin":15000},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103661/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103661/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103661/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103661/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103661/005/005.jpg"],"artist":{"en":"andrea belvedere (napoli - 1732) attributed to","it":"andrea belvedere (attribuito a)\n(napoli 1652 ca. - 1732)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 76x103. framed \n in questa sontuosa natura morta floreale en plein air, così come nell'esemplare proposto al lotto successivo, si rinvengono i caratteri dell'arte raffinata di andrea belvedere. protagonista assoluto nei decenni finali del seicento a napoli nell'ambito della natura morta, per rivolgersi in seguito principalmente alla sua passione per il teatro e la letteratura, belvedere ebbe una particolare predilezione per gli ampi bouquet di fiori, spesso collocati entro ricchi vasi metallici istoriati e non di rado, come nei due casi che qui si illustrano, in spazi aperti naturali, come radure, boschetti o giardini di ville. com'è tipico di belvedere, i fiori sono qui vibranti di colori e rimandano a molti altri esemplari del suo corpus: si pensi ai \n fiori in braciere di rame del museo correale di sorrento, ai \n fiori con anatre davanti a un erma del museo stibbert di firenze o ad \n anatre e fiori della galleria palatina di firenze. \n \n \n provenance: \n private collection, campania.","it":"olio su tela \n cm. 76x103. con cornice \n in questa sontuosa natura morta floreale en plein air, così come nell'esemplare proposto al lotto successivo, si rinvengono i caratteri dell'arte raffinata di andrea belvedere. protagonista assoluto nei decenni finali del seicento a napoli nell'ambito della natura morta, per rivolgersi in seguito principalmente alla sua passione per il teatro e la letteratura, belvedere ebbe una particolare predilezione per gli ampi bouquet di fiori, spesso collocati entro ricchi vasi metallici istoriati e non di rado, come nei due casi che qui si illustrano, in spazi aperti naturali, come radure, boschetti o giardini di ville. com'è tipico di belvedere, i fiori sono qui vibranti di colori e rimandano a molti altri esemplari del suo corpus: si pensi ai \n fiori in braciere di rame del museo correale di sorrento, ai \n fiori con anatre davanti a un erma del museo stibbert di firenze o ad \n anatre e fiori della galleria palatina di firenze. \n \n \n provenienza: \n collezione privata, campania."},"estimateMax":10000,"lotNumber":"72","title":{"it":"bouquet di fiori in un vaso presso un fontanile"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103661/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":5000,"soldPrice":5500,"lastUpdate":"2026-06-25T14:35:47.315Z","textCase":"lower","estimate":"\u20ac7,000 - \u20ac10,000","currency":"EUR","id":103661,"estimateMin":7000},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103662/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103662/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103662/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103662/004/004.jpg"],"artist":{"en":"andrea belvedere (napoli - 1732) attributed to","it":"andrea belvedere (attribuito a)\n(napoli 1652 ca. - 1732)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 76x103. framed \n in questa sontuosa natura morta floreale en plein air, così come nell'esemplare proposto al lotto precedente, si rinvengono i caratteri dell'arte raffinata di andrea belvedere. protagonista assoluto nei decenni finali del seicento a napoli nell'ambito della natura morta, per rivolgersi in seguito principalmente alla sua passione per il teatro e la letteratura, belvedere ebbe una particolare predilezione per gli ampi bouquet di fiori, spesso collocati entro ricchi vasi metallici istoriati e non di rado, come nei due casi che qui si illustrano, in spazi aperti naturali, come radure, boschetti o giardini di ville. com'è tipico di belvedere, i fiori sono qui vibranti di colori e rimandano a molti altri esemplari del suo corpus: si pensi ai \n fiori in braciere di rame del museo correale di sorrento, ai \n fiori con anatre davanti a un erma del museo stibbert di firenze o ad \n anatre e fiori della galleria palatina di firenze. \n \n \n provenance: \n private collection, campania.","it":"olio su tela \n cm. 76x103. con cornice \n in questa sontuosa natura morta floreale en plein air, così come nell'esemplare proposto al lotto precedente, si rinvengono i caratteri dell'arte raffinata di andrea belvedere. protagonista assoluto nei decenni finali del seicento a napoli nell'ambito della natura morta, per rivolgersi in seguito principalmente alla sua passione per il teatro e la letteratura, belvedere ebbe una particolare predilezione per gli ampi bouquet di fiori, spesso collocati entro ricchi vasi metallici istoriati e non di rado, come nei due casi che qui si illustrano, in spazi aperti naturali, come radure, boschetti o giardini di ville. com'è tipico di belvedere, i fiori sono qui vibranti di colori e rimandano a molti altri esemplari del suo corpus: si pensi ai \n fiori in braciere di rame del museo correale di sorrento, ai \n fiori con anatre davanti a un erma del museo stibbert di firenze o ad \n anatre e fiori della galleria palatina di firenze. \n \n \n provenienza: \n collezione privata, campania."},"estimateMax":10000,"lotNumber":"73","title":{"it":"bouquet di fiori in un vaso con cesto"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103662/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":5000,"soldPrice":5500,"lastUpdate":"2026-06-25T14:36:32.342Z","textCase":"lower","estimate":"\u20ac7,000 - \u20ac10,000","currency":"EUR","id":103662,"estimateMin":7000},{"startPrice":15000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103663/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103663/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103663/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103663/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103663/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103663/006/006.jpg"],"artist":{"en":"luca giordano (napoli, 1634 - 1705)","it":"luca giordano\n(napoli 1634 - 1705)"},"soldDate":"2026-06-25","available":false,"description":{"en":"olio su tela \n cm. 125,5x101. con cornice \n the painting is accompanied by an expertise by prof. nicola spinosa. \n \n  \n \n \n this intense \n incredulity of saint thomas , attributed by prof. spinosa to luca giordano, was probably executed between 1650 and 1653\u201354, in the artist\u2019s early phase, still strongly marked by the influence of caravaggio and, above all, by the models of jusepe de ribera. \n the painting is distinguished by its heightened naturalism, its strong handling of light, and the vigorous physiognomic and expressive characterization of the figures, elements that find precise parallels in other early works by the neapolitan master, including the  \n death of seneca \n  in the alte pinakothek in munich, the  \n saint jerome in prayer \n  in the pinacoteca civica of asolo, and the canvases  \n lot and his daughters \n  and  \n the expulsion of hagar \n  in the gemäldegalerie, dresden.  \n the work also constitutes a rare instance of this subject in giordano\u2019s production, which he would return to only many years later in the version now in the monastery of san lorenzo at el escorial, executed at the end of the 1680s. \n \n \n \n provenance: \n private collection, lazio.","it":"olio su tela \n cm. 125,5x101. con cornice \n il dipinto è accompagnato da un'expertise del prof. nicola spinosa. \n \n questa intensa \n incredulità di san tommaso attribuita da nicolqa spinosa a luca giordano, è stata probabilmente eseguita tra il 1650 e il 1653\u201354, nella fase giovanile dell\u2019artista ancora fortemente segnata dalla lezione caravaggesca e, soprattutto, dai modelli di jusepe de ribera. \n il dipinto si distingue per l\u2019accentuato naturalismo, la concreta resa luministica e la vigorosa caratterizzazione fisiognomica ed espressiva delle figure, elementi che trovano puntuali confronti con altre opere giovanili del maestro napoletano, tra cui la  \n morte di seneca \n dell\u2019alte pinakothek di monaco, il  \n san girolamo \n in preghiera della pinacoteca civica di asolo e le tele con  \n lot e le figlie \n e  \n la cacciata di agar \n della gemäldegalerie di dresda.  \n l\u2019opera costituisce inoltre una rara testimonianza del soggetto nella produzione di giordano, che lo riprenderà soltanto molti anni più tardi nella versione oggi al monastero di san lorenzo all\u2019escorial, eseguita alla fine degli anni ottanta del seicento. \n \n \n provenienza: \n collezione privata, lazio."},"estimateMax":30000,"lotNumber":"74","title":{"it":"l'incredulità di san tommaso"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103663/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":15000,"soldPrice":16000,"lastUpdate":"2026-06-25T14:37:33.291Z","textCase":"lower","estimate":"\u20ac20,000 - \u20ac30,000","currency":"EUR","id":103663,"estimateMin":20000},{"startPrice":30000,"sold":false,"artist":{"en":"bernardo strozzi (genova, 1581 - venezia, 1644)","it":"bernardo strozzi\n(genova 1581 - venezia 1644)"},"available":false,"description":{"en":"oil on canvas \n cm. 103x79,5 \n the painting is accompanied by an expertise by prof. pietro zampetti. \n \n the work is also accompanied by an export licence. \n \n \n  \n \n \n bernardo strozzi, a capuchin priest, repeatedly engaged\u2014through numerous variations\u2014in the representation of saint francis, a subject particularly dear to him. the present painting, formerly in the collection of giovanni testori, stands out for its intensity and painterly quality within this long series of works, most of which are to be attributed to strozzi\u2019s early genoese period, within the second decade of the seventeenth century. here we perceive the cultured and personal fusion of tuscan, lombard, and venetian elements that characterise his pictorial language, together with his dense brushwork and vigorous use of colour, played out across a limited range of dominant tones and intense chiaroscuro contrasts. the present type of the half-length saint embracing the cross finds its closest comparison within the painter\u2019s corpus in the version in palazzo rosso, genoa, closely related in iconography, style, and quality. the execution of both versions should be dated around 1610. \n \n \n \n provenance: \n giovanni testori collection, milan; giuseppe alessandra collection, treviso; private collection, london. \n \n \n literature: \n r. fontanarossa, in \n arte dal gotico al novecento. contributi e schede , 2003, n. 35, pp. 138-141.","it":"olio su tela \n cm. 103x79,5 \n il dipinto è accompagnato da un'expertise del prof. pietro zampetti. \n l'opera è corredata di attestato di libera circolazione. \n \n bernardo strozzi, prete cappuccino, si cimentò un gran numero di volte e con molte varianti compositive nella rappresentazione di san francesco, soggetto a lui particolarmente caro. il nostro dipinto, già appartenuto a giovanni testori, si segnala per intensità e qualità pittorica all'interno di questa lunga serie di dipinti, la gran parte dei quali sono da ricondurre alla giovanile attività genovese di strozzi, entro il secondo decennio del seicento. percepiamo qui la colta e personale commistione di elementi toscani, lombardi e veneti che ne caratterizzano il linguaggio pittorico, come pure la sua densa pennellata e il vigoroso colorismo, giocato su poche gamme cromatiche dominanti e su intensi contrasti chiaroscurali. la presente tipologia del santo a mezzo busto abbracciato alla croce ha il suo più stretto termine di confronto, all'interno del corpus del pittore, nell'esemplare di palazzo rosso a genova, assai affine per iconografia, stile e qualità. l'esecuzione di entrambe le versioni dovrebbe essere collocata intorno al 1610. \n \n \n provenienza: \n collezione giovanni testori, milano; collezione giuseppe alessandra, treviso; collezione privata, londra. \n \n \n bibliografia: \n r. fontanarossa, in \n arte dal gotico al novecento. contributi e schede , 2003, n. 35, pp. 138-141."},"estimateMax":60000,"lotNumber":"75","title":{"it":"san francesco abbracciato alla croce con teschio e rosario"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/104113/view","directSalePrice":30000,"lastUpdate":"2026-06-25T17:20:29.537Z","textCase":"lower","estimate":"\u20ac40,000 - \u20ac60,000","currency":"EUR","id":104113,"estimateMin":40000},{"startPrice":32000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103665/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103665/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103665/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103665/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103665/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103665/006/006.jpg"],"artist":{"en":"mattia preti (taverna, 1613 - la valletta, 1699)","it":"mattia preti\n(taverna 1613 - la valletta 1699)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 117x93,5. framed \n the painting is accompanied by an expertise by prof. nicola spinosa. \n \n the painting is on its original canvas. \n \n \n  \n \n \n this powerful representation of the evangelist luke has been recognized by nicola spinosa as a secure autograph work by mattia preti and dated to the years of the painter\u2019s second stay in naples, prior to his definitive transfer to malta. it is likely that the canvas originally formed part of a complete cycle of the four evangelists, although this hypothesis remains unconfirmed at present. \n \n \n in noting the solid formal and compositional structure, the consistently high quality, and the careful definition of the facial features and expression, nicola spinosa suggests that the painter employed a live model and that the work was therefore executed from life. preti returned to the same subject on other occasions, depicting saint luke painting the \n virgin and child (catania, museo del castello ursino; valletta, church of saint francis of assisi; among others), though with results of lesser quality than the present canvas. in the painting under discussion, the deliberate revival of solutions of caravaggesque derivation appears particularly evident, in keeping with other compositions executed during the final neapolitan period of mattia preti.","it":"olio su tela \n cm. 117x93,5. con cornice \n il dipinto è accompagnato da un'expertise del prof. nicola spinosa. \n il dipinto è in prima tela. \n \n questa potente rappresentazione dell'evangelista luca è stata riconosciuta come autografo sicuro di mattia preti da nicola spinosa e collocata negli anni del secondo soggiorno del pittore a napoli, prima del definitivo trasferimento a malta. e' presumibile che la tela facesse parte di un ciclo completo dei 4 evangelisti, ma è una possibilità che al momento resta allo stadio di ipotesi. nicola spinosa, nel rilevare la solida resa formale e compositiva, la qualità omogeneamente elevata e l'accurata definizione dei tratti somatici e dell'espressione, suggerisce che il pittore abbia impiegato un modello e che quindi il dipinto sia stato realizzato dal vero. mattia preti si cimentò in altre occasione con lo stesso soggetto, raffigurato nell'atto di ritrarre la \n madonna col bambino (catania, museo di castello ursino, la valletta, chiesa di san francesco d'assisi etc.), ma con esiti qualitativamente inferiori alla tela qui in oggetto. nel nostro dipinto appare evidente la meditata ripresa di soluzioni di matrice caravaggesca, analogamente a quanto si verifica in altre composizioni eseguite durante l'ultimo periodo napoletano di mattia preti."},"estimateMax":60000,"lotNumber":"76","title":{"it":"san luca"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103665/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":32000,"soldPrice":32000,"lastUpdate":"2026-06-25T14:41:13.507Z","textCase":"lower","estimate":"\u20ac40,000 - \u20ac60,000","currency":"EUR","id":103665,"estimateMin":40000},{"startPrice":40000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103666/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103666/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103666/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103666/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103666/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103666/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103666/007/007.jpg"],"artist":{"en":"luca giordano (napoli, 1634 - 1705)","it":"luca giordano\n(napoli 1634 - 1705)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 194x131. framed \n the painting is accompanied by a study by prof. stefano causa. \n \n  \n \n \n the subject of the painting is taken from genesis (39\u201340): unjustly accused by potiphar\u2019s wife, joseph is imprisoned. shortly thereafter, the king of egypt also has his chief cupbearer and chief baker imprisoned, and joseph is assigned to serve them. one night, both the cupbearer and the baker have dreams of difficult interpretation, which they recount to joseph the following morning: he then foretells the baker\u2019s death by hanging after three days, and the cupbearer\u2019s release from prison. \n \n \n as strongly stated by stefano causa in his study of the painting, this four-figure seventeenth-century interior is an unpublished masterpiece by the young luca giordano, to be dated to the 1650s. an authentic early work by the master, still deeply influenced by ribera and his followers. according to causa: \u201cwe are before one of the most sensational autographs by the master to have emerged in the last ten years [\u2026] here the discourse on the youth of the greatest neapolitan painter of the seventeenth century takes an unexpected leap forward and invites us to rethink from the ground up giordano\u2019s formation between 1650 and 1664.\u201d \n \n \n the present painting thus testifies, at the highest qualitative level, to the germinal moment of the artist\u2019s genius, \u201cwhen all paths are still open. giordano composes a kind of inventory of what had been produced over the previous fifty years, consciously selecting what he needed: if the detail of the prisoner peering through the bars had already appeared in an early work by caracciolo [\u2026] the rest of the painting is a brilliant recapitulation of the production of ribera\u2019s workshop by his most talented and original followers, from the master of the annunciation to the shepherds to aniello falcone.\u201d","it":"olio su tela \n cm. 194x131. con cornice \n il dipinto è accompagnato da uno studio del prof. stefano causa. \n \n il soggetto del dipinto è \n tratto dalla genesi (39-40): a \n ccusato ingiustamente dalla moglie di putifarre,  \n giuseppe viene  \n imprigionato \n . poco dopo il re d\u2019egitto fa  \n incarcerare anche il suo coppiere e panettiere e giuseppe  \n viene messo al loro servizio. una \n notte, i due servitori \n del re d\u2019egitto fanno entrambi \n un sogno di difficile interpretazione \n che la mattina seguente raccontano a giuseppe: è così che quest'ultimo \n preannuncia al panettiere la morte per impiccagione  \n dopo tre giorni e al coppiere la scarcerazione.  \n \n come afferma con forza stefano causa nel suo studio sul dipinto, questo interno seicentesco \n a quattro figure \n  è un inedito capolavoro del giovane luca  \n giordano, da collocare negli  \n anni \u201950 del seicento. un'autentica primizia del  \n maestro, ancora avvinto dalla pittura di  \n ribera e dei suoi seguaci. secondo causa: \"siamo dinanzi a uno dei più clamorosi autografi del  \n maestro riemerso negli ultimi dieci anni [\u2026] qui il  \n discorso sulla gioventù del  \n massimo pittore meridionale del \u2018600 compie un inaspettato  \n salto in avanti e sollecita a ripensare da capo \n  alla formazione di giordano, tra il 1650 e il \u201964\". \n  \n il nostro dipinto testimonia così, al massimo livello qualitativo, il momento germinale del  \n genio, \"dove tutte le strade sono ancora aperte. giordano fa una sorta di  \n inventario di quanto prodotto nei precedenti cinquant\u2019anni,  \n scegliendo consapevolmente quanto gli servisse: se il  \n dettaglio del prigioniero che sbircia da dietro la grata si era  \n già visto in un lavoro giovanile del caracciolo [...] \n  il resto del quadro è  \n una geniale ricapitolazione del lavoro prodotto  \n nell\u2019officina di ribera dai suoi migliori e più originali seguaci, dal \n  maestro dell\u2019annuncio ai pastori ad \n  aniello falcone\" \n ."},"estimateMax":120000,"lotNumber":"77","title":{"it":"giuseppe spiega i sogni in carcere"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103666/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":40000,"soldPrice":40000,"lastUpdate":"2026-06-25T14:42:43.989Z","textCase":"lower","estimate":"\u20ac80,000 - \u20ac120,000","currency":"EUR","id":103666,"estimateMin":80000},{"startPrice":12000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103667/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103667/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103667/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103667/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103667/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103667/006/006.jpg"],"artist":{"en":"artista attivo a roma, metà xvii secolo","it":"artista attivo a roma, metà xvii secolo\n()"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 123x92,5. framed \n in roman secular painting of the mid-seventeenth century, bacchic subjects played a primary role, linked to divinity and agricultural festivities, set in wooded landscapes and characterized by the presence of nymphs, maenads, satyrs, and sileni. these themes could be adapted to a predominantly playful or decorative interpretation, but they could also lend themselves to moralizing content, in accordance with the explicit erotic and grotesque undertones naturally associated with the subject. in this painting of sumptuous pictorial quality, these latter meanings prevail, with the old and lustful satyr intent on playing the straight flute and the young nymph accompanying him, partially undressed and apparently consenting. \n \n this precious unpublished work displays a fascinating combination of stylistic, compositional, and iconographic elements, referring to the mid-seventeenth-century roman cultural context. clear references can be identified to the painting of mola ( \n faun playing the syrinx , hatchlands park, cobbe collection; \n mercury and argus , allen memorial art museum, oberlin college; \n bacchus and ariadne , herzog anton ulrich-museum, braunschweig), giovanni benedetto castiglione ( \n allegory of abundance , palazzo doria, genoa), and salvator rosa ( \n mercury and argus , private collection). \n \n \n \n provenance: \n private collection, rome.","it":"olio su tela \n cm. 123x92,5. con cornice \n nella pittura romana profana di pieno seicento svolsero un ruolo di primaria importanza i soggetti bacchici, legati alla divinità e alle festività agricole, ambientati in paesaggi boschivi e caratterizzati dalla presenza di ninfe, menadi, satiri e sileni. questi temi potevano essere piegati a una declinazione prevalentemente ludica o decorativa, ma anche prestarsi a contenuti di carattere moralistico, in accordo con gli espliciti sottintesi erotici e grotteschi naturalmente associati al soggetto. in questa tela di sontuosa qualità pittorica vediamo prevalere queste ultime valenze, col satiro vecchio e lussurioso intento a suonare il flauto dritto e la giovane ninfa al suo seguito, discinta e all'apparenza consenziente. \n questo prezioso dipinto inedito esibisce un'affascinante commistione di elementi di stile, composizione e iconografia, che rimanda al contesto culturale romano di metà seicento. chiari vi appaiono, infatti, i riferimenti alla pittura di mola ( \n fauno che suona la siringa , hatchlands park, cobbe collection; \n mercurio e argo , oberlin college, allen memorial art museum; \n bacco e arianna , braunschweig, herzog anton ulrich-museum), giovanni benedetto castiglione ( \n allegoria dell'abbondanza , genova palazzo doria) e salvator rosa ( \n mercurio e argo in collezione privata). \n \n \n provenienza: \n collezione privata, roma."},"estimateMax":25000,"lotNumber":"78","title":{"it":"satiro con ninfa"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103667/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":12000,"soldPrice":16000,"lastUpdate":"2026-06-25T14:44:35.330Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac25,000","currency":"EUR","id":103667,"estimateMin":15000},{"startPrice":3200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103668/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103668/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103668/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103668/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103668/005/005.jpg"],"artist":{"en":"giovanni antonio canal detto il canaletto (venezia, 1697 - 1768) follower of","it":"giovanni antonio canal detto il canaletto (seguace di)\n(venezia 1697 - 1768)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 46x60. framed","it":"olio su tela \n cm. 46x60. con cornice"},"estimateMax":7000,"lotNumber":"79","title":{"it":"il canal grande dalle prossimità del ponte di rialto"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103668/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3200,"soldPrice":3800,"lastUpdate":"2026-06-25T14:45:48.487Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac7,000","currency":"EUR","id":103668,"estimateMin":4000},{"startPrice":5500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103669/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103669/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103669/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103669/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103669/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103669/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103669/007/007.jpg"],"artist":{"en":"peter paul rubens (siegen, 1577 - anversa, 1640) circle of","it":"peter paul rubens (cerchia di)\n(siegen 1577 - anversa 1640)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 165x116,5. framed \n this elegant and elaborate composition features saint elizabeth, saint zechariah, and their young son john the baptist. the scene, strongly symbolic in character, represents the passage from the old to the new testament. the classical references - a broken column and a marble relief, the temple columns immediately behind the figures, and the ruins in the background - serve as an allusion to the dominance of the roman empire, which is about to come to an end in anticipation of a new era under the aegis of christ. the painting reveals a complex visual culture, which, while rooted in a flemish framework, incorporates strong italian influences, particularly venetian (paolo veronese), as well as bolognese and roman elements.","it":"olio su tela \n cm. 165x116,5. con cornice \n questa elegante e articolata composizione ha come protagonisti santa elisabetta, san zaccaria e il loro \n figlioletto giovanni battista. la scena, di marcato simbolismo, rappresenta  \n idealmente il passaggio tra antico e nuovo testamento. i riferimenti classici - la colonna spezzata e il bassorilievo marmoreo, le colonne del tempio subito dietro le figure e le rovine sullo sfondo - c \n ostituiscono un rimando alla dominazione dell\u2019impero romano che sta per volgere al termine in funzione  \n dell\u2019inizio di una nuova era, sotto l'egida di cristo. il dipinto mostra una cultura figurativa complessa, che su un'impianto fiammingo innesta forti suggestioni italiane, soprattutto venete (paolo veronese) ma anche bolognesi e romane."},"estimateMax":10000,"lotNumber":"80","title":{"it":"ecce agnus dei"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103669/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":5500,"soldPrice":6500,"lastUpdate":"2026-06-25T14:47:04.529Z","textCase":"lower","estimate":"\u20ac7,000 - \u20ac10,000","currency":"EUR","id":103669,"estimateMin":7000},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103670/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103670/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103670/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103670/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103670/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103670/006/006.jpg"],"artist":{"en":"michelangelo pace del campidoglio (roma, 1610 - 1670)","it":"michelangelo pace del campidoglio\n(roma 1610 - 1670)"},"available":false,"description":{"en":"oil on canvas \n cm. 68x89 \n the painting is accompanied by an expertise by prof. giancarlo sestieri. \n \n this \n still life with fruit in a landscape , arranged on stone ledges outdoors and enlivened by a restrained assortment of fruit, a snail and a small bird, is attributed to michelangelo pace, known as michelangelo da campidoglio, by professor giancarlo sestieri. \n \n the work belongs to mid-seventeenth-century rome, reflecting an early baroque sensibility in its fluid, dynamic composition, while retaining a firm grounding in caravaggesque naturalism, with strong plasticity and vivid colour.  \n datable to around the mid-1640s, the painting constitutes a significant early example within pace\u2019s oeuvre, documenting his role in the transition from early roman still life to the mature baroque idiom. \n \n \n \n provenance: \n private collection, campania.","it":"olio su tela \n cm. 68x89 \n il dipinto è accompagnato da un'expertise del prof. giancarlo sestieri. \n \n questa notevole natura morta, articolata su due ripiani lapidei all\u2019aperto e animata da una ricca varietà di frutti \u2014 fichi, melograno, meloni aperti, mele e grappoli d\u2019uva con foglie, oltre a una lumaca e un uccellino - è stata riferita da giancarlo sestieri a michelangelo pace, detto da campidoglio, \n intorno alla metà del seicento, in una fase ormai aperta alle prime istanze barocche, come rivela la composizione dinamica e ariosa, sciolta da rigidità frontali, ma ancora saldamente ancorata a un naturalismo di matrice caravaggesca. la resa plastica e il brillante cromatismo dei frutti testimoniano un linguaggio in evoluzione, debitore delle esperienze di cerquozzi, salini e mario de\u2019 fiori. i \n l dipinto rappresenta una significativa testimonianza della fase giovanile di michelangelo pace e si inserisce coerentemente nel suo catalogo, documentando il ruolo dell\u2019artista come protagonista del passaggio dalla prima stagione della natura morta romana post-caravaggesca alle più mature soluzioni barocche della fine del secolo. \n \n \n provenienza: \n collezione privata, campania."},"estimateMax":8000,"lotNumber":"81","title":{"it":"natura morta di frutta in un paesaggio"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103670/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":4000,"lastUpdate":"2026-06-25T17:20:29.541Z","textCase":"lower","estimate":"\u20ac6,000 - \u20ac8,000","currency":"EUR","id":103670,"estimateMin":6000},{"startPrice":2800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103671/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103671/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103671/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103671/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103671/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103671/006/006.jpg"],"artist":{"en":"sebastiano ricci (belluno, 1659 - venezia, 1734) follower of","it":"sebastiano ricci (seguace di)\n(belluno 1659 - venezia 1734)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 113x170","it":"olio su tela \n cm. 113x170"},"estimateMax":5500,"lotNumber":"82","title":{"it":"cupido allontana un satiro da venere dormiente"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103671/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2800,"soldPrice":4200,"lastUpdate":"2026-06-25T14:50:09.117Z","textCase":"lower","estimate":"\u20ac3,500 - \u20ac5,500","currency":"EUR","id":103671,"estimateMin":3500},{"startPrice":3000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103672/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103672/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103672/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103672/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103672/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103672/006/006.jpg"],"artist":{"en":"jan frans van bloemen l'orizzonte (anversa, 1662 - roma, 1749) attributed to","it":"jan frans van bloemen detto l'orizzonte (attribuito a)\n(anversa 1662 - roma 1749)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 38x46. framed","it":"olio su tela \n cm. 38x46. con cornice"},"estimateMax":6000,"lotNumber":"83","title":{"it":"paesaggio con figure, specchio d'acqua e cittadina sullo sfondo"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103672/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3000,"soldPrice":3200,"lastUpdate":"2026-06-25T14:51:14.918Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac6,000","currency":"EUR","id":103672,"estimateMin":4000},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103673/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103673/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103673/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103673/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103673/005/005.jpg"],"artist":{"en":"artista lombardo, xviii secolo","it":"artista lombardo, xviii secolo\n()"},"available":false,"description":{"en":"oil on canvas \n cm. 98x134,5. framed \n \n \n provenance: \n private collection, rome.","it":"olio su tela \n cm. 98x134,5. con cornice \n \n \n provenienza: \n collezione privata, roma."},"estimateMax":6000,"lotNumber":"84","title":{"it":"trofeo di caccia in un paesaggio"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103673/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3000,"lastUpdate":"2026-06-25T17:20:29.569Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac6,000","currency":"EUR","id":103673,"estimateMin":4000},{"startPrice":3200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103674/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103674/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103674/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103674/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103674/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103674/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103674/007/007.jpg"],"artist":{"en":"artista toscano, xvii secolo","it":"artista toscano, xvii secolo\n()"},"available":false,"description":{"en":"oil on canvas \n cm. 80,5x136,5. framed","it":"olio su tela \n cm. 80,5x136,5. con cornice"},"estimateMax":6500,"lotNumber":"85","title":{"it":"sansone e dalila"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103674/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3200,"lastUpdate":"2026-06-25T17:20:29.577Z","textCase":"lower","estimate":"\u20ac4,500 - \u20ac6,500","currency":"EUR","id":103674,"estimateMin":4500},{"startPrice":2800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103675/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103675/002/002.jpg"],"artist":{"en":"artista fiammingo, xvii secolo","it":"artista fiammingo, xvii secolo\n()"},"available":false,"description":{"en":"oil on canvas \n cm. 89,5x70","it":"olio su tela \n cm. 89,5x70"},"estimateMax":6000,"lotNumber":"86","title":{"it":"natura morta con leprotto appeso"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103675/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2800,"lastUpdate":"2026-06-25T17:20:29.585Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac6,000","currency":"EUR","id":103675,"estimateMin":4000},{"startPrice":1500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103676/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103676/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103676/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103676/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103676/005/005.jpg"],"artist":{"en":"artista spagnolo, xvii secolo","it":"artista spagnolo, xvii secolo\n()"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 84,5x69. framed \n \n \n provenance: \n private collection, rome.","it":"olio su tela \n cm. 84,5x69. con cornice \n \n \n provenienza: \n collezione privata, roma."},"estimateMax":6000,"lotNumber":"87","title":{"it":"madonna in preghiera con veduta di città fortificata sullo sfondo"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103676/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1500,"soldPrice":3000,"lastUpdate":"2026-06-25T14:55:36.414Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac6,000","currency":"EUR","id":103676,"estimateMin":3000},{"startPrice":3800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103677/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103677/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103677/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103677/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103677/005/005.jpg"],"artist":{"en":"michelangelo cerquozzi michelangelo delle battaglie (roma , 1602 - roma, 1660)","it":"michelangelo cerquozzi o delle battaglie\n(roma 1602 - roma 1660)"},"available":false,"description":{"en":"oil on canvas \n cm. 70x85. framed \n the painting is accompanied by an expertise by prof. giancarlo sestieri. \n \n this \n still life of grapes, pears, melons, and pomegranates , focused on a vivid cluster of white grapes accompanied by a split pomegranate, a squash and a few other fruits loosely arranged on the ground, is attributed to michelangelo cerquozzi by prof. giancarlo sestieri. \n the painting belongs to the roman milieu, in a phase still close to post-caravaggesque objectivism, evident in the strong plastic modeling achieved through an oblique light emerging from a dark background, while the freer compositional structure anticipates later baroque developments. datable to the late 1620s, the work represents an important example of cerquozzi\u2019s activity as a key mediator between early roman still-life painting and its subsequent evolution. \n \n \n provenance: \n private collection, campania.","it":"olio su tela \n cm. 70x85. con cornice \n il dipinto è accompagnato da un'expertise del prof. giancarlo sestieri. \n \n come rileva giancarlo sestieri, questa elegante natura morta, centrata su un vivido grappolo d\u2019uva bianca affiancato da melograno aperto, zucca e pochi altri frutti disposti liberamente sul suolo, mostra una chiara appartenenza all\u2019ambito romano, in una fase in cui il rigoroso oggettivismo di ascendenza post-caravaggesca è animato da una luce obliqua che modella con forza plastica le masse emergenti dal fondo scuro. al contempo, l\u2019impostazione compositiva più aperta prefigura un superamento delle formule simmetriche tradizionali verso soluzioni di maggiore libertà barocca. il dipinto è databile alla fine degli anni venti del seicento e costituisce una significativa testimonianza del ruolo di cerquozzi quale mediatore tra la prima natura morta romana e i successivi sviluppi del genere, come confermano stringenti confronti con molte altre opere del suo catalogo. \n \n \n provenienza: \n collezione privata, campania."},"estimateMax":7000,"lotNumber":"88","title":{"it":"natura morta di uva, pere, meloni e melegrane"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103677/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3800,"lastUpdate":"2026-06-25T17:20:29.595Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac7,000","currency":"EUR","id":103677,"estimateMin":5000},{"startPrice":2800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103678/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103678/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103678/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103678/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103678/005/005.jpg"],"artist":{"en":"francesco solimena (serino, 1657 - napoli, 1747) attributed to","it":"francesco solimena (attribuito a)\n(serino 1657 - napoli 1747)"},"available":false,"description":{"en":"oil on canvas \n cm. 75x62. framed \n the portrait may depict maria cecilia von thannhausen (14 march 1674 \u2013 15 february 1721), who acquired the title of countess of harrach by marrying aloys thomas raimund von harrach (bratislava 1669 \u2013 vienna 1742) in 1708. the latter, viceroy of naples from 1728 to 1733, was an important patron of solimena, who also painted him in the magnificent portrait still preserved in the harrach collection at the family castle in rohrau. \n \n \n provenance: \n private collection, campania.","it":"olio su tela \n cm. 75x62. con cornice antica \n il ritratto viene tradizionalmente associato a maria cecilia von thannhausen (14 marzo 1674 - 15 febbraio 1721), che acquisì il titolo di contessa di harrach sposando nel 1708 aloys thomas raimund von harrach (bratislava 1669 \u2013 vienna 1742). viceré di napoli dal 1728 al 1733, quest'ultimo fu un importante committente di solimena, da cui fu effigiato in vari ritratti, uno dei quali ancor oggi conservato presso la collezione harrach nel castello di famiglia a rohrau: ma sappiamo da de dominici (1742) che il pittore si cimentò anche in uno o più ritratti di sua moglie. il nostro ritratto presenta una qualità pittorica di grande finezza, particolarmente evidente nel candido incarnato, nell'abbigliamento e nella spilla al centro dello scollo del vestito e nel gesto aggraziato della mano destra che regge delicatamente il grosso fiocco del mantello: elementi che richiamano il \n ritratto di gentildonna della collezione lichtenstein, vaduz-vienna. \n \n \n provenienza: \n collezione privata, campania."},"estimateMax":6000,"lotNumber":"89","title":{"it":"ritratto di nobildonna (maria cecilia von tannhausen contessa di harrach?)"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103678/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2800,"lastUpdate":"2026-06-25T17:20:29.620Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac6,000","currency":"EUR","id":103678,"estimateMin":4000},{"startPrice":3000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103679/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103679/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103679/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103679/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103679/005/005.jpg"],"artist":{"en":"david teniers il giovane (anversa, 1610 - bruxelles, 1690) follower of","it":"il giovane 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carofano.","it":"olio su tela \n cm. 55x70. con cornice \n il dipinto è accompagnato da un'expertise del prof. pierluigi carofano."},"estimateMax":6000,"lotNumber":"91","title":{"it":"david e abigail"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103680/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3200,"soldPrice":3400,"lastUpdate":"2026-06-25T14:59:29.442Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac6,000","currency":"EUR","id":103680,"estimateMin":4000},{"startPrice":4000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103681/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103681/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103681/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103681/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103681/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103681/006/006.jpg"],"artist":{"en":"francesco guardi (venezia, 1712 - 1793) follower of","it":"francesco guardi (seguace di)\n(venezia 1712 - 1793)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 75,5x60. framed","it":"olio su tela \n cm. 75,5x60. con 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25,5x31. con cornice \n il dipinto reca sigla a pennello in basso a destra: \"j.k.\". \n \n \n provenienza: \n collezione privata, campania."},"estimateMax":3500,"lotNumber":"128","title":{"it":"venere in un paesaggio con un putto"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103717/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1600,"soldPrice":1600,"lastUpdate":"2026-06-25T15:52:05.700Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,500","currency":"EUR","id":103717,"estimateMin":2500},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103718/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103718/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103718/003/003.jpg"],"artist":{"en":"artista veneto, xviii secolo","it":"artista veneto, 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sfondo"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103719/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1500,"lastUpdate":"2026-06-25T17:20:29.737Z","textCase":"lower","estimate":"\u20ac2,500 - 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\n \n \n provenienza: \n collezione privata, roma."},"estimateMax":3500,"lotNumber":"131","title":{"it":"sansone e dalila"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103720/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1500,"soldPrice":3200,"lastUpdate":"2026-06-25T15:55:50.397Z","textCase":"lower","estimate":"\u20ac2,500 - 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\n \n \n provenienza: \n collezione privata, roma."},"estimateMax":3500,"lotNumber":"132","title":{"it":"lot e le figlie"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103721/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1500,"soldPrice":2400,"lastUpdate":"2026-06-25T15:57:24.310Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,500","currency":"EUR","id":103721,"estimateMin":2500},{"startPrice":1500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103722/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103722/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103722/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103722/004/004.jpg"],"artist":{"en":"sebastiano bombelli (udine, 1635 - venezia, 1719) attributed 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presso la scuola del guercino, per poi stabilirsi definitivamente a  \n venezia. qui studiò a fondo paolo veronese,  \n integrando la sontuosità cromatica della tradizione cinquecentesca lagunare con le istanze naturalistiche dei pittori  \n \"tenebrosi\". \n l\u2019attribuzione a bombelli trova conferma nel confronto con opere autografe come il  \n ritratto di gentiluomo del museo civico di udine,  \n il ritratto di  \n tre avogadori \n , oggi al seminario vescovile di rovigo, e soprattutto i \n l ritratto di gentiluomo che annusa tabacco di collezione privata."},"estimateMax":3500,"lotNumber":"133","title":{"it":"ritratto di gentiluomo"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103722/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1500,"soldPrice":2800,"lastUpdate":"2026-06-25T15:58:31.267Z","textCase":"lower","estimate":"\u20ac2,500 - 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roma."},"estimateMax":4000,"lotNumber":"135","title":{"it":"veduta del ponte di rialto"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103724/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1200,"soldPrice":2200,"lastUpdate":"2026-06-25T16:01:00.009Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac4,000","currency":"EUR","id":103724,"estimateMin":2000},{"startPrice":1800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103725/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103725/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103725/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103725/004/004.jpg"],"artist":{"en":"agostino masucci (roma, 1690 - 1758) follower of","it":"agostino masucci (seguace di)\n(roma 1690 - 1758)"},"soldDate":"2026-06-25","available":false,"description":{"en":"oil on canvas \n cm. 38x28 \n the painting refers, albeit with some variations, to the portrait of the pope executed by agostino masucci himself, now preserved in the galleria nazionale d\u2019arte antica at palazzo corsini in rome.","it":"olio su tela \n cm. 38x28 \n il dipinto rimanda, sia pur con qualche variante, al ritratto del papa eseguito dallo stesso agostino masucci oggi conservato alla galleria nazionale d'arte antica di palazzo corsini a roma."},"estimateMax":4000,"lotNumber":"136","title":{"it":"ritratto di papa clemente xii corsini"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103725/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1800,"soldPrice":2000,"lastUpdate":"2026-06-25T16:02:02.614Z","textCase":"lower","estimate":"\u20ac2,800 - 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through the customary cardinalitial attributes: ring, beretta, and red mozzetta.","it":"olio su tela \n cm. 98x74. con cornice \n urbano paracciani rutili (roma 1715 \u2013 fermo, 1777), nato vitelleschi, fu nominato cardinale da papa clemente xiii il 26 settembre 1766. il presente ritratto dovrebbe succedere di poco la sua creazione, esibita attraverso i canonici attributi cardinalizi: anello, berretta e mozzetta rossa."},"estimateMax":3500,"lotNumber":"141","title":{"it":"ritratto del cardinale urbano paracciani rutili"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103730/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1600,"lastUpdate":"2026-06-25T17:20:29.749Z","textCase":"lower","estimate":"\u20ac2,500 - 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castello sforzesco, milan.","it":"olio su tavola \n cm. 27x19,5. con cornice \n l\u2019opera si colloca nell\u2019ambito della produzione \n devozionale lombarda del xvii secolo e \n  \n mostra un\u2019adesione convinta ai  \n modelli elaborati da carlo francesco nuvolone: si pensi, in particolare, all\u2019 immacolata concezione della pinacoteca  \n del castello sforzesco di milano."},"estimateMax":4000,"lotNumber":"142","title":{"it":"immacolata concezione"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103731/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1500,"lastUpdate":"2026-06-25T17:20:29.752Z","textCase":"lower","estimate":"\u20ac2,500 - 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private collection, southern italy.","it":"olio su tela \n cm. 71x56. con cornice \n in questo severo e nobile ritratto riconosciamo la fisionomia inconfondibile di odoardo farnese, con la sua marcata pinguedine, grazie anche al confronto con i due ritratti, entrambi conservati a parma, rispettivamente presso la galleria nazionale della pilotta e il museo glauco lombardi. \n \n \n provenienza: \n collezione privata, italia meridionale."},"estimateMax":3000,"lotNumber":"148","title":{"it":"ritratto di odoardo farnese (1612-1646) duca di parma e piacenza"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103737/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":700,"soldPrice":1700,"lastUpdate":"2026-06-25T16:16:37.730Z","textCase":"lower","estimate":"\u20ac1,500 - 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descrizione dell'effigiato."},"estimateMax":3000,"lotNumber":"149","title":{"it":"ritratto di francesco maria serafini di fano"},"url":"https://it.bidspirit.com/ui/lotPage/bertolamifineart/source/catalog/auction/76556/lot/103738/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1200,"lastUpdate":"2026-06-25T17:20:29.761Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":103738,"estimateMin":2000},{"startPrice":1000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103739/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103739/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103739/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/bertolamifineart/cloned-images/103739/004/004.jpg"],"artist":{"en":"georges de la tour (vic-sur-seille, 1593 - lunéville, 1652) based 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