{"lots":[{"startPrice":4200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24090/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24090/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24090/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24090/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24090/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24090/006/006.jpg"],"artist":{"en":"giovanni francesco grimaldi (1606 - 1680)","it":"giovanni francesco grimaldi (1606 - 1680)"},"available":false,"description":{"en":"technique: oil painting on canvas \n dimensions: 97 x 134 cm \n \n \n \n the author of the beautiful ideal landscape proposed here strongly recalls some works by giovanni francesco grimaldi - il bolognese: the punctual resumption of some characteristic stylistic features of the maestro therefore suggest an attribution to the aforementioned painter. \n \n \n we should find ourselves around grimaldi's production of the sixties of the seventeenth century, when poussin had already implemented the grandiose representation of an ideal nature, of which we can the strong influence here, while remaining faithful to the bolognese and carracci training of his first years of apprenticeship at the academy. \n \n \n the painter, who had by now reached notoriety after the important roman construction site of san martino ai monti, was engaged precisely in the seventies in important private commissions in which we recognize the same idyllic beauty and the search for formal balance that this painting is strongly permeated with. \n the work, in excellent condition, has been relined. framed","it":"tecnica: olio su tela \n dimensioni: cm 97 x 134 \n \n \n \n l'autore del bellissimo paesaggio ideale qui proposto, richiama fortemente alcune opere di giovanni francesco grimaldi - il bolognese: la ripresa puntuale di alcuni stilemi caratteristici del maestro fanno quindi propendere per un'attribuzione al pittore sopracitato. \n \n \n ci dovremmo trovare intorno alla produzione degli anni sessanta del xvii secolo di grimaldi, quando poussin aveva ormai attuato la grandiosa raffigurazione di natura ideale, di cui si nota qui la forte influenza, pur rimanendo fedele alla formazione bolognese e carraccesca dei suoi primi anni di apprendistato in accademia. \n \n \n il pittore, che aveva ormai raggiunto la notorietà dopo l'importante cantiere romano di san martino ai monti, fu impegnato proprio negli anni settanta in importanti commissioni private in cui si riconoscono la stessa bellezza idilliaca e la ricerca di equilibrio formale di cui questo dipinto è fortemente permeato. \n l'opera, in ottime condizioni, è stata reintelata. in cornice"},"lotNumber":"1","title":{"en":"ideal landscape with tobiolo and the angel","it":"paesaggio ideale con tobiolo e l'angelo"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24090/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":4200,"lastUpdate":"2026-07-19T18:45:08.557Z","textCase":"lower","currency":"EUR","id":24090},{"startPrice":3200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24091/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24091/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24091/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24091/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24091/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24091/006/006.jpg"],"artist":{"en":"philipp peter roos rosa da tivoli ( - 1706)","it":"philipp peter roos rosa da tivoli ( - 1706)"},"available":false,"description":{"en":"technique: oil painting on canvas \n dimensions: 98 x 136 cm \n \n \n \n the painting probably dates back to the years in which the famous painter moved to tivoli, after a brief roman passage, then around the 1690s: here you can see the temple of vesta together with other stylistic features typical of his production of those years such as the goat with curved horns and the intense yellow-brown lighting effects. \n \n the work is relined and in excellent condition.","it":"tecnica: olio su tela \n dimensioni: cm 98 x 136 \n \n \n \n il dipinto risale con grande probabilità agli anni in cui il celebre pittore si trasferì a tivoli, dopo un breve passaggio romano, quindi intorno agli anni novanta del seicento: ecco che si scorge il tempio di vesta insieme ad altri stilemi tipici della sua produzione di quegli anni come il caprone dalle corna ricurve e gli intensi effetti luministici giallo-bruni. \n \n l'opera si presenta reintelata e in ottimo stato conservativo."},"lotNumber":"2","title":{"en":"shepherd with flock","it":"pastore con gregge"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24091/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3200,"lastUpdate":"2026-07-19T18:45:08.668Z","textCase":"lower","currency":"EUR","id":24091},{"startPrice":2600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24092/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24092/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24092/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24092/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24092/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24092/006/006.jpg"],"artist":{"en":"giacinto brandi (bottega di) (1621 - 1691)","it":"giacinto brandi (bottega di) (1621 - 1691)"},"available":false,"description":{"en":"1690 ca. \n \n \n dimensions: 183 x 108 cm \n  \n  \n \n  the author of the offered canvas, who inscribes and dates the rock the flock is situated on (fanoni - not decipherable; 169 ...), is affected not only by the influence of the german painter philipp peter ross (rosa da tivoli) but also by the teachings of giacinto brandi, of whom he could be a pupil and to whom he refers the arcadian shepherd on the left of the painting. in fact, we know that philipp ross was active in brandi's workshop from 1677 and it is not difficult to imagine how our author was heavily influenced by both masters. \n  the pictorial surface is in more than good condition. upon analysis with wood's lamp it appears repainted in small scattered portions","it":"1690 ca. \n \n \n dimensioni: cm 183 x 108 \n  \n  \n \n  l'autore della tela offerta, che iscrive e data la roccia su cui si dispone il gregge (fanoni - non decifrabile; 169...), risente non solo dell'influsso del pittore tedesco philipp peter ross (rosa da tivoli) ma anche degli insegnamenti di giacinto brandi, di cui potrebbe essere allievo e a cui rimanda l'arcadico pastorello sulla sinistra del dipinto. sappiamo infatti che philipp ross fu attivo nella bottega di brandi dal 1677 e non è difficile immaginare come il nostro autore abbia attinto a piene mani da entrambe i maestri. \n la superficie pittorica è in condizioni più che buone. ad un analisi con la lampada di wood appare ridipinta in piccole porzioni sparse"},"lotNumber":"3","title":{"en":"landscape with shepherd and herds","it":"paesaggio con pastore e armenti"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24092/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2600,"lastUpdate":"2026-07-19T18:45:08.669Z","textCase":"lower","currency":"EUR","id":24092},{"startPrice":3200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24093/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24093/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24093/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24093/004/004.jpg"],"soldDate":"2021-12-03","available":false,"description":{"en":"school of northern italy, 17th century \n \n \n technique: oil painting on canvas \n dimensions: 136 x 100 cm \n  \n  \n  \n  \n  the painting has clear reminiscent of the style of correggio: it is known that the adoration of the shepherds (dresda) (1525 - 1530) has been a model for generations of painters, including the current of the caravaggeschi and the so-called tenebrosi painters. following this path, you can find \n   similarities with the style of the venetian master bartolomeo letterini or litterini (1669 - 1748): note the strong similarities with works such as the adoration of the sheperds, preserved at the museum of san nicolò in zanica, or the sacrifice of isaac.  \n  \n  \n     \n  \n  \n  bartolomeo, son of augustine, who was also a painter, belonged to the current of the\" tenebrous painters\"in the first period of his production , with actions with a strong dramatic content and dense naturalism: the churches of the val seriana (bergamo) are a valid example. w \n  e could trace the genesis of this canvas r \n  ight at the last quarter of the 17th century , due to the accentuated contrast of light and shadow, through a main and directed light source. \n  \n  \n   the intense luministic and chromatic research, of which the painting is pervaded, are the main characteristics of this beautiful composition of the late seventeenth century. \n  \n  \n  \n    \n  \n \n  baby jesus, the fulcrum from which the light of the whole composition emanates is obviously the focus towards which all the characters are turned, although it has not been positioned in the perspective center, but slightly moved towards the left of the painting . the light emanating from the child strikes the bystanders and makes them emerge from the dark background, with a remarkable expressive force. admirable and strongly caravaggesque characters are the bagpipe player, on the right, the st. joseph with his bare foot in the foreground, and the face of the child among the shepherds. \n  \n  \n  \n  \n \n  the canvas, in excellent condition, shows a small hole on the tunic of st. joseph. \n  \n  \n  \n  \n  the canvas has recently been reinforced on the edges, but its first canvas was kept. light touches scattered on the pictorial surface. the faces are for the most part intact.","it":"scuola dell'italia settentrionale, xvii secolo \n \n \n tecnica: olio su tela \n dimensioni: cm 136 x 100 \n  \n  \n  \n  \n  il dipinto presenta chiare reminescenze correggesche: come è noto l'adorazione dei pastori di dresda (1525 - 1530) è stata modello per generazioni di pittori, tra cui la corrente dei caravaggeschi e dei pittori così detti tenebrosi. seguendo questo sentiero, si possono trovare \n   similitudini con lo stile del maestro veneto bartolomeo letterini o litterini (1669 - 1748): si notino le forti analogie con opere quali l'adorazione dei pastori, conservata presso il museo di san nicolò a zanica, o il sacrificio di isacco. \n  \n  \n    \n  \n  \n  bartolomeo, figlio di agostino anch'esso pittore, appartenne alla corrente dei \"tenebrosi\" nel primo periodo della sua produzione, con azioni dal forte contenuto drammatico e dal denso naturalismo, con cui impronta la produzione per le chiese della val seriana (bergamo). proprio all'ultimo quarto del xvii secolo potremmo far risalire la genesi di questa tela, per l'accentuato contrasto di luci e ombre, attraverso una fonte di luce principale e direzionata. \n  \n  \n  l'intensa ricerca luministica e cromatica di cui è pervaso il dipinto sono, giustappunto, le caratteristiche principali di questa bellissima composizione della fine del xvii secolo.  \n  \n  \n  \n   \n  \n \n  gesù bambino, fulcro da cui promana la luce di tutta la composizione è ovviamente il focus verso cui tutti i personaggi sono rivolti, benché non sia stato posizionato al centro prospettico, ma leggermente spostato verso la sinistra del dipinto. la luce emanata dal bambinello colpisce gli astanti e li fa emergere dal fondo scuro, con una notevole forza espressiva. mirabili e di carattere fortemente caravaggesco sono il suonatore di cornamusa, sulla destra, il san giuseppe con il piede scalzo in primo piano, verso lo spettatore e il volto del fanciullo tra i pastori. \n  \n  \n  \n  \n \n  la tela, in ottime condizioni conservative, mostra un piccolo foro sulla tunica di san giuseppe. \n  \n  \n  \n  \n la tela è stata recentemente rinforzata sui bordi, ma è stata mantenuta la prima tela. leggeri ritocchi sparsi sulla superficie pittorica. i volti risultano per la maggior parte integri."},"lotNumber":"4","title":{"en":"adoration of the shepherds","it":"adorazione dei pastori"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24093/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3200,"soldPrice":3200,"lastUpdate":"2026-07-19T18:45:08.671Z","textCase":"lower","currency":"EUR","id":24093},{"startPrice":3600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24094/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24094/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24094/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24094/004/004.jpg"],"artist":{"en":"scuola napoletana del xvii secolo","it":"scuola napoletana del xvii secolo"},"available":false,"description":{"en":"technique: oil painting on canvas \n dimensions: 74 x 59 cm. \n \n \n the work presented belongs indisputably to the neapolitan school of the seventeenth century, presenting strong affinities with the style of francesco fracanzano (1612-1656). this attribution did not completely convince scholars, who also advanced the hypothesis that hendrick van somer (1607-1656?) or one of his followers painted the canvas. \n the painting, on a new canvas, upon examination with wood's lamp shows several repaintings concentrated in the face (small retouches) and in the right side of the background. framed","it":"tecnica: olio su tela \n dimensioni: 74 x 59 cm. \n \n \n l'opera presentata appartiene in maniera indiscutibile all'ambito della scuola napoletana del seicento, presentando forti affinità con lo stile di francesco fracanzano (1612-1656). questa attribuzione non ha convinto del tutto gli studiosi, i quali hanno anche avanzato l'ipotesi che a dipingere la tela sia stato hendrick van somer (1607-1656?) o un suo seguace.  \n il dipinto, reintelato, all'esame con lampada di wood mostra svariate ridipinture concentrare nel volto (piccoli tocchi) e nella parte laterale destra dello sfondo. in cornice."},"lotNumber":"5","title":{"en":"moses","it":"mosè"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24094/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3600,"lastUpdate":"2026-07-19T18:45:08.673Z","textCase":"lower","currency":"EUR","id":24094},{"startPrice":2600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24095/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24095/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24095/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24095/004/004.jpg"],"artist":{"en":"scuola emiliana del xvii secolo","it":"scuola emiliana del xvii secolo"},"available":false,"description":{"en":"late 17th - early 18th century \n \n \n technique: oil on tablet \n dimensions: 24 x 32.5 cm. \n  \n  \n  the paintings, in good condition, are presented in repainted coeval frames. \n  a tablet shows lacks of the support in the upper right and left part.","it":"fine del xvii - inizi del xviii secolo \n \n \n tecnica: olio su tavola \n dimensioni: 24 x 32,5 cm. \n  \n  \n i dipinti, in buone condizioni conservative, vengono presentati in cornici coeve ridipinte.  \n una tavola mostra mancanze del supporto nella parte superiore destra e sinistra."},"lotNumber":"6","title":{"en":"children playing - pair of paintings","it":"fanciulli al gioco - coppia di dipinti"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24095/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2600,"lastUpdate":"2026-07-19T18:45:08.674Z","textCase":"lower","currency":"EUR","id":24095},{"startPrice":4600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24096/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24096/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24096/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24096/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24096/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24096/006/006.jpg"],"artist":{"en":"taddeo di bartolo (alla maniera di) ( - 1422)","it":"taddeo di bartolo (alla maniera di) ( - 1422)"},"available":false,"description":{"en":"technique: tempera on wood \n dimensions: 60 x 32.5 cm. \n \n \n \n the tablet offered is strongly inspired by the famous madonna \"belverde\", preserved in the sienese church of santa maria dei servi, restored to its ancient splendor by a careful restoration carried out in 2018. \n \n \n  \n \n \n our imitator, certainly not contemporary to the original author and who worked in a later period than the master, takes more than faithfully the composition of the fifteenth-century tablet, on the one hand by visibly embellishing the motifs of the hallmarks, on the other hand by simplifying the execution of the virgin's mantle, as well as the one of the child's vest. if in the \"madonna servita\" the mantle is completely gilded on a complex motif of stars, birds and the word \"ave\", in our table it appears in a single color, thus making the famous and rare reflection of green color disappear, which probably gave the name to taddeo di bartolo's composition. similarly for the child, the ocher tunic and the richly decorated \n cloak have been replaced by a monochrome dress, here. \n \n \n  \n \n \n the dark color of the lower part is however balanced by the precious virtuosity of the punching of the haloes of the four protagonists and by the elaborate decoration of the virgin's veil, as complex as that of the sienese table. \n \n \n  \n \n \n we therefore think that the painting presented here was commissioned for a homely and private location: from the sixteenth century onwards, \n  the madonna, kept in santa maria dei servi, was the object of great devotion in what was held to be the salvific responsible for the end of the plague that struck siena in 1529. mary's intercession was sanctioned by carrying the panel in procession through the streets, increasing its popularity. it is therefore plausible that from this moment onwards, until the end of the nineteenth century, copies of the sacred image were in great demand for worship and private devotion: despite this, at the present stage of the studies no other copies of the madonna di belverde, which leads to the definition of the proposed table as a very rare example. \n \n \n  \n \n \n the pictorial surface, analyzed under wood's lamp, does not show visible repainting; the lattice of the crack has a wide groove almost in every part of the painting. some minute drops of color are visible, concentrated at the edges of the table. \n \n \n  \n \n \n for comparisons: \n \n \n  \n n. present, m. verdelli,  \n restoration report, from \"restituzioni\", 2018, file no. 24; \n \n  \n \n  l. bellosi, \n  \"the living seemed alive\": writings of the history of italian art of the thirteenth and fourteenth centuries , in \n  \n \n  «perspective», 121/124, 2006, pp . 309- 313, 308-309; \n  \n  \n  \n  \n \n  g.e. solberg,  \n  taddeo di bartolo: his life and work , phd thesis, new york \n  university, a.a. 1991, pp. 1063-1073;","it":"tecnica: tempera su tavola \n dimensioni: 60 x 32,5 cm. \n \n \n \n la tavola offerta è fortemente ispirata alla celebre madonna \"belverde\", conservata nella chiesa senese di santa maria dei servi, riportata all'antico splendore da un attento restauro eseguito nel 2018. \n \n \n  \n \n \n il nostro imitatore, sicuramente non coevo e che operò in epoca successiva rispetto al maestro, riprende in maniera più che fedele la composizione della tavola quattrocentesca, da un lato impreziosendo visibilmente i motivi della punzonatura delle aureole, dall'altro semplificando l'esecuzione del manto della vergine, così come quello della vestina del bambino. se nella \"madonna servita\" il mantello risulta completamente dorato su un complesso motivo a stelle, uccelli e la parola \"ave\", nella nostra tavola appare di un unico colore, facendo così sparire il famoso e raro riflesso di colore verde, che probabilmente diede il nome alla composizione di taddeo di bartolo. analogamente per il bambino, la tunica ocra e il manto riccamente decorati, hanno qui lasciato il posto a una vestina monocroma. \n \n \n  \n \n \n il colore scuro della parte inferiore è però bilanciato dai preziosi virtuosismi delle punzonature delle aureole dei quattro protagonisti e dall'elaborata decorazione del velo della vergine, complesso quanto quello della tavola senese. \n \n \n  \n \n \n pensiamo dunque che il dipinto qui presentato sia stato commissionato per una collocazione casalinga e privata: la madonna, conservata in santa maria dei servi, dal cinquecento in avanti fu oggetto di grande devozione in quanto ritenuta la salvifica responsabile della fine della pestilenza che colpì siena nel 1529. l\u0092intercessione di maria fu sancita portando il pannello in processione nelle strade, cosa che aumentò grandemente la sua popolarità. e' plausibile quindi che da questo momento in avanti, fino a tutto l'ottocento, copie della sacra immagine fossero molto richieste per il culto e la devozione privata: nonostante ciò, allo stato attuale degli studi non si conoscono altre copie della madonna di belverde, la qual cosa porta a definire la tavola proposta come un rarissimo esemplare. \n \n \n  \n \n \n la superficie pittorica, analizzata alla lampada di wood non presenta ridipinture visibili; il reticolo del cretto è a solco largo quasi in ogni parte del dipinto. e' visibile qualche minuta caduta di colore, concentrata ai bordi della tavola. \n \n \n  \n \n \n per i confronti: \n \n \n  \n \n \n n. presenti, m. verdelli,  \n relazione di restauro,  da \"restituzioni\", 2018, scheda n. 24; \n \n \n  \n \n  l. bellosi,  \n  \u0093i vivi parean vivi\u0094: scritti di storia dell\u0092arte italiana del duecento e del trecento , in \n  \n \n  «prospettiva», 121/124, 2006, pp. 309- 313, 308-309; \n  \n  \n  \n  \n \n  g.e. solberg,  \n  taddeo di bartolo: his life and work , tesi di dottorato, new york \n university, a.a. 1991, pp. 1063-1073;"},"lotNumber":"7","title":{"en":"madonna \"belverde\"","it":"madonna \"belverde\""},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24096/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":4600,"lastUpdate":"2026-07-19T18:45:08.676Z","textCase":"lower","currency":"EUR","id":24096},{"startPrice":1100,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24097/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24097/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24097/003/003.jpg"],"soldDate":"2021-12-03","available":false,"description":{"en":"bolognese school, first half of the 17th century \n \n \n technique: oil painting on canvas \n dimensions: 123 x 105 cm \n  \n  \n   the painting denotes strong consonances with the works of lorenzo garbieri (1580 - 1654), a bolognese pupil of the carraccesca academy and who, unlike many other artists, never left his hometown. he was always close to ludovico and, as could be deduced from this canvas (if the attribution was certain), he never abandoned the dark and gloomy colors. from the \"atrous and austere\" language, as defined by malvasia in 1678, garbieri also reveals influences borrowed from another pupil of the carraccis, sisto badalocchio (1585 - 1647), who may have inspired productions similar to the one presented here.   \n  the work is relined. slight ancient repaintings on the face of the madonna and child. light touches scattered across the surface. thin vertical scratch at the bottom right","it":"scuola bolognese, prima metà del xvii secolo \n \n \n tecnica: olio su tela \n dimensioni: 123 x 105 cm \n  \n  \n  il dipinto denota forti consonanze con le opere di lorenzo garbieri (1580 - 1654), allievo bolognese dell'accademia carraccesca e che, a differenza di molti altri artisti, non lasciò mai la città natale. fu sempre vicino a ludovico e, come si potrebbe evincere da questa tela (qualora l'attribuzione fosse certa), non abbandonò mai le tinte scure e tenebrose. dal linguaggio \"atro e austero\", come lo definisce il malvasia nel 1678, il garbieri lascia trasparire anche influenze mutuate da un altro allievo dei carracci, sisto badalocchio (1585 - 1647), che potrebbe aver ispirato produzioni simili a quella qui presentata.  \n l'opera si presenta reintelata. lievi ridipinture antiche sul volto della madonna e del bambino. leggeri ritocchi sparsi sulla superficie. sottile graffio verticale in basso a destra"},"lotNumber":"8","title":{"en":"madonna with child","it":"madonna con bambino"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24097/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1100,"soldPrice":1100,"lastUpdate":"2026-07-19T18:45:08.677Z","textCase":"lower","currency":"EUR","id":24097},{"startPrice":2200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24098/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24098/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24098/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24098/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24098/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24098/006/006.jpg"],"artist":{"en":"giulio cesare procaccini (maniera di)","it":"giulio cesare procaccini (maniera di)"},"available":false,"description":{"en":"xviii century \n \n \n technique: oil painting on canvas \n dimensions: 98 x 76 cm \n  \n  \n   the work is a replica of the homonymous painting by giulio cesare procaccini, kept in a private milanese collection, and executed, according to zeri, between 1615 and 1620. we are faced with a very faithful reprise of the subject, proposed with a different pictorial ductus: the evident highlights and the more nuanced rendering of the figures tend to direct us towards a late eighteenth-century reproduction of the painting.    \n  the work is relined and in excellent conservation conditions","it":"xviii secolo \n \n \n tecnica: olio su tela \n dimensioni: cm 98 x 76 \n  \n  \n  la pala in oggetto è una replica dell'omonimo dipinto di giulio cesare procaccini, custodito in collezione privata milanese, ed eseguito secondo zeri tra il 1615 e il 1620. siamo di fronte a una ripresa fedelissima del soggetto, riproposto però con un ductus pittorico differente: le lumeggiature evidenti e la resa più sfumata delle figure tendono a indirizzarci verso una riproduzione tardo settecentesca del dipinto.  \n l'opera viene presentata reintelata ed è in ottime condizioni conservative"},"lotNumber":"9","title":{"en":"deposition of christ from the cross","it":"deposizione di cristo dalla croce"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24098/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":2200,"lastUpdate":"2026-07-19T18:45:08.789Z","textCase":"lower","currency":"EUR","id":24098},{"startPrice":400,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24099/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24099/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24099/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24099/004/004.jpg"],"artist":{"en":"girolamo pesci (attr.) (1679 - 1759)","it":"girolamo pesci (attr.) (1679 - 1759)"},"soldDate":"2021-12-03","available":false,"description":{"en":"technique: oil painting on canvas \n dimensions: 35.5 x 28 cm. \n \n \n the work is accompanied by an expertise by dr. stefano liberati ((22-11-2013). \n the painting, relined, is retouched in various parts of the pictorial surface.","it":"tecnica: olio su tela \n dimensioni: 35,5 x 28 cm. \n \n \n l'opera è corredata da una perizia del dott. stefano liberati ((22-11-2013).  \n il dipinto, reintelato, è ritoccato in varie parti della superficie pittorica. in cornice."},"lotNumber":"10","title":{"en":"circumcision of jesus","it":"circoncisione di gesù"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24099/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":400,"soldPrice":600,"lastUpdate":"2026-07-19T18:45:08.790Z","textCase":"lower","currency":"EUR","id":24099},{"startPrice":400,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24100/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24100/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24100/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24100/004/004.jpg"],"artist":{"en":"girolamo pesci (attr.) (1679 - 1759)","it":"girolamo pesci (attr.) (1679 - 1759)"},"soldDate":"2021-12-03","available":false,"description":{"en":"technique: oil painting on canvas \n dimensions: 35.5 x 28 cm. \n \n \n the work is accompanied by an expertise by dr. stefano liberati (22-11-2010). \n the painting, relined, presents repainting on large parts of the pictorial surface. framed.","it":"tecnica: olio su tela \n dimensioni: 35,5 x 28 cm. \n \n \n l'opera è corredata da una perizia del dott. stefano liberati (22-11-2010).  \n il dipinto, reintelato, presenta ridipinture su ampie parti della superficie pittorica. in cornice."},"lotNumber":"11","title":{"en":"adoration of the shepherds","it":"adorazione dei pastori"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24100/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":400,"soldPrice":550,"lastUpdate":"2026-07-19T18:45:08.500Z","textCase":"lower","currency":"EUR","id":24100},{"startPrice":3200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24101/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24101/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24101/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24101/004/004.jpg"],"artist":{"en":"meiffren comte (1630 - 1705)","it":"meiffren comte (1630 - 1705)"},"available":false,"description":{"en":"technique: oil painting on canvas \n dimensions: 73 x 60 cm \n \n \n the work is ascribed to the hand of the flemish painter on stylistic grounds: the affinities with various works of the artist preserved in some museums or that appeared in the past years on the antiques market are undeniable. in particular, the same treatment of lights as in the \"nature morte au coffret à pin, coquillage et tapis rouge\" auctioned at christie's in 2016 can be seen, which inevitably defines the details as well as the imperfections.  \n the painting, in a 20th century frame, is in a good state of conservation, with small restorations scattered on the pictorial surface.","it":"tecnica: olio su tela \n dimensioni: 73 x 60 cm \n \n \n l'opera è ascritta alla mano del pittore fiammingo su basi stilistiche: sono innegabili le affinità con varie opere dell'artista conservate nei musei o apparse negli anni passati sul mercato antiquario. in particolar modo si ravvisa lo tesso trattamento delle luci, presente nella \"nature morte au coffret à pin, coquillage et tapis rouge\" in asta da christie's nel 2016, che definisce in maniera ineludibile i dettagli così come le imperfezioni. \n il dipinto, in cornice del xx secolo, è in buono stato conservativo, con piccoli restauri sparsi sulla superficie pittorica."},"lotNumber":"12","title":{"en":"still life with casket, frame, shell, blue carpet and pomegranate","it":"natura morta con cofanetto, cornice, conchiglia, tappeto blu e melograno"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24101/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3200,"lastUpdate":"2026-07-19T18:45:08.504Z","textCase":"lower","currency":"EUR","id":24101},{"startPrice":10500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24102/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24102/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24102/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24102/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24102/005/005.jpg"],"artist":{"en":"scuola danubiana (xvi sec.)","it":"scuola danubiana (xvi sec.)"},"available":false,"description":{"en":"technique: oil on wood \n dimensions: 75 x 57 cm. \n \n \n the work, following an ancient attribution placed on the back of the table, is ascribed to the danubian school of the first half of the 16th century. in particular, there are evident tangents with lucas cranach and his students.  \n the attribution to an artist belonging to the school of fontainebleau has recently been suggested, recognizing equally plausible stylistic affinities with the manner of luca penni.  \n the work is presented in a discreet conservative state. an analysis with wood's lamp reveals scattered repaintings on the background and on the body of venus and that of cupid.  \n the important frame, made in siena, is coeval.","it":"tecnica: olio su tavola \n dimensioni: 75 x 57 cm. \n \n \n l'opera, seguendo un'antica attribuzione posta al retro della tavola, si ascrive all'ambito della scuola danubiana della prima metà del xvi secolo. in particolar modo si notano tangenze evidenti con lucas cranach e i suoi allievi.  \n recentemente è stata suggerita l'attribuzione a un artista appartenente alla scuola di fontainebleau, ravvisando altrettanto plausibili affinità stilistiche con la maniera di luca penni. \n l'opera si presenta in stato conservativo discreto. all'analisi con la lampada di wood si notano ridipinture sparse sullo sfondo e sul corpo di venere e quello di cupido. \n l'importante cornice a cassetta, di manifattura senese, è coeva."},"lotNumber":"13","title":{"en":"venus and cupid","it":"venere e cupido"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24102/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":10500,"lastUpdate":"2026-07-19T18:45:08.511Z","textCase":"lower","currency":"EUR","id":24102},{"startPrice":1600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24103/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24103/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24103/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24103/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24103/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24103/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24103/007/007.jpg"],"artist":{"en":"andras bacsa (1870 - 1933)","it":"andras bacsa (1870 - 1933)"},"available":false,"description":{"en":"1922 \n \n \n technique: oil painting on canvas \n dimensions: 132 x 100 cm \n  \n  \n  different versions of this subject, produced several times by the hungarian painter, are known , who in this specific case signs and dates the work, also opting for a larger format than the other paintings with the same iconography.   \n  signed and dated on the lower left . inscription and labels on the back","it":"1922 \n \n \n tecnica: olio su tela \n dimensioni: cm 132 x 100 \n  \n  \n si conoscono diverse versioni di questo soggetto, prodotto più volte dal pittore ungherese, il quale in questo caso specifico firma e data l'opera optando, inoltre, per un formato di maggiori dimensioni, rispetto agli altri dipinti con la stessa iconografia.  \n firmato e datato in basso a sinistra. inscrizione e etichette al retro"},"lotNumber":"14","title":{"en":"the first couple","it":"la prima coppia"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24103/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1600,"lastUpdate":"2026-07-19T18:45:08.667Z","textCase":"lower","currency":"EUR","id":24103},{"startPrice":4200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24104/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24104/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24104/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24104/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24104/005/005.jpg"],"artist":{"en":"claude vignon (ambito di) (1593 - 1670)","it":"claude vignon (ambito di) (1593 - 1670)"},"available":false,"description":{"en":"technique: oil painting on canvas \n dimensions: 101 x 75 cm. \n \n \n the canvas, attributed to claude vignon by dr. daniele fiore in 2019, could go to reconstruct that \"triptych of the cantors\" that the master would have painted in the 1920s, composed, in addition to the painting presented here, of the canvas preserved at louvre in paris and from the canvas auctioned at sotheby's in 2008.  \n the painting in more than good conditions of conservation; it is relined and reupholstered, with traces of ancient repainting on the face and more recent restorations on the right side of the canvas. in frame.","it":"tecnica: olio su tela \n dimensioni: 101 x 75 cm. \n \n \n la tela, attribuita a claude vignon dal dottor daniele fiore nel 2019, potrebbe andare a ricomporre quel \"trittico dei cantori\" che il maestro avrebbe eseguito negli anni venti del seicento composto, oltre che dal dipinto qui presentato, dalla tela conservata al louvre di parigi e dalla tela in asta da sotheby's nel 2008. \n il dipinto in condizioni conservative più che buone; si presenta rintelato e rifoderato, con tracce di antiche ridipinture sul volto e restauri più recenti nella parte destra della tela. in cornice."},"lotNumber":"15","title":{"en":"cantor","it":"cantore"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24104/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":4200,"lastUpdate":"2026-07-19T18:45:08.669Z","textCase":"lower","currency":"EUR","id":24104},{"startPrice":1600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24105/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24105/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24105/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24105/004/004.jpg"],"artist":{"en":"gyula von benczur (1844 - 1920)","it":"gyula von benczur (1844 - 1920)"},"available":false,"description":{"en":"technique: oil painting on canvas \n dimensions: 43 x 56 cm \n \n \n \n the painting, probably an academic study, could refer to the production of the years '80 by the great hungarian painter. right from 1883 (until his death) he was professor and director of the graduate school of art in budapest, and the splendid \n  narciso, now preserved in the magyar nemzeti galéria in budapest \n , also dates back to the 1980s. we can see  \n strong similarities with this painting: the bare environment, the stone wall on which the protagonist leans and the light that places the accent on narcissus's sculptural anatomy are all elements that refer to the nude presented here. in this case, as in the budapest painting, we have a benczùr far from the rococo-style paintings, commissioned by king ludwig ii, but a painter with a more intimate character, which makes this work particularly rare and appreciable.  \n \n \n  \n    \n  \n \n  the first canvas bore an uppercase italicized g, accompanied by two other characters. \n  \n  \n  reintelated, framed.","it":"tecnica: olio su tela \n dimensioni: cm 43 x 56 \n \n \n \n il dipinto, probabilmente uno studio accademico, potrebbe rimandare alla produzione degli anni '80 del grande pittore ungherese. proprio dal 1883 (fino alla morte) fu professore e direttore della scuola magistrale d'arte a budapest, e sempre agli anni '80 è datato lo splendido \n  narciso, oggi conservato presso la  \n magyar nemzeti galéria di budapest, dipinto con il quale si notano forti analogie: l'ambiente spoglio, il muro in pietra a cui si appoggia il protagonista e la luce che pone l'accento sulla scultorea anatomia di narciso sono tutti elementi che rimandano al nudo qui presentato. abbiamo in questo caso, come nel dipinto di budapest, un benczùr lontano dai dipinti in stile rococò, commissionatigli da re ludovico ii, ma un pittore dal carattere più intimista, il che rende quest'opera particolarmente rara e apprezzabile. \n \n \n   \n \n \n la prima tela recava al retro una g in corsivo maiuscolo, accompagnata da altri due caratteri. \n   \n reintelato, in cornice."},"lotNumber":"16","title":{"en":"male nude","it":"nudo maschile"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24105/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1600,"lastUpdate":"2026-07-19T18:45:08.670Z","textCase":"lower","currency":"EUR","id":24105},{"startPrice":550,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24106/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24106/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24106/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24106/004/004.jpg"],"soldDate":"2021-12-03","available":false,"description":{"en":"russian school, late 19th century \n \n \n technique: oil painting on canvas \n dimensions: 83 x 80 cm \n  \n in frame. first canvas with patches","it":"scuola russa, fine xix secolo \n \n \n tecnica: olio su tela \n dimensioni: cm 83 x 80 \n  \n in cornice. prima tela con rattoppi"},"lotNumber":"17","title":{"en":"portrait of karl marx","it":"ritratto di karl marx"},"url":"https://it.bidspirit.com/ui/lotPage/damsaste/source/catalog/auction/19137/lot/24106/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt_RussianWorksofArt","itArt","itArt_all"],"directSalePrice":550,"soldPrice":550,"lastUpdate":"2026-07-19T18:45:08.671Z","textCase":"lower","currency":"EUR","id":24106},{"startPrice":190,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24107/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24107/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24107/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24107/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/damsaste/cloned-images/24107/005/005.jpg"],"soldDate":"2021-12-03","available":false,"description":{"en":"late 18th - early 19th century \n \n \n technique: oil painting on canvas \n dimensions: 30 x 30 cm. \n  \n face reduced in octagonal portion. reintelatura in english wax, small repainting. fall of color on the upper part of the lip. in round frame.","it":"fine xviii - inizi xix secolo \n \n \n tecnica: olio su tela \n dimensioni: 30 x 30 cm. \n  \n volto decurtato in porzione ottagonale. reintelatura in cera inglese, piccole ridipinture. caduta di colore sulla parte superiore del labbro. in cornice rotonda."},"lotNumber":"18","title":{"en":"face of a child","it":"volto di 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dimensions: 30 x 23 cm \n  \n watercolor and pastels. signed and dated lower left: goubert, 1842. the back of the plywood bears the writing in pencil: thomas bente. on the back, recent attribution & nbsp; to gustave goubert (1802-1876) and description of the painted subject. in frame.","it":"1842 \n \n \n tecnica: tecnica mista su carta applicata su compensato \n dimensioni: 30 x 23 cm \n  \n acquarello e pastelli. firmato e datato in basso a sinistra: goubert, 1842. il retro del compensato reca scritta a matita: thomas bente. al retro, attribuzione recente a gustave goubert (1802-1876) e descrizione del soggetto dipinto. in cornice."},"lotNumber":"19","title":{"en":"portrait of \"baron alphonsz de allais\"","it":"ritratto del \"barone alphonsz de 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