{"lots":[{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26532/002/002.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"w. h. auden (1907\u20131973), chester kallman (1921\u20131975) and hans werner henze (1926\u20132012) - signed programme for elegy for young lovers, glyndebourne, 1962. \n section of the cover of the programme for elegy for young lovers at the glyndebourne festival, 1962, 215 × 195 mm, signed in ink by w. h. auden, chester kallman and hans werner henze."},"estimateMax":250,"lotNumber":"1","title":{"en":"[music autographs] - w. h. auden (1907\u20131973), chester kallman (1921\u20131975) and hans werner henze (1926\u20132012) - signed programme for elegy for young lovers, glyndebourne, 1962"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26532/view","directSalePrice":10,"soldPrice":60,"lastUpdate":"2026-10-12T15:01:31.108Z","textCase":"lower","estimate":"£250","internalCatalogNumber":"26532","currency":"GBP","id":26532,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":250},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26533/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"arturo benedetti michelangeli (1920\u20131995) - autograph note signed with musical quotation, [c. 1964\u201366]. \n small card, 95 × 195 mm, inscribed and signed in ink to adriana panni: \n \u201cconfermando quanto sopra, mettendomi tutte | e due le mani sulla coscienza, dichiaro che: | il mio onorario minimo è di lire 1.000.000. | (un milione) complessivamente. riverisco. | arturo benedetti michelangeli | [pentagramma manoscritto con musica notata].\u201d \n (\u201cconfirming the above, and placing both hands on my conscience, i declare that my minimum fee is lire 1,000,000 (one million) in total. respectfully, arturo benedetti michelangeli.\u201d) \n with an autograph musical quotation on a hand-drawn stave. in pencil, in adriana panni\u2019s hand: \u201carturo benedetti michelangeli\u201d."},"estimateMax":700,"lotNumber":"2","title":{"en":"[music autographs] - arturo benedetti michelangeli (1920\u20131995) - autograph note signed with musical quotation"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26533/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":220,"lastUpdate":"2026-10-12T15:02:30.973Z","textCase":"lower","estimate":"£700","internalCatalogNumber":"26533","currency":"GBP","id":26533,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":700},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26534/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"alban berg (1885\u20131935) - autograph musical fragment, probably preparatory material for wozzeck. [vienna?], 30 january [before 1922?]. \n autograph musical fragment with both textual and musical variants from the definitive score. \n the fragment can be related with considerable probability to the scene between the doctor and the captain in act ii, scene 2 of wozzeck (bars 244\u2013247). berg composed the opera between 1914 and 1922, setting his own libretto drawn from georg büchner\u2019s unfinished drama woyzeck. \n several material, graphic and textual features suggest that the present fragment should be understood not as an autograph quotation written as a dedication or souvenir, but rather as a working note belonging to a preparatory stage in the composition. both the musical notation and the accompanying words are rapidly written, while the bass clef appears to have been left implicit. nor does the sheet bear the features normally associated with a presentation quotation: there is no splace or complete date, only the abbreviated notation \u201c30/i\u201d, perhaps indicating 30 january. \n of particular interest is the text accompanying the melodic line. although the handwriting is difficult to decipher, it appears to read: \u201cso machen wir unsterbliche experimente\u201d (\u201cso we shall conduct immortal experiments\u201d). this wording is closer to büchner\u2019s woyzeck, the source from which berg himself fashioned his libretto, whereas in the definitive version of wozzeck the passage reads \u201cso machen wir die unsterblichsten experimente\u201d (\u201cso we shall conduct the most immortal experiments\u201d). the fragment\u2019s greater proximity to büchner\u2019s text lends further support to its identification as preparatory material. \n the musical notation likewise differs in a small but significant respect from the definitive score. the opening d natural is here written as a quaver, whereas in the final version of wozzeck it appears as a semiquaver. considered alongside the textual variant, the rapid ductus and the economical notation, this rhythmic discrepancy is consistent with a working document predating the final form of the passage. written in pencil on a folded and mounted sheet, 80 × 155 mm. donated by berg\u2019s widow after 1954. \n \n this fragment offers a compelling glimpse of wozzeck in the process of composition, preserving a stage at which berg\u2019s setting remained closer to büchner\u2019s original wording and a detail of the melodic line had yet to assume its definitive rhythmic form."},"estimateMax":4500,"lotNumber":"3","title":{"en":"[music autographs] - alban berg (1885\u20131935) - autograph musical fragment"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26534/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":1800,"lastUpdate":"2026-10-12T15:04:25.721Z","textCase":"lower","estimate":"£4,500","internalCatalogNumber":"26534","currency":"GBP","id":26534,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":4500},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26535/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"count basie (1904\u20131984) - large black-and-white publicity portrait of the american jazz pianist, bandleader and composer count basie, inscribed in blue ink in the upper left: \u201cto hope / from / count basie\u201d and signed \u201ccount basie\u201d. \n the photograph bears basie\u2019s printed name at the lower left and the details of his management, willard alexander, inc., at the lower right. \n together with an autograph note signed, addressed to roland and written in blue ink on a sheet headed with a stylised clock-face design incorporating the words \u201ccount basie\u201d. basie writes: \n \u201cto roland?all the best for you?and always \u2013?count basie\u201d \n and signs with his characteristic signature. \n an attractive pair of signed pieces relating to one of the towering figures of twentieth-century jazz, especially in the swing era. the combination of a substantial inscribed publicity portrait and a separately signed personal note makes this an appealing combination of jazz and twentieth-century music memorabilia. \n two items: one inscribed and signed photograph and one autograph note signed."},"estimateMax":200,"lotNumber":"4","title":{"en":"[music autographs] - count basie (1904\u20131984) - inscribed and signed photograph and autograph note signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26535/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":150,"lastUpdate":"2026-10-12T15:05:30.855Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26535","currency":"GBP","id":26535,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26536/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26536/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26536/003/003.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"hector berlioz (1803\u20131869) - important autograph letter signed, concerning the paris opéra, roméo et juliette and his search for a new symphonic idea, 9 january 1840 \n autograph letter signed, in french, dated 9 january 1840, four pages closely written in berlioz\u2019s hand and signed on the fourth page. an exceptionally substantial letter concerning berlioz\u2019s relations with the paris musical establishment, his compositional projects, roméo et juliette, the paris opéra, eugène scribe, the journal des débats, and his search for a new large-scale symphonic conception. \n writing only weeks after the first performances of his dramatic symphony roméo et juliette, berlioz gives a remarkably candid account of his professional and creative circumstances. \n he first discusses the recent death of drapier, associated with halévy and scribe, observing with characteristic irony that although the man has died at the opéra, there appears to be every intention of keeping his \u201ccorpse\u201d there for as long as possible. \n berlioz then turns to prospective engagements, mentioning the possibility of travelling to brunswick for a festival, provided that the proposals made to him prove acceptable. \n the most substantial portion of the letter concerns his deteriorating relationship with the paris opéra. berlioz states unequivocally: \u201cj\u2019ai rompu avec l\u2019opéra\u2026\u201d \n the management, he explains, wished him to compose a score \u201cen trois actes\u201d, a proposal he was unwilling to accept. he had been given a libretto by the celebrated dramatist and librettist eugène scribe and had initially been tempted by it; almost immediately, however, he suspected that the proposal might be a manoeuvre intended to embroil him with scribe, and returned the manuscript without reading it. \n his exasperation with the institution is condensed into a memorable observation: \u201cl\u2019opéra est devenu une école de diplomatie.\u201d \n berlioz further reveals that he had another idea which the management would not accept, attributing their reluctance to what he describes as their extraordinary fear of the journal des débats, the influential newspaper for which he himself served as music critic. \n other lyric theatres, he continues, have approached him about writing new works, but he remains uncertain and suspicious: \u201cje ne sais encore que résoudre. toujours de la ruse, toujours des intérêts à débrouiller\u2026\u201d \n the letter then reaches a passage of particular importance for berlioz\u2019s creative biography. reflecting on what might follow roméo et juliette, he writes: \u201cje cherche une nouvelle idée de grande symphonie, mais c\u2019est bien difficile à trouver. ça viendra quand je n\u2019y songerai plus, comme roméo et juliette.\u201d \n the date makes the statement especially significant. roméo et juliette had received its first performances in paris only weeks earlier, in november and december 1839. the letter thus captures berlioz at the moment when, having only just brought one of his most ambitious works before the public, he was already searching for the conception of another \u201cgrande symphonie\u201d. his remark that the idea would come when he ceased looking for it, \u201ccomme roméo et juliette\u201d, also provides a revealing first-hand reflection on his own creative process. \n this search for a new symphonic idea is immediately juxtaposed with the practical realities of a professional composer\u2019s life: berlioz remarks that he must write operas in order to earn money, despite the frustrations of dealing with theatrical management described earlier in the letter. \n the letter also contains an anecdotal passage concerning schlesinger, a musical score and a young musician from the conservatoire, before turning to personal matters and family news. \n throughout the four pages the manuscript contains cancellations, substitutions, corrections and interlinear additions, resembling the immediacy of berlioz\u2019s composition and offering a vivid impression of his highly personal epistolary style. \n a highly significant berlioz letter of substantial musical content, written at a pivotal moment immediately following the first performances of roméo et juliette. particularly notable are berlioz\u2019s first-hand comments on his break with the paris opéra, the proposed three-act work and scribe libretto, his relationship with the journal des débats and, above all, his explicit statement that he was searching for \u201cune nouvelle idée de grande symphonie\u201d. the combination of extensive autograph text and substantial compositional content places the letter well above the level of routine berlioz correspondence. \n provenance: accompanied by the catalogue description of an earlier italian antiquarian or collector, identifying the document and reproducing and commenting upon substantial passages from the letter; further provenance not presently established. \n one item: autograph letter signed, four pages, 9 january 1840, with autograph cancellations, corrections and revisions."},"estimateMax":1500,"lotNumber":"5","title":{"en":"[music autographs] - hector berlioz (1803\u20131869) - important autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26536/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":1000,"lastUpdate":"2026-10-12T15:06:58.847Z","textCase":"lower","estimate":"£1,500","internalCatalogNumber":"26536","currency":"GBP","id":26536,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":1500},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26537/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26537/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26537/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26537/004/004.jpg"],"available":false,"description":{"en":"eugene berman (1899\u20131972) - autograph letter signed to adriana panni, rome, 13 september 1971. \n autograph letter in ink on pineider watermarked paper, 270 × 215 mm, one leaf written on recto and verso, with original stamped and postmarked envelope, 115 × 160 mm. \n a warm and friendly letter from the russian painter and stage designer, discussing his plans for the 1972 season with the russian-american choreographer george balanchine (1904\u20131983), including proposed productions of pulcinella, danses concertantes and renard: \n \u201csono ancora a roma \u2026 dunque non ci vedremo a venezia. balanchine è stato qui 3 giorni e abbiam ochiarito alcune cose. faremo \u201cpulcinella\u201d in maggio-giugno 1972 a new york e, possibilmente, ripreneremo dames concertantes, nella versione che ne feci con lui per i balletti di monte carlo (ma in america) nel 1944, ma bisognerà rifare tutto da capo su disegni originali o fotografie, se non possiamo riavere i disegni ?! per \u201crenard\u201d, la questione rimane aperta anche se possiamo utilizzare le scene e costumi della filarmon. romana, che lei aveva così gentilmente offerta [sic]! ho chiesto alla sua secretaria di prestarmi le foto a colori e le manderò a balanchine con richiesta di mandarli poi indietro! penso che il programma del festival strasvinsky [sic] è già abastanza [sic] denso e ho l\u2019impressione che in questo momento \u201crenard\u201d interessa a balanchine meno dei [sic] altri balletti. ma questa non è una decisione definitiva. balanchine sarà probabilmente di nuovo a roma a dicembre per sistemare un lavoro più spinto per \u201cpulcinella\u201d. ecco tutte le novità \u2026\u201d \n (\u201ci am still in rome \u2026 so we shall not see each other in venice. balanchine was here for three days and we clarified a few things. we shall do pulcinella in may\u2013june 1972 in new york and, if possible, revive danses concertantes, in the version i did with him for the ballets de monte-carlo (though in america) in 1944; but everything will have to be reconstructed from scratch from the original designs or photographs, if we cannot get the designs back?! \n as for renard, the question remains open, even though we can use the sets and costumes from the filarmonica romana, which you had so kindly offered! i have asked your secretary to lend me the colour photographs and i shall send them to balanchine, asking him to send them back afterwards! \n i think the programme for the stravinsky festival is already quite full, and i have the impression that at present renard interests balanchine less than the other ballets. but this is not a final decision. balanchine will probably be back in rome in december to undertake more intensive work on pulcinella. that is all the news \u2026\u201d)"},"estimateMax":200,"lotNumber":"6","title":{"en":"[music autographs] - eugene berman (1899\u20131972) - autograph letter signed to adriana panni"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26537/view","tags":["ukCollectibles_BooksMagazinesPaper","usmemorabilia_entertainment","ukCollectibles","usmemorabilia","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.686Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26537","currency":"GBP","id":26537,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26538/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"giovanni bottesini (1821\u20131889) - bottesini\u2019s autograph musical fragment \n autograph musical manuscript in the hand of giovanni bottesini, in dark brown ink on nineteenth-century music paper with printed staves, comprising a working draft or study for a vocal trio with instrumental accompaniment. the rapidly and fluently written score preserves the interweaving of three distinct solo vocal lines. with extensive later pencil annotations of an archival and analytical nature in the margins and between the staves. \n an interesting working manuscript by bottesini, preserving a draft of a concerted dramatic scene for three voices and offering direct evidence of the compositional process of one of the leading italian composer-performers of the nineteenth century. \n the principal portion of the manuscript presents three independent vocal parts conceived in close concerted interplay. among the words legible in the sung text are the dramatically charged phrases: \n \u201cah sì la madre sventurata, ah sì ciascuno e al perfido cor\u2026\u201d \n the text and musical construction place the fragment firmly within the expressive language of nineteenth-century italian melodrama, revealing bottesini working through the relationship between individual vocal lines within an ensemble rather than writing a finished presentation copy. \n of particular interest are the later pencil annotations, which appear to represent an attempt to identify and study the fragment. at the foot of the manuscript the three characters are identified as \u201cla madre\u201d, \u201camelia\u201d and \u201cedmondo\u201d. \n further annotations along the upper margin record bottesini\u2019s name and dates together with those of several celebrated nineteenth-century singers associated with performances of his music. these include the baritone camillo everardi, accompanied by the date 1861, the tenor francesco tamagno, and the bass francesco navarrini."},"estimateMax":500,"lotNumber":"7","title":{"en":"[music autographs] - giovanni bottesini (1821\u20131889) - autograph musical fragment"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26538/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":1200,"lastUpdate":"2026-10-12T15:11:59.851Z","textCase":"lower","estimate":"£500","internalCatalogNumber":"26538","currency":"GBP","id":26538,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":500},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26539/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26539/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26539/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26539/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26539/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26539/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26539/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26539/008/008.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - important archive of 24 autograph letters signed, 4 illustrated autograph postcards signed with portrait, and 2 autograph postcards signed, to edith andreae, sister of walther rathenau. berlin, bottmingen, hamburg, london, new york, warsaw and zurich, 1910\u20131924. \n 24 autograph letters signed, 4 illustrated autograph postcards signed with portrait, and 2 autograph postcards signed, addressed to edith andreae (1883\u20131952). berlin, bottmingen, hamburg, london, new york, warsaw and zurich, 1910\u20131924. 69 manuscript pages, ranging in size from large quarto to octavo, in addition to the postcards. four letters on headed paper. \n an important and revealing series of letters spanning fourteen years of busoni\u2019s life and addressed to edith andreae, sister of the german industrialist, statesman and intellectual walther rathenau. nearly twenty years busoni\u2019s junior and, like him, married, andreae remained bound to the composer until his death by a close and deeply confidential friendship. \n the correspondence follows busoni through three distinct phases of his life and career: the intense concert activity of the years immediately preceding the first world war; his wartime years in zurich; and his final return to berlin, where he once again taught his advanced composition class at the academy of arts. personal confidences and reflections on friendship, mortality and contemporary events sit alongside important references to his compositions and artistic projects, making the letters an unusually extensive record of both his private and creative lives. \n berlin, 3 january 1915. \u201c... in the last few days i have also succeeded, to my very great satisfaction, in bringing to completion a drama intended for music\u201d \u2014 probably his opera doktor faust \u2014 \u201cthe beginnings of which were known to you. / this is a personal confidence, which should show you how much more i trust you than others ...\u201d \n new york, 23 june 1915. \u201c... i am now seriously considering the plan of reaching switzerland by way of italy. i would give a hundred united states for an old corner of europe. / if this comes about, i shall bring several things with me ... a rondo arlecchinesco for orchestra and an extensive work on the well-tempered clavier, as well as various smaller compositions ... if the humour in the rondo truly succeeds in making itself felt, its effect ought to be heartbreaking ...\u201d \n zurich, 31 december 1915. \u201c... meanwhile my \u2018working year\u2019 has also come to an end, and only yesterday i wrote the final note of an orchestral piece\u201d \u2014 the rondo arlecchinesco, op. 46, for tenor and orchestra \u2014 \u201cwhich still belongs to 1915. / at the same time, work has progressed on the composition of a one-act piece\u201d \u2014 probably arlecchino oder die fenster \u2014 \u201cin conceiving this work i had reinhardt in mind. it calls for a spoken role and exuberant stage direction ...\u201d the work received its first performance, directed by hans rogorsch, at the stadttheater zurich in 1917. \n zurich, 6 december 1918. \u201c... as for myself, i have always tried gradually to move towards inward contemplation; i have practised it consistently and even preached it, without for that reason renouncing life before life itself is extinguished. \u2018how much longer we have to live\u2019 is something we do not know at any moment of our existence ... / i doubt that the world can change; the individual who has set out upon an honourable path must continue along it calmly and with head held high ...\u201d \n berlin, 13 june 1921. \u201c... i feel clearly that the thread connecting us has not yet reached its end; i count on, and hope, that we shall be able to continue spinning it together. have patience and forbearance. i am in good condition and more receptive than usual: less impetuous, but for that very reason more deeply \u2014 and often painfully \u2014 sensitive ...\u201d \n berlin, 24 june 1922. writing on the very day of walther rathenau\u2019s assassination, busoni offers andreae his sympathy on the murder of her brother: \u201c... there can be only a few senseless people who do not inwardly mourn the tragic fate of your brother and condemn without reservation the deed that was committed ...\u201d rathenau, then german foreign minister, had been assassinated earlier that day by members of the far-right organisation consul. \n berlin, 26 april 1924. \u201c... the last thing i saw in berlin was the temple of art built by the local and contemporary palladio, on bülowplatz. they were staging there a mock fairground scene, with music by stravinsky: very successful and stimulating, a little gesamtkunstwerk ... / how kind of you to knock once again at my door. better days alternate with less good ones: on one of the former i should certainly wish with all my heart to have you here, though i am always afraid that you might not happen to come at the favourable moment ...\u201d \n busoni died in berlin only three months later, on 27 july 1924, aged fifty-eight. \n taken together, the letters document an enduring relationship of unusual intimacy. andreae emerges as a trusted recipient of busoni\u2019s confidences on his compositions, travels and personal circumstances, as well as his reflections on friendship, artistic creation and the upheavals of the first world war and its aftermath. particularly significant are the letters from 1915\u201318, which follow busoni\u2019s creative activity during his years of displacement and swiss exile, and the moving letter of 24 june 1922, written to the sister of walther rathenau on the day of his assassination. \n all the letters, with the exception of the postcards, were published in briefe busonis an edith andreae, issued by kommissionsverlag hug & co. in the neujahrsblatt der allgemeinen musikgesellschaft zürich, 1976. a copy of the volume is included with this unique archive. \n condition: occasional minor marginal tears; most letters with traces of paperclips. overall well preserved."},"estimateMax":12000,"lotNumber":"8","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - important archive of 24 autograph letters signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26539/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":7000,"lastUpdate":"2026-10-12T15:12:49.853Z","textCase":"lower","estimate":"£12,000","internalCatalogNumber":"26539","currency":"GBP","id":26539,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":12000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26540/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26540/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26540/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26540/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26540/005/005.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - important group of three autograph communications signed to carlo felice boghen, including a musical quotation, 1917\u20131924 \n autograph letter signed \u201cf. busoni\u201d and two autograph postcards signed \u201cf. busoni\u201d, in italian, addressed to the pianist, composer and pedagogue carlo felice boghen (1869\u20131945). bologna and berlin, 14 june 1917\u20131924. three items, comprising five written pages; the principal letter with an autograph musical example. \n a significant group of correspondence documenting the musical and personal relationship between busoni and the florentine pianist and composer carlo felice boghen, to whom busoni would later dedicate the third of his drei albumblätter, bv 289. \n the principal item is a substantial autograph letter dated bologna, 14 june 1917, opening \u201ccarissimo maestro\u201d. busoni warmly thanks boghen for his kind words and for sending him compositions which, he writes, reveal the \u201cexcellent musician\u201d in their author. responding to boghen\u2019s request, busoni sends him two subjects for a fugue, adding that he would be honoured to see his own name placed at the head of the completed work: \u201ccon tanto più piacere soddisfaccio al suo desiderio, inviandole due temi di fuga; e mi terrò onorato di leggere il mio nome alla testa del lavoro compiuto.\u201d (\u201cit is therefore with all the greater pleasure that i fulfil your request by sending you two fugue subjects; and i shall feel honoured to see my name at the head of the completed work.\u201d) \n busoni then discusses the contrapuntal possibilities of the first subject, explaining that it contains a \u201csmall problem\u201d: the superimposition of three chromatic counterpoints in different note-values. he describes the second subject as likewise chromatic, but simpler, and writes it out directly in the letter as an autograph musical example: \u201cil secondo tema, cromatico pur esso stesso, è più semplice ed eccolo: [musical notation]. scelga lei.\u201d (\u201cthe second subject, itself chromatic as well, is simpler, and here it is: [musical notation]. the choice is yours.\u201d) \n the letter closes with cordial greetings and a renewed expression of esteem, followed by busoni\u2019s characteristic signature. \n the two accompanying postcards further document the continuing relationship between busoni and boghen. both are written and signed by busoni and addressed to boghen in florence, one at piazza del duomo 1, and concern musical and professional matters, including performances, travel and busoni\u2019s movements between italy and berlin. \n in the first, dated 22 march 1921, busoni discusses a planned concert in florence and expresses concern that the arrangements may not materialise. circumstances have brought him to bologna earlier than expected, he explains, preventing him from travelling to florence. \n the later postcard, sent from berlin in 1924 and warmly addressed \u201ccaro boghen\u201d, praises a work sent by his correspondent as \u201cbello, bellissimo e ottimamente concepito\u201d (\u201cbeautiful, extremely beautiful and excellently conceived\u201d). although unable to satisfy boghen\u2019s wishes because of existing commitments and impending travel, busoni adds that he will read the music with pleasure and interest and closes affectionately. \n the correspondence is particularly significant in the light of busoni\u2019s documented affection for boghen. their relationship was not merely epistolary: in 1921 busoni dedicated to him the third piece, \u201cdrittes blatt \u2013 sostenuto religioso\u201d, of his drei albumblätter, bv 289, subsequently published by breitkopf & härtel. the present group thus documents a sustained musical exchange between the two men, from busoni\u2019s sharing of contrapuntal ideas in 1917 to their continuing correspondence during the final years of his life. \n a particularly attractive group of busoni correspondence, distinguished by an autograph musical quotation and by its direct documentation of the exchange of musical ideas with carlo felice boghen, later the dedicatee of busoni\u2019s third albumblatt, bv 289. \n provenance / literature: the group corresponds in content and description to the busoni\u2013boghen correspondence formerly offered by j. a. stargardt / kotte autographs, described as an autograph letter signed and two autograph postcards signed to carlo felice boghen, including the letter of 14 june 1917 in which busoni sends two fugue subjects and discusses the superimposition of three chromatic counterpoints. \n further correspondence between boghen and busoni is preserved in the ferruccio busoni nachlass at the staatsbibliothek zu berlin, while the centro studi musicali ferruccio busoni, empoli, preserves an important boghen archive containing a substantial body of busoni\u2019s letters to him. \n condition: the autograph letter, on ruled paper, with original horizontal and vertical folds, some age-toning and marginal wear, with losses and irregularities principally at the lower and left edges; writing, signature and musical notation clear and unaffected. the postcards with expected age-toning, handling and postal wear; stamps, cancellations and manuscript addresses preserved. overall a well-preserved group of correspondence of considerable musical interest. \n three items: one autograph letter signed with autograph musical quotation and two autograph postcards signed, bologna and berlin, 1917\u20131924."},"estimateMax":800,"lotNumber":"9","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - important group of three autograph"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26540/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":360,"lastUpdate":"2026-10-12T15:13:33.858Z","textCase":"lower","estimate":"£800","internalCatalogNumber":"26540","currency":"GBP","id":26540,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":800},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26541/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26541/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26541/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26541/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26541/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26541/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26541/007/007.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - \u201ci have great hopes for this summer, for my work and for becoming myself again\u201d \n an unusually personal autograph letter signed to dorothy rich, describing illness, bereavement and exhaustion during his american concert tour, cincinnati, 31 march 1911 \n autograph letter signed \u201cvôtre ferruccio busoni\u201d, in french, to dorothy rich. cincinnati, 31 march 1911. five pages on five leaves, small quarto, written in dark ink on stationery of the hotel sinton, cincinnati, together with the original illustrated hotel sinton envelope, addressed in another hand to \u201cmiss dorothy rich, 255 west, 91st street, new york\u201d, postmarked cincinnati, 31 march 1911. \n a remarkably candid letter from busoni at a moment of considerable physical and emotional strain during his american concert tour, in which he writes openly of bereavement, illness and exhaustion, and of his hope that the coming summer will allow him to return to his work and \u201cbecome myself again\u201d. \n addressing his correspondent affectionately as \u201cchère dorothy\u201d, busoni begins by thanking her for her \u201cexquisite\u201d letter and the beautiful things she has once again written to him. he has, however, detected a note of suffering beneath her charming youth and asks what could possibly be troubling her. \n busoni then turns to his own condition in an unusually confessional passage. he tells rich that he has recently endured severe physical and emotional suffering, compounded by exhaustion that has left him less able to withstand these blows: \n \u201cj\u2019ai passé dernièrement par des souffrances physiques et morales assez rudes et grandes fatigues m\u2019ont rendu moins résistant contre ces assauts.\u201d \n (\u201ci have recently been through some fairly severe physical and emotional suffering, and great fatigue has left me less able to withstand these blows.\u201d) \n he first mentions the unexpected and distressing death of his dear philippe, which had deprived him of all joy. he then reveals that he himself has twice fallen ill but, despite his condition, has been obliged to continue fulfilling his professional commitments, travelling and giving concerts. \n having just returned from portland after several days of travel, busoni reports that he is now feeling better. yet the demands of his career remain relentless: approximately ten further weeks of travelling still lie ahead of him, much of it spent \u201csur le chemin de fer\u201d (\u201con the railway\u201d). \n the letter becomes particularly revealing when busoni reflects on the effect of these experiences upon his sense of himself. he places considerable hope in the coming summer, both for his work and for a recovery of his former self: \u201cj\u2019espère beaucoup de cet été pour mes travaux et pour redevenir moi-même; j\u2019en ai perdu un peu la trace et je n\u2019ai été pas heureux.\u201d (\u201ci have great hopes for this summer, for my work and for becoming myself again; i have rather lost track of myself and i have not been happy.\u201d) \n the passage gives unusual insight into busoni\u2019s state of mind during the exhausting life of an international virtuoso. behind the public career of constant travel and performance emerges a more vulnerable figure, conscious of having temporarily lost his sense of himself and looking towards a period of creative work and relative stability. \n the opening and closing of the letter reveal the warmth of busoni\u2019s relationship with dorothy rich. his concern for her state of mind is matched by his willingness to confide his own grief, illness and unhappiness. he concludes affectionately: \u201cmerci et bons saluts.?je vous embrasse, vôtre ferruccio busoni.\u201d (\u201cthank you and warm greetings. i embrace you. yours, ferruccio busoni.\u201d) \n dorothy rich and the busoni correspondence \n the identification of the recipient as dorothy rich is confirmed by the original envelope and by independent archival evidence. a further autograph letter from busoni to dorothy rich, dated 14 april 1911, only two weeks after the present letter, is preserved in the ferruccio busoni nachlass at the staatsbibliothek zu berlin (mus.nachl. f. busoni b ii, 5835). \n the survival of this further substantial letter shows that the present communication formed part of an established correspondence rather than an isolated social note. the unusually personal nature of busoni\u2019s language makes it a particularly revealing document of their relationship. \n provenance / literature: the present letter is identifiable with the autograph formerly described by kotte autographs, catalogue lot 556, as an autograph letter signed, cincinnati, 31 march 1911, five pages on five leaves, small quarto, to dorothy rich in new york. \n a further letter from busoni to dorothy rich, dated 14 april 1911, is preserved in the staatsbibliothek zu berlin, musikabteilung, ferruccio busoni nachlass, mus.nachl. f. busoni b ii, 5835. \n two items: autograph letter signed, five pages, cincinnati, 31 march 1911; original hotel sinton envelope."},"estimateMax":600,"lotNumber":"10","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - an unusually personal autograph letter"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26541/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.692Z","textCase":"lower","estimate":"£600","internalCatalogNumber":"26541","currency":"GBP","id":26541,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":600},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26542/001/001.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - autograph letter signed, thanking an unknown admirer for his warm and impartial appreciation, berlin, january 1896 \n autograph letter signed \u201cferruccio b. busoni\u201d, in german, to an unidentified correspondent. berlin, 3 or 31 january 1896. one page on a bifolium, octavo, written in dark ink. \n a gracious early letter from the thirty-year-old busoni, thanking an unknown admirer for an unsolicited expression of appreciation and observing that such praise carries particular weight when it comes from someone personally unknown to him and therefore impartial. \n busoni writes: \u201chochverehrter herr. ich danke ihnen sehr herzlich für die warmen anerkennungsworte, die sie an mich zu richten die freundlichkeit hatten. sie haben einen um so höheren werth, weil sie von einem persönlich unbekannten kommen, also von einem unparteiischen.\u201d (\u201chighly esteemed sir, i thank you most sincerely for the warm words of appreciation which you had the kindness to address to me. they have all the greater value because they come from someone personally unknown to me, and therefore from someone impartial.\u201d) \n he closes by expressing his pleasure at the correspondent\u2019s letter and offering his thanks and regards, signing boldly at the foot \u201cferruccio b. busoni\u201d. \n by 1896 busoni had already established himself as an international concert pianist and had settled in berlin, which would become the principal centre of his mature artistic life. the letter offers an appealing glimpse of his response to his growing reputation: busoni explicitly values his correspondent\u2019s praise precisely because it comes from a stranger and therefore carries the weight of impartial judgement. \n provenance / literature: the present manuscript corresponds to the busoni autograph previously catalogued by kotte autographs as a letter from berlin, january 1896, thanking an unidentified correspondent for his words of appreciation. \n one item: autograph letter signed, one page on a bifolium, berlin, 3 or 31 january 1896."},"estimateMax":200,"lotNumber":"11","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26542/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.696Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26542","currency":"GBP","id":26542,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26543/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26543/002/002.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - \u201ci regret having to acknowledge that the young man is a liar\u201d \n important autograph letter signed to isidore philipp, with an autograph musical quotation and a forceful accusation of plagiarism and incompetence, paris, 14 october 1923 \n autograph letter signed \u201cbusoni\u201d, in french, to the french pianist and pedagogue isidore philipp (1863\u20131958). paris, 14 october 1923. one page, large quarto, written in pencil and containing an autograph musical quotation of three bars. \n a striking late letter from busoni to his friend and fellow pianist isidore philipp, concerning the a-minor concerto associated with vivaldi and bach and containing an unusually severe denunciation of a young musician whom busoni explicitly calls a liar. \n busoni begins warmly: \u201ccher ami, grand merci du beau et important cadeau de ce dimanche.\u201d (\u201cdear friend, many thanks for the beautiful and important gift this sunday.\u201d) \n he then reports having played the \u201cconcerto de vivaldi-bach-philipp \u2026 reuchsel\u201d, adding self-deprecatingly that he had played it \u201csi bien que mal; mais plutôt mal\u201d (\u201cas best i could, though rather badly\u201d). \n his tone changes abruptly when he turns to the young musician in question: \u201cje regrette de devoir reconnaître, que le jeune homme est un menteur.\u201d (\u201ci regret having to acknowledge that the young man is a liar.\u201d) \n busoni explains that when the young man had mentioned a concerto in a minor, he asked whether it was the concerto containing a particular \u201cbeautiful melody\u201d. at this point busoni writes out the melody directly in the letter in a three-bar autograph musical quotation. \n the young man denied that this was the work in question. for busoni, the answer demonstrated that he did not properly know the concerto: \u201cce qui prouve qu\u2019il n\u2019a jamais parcouru le iii mouvement du concerto, et il s\u2019est borné à la connaissance du premier.\u201d (\u201cwhich proves that he has never gone through the third movement of the concerto and has confined himself to knowing the first.\u201d) \n the accusation then becomes more serious. the young man had claimed, busoni writes, that the transcription was his own. having now examined philipp\u2019s version, busoni finds that not a single note has been changed: \u201censuite il proclama, que la transcription était la sienne. aujourd\u2019hui j\u2019ai pu verifier qu\u2019il n\u2019a pas altéré une note de votre version! c\u2019est triste.\u201d (\u201cthen he declared that the transcription was his own. today i have been able to verify that he has not altered a single note of your version! it is sad.\u201d) \n he closes by thanking philipp once again and signs warmly: \u201cvotre affectueusement dévoué, busoni.\u201d (\u201cyours affectionately and devotedly, busoni.\u201d) \n busoni and isidore philipp \n isidore philipp (1863\u20131958), the distinguished french pianist, composer and pedagogue, maintained a long-standing friendship and correspondence with busoni. their surviving letters constitute an important source for busoni\u2019s musical and professional life. \n the present letter is particularly attractive for combining their personal correspondence with a concrete discussion of performance, transcription and musical authorship. busoni\u2019s autograph quotation of the melody functions as evidence within his argument: the musical notation is not merely illustrative, but integral to his demonstration that the young musician neither properly knew the concerto nor had produced the transcription he claimed as his own. \n provenance: l. rodoni collection, biasca, recorded as the location of the autograph in the published busoni\u2013philipp correspondence; subsequently offered by kotte autographs as part of a group of three autograph letters signed by busoni to isidore philipp, dating from 1916 to 1923. \n a particularly vivid document of busoni\u2019s uncompromising views on musical authorship: an autograph letter in which musical notation itself becomes part of the evidence in his exposure of what he regarded as a false claim to another musician\u2019s transcription. \n one item: autograph letter signed, one page, with three-bar autograph musical quotation, paris, 14 october 1923."},"estimateMax":300,"lotNumber":"12","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - important autograph letter signed to isidore philipp"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26543/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":220,"lastUpdate":"2026-10-12T15:17:37.853Z","textCase":"lower","estimate":"£300","internalCatalogNumber":"26543","currency":"GBP","id":26543,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":300},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26544/001/001.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - autograph letter signed to isidore philipp, concerning saint-saëns\u2019s fifth piano concerto and the exchange of orchestral performance material. 18 january 1922. \n autograph letter signed \u201cf. busoni\u201d, to the french pianist and pedagogue isidore philipp (1863\u20131958), in french. 18 january 1922. one page, large 4to, on squared paper, written in dark ink. \n an attractive professional letter between two eminent pianist-composers, concerning camille saint-saëns\u2019s fifth piano concerto and the circulation of busoni\u2019s own orchestral material. \n addressing philipp as \u201ccher ami\u201d, busoni explains that he is reorganising his library and can no longer find the music for saint-saëns\u2019s fifth concerto: \n \u201cje transforme ma bibliothèque et ne trouve plus le 5me de s. saëns; donc je vous prierais de me faire envoyer la partie de piano à londres (mais sûrement!! et bientôt!).\u201d (\u201ci am reorganising my library and can no longer find saint-saëns\u2019s fifth; i would therefore ask you to have the piano part sent to me in london (but definitely!! and soon!).\u201d) \n the reference is to saint-saëns\u2019s piano concerto no. 5 in f major, op. 103, the celebrated \u201cegyptian\u201d concerto. \n busoni immediately reciprocates by arranging for his own orchestral material to be sent to philipp: \u201cje fais envoyer à vous (aujourd\u2019hui même) tout le matériel de mes choses d\u2019orchestre\u2026\u201d (\u201ci am having all the material for my orchestral works sent to you this very day\u2026\u201d) \n the letter opens a window onto the practical exchanges underlying the international concert world of the period, with scores and orchestral parts circulating directly between two of its leading pianist-composers. \n busoni concludes emphatically and affectionately: \u201cmerci 20000 fois! votre très dévoué f. busoni.\u201d \n busoni and isidore philipp \n isidore philipp (1863\u20131958) was a leading representative of the french piano school, a distinguished pianist and composer, and a long-serving professor at the paris conservatoire. he and busoni maintained a substantial correspondence over many years, discussing performers, compositions, concert engagements, and practical musical matters. \n the present letter is particularly appealing for bringing together saint-saëns and busoni\u2019s own music within a single exchange, while documenting the direct circulation of performance material among prominent musicians in the early twentieth century. \n provenance: formerly offered by kotte autographs as part of a group of three autograph letters signed by ferruccio busoni to isidore philipp, dating from 1916 to 1923."},"estimateMax":400,"lotNumber":"13","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - autograph letter signed to isidore philipp"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26544/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.698Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26544","currency":"GBP","id":26544,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":400},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26545/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26545/002/002.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - autograph letter signed, written at the beginning of busoni\u2019s swiss exile, concerning his health, return from america and settlement in zurich. 8 november 1915. \n autograph letter signed, in german, to an unidentified correspondent. zurich, 8 november 1915. two pages on a single oblong leaf, in dark ink, signed with busoni\u2019s characteristic monogrammatic signature. \n a revealing autobiographical letter written shortly after busoni\u2019s return from america and at the very beginning of his wartime residence in neutral switzerland. \n busoni describes having suffered from severe seasickness during the crossing and continuing to feel unwell after reaching land. he reports, however, that following his return from america he had enjoyed four weeks of good health and now felt ready to embark on new work: \u201cnun geht es mir gottlob! recht gut u. ich fühle mich fähig neues anzufangen.\u201d (\u201cnow, thank god, i am quite well and feel capable of beginning something new.\u201d) \n on the verso, busoni turns to his new circumstances in zurich. he has received no news from sobernheim, refers confidentially to a \u201cherr andreas\u201d, and describes the difficulties of finding accommodation. particularly significant is his remark: \u201cwir richten erst seit 3 tagen eine wohnung ein.\u201d (\u201cwe have only been setting up our apartment for the last three days.\u201d) \n he then gives his new address as scheuchzerstrasse 36, the residence closely associated with his years of swiss exile. \n busoni settled in zurich in the autumn of 1915 after returning from the united states. remaining in neutral switzerland during the war, he entered a period of intense intellectual and creative activity that would prove significant for his later career. the present letter captures the very beginning of this period, before his new residence had even been fully established. \n the letter thus documents a moment of transition in busoni\u2019s life: his return from america, recovery from illness, and establishment in zurich against the background of the first world war. written only three days after he had begun setting up his new home, it provides an unusually immediate record of the practical circumstances surrounding the beginning of an important period in his career."},"estimateMax":200,"lotNumber":"14","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26545/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.700Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26545","currency":"GBP","id":26545,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26546/002/002.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - autograph letter signed to hermann scherchen, thanking the conductor for once again successfully championing his cause. 24 december 1921. \n autograph letter signed (\u201cf. busoni\u201d), in german, to the conductor hermann scherchen (1891\u20131966). 24 december 1921. one page, manuscript in ink. \n an attractive association letter from busoni to one of the foremost champions of modern music, warmly thanking scherchen for his continued advocacy. \n busoni writes that he has learned from both private communications and published reports that scherchen has once again successfully championed his cause: \u201cdass sie meine sache wieder siegreich verfochten\u201d (\u201cthat you have once again successfully championed my cause.\u201d) \n he expresses his heartfelt appreciation and gratitude, adding that he believes he has already had occasion to demonstrate these feelings to scherchen in the past. \n busoni then refers to a forthcoming or proposed engagement and expresses the hope that it will provide an opportunity for the two men to meet again. he closes with warm greetings and good wishes. \n the letter testifies to the close ties between two major figures of early twentieth-century music. scherchen was among the period\u2019s most energetic advocates of contemporary composition, and busoni\u2019s acknowledgement that he had \u201conce again\u201d championed his cause reveals the conductor\u2019s continuing role in promoting his work."},"estimateMax":600,"lotNumber":"15","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - autograph letter signed to hermann scherchen"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26546/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.702Z","textCase":"lower","estimate":"£600","internalCatalogNumber":"26546","currency":"GBP","id":26546,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":600},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26547/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26547/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26547/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26547/004/004.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - substantial autograph letter signed, discussing beethoven, busoni\u2019s own theatrical projects and his artistic circle during his swiss exile. zurich, 6 august 1916. \n autograph letter signed, in german, to \u201cfrau bettina\u201d. zurich, 6 august 1916. four pages, manuscript in ink, signed with busoni\u2019s characteristic monogrammatic signature. \n a substantial and highly personal letter from busoni\u2019s swiss exile, combining musical criticism with reflections on his own work and news of his contemporary artistic circle. \n responding to his correspondent\u2019s remarks, busoni discusses beethoven at considerable length, reflecting upon his intellectual character and the distinctive quality of his music. he writes that beethoven\u2019s extraordinary \u201cgeistesschärfung\u201d (\u201cintellectual acuity\u201d), perceptible throughout his work, prevents him from sensing the supposed \u201ckühlen ton\u201d (\u201ccold tone\u201d) sometimes attributed to the composer. \n busoni then turns to his own artistic plans, mentioning his theatrical capriccio (\u201cintermezzo, marionettenspiel, groteskes schemen-spiel\u201d) and discussing the difficulties he faced in bringing his projects to completion. \n the letter also provides a vivid account of busoni\u2019s contemporary circle. he names several berlin friends, including sobernheim, israel, butting, rita b. and ludwig rubiner, and mentions the composer ermanno wolf-ferrari, then also in zurich, whom he describes as: \u201cein feiner u. weltspannender, sympathischer, nicht uninteressanter\u201d (\u201ca refined and cosmopolitan, likeable, not uninteresting figure.\u201d) \n written during busoni\u2019s wartime residence in neutral zurich, the letter brings together his engagement with the musical past, his own creative ambitions and the network of writers and musicians around him. particularly noteworthy is the extended discussion of beethoven, which offers direct evidence of busoni\u2019s response to a composer who occupied a central place in his thinking about the history and future of music. \n condition: four manuscript pages with original folds; some marginal wear, small tears and losses, particularly to the final leaf, but without substantial loss of text. ink strong and generally very legible."},"estimateMax":500,"lotNumber":"16","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - substantial autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26547/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.704Z","textCase":"lower","estimate":"£500","internalCatalogNumber":"26547","currency":"GBP","id":26547,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":500},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26548/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26548/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26548/003/003.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - substantial autograph letter signed to his friend austin, discussing wartime berlin, his family, bach and his current compositions. [new york, 1915]. \n autograph letter signed (\u201cferruccio\u201d), in english, to his friend austin. [new york, 1915]. four closely written pages on a large folded sheet; with address supplied at head: \u201c1400 clinton ave., bronx, n.y. city.\u201d \n a remarkably substantial and personal wartime letter. busoni reports receiving his correspondent\u2019s letter of 29 march and explains that he had to open it as he was force to leave berlin the previous saturday. he writes anxiously of his family and of the situation in germany, confessing that the excitement had left him \u201creally sick\u201d and incapable of work. \n of particular musical interest, busoni reports significant progress on his compositions: \u201ci have actually finished the second part of bach, & a piece for orchestra.\u201d \n he also mentions working on a one-act libretto, which he describes enthusiastically as \u201cturning out beautifully.\u201d \n busoni reflects vividly on the war and his longing for the conflict to end: \u201cif the war was only over! it is like a nightmare from which one were awake.\u201d \n he nevertheless reports hearing that conditions in berlin were normal and discusses friends and acquaintances, including lidia, while expressing the hope of seeing his correspondent again. the letter closes affectionately: \u201ckeep well, dear austin, we were so happy over the news that you would come here \u2026\u201d followed by the german: \u201ces grüsst dich sehr tausend mal\u201d (\u201ca thousand warm greetings to you\u201d) and signed simply \u201cferruccio.\u201d \n written amid the upheavals of 1915, the letter offers a particularly rich account of the intersection between busoni\u2019s private and creative lives. his anxiety about the war, his family and events in berlin is accompanied by important evidence of sustained compositional activity, including his work on bach, an orchestral piece and a new theatrical project. \n condition: original folds, light age-toning and handling; some show-through and minor wear, but the manuscript remains complete and clearly legible."},"estimateMax":400,"lotNumber":"17","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - substantial autograph letter signed to his friend austin"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26548/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.706Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26548","currency":"GBP","id":26548,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":400},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26549/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26549/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26549/003/003.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - autograph letter signed to a close friend, offering heartfelt condolences on the death of professor theodor. berlin, 4 september 1912. \n autograph letter signed (\u201cferruccio b.\u201d), in german, to a close friend. berlin, 4 september 1912. three pages, manuscript in ink. \n a substantial and deeply personal letter in which busoni, having learned through frau zella of the death of professor theodor, offers his condolences and reflects at length on the character of the deceased. \n busoni remembers professor theodor as a man of exceptional human and intellectual qualities, stressing the rarity of such a combination of character, intellect and distinction. although acknowledging death as part of the natural course of life, he writes movingly of the sense of loss occasioned by the disappearance of a remarkable individual and of the vivid memories that survive him. \n the letter concludes on an affectionate and intimate note. busoni asks his friend to accept his heartfelt sympathy and friendship, signing with the familiar \u201cferruccio b.\u201d he adds that his wife, gerda sjöstrand, joins him in expressing her condolences. \n a revealing testimony to the private busoni, far removed from the practical and professional concerns that dominate much of his correspondence. his reflections on bereavement, memory and the qualities he admired in others lend the letter an unusually intimate character."},"estimateMax":200,"lotNumber":"18","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26549/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.708Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26549","currency":"GBP","id":26549,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26550/001/001.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - autograph letter signed to mr struck, written on the eve of his departure and expressing the hope of a closer friendship. 3 january 1915. \n autograph letter signed (\u201cferruccio busoni\u201d), in german, to mr struck. 3 january 1915. one page, manuscript in ink. \n a cordial personal letter written by busoni on the day of his departure, thanking struck for a letter which had reached him as a welcome farewell greeting. \n busoni explains that he must leave that very day and regrets that, on the previous afternoon, friends and visitors had been incorrectly informed of his whereabouts and were therefore unable to see him. \n he then expresses the hope that, on his return, he may count struck among his closer circle of friends, lending the brief letter a particularly warm and personal character. he closes with cordial new year wishes: \u201calle guten wünsche!\u201d (\u201call good wishes!\u201d) \n an attractive personal letter during the first world war, notable for its warm and direct tone and, in particular, for busoni\u2019s explicit invitation to a closer friendship. \n condition: one manuscript page, with original folds and minor age wear; boldly signed in full."},"estimateMax":200,"lotNumber":"19","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - autograph letter signed to mr struck"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26550/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.709Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26550","currency":"GBP","id":26550,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26551/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26551/002/002.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - signed and inscribed photographic portrait, with a substantial presentation inscription to his friend robert buckert. hof, 1911. \n original photographic portrait by j. v. dühren, berlin, signed and inscribed on the verso to robert buckert. hof, 1911. \n a fine original photographic portrait of busoni, showing the composer and pianist seated in formal dress. on the verso, busoni has written a substantial presentation inscription in german to his friend robert buckert, signed in full \u201cferruccio busoni\u201d and dated hof, 1911. \n the dedication begins: \u201cmeinem lieben alten guten \u2026 freunde robert buckert\u201d (\u201cto my dear old good \u2026 friend robert buckert\u201d) and commemorates their meeting in hof, referring affectionately to shared memories and presenting the photograph as a personal token of friendship. \n particularly appealing for the combination of an evocative period portrait with a lengthy autograph inscription, the photograph documents a personal relationship within busoni\u2019s circle and is considerably more intimate than a conventionally signed publicity portrait. \n condition: original mounted photograph by j. v. dühren, berlin. some fading to the inscription and light age wear, but the signature remains clear and the portrait itself is well preserved."},"estimateMax":400,"lotNumber":"20","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - signed and inscribed photographic portrait"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26551/view","tags":["art_photography","usmemorabilia_entertainment","art_all","art","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.711Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26551","currency":"GBP","id":26551,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":400},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26552/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26552/002/002.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - signed photographic portrait. milan, 1909. \n signed photographic portrait by elliott & fry, london. milan, 1909. original mounted photograph, signed and dated in ink by busoni. \n a fine original portrait of busoni by the celebrated london photographic studio elliott & fry, 55 baker street, showing the composer and pianist seated, three-quarter length, in formal dress, at the acme of his career. \n the photograph is boldly signed in ink \u201cferruccio busoni\u201d across the upper portion of the image and additionally inscribed \u201cmilano 1909.\u201d the unusually large and flowing signature occupies a prominent position without substantially obscuring the portrait. \n a handsome early signed portrait, combining a distinguished studio image by one of britain\u2019s leading photographic firms with a particularly striking example of busoni\u2019s autograph. the addition of \u201cmilano 1909\u201d gives the photograph a precise association with the city in which busoni had launched his professional career as a teacher two decades earlier. \n photographer\u2019s printed credit and copyright information on the mount and verso: \u201celliott & fry, photographers, 55 baker street, london w.\u201d \n condition: some age-related spotting, surface wear and minor wear to the corners and edges; otherwise well preserved and highly presentable."},"estimateMax":400,"lotNumber":"21","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - signed photographic portrait"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26552/view","tags":["art_photography","usmemorabilia_entertainment","art_all","art","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":280,"lastUpdate":"2026-10-12T15:31:29.855Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26552","currency":"GBP","id":26552,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":400},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26553/001/001.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - signed photographic portrait. berlin, 1907. \n signed photographic portrait. berlin, 1907. original mounted photograph, signed and dated in ink by busoni. \n a fine original photographic portrait of busoni, showing the pianist and composer seated in three-quarter profile. the photograph bears a large autograph signature, \u201cferruccio busoni\u201d, in black ink across the lower mount, followed by an inscription apparently reading \u201cberlin 1907\u201d. \n the photographer\u2019s mount is marked \u201cphoto kunst\u201d, with a berlin studio address partly visible beneath busoni\u2019s signature. \n an imposing early signed portrait from an important period in busoni\u2019s career, when berlin stood at the centre of his musical and intellectual life. the unusually large and flowing signature is particularly striking and adds considerably to the visual appeal of the photograph. \n condition: some surface wear and age toning; vertical split extending upwards from the lower edge of the mount, reinforced with old tape on the verso. the photographic image itself remains vivid and well preserved."},"estimateMax":400,"lotNumber":"22","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - signed photographic portrait. berlin, 1907"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26553/view","tags":["art_photography","usmemorabilia_entertainment","art_all","art","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.713Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26553","currency":"GBP","id":26553,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":400},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26554/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26554/002/002.jpg"],"available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - signed photographic postcard, addressed in busoni\u2019s hand. 1914. \n signed photographic postcard. 1914. portrait photograph of busoni, signed prominently in ink; manuscript address and date on verso. \n a fine photographic portrait postcard of busoni, showing the composer in evening dress, his head resting on one hand. the portrait is prominently signed in ink across the upper portion, \u201cferruccio busoni\u201d, with the printed caption \u201cprof. ferruccio busoni\u201d below. \n the reverse is dated 14 march 1914 and addressed in busoni\u2019s hand to a lady in ravenna, showing that the card was not simply signed as a portrait but used by busoni for personal correspondence. \n an appealing pre-war portrait, distinguished by a particularly large and fluent example of busoni\u2019s signature and by the autograph address on the verso. its use as an actual piece of correspondence gives the photograph a more personal character than a conventionally signed publicity portrait. the date is significant, falling only a few months before the outbreak of the first world war and during one of the most productive periods of busoni\u2019s european career. \n condition: light age toning and minor handling wear; otherwise well preserved."},"estimateMax":200,"lotNumber":"23","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - signed photographic postcard"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26554/view","tags":["art_photography","usmemorabilia_entertainment","art_all","art","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.715Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26554","currency":"GBP","id":26554,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26555/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"ferruccio busoni (1866\u20131924) - autograph letter signed, requesting a piano for last-minute practice before an evening performance. sunday, n.d. \n autograph letter signed (\u201cferruccio busoni\u201d), in italian, to signor finzi. sunday, n.d. one page on a folded sheet, manuscript in ink. \n a charming letter closely connected with busoni\u2019s practical life as one of the great concert pianists of his generation. busoni asks finzi to arrange for a piano with a mute to be waiting for him at his hotel, explaining that he will have only a short time to prepare the programme for that evening\u2019s performance. he adds that he will arrive at two o\u2019clock and closes with cordial thanks. \n the letter provides a vivid glimpse of the practical arrangements surrounding busoni\u2019s concert appearances, documenting the pianist\u2019s need to practise immediately upon arrival and the preparations required behind the scenes for an evening performance. \n condition: original folds and normal age wear; well preserved."},"estimateMax":200,"lotNumber":"24","title":{"en":"[music autographs] - ferruccio busoni (1866\u20131924) - autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26555/view","tags":["ukCollectibles_BooksMagazinesPaper","usmemorabilia_entertainment","ukCollectibles","usmemorabilia","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":120,"lastUpdate":"2026-10-12T15:34:20.856Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26555","currency":"GBP","id":26555,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26556/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26556/002/002.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"busoni-motta \n single sheet, written on both sides, bearing two autograph musical quotations by ferruccio busoni (1866\u20131924) and josé vianna da motta (1868\u20131948), both dated london, february 1903. on the recto, busoni pens a brief musical incipit, inscribed \u201csonata \u2013 recitativo\u201d, followed by his bold signature \u201cferruccio busoni\u201d and dated \u201clondon 20.2.03\u201d. on the verso, vianna da motta writes a musical theme marked \u201cvito portugiesischer tanz\u201d (portuguese folk dance), accompanied by an inscription in german to franklin sobrino, recalling a shared concert with busoni, signed \u201cjosé vianna da motta\u201d and dated \u201clondon 22.2.03\u201d. a remarkable document uniting the hands of two of the most celebrated pianists and composers of their generation, both prominent figures in the european concert scene at the turn of the 20th century. \n condition: very good; slight handling marks and toning consistent with age."},"estimateMax":300,"lotNumber":"25","title":{"en":"[music] - busoni-motta - two masters on a single leaf \u2013 busoni & vianna da motta in london, 1903"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26556/view","tags":["ukCollectibles_BooksMagazinesPaper","usmemorabilia_entertainment","ukCollectibles","usmemorabilia","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":160,"lastUpdate":"2026-10-12T15:35:34.853Z","textCase":"lower","estimate":"£300","internalCatalogNumber":"26556","currency":"GBP","id":26556,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":300},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26557/001/001.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"john cage (1912\u20131992) - inscribed and signed photograph, january 1959. \n black-and-white photograph, 180 × 225 mm, inscribed and signed by cage in ink: \n \u201cfor adriana panni with gratitude for her love of music, | and her energy about it and her persistence. | sincerely, 1/59 john cage.\u201d"},"estimateMax":500,"lotNumber":"26","title":{"en":"[music autographs] - john cage (1912\u20131992)inscribed and signed photograph, january 1959"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26557/view","tags":["art_photography","usmemorabilia_entertainment","art_all","art","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":320,"lastUpdate":"2026-10-12T15:36:21.852Z","textCase":"lower","estimate":"£500","internalCatalogNumber":"26557","currency":"GBP","id":26557,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":500},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26558/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26558/002/002.jpg"],"available":false,"description":{"en":"césar cui and the salon romance \n césar antonovich cui (1835\u20131918) \n autograph musical quotation signed, with an italian vocal text. st petersburg, 1904. \n autograph musical quotation signed on a contemporary black-and-white illustrated postcard depicting nevsky prospekt, st petersburg. in brown ink, comprising a complete stave in treble clef, marked \u201callegretto\u201d, with musical notation and an italian vocal text, \u201ci fior di primavera tremano sulla stella\u201d, followed at right by cui\u2019s characteristic autograph monogram \u201cc. c.\u201d and the date 1904. \n the quotation consists of a self-contained melodic phrase, carefully notated on a complete stave and supplied with the agogic indication allegretto. beneath the melody cui writes the italian words: \n \u201ci fior di primavera tremano sulla stella.\u201d (\u201cthe flowers of spring tremble upon the star.\u201d) \n the use of an italian text is particularly evocative of a significant aspect of cui\u2019s output. although remembered principally for his association with balakirev, mussorgsky, rimsky-korsakov and borodin in the group traditionally known as the five, cui was also a prolific composer of vocal miniatures. the intimate scale and lyrical character of the present quotation belong naturally to the cultivated world of the nineteenth-century art song and salon romance. \n the choice of support adds considerably to the appeal of the piece. the musical autograph appears on a postcard showing nevsky prospekt, one of the defining urban spaces of st petersburg, the city in which cui spent most of his adult life and pursued his parallel careers as musician, critic and military engineer. \n an appealing and unusually substantial signed musical souvenir from one of the five. more than a simple signature, the postcard preserves an entire autograph melodic phrase, complete with tempo indication and italian vocal text, signed with cui\u2019s monogram and dated 1904. its placement beneath an image of nevsky prospekt gives the piece an especially attractive connection with st petersburg and with the musical world in which cui spent the greater part of his career."},"estimateMax":500,"lotNumber":"27","title":{"en":"[music autographs] - sar antonovich cui (1835\u20131918) - autograph musical quotation signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26558/view","tags":["ukCollectibles_BooksMagazinesPaper","usmemorabilia_entertainment","ukCollectibles","usmemorabilia","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.716Z","textCase":"lower","estimate":"£500","internalCatalogNumber":"26558","currency":"GBP","id":26558,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":500},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26559/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"liszt franz - cabinet-card photographic portrait with autograph signature of the hungarian virtuoso pianist and composer. photograph by louis held in weimar. in a black frame."},"estimateMax":1500,"lotNumber":"28","title":{"en":"[music] - liszt franz - photographic portrait with autograph signature"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26559/view","tags":["art_photography","usmemorabilia_entertainment","art_all","art","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":1300,"lastUpdate":"2026-10-12T15:38:55.860Z","textCase":"lower","estimate":"£1,500","internalCatalogNumber":"26559","currency":"GBP","id":26559,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":1500},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26560/001/001.jpg"],"available":false,"description":{"en":"peter maxwell davies (1934\u20132016). autograph letter signed to adriana panni, rackwick, 19 february 1981. \n autograph letter in ink, 210 × 150 mm.?an elegant refusal of an invitation owing to an important prior commitment with the boston symphony orchestra for the première of his symphony no. 2: \n \u201cmi rincresce di non partecipare all\u2019accademia al 1 marzo \u2013 sarò in quel tempo negli stati uniti per un \u201cprimo\u201d [sic] con l\u2019orchestra di boston.\u201d \n (\u201ci am sorry not to be able to take part in the academy\u2019s event on 1 march \u2014 at that time i shall be in the united states for a \u2018première\u2019 with the boston orchestra.\u201d)"},"lotNumber":"29","title":{"en":"[music autographs] - peter maxwell davies (1934\u20132016) - autograph letter signed to adriana panni"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26560/view","tags":["ukCollectibles_BooksMagazinesPaper","usmemorabilia_entertainment","ukCollectibles","usmemorabilia","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.718Z","textCase":"lower","internalCatalogNumber":"26560","currency":"GBP","id":26560,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"}},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26561/001/001.jpg"],"soldDate":"2026-10-17","available":false,"description":{"en":"giorgio de chirico (1888\u20131978). \n inscribed and signed photograph in his studio, rome, 14 august 1960. \n black-and-white photograph, 240 × 230 mm, showing de chirico seated in his studio, inscribed and signed in ink: \n \u201cad adriana panni | con stima, | giorgio de chirico | affettuosamente | roma 14 agosto 1960.\u201d \n (\u201cto adriana panni, with esteem, giorgio de chirico. affectionately. rome, 14 august 1960.\u201d)"},"estimateMax":1000,"lotNumber":"30","title":{"en":"[music autographs] - giorgio de chirico (1888\u20131978) - inscribed and signed photograph in his studio, rome, 14 august 1960"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26561/view","tags":["art_photography","art_all","art"],"directSalePrice":10,"soldPrice":550,"lastUpdate":"2026-10-12T17:03:40.720Z","textCase":"lower","estimate":"£1,000","internalCatalogNumber":"26561","currency":"GBP","id":26561,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":1000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26562/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26562/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26562/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26562/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26562/005/005.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"gaetano donizetti (1797\u20131848) \n autograph composing manuscript of the aria \u201cio talor più nol rammento\u201d from sancia di castiglia, with extensive revisions and alternative versions. [naples, 1832]. \n unpublished in a modern critical edition. \n donizetti, gaetano. autograph composing manuscript of sancia\u2019s aria with female chorus, \u201cio talor più nol rammento\u201d, from act i, scene iii of sancia di castiglia. [naples, 1832]. 15 pages, large oblong quarto (approximately 26.6 × 37.5 cm), on 20-stave paper, manuscript in brown ink. \n an important autograph manuscript of a complete musical number from sancia di castiglia, preserving numerous cancellations, corrections, additions and alternative versions that document donizetti\u2019s compositional process. the aria has not been published in a modern critical edition. \n the manuscript contains the complete aria, excluding the preceding recitative, scored for piccolo, flutes, oboes, clarinets, horns, trumpets, bassoons, trombones, timpani and strings. the music is laid out as a single orchestral system across 20-stave paper. in eight bars of the closing orchestral ritornello, the scoring is indicated by letters and repeat signs. \n the upper margins of the opening pages contain several annotations, including \u201ce [sic] vero\u201d, the closing words of the preceding recitative, and: \n \u201coriginale [...] cavatina sig.a de begnis sancia e [sic] di castiglia doniz[etti]\u201d. \n of particular musicological interest are the numerous autograph cancellations, revisions, corrections and additions throughout the manuscript, which preserve direct evidence of donizetti at work on the number. several passages in the vocal part are moreover supplied in alternative versions, making the manuscript a particularly revealing witness to the evolution of the aria. \n with occasional gathering numbers, possibly autograph, and modern pencil pagination. no place or date indicated, [naples, 1832]. \n modern quarter calf, with gilt lettering to the spine: \u201cdonizetti sancia di castiglia ms\u201d. \n an important witness to the first sancia di castiglia \n the two-act opera seria sancia di castiglia was composed in the autumn of 1832 for the teatro san carlo in naples. donizetti dedicated the score to his former teacher johann simon mayr, a gesture indicative of the importance he attached to the work. \n as william ashbrook observed, the opera combines the tradition of spagnuolismo, then fashionable at the bourbon court in naples, with the emphasis on pathos and suffering that became one of the defining characteristics of donizetti\u2019s dramatic style. \n natale gallini suggested that the present manuscript may have been prepared for a later performance of the opera. the surviving evidence, however, points instead towards its having formed part of the autograph score of the first version of sancia di castiglia. that score, now preserved in the library of the conservatorio di musica san pietro a majella in naples, notably lacks the present aria. \n the manuscript may therefore represent an original section separated from the autograph score of the opera\u2019s first version. its compositional character \u2014 particularly the extensive revisions and alternative readings \u2014 lends further weight to its importance as a witness to the genesis of the work. \n a role written for giuseppina ronzi de begnis \n the title role of sancia, the widowed queen of castile, was written for the celebrated soprano giuseppina ronzi de begnis (1800\u20131853), one of donizetti\u2019s most important interpreters. \n in the drama, sancia, under the influence of the saracen prince ircano, comes close to allowing her own son to drink poison, before ultimately drinking it herself. the role belongs to the remarkable series of tragic female characters donizetti shaped around ronzi de begnis\u2019s vocal and dramatic gifts, alongside her leading roles in fausta, maria stuarda, gemma di vergy and roberto devereux. \n the manuscript thus combines exceptional musical and documentary interest: an autograph composing score preserving donizetti\u2019s revisions and alternative solutions, written for one of the foremost singers associated with his operas and apparently connected directly with the earliest version of sancia di castiglia. a compelling document in the history of nineteenth-century italian opera. \n condition: a few small stains and some light browning to the first and last pages; outer edges trimmed; a few old repairs; leaves strengthened and repaired at the hinge; pinholes. \n literature: natale gallini, \u201cinediti donizettiani\u201d, rivista musicale italiana, lv (1953), pp. 257\u2013275; william ashbrook, donizetti and his operas (1982), p. 333; idem, the new grove dictionary of opera, iv, p. 162, s.v. \u201csancia di castiglia\u201d."},"estimateMax":15000,"lotNumber":"31","title":{"en":"[music autographs] - gaetano donizetti (1797\u20131848) - autograph composing manuscript of the aria \u201cio talor più nol rammento\u201d"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26562/view","directSalePrice":10,"soldPrice":7500,"lastUpdate":"2026-10-12T15:40:49.859Z","textCase":"lower","estimate":"£15,000","internalCatalogNumber":"26562","currency":"GBP","id":26562,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":15000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26563/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"duke ellington (1899\u20131974) \n inscribed and signed photographic portrait \n vintage black-and-white photographic portrait of the american jazz composer, pianist and bandleader duke ellington, showing him smiling towards the camera in a suit and patterned tie. \n the photograph is personally inscribed and signed in ink across the lower portion of the image. the inscription appears to read: \u201cto mr roland pieraccini / sincerely / duke ellington\u201d \n with ellington\u2019s large, characteristic signature extending prominently across the portrait. \n an appealing signed portrait of one of the defining personalities of twentieth-century jazz. \n the personal dedication to pieraccini and the prominent placement of ellington\u2019s signature across the image make this a particularly attractive example of his signed photographic portraits. \n one item: inscribed and signed photographic portrait."},"estimateMax":100,"lotNumber":"32","title":{"en":"[music autographs] - duke ellington (1899\u20131974) - inscribed and signed photographic portrait"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26563/view","tags":["usmemorabilia_entertainment","art_photography","art_all","art","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":130,"lastUpdate":"2026-10-12T15:41:32.862Z","textCase":"lower","estimate":"£100","internalCatalogNumber":"26563","currency":"GBP","id":26563,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":100},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26564/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"black-and-white photograph, 145 × 105 mm, showing hindemith with baton and score, inscribed and signed in ink to adriana panni: \n \u201cfür adriana | paul hindemith 20.iv.1961.\u201d \n (\u201cfor adriana, paul hindemith, 20 april 1961.\u201d)"},"estimateMax":300,"lotNumber":"33","title":{"en":"[music autographs] - paul hindemith (1895\u20131963) - inscribed and signed photograph, 20 april 1961"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26564/view","tags":["usmemorabilia_entertainment","art_photography","art_all","art","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":220,"lastUpdate":"2026-10-12T15:42:40.923Z","textCase":"lower","estimate":"£300","internalCatalogNumber":"26564","currency":"GBP","id":26564,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":300},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26565/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"paul hindemith (1895\u20131963). inscribed and signed photograph, 1963. \n black-and-white photograph, 180 × 120 mm, inscribed in ink to adriana panni. with a small lion drawn by hindemith\u2019s wife, gertrud: \n \u201cpaul e gertrude; la causa de mal di testa | della accademia. | a adriana 25. ott. 63 (e sempre).\u201d (\u201cpaul and gertrud; the cause of the academy\u2019s headache. | to adriana, 25 oct. 63 (and always).\u201d)"},"estimateMax":200,"lotNumber":"34","title":{"en":"[music autographs] - paul hindemith (1895\u20131963) - inscribed and signed photograph, 1963"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26565/view","tags":["usmemorabilia_entertainment","art_photography","art_all","art","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":140,"lastUpdate":"2026-10-12T15:43:37.409Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26565","currency":"GBP","id":26565,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26566/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26566/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26566/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26566/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26566/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26566/006/006.jpg"],"available":false,"description":{"en":"gian francesco malipiero (1882-1973) \n remarkable autograph score of malipiero\u2019s violin concerto no. 1, repeatedly signed and dated 1932. dedicated to the italian writer and critic paola ojetti (1911-1978), as token of friendship \u201comaggio di un amico\u201d). in very good condition. in-fol., pp. ???. \n the violin concerto no. 1 was composed in 1932 and dedicated to elizabeth sprague coolidge. it received its first performance in amsterdam on 5 march 1933, with the celebrated american violinist viola mitchell and the concertgebouw orchestra conducted by eduard van beinum. cast in three movements \u2014 allegro con spirito, lento ma non troppo and allegro \u2014 the work calls for a relatively large orchestra, with a particularly substantial percussion section. \n the concerto has no stated key, reflecting malipiero\u2019s rejection of conventional harmonic structures in favour of a freely modal and linear musical language. rather than treating the concerto primarily as a vehicle for virtuoso display, malipiero conceived the form as a kind of musical oratory, in which the solo instrument engages with the orchestra almost as a speaking voice. \n malipiero\u2019s relationship with paola ojetti formed part of the extensive network of intellectual and artistic connections surrounding the ojetti family and, in particular, their cultural circle at villa il salviatino in florence. a translator and critic in her own right, paola ojetti was a valued interlocutor whose cultural sensitivity malipiero held in high esteem. their relationship extended well beyond formal acquaintance: malipiero presented her with copies and arrangements of his works, sometimes accompanied by personal autograph dedications, tangible evidence of their friendship and shared musical interests. \n the present autograph manuscript is written in a notably clear and controlled hand, with comparatively few corrections. of particular interest is a series of annotations in green pencil \u2014 11, 5, 6, 10, 11, 2, 3 \u2014 placed principally beneath individual passages of the score. these appear to record the counting and division of bars or phrase-units, perhaps representing a practical analysis of the work undertaken in preparation for performance. \n prepared by malipiero for viola mitchell, the concerto\u2019s first interpreter, the manuscript provides a particularly compelling link between composition and first performance. its unusually clean presentation, together with the analytical annotations, suggests a working score intended to facilitate mitchell\u2019s study of the concerto and its complex linear structure. as such, it provides direct material evidence of malipiero\u2019s concern that his musical intentions should be clearly understood from the earliest stages of rehearsal."},"estimateMax":6000,"lotNumber":"35","title":{"en":"[music autographs] - gian francesco malipiero (1882-1973) - remarkable autograph score of malipiero\u2019s violin concerto no. 1"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26566/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T15:45:09.859Z","textCase":"lower","estimate":"£6,000","internalCatalogNumber":"26566","currency":"GBP","id":26566,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":6000},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26567/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26567/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26567/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26567/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26567/005/005.jpg"],"available":false,"description":{"en":"gian francesco malipiero (1882\u20131973). \n five autograph letter signed. \n autograph letter signed, asolo, 7 march 1959. autograph letter in ink, 110 × 175 mm, with original stamped and postmarked envelope, 125 × 155 mm. autograph letter, asolo, 18 january 1955. autograph letter in ink on watermarked paper bearing the motto \u201cper aspera ad astra\u201d, 280 × 220 mm, one leaf, recto only. autograph letter signed, asolo, 9 june 1957. autograph letter in ink, 290 × 230 mm, one leaf written on both sides, with original stamped and postmarked envelope, 120 × 150 mm.with his characteristic formality, malipiero asks for clarification about a correct title of duke filippo caffarelli: \u201cenclosed you will find a letter of mine for the president of the academy. he signs himself filippo caffarelli. but isn\u2019t he duke caffarelli? \u2026 i cannot address him as signor caffarelli if he is a duke, nor as duke if he is not. democracy is always playing tricks like this.\u201d). autograph letter signed, asolo, 8 march 1957. autograph letter in ink on fabriano watermarked paper, 290 × 220 mm, one leaf. \u201ci thank you for your invitation. i have delayed writing because i was sorry to have to say no \u2026 but it is impossible: i shall not be able to attend the concert on 18 march \u2026 time is a relentless enemy.\u201d autograph christmas note, asolo, 24 december 1960. two-sided card, 110 × 145 mm, with autograph inscription in ink."},"estimateMax":600,"lotNumber":"36","title":{"en":"[music autographs] - gian francesco malipiero (1882\u20131973) - five autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26567/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.721Z","textCase":"lower","estimate":"£600","internalCatalogNumber":"26567","currency":"GBP","id":26567,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":600},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26568/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26568/002/002.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"frank martin (1890\u20131974) and maria martin. autograph christmas greetings, [undated]. \n folding christmas card, 100 × 185 mm, four pages, with autograph inscription in ink by frank and maria martin mentioning with gratitude the recent hospitality in rome on the occasion of a concert at the accademia."},"estimateMax":100,"lotNumber":"37","title":{"en":"[music autographs] - frank martin (1890\u20131974) and maria martin - autograph christmas greetings, [undated]"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26568/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":30,"lastUpdate":"2026-10-12T15:47:35.856Z","textCase":"lower","estimate":"£100","internalCatalogNumber":"26568","currency":"GBP","id":26568,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":100},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26569/013/013.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"massenet jules (1842 - 1912) \n 23 autograph letters (most signed with an initial), dated 1907, to his wife louise massenet \u201cninon\u201d or his daughter juliette (one to his son-in-law léon bessand); 63 pages, in-8 or in-12. \n \n letters arrive almost daily: news of the weather and his health: in august, he spent some time in saint-aubin-sur-mer to rest and regain his strength before returning to work on \"bacchus\"; he complains of being separated from his wife, who has remained in égreville; he is indignant at reynaldo hahn, who is promoting his ballet \u201cla fête chez thérèse\u201d under the title \u201cthérèse\u201d; he provides updates on the box office receipts for thaïs and the performances of ariane. \n \n back in paris, he meets with gunsbourg and trouhanova regarding his ballet espada in monte carlo, along with the revival of thérèse; manon brings in 8,000 in box office receipts and is revived at la monnaie; he has returned to work; sessions at the institute for the rome prize competition; rehearsals; a trip to turin; revival of thaïs with garden and albers. \n \n enclosed are two autographed envelopes addressed to léon bessand, and a short handwritten letter from louise massenet to the same. \n \n this extensive group of letters provides a rare and detailed insight into massenet\u2019s daily life during the final years of his career. the mixture of personal concerns, professional engagements, and artistic reflections offers a vivid portrait of a composer balancing domestic life with institutional responsibilities. \n \n collections of this size and coherence are particularly valuable, as they allow for a continuous narrative rather than isolated glimpses. the references to major works, performances, and figures of the time significantly enhance their historical importance within the operatic world."},"estimateMax":400,"lotNumber":"38","title":{"en":"[music] - massenet jules (1842 - 1912) - daily life of a composer: massenet\u2019s intimate letters to his family"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26569/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":300,"lastUpdate":"2026-10-12T15:48:58.893Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26569","currency":"GBP","id":26569,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":400},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26570/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26570/002/002.jpg"],"available":false,"description":{"en":"gian carlo menotti (1911\u20132007). autograph letter signed. \n autograph letter written in italian (translated) in ink from scotland to adriana panni, 255 × 205 mm, one leaf written on recto and verso. a poignant letter expressing his disappointment at the cancellation of the planned performances of the unicorn, the gorgon and the manticore and the telephone: \u201ci do not like the idea of sharing the programme with clementi or anyone else. if an evening devoted to menotti now seems excessive to you and gioacchino, then let us simply forget this project, which seems to have been born under an unlucky star. italy is certainly not where i expect to be well treated. fortunately, both music and i flourish elsewhere.\u201d"},"estimateMax":700,"lotNumber":"39","title":{"en":"[music autographs] - gian carlo menotti (1911\u20132007) - autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26570/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.723Z","textCase":"lower","estimate":"£700","internalCatalogNumber":"26570","currency":"GBP","id":26570,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":700},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26571/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26571/002/002.jpg"],"available":false,"description":{"en":"freddy mercury (1946 - 1991) queen the complete works' box set, including a signed album, 1971-1985 tour itinerary, map of countries in which queen has appeared, a ' complete works ' booklet, and album volumes i - xiv. album xiv is boldly signed in silver ink by freddie mercury, brian may , and john deacon and in black felt tip by roger taylor."},"estimateMax":2000,"lotNumber":"40","title":{"en":"[music] - freddy mercury (1946 - 1991) - queen the complete works' box set"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26571/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-19T12:33:02.921Z","textCase":"lower","estimate":"£2,000","internalCatalogNumber":"26571","currency":"GBP","id":26571,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":2000},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26572/002/002.jpg"],"available":false,"description":{"en":"francis poulenc (1899\u20131963). inscribed and signed photograph, [1949]. \n black-and-white photograph, 150 × 120 mm, faded. \n it shows poulenc on a beach and is inscribed and signed by him with brown ink to adriana panni: \n \u201cà madame | panni en très | respectueux | hommage | francis poulenc.\u201d \n (\u201cto madame panni, with my most respectful homage, francis poulenc.\u201d)"},"estimateMax":200,"lotNumber":"41","title":{"en":"[music autographs] - francis poulenc (1899\u20131963) - inscribed and signed photograph, [1949]"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26572/view","directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.726Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26572","currency":"GBP","id":26572,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26573/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26573/002/002.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"sviatoslav richter (1915\u20131997). inscribed and signed photograph at the piano, 1963. \n black-and-white photograph, 240 × 180 mm, showing richter at the piano, with autograph inscription in russian, dated 31 october 1963: \n \u201c[\u2026] 31/x/63.\u201d"},"estimateMax":200,"lotNumber":"42","title":{"en":"[music autographs] - sviatoslav richter (1915\u20131997) - inscribed and signed photograph at the piano, 1963."},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26573/view","tags":["usmemorabilia_entertainment","art_photography","art_all","art","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":260,"lastUpdate":"2026-10-12T15:52:15.860Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26573","currency":"GBP","id":26573,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26574/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26574/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26574/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26574/004/004.jpg"],"soldDate":"2026-10-20","available":false,"description":{"en":"rossini to donizetti: two masters at a turning point \n gioachino rossini (1792\u20131868) \n important autograph letter signed to gaetano donizetti, concerning the bologna liceo and the final preparation of the stabat mater, bologna, 24 november 1841 \n autograph letter signed \u201cgioachino rossini\u201d, in italian, dated bologna, 24 november 1841, three closely written pages on a bifolium, with the fourth page forming the integral address leaf, addressed in rossini\u2019s hand to gaetano donizetti in milan. \n a remarkable letter between two of the defining figures of nineteenth-century italian opera, concerning the musical establishment in bologna, the future direction of its celebrated liceo musicale and, most importantly, the final preparation of rossini\u2019s stabat mater. \n addressing donizetti warmly as \u201cpregiatissimo amico\u201d, rossini begins by acknowledging his recent letter and characteristically teasing him for its brevity. he then turns to musical affairs in bologna and discusses the future of the liceo, an institution with which he maintained a close and influential relationship. his comments on prospective appointments and personalities provide a vivid glimpse of the professional politics surrounding one of italy\u2019s leading musical institutions. \n among the musicians mentioned is giovanni tadolini, a particularly significant name in view of the second major subject of the letter: rossini\u2019s stabat mater. \n rossini thanks donizetti for his assistance with the work, including his involvement in the correction of proofs. the date of the letter places this exchange at a crucial moment in the history of the composition. rossini had begun the stabat mater following a commission received during his journey to spain in 1831. prevented by ill health from completing the entire score, he initially entrusted several numbers to tadolini. when the work was subsequently prepared for publication, rossini replaced tadolini\u2019s contributions with newly composed movements of his own, creating the final version known today. \n by november 1841 this process was approaching completion, with the definitive score being prepared for publication by eugène troupenas in paris. the present letter thus places donizetti directly within the final stages of the work\u2019s preparation. \n the definitive stabat mater received its first paris performance on 7 january 1842, only six weeks after this letter. donizetti himself was soon to play an important role in the work\u2019s italian reception, conducting its celebrated bologna performances in march 1842. \n the letter therefore captures a remarkable intersection between the careers of the two composers: rossini completing one of the masterpieces of his later years while corresponding directly with donizetti, then at the height of his international operatic career, about both the score and the musical affairs of bologna. \n beyond its importance for the history of the stabat mater, the letter is notable for the vividness of rossini\u2019s private voice. far from a formal communication, he writes freely to a trusted colleague about personalities, appointments and musical politics, with characteristic wit, scepticism and occasional sharpness. \n signed \u201cgioachino rossini\u201d at the conclusion and dated \u201cbologna li 24 nov. 1841\u201d. the integral address leaf is addressed to gaetano donizetti, milan, and bears contemporary postal markings, including bologna, manuscript postal annotations, later docketing and traces of sealing and opening. \n three pages, 4to, on a folded sheet, approximately 25 × 20 cm. typical folds and handling consistent with postal transmission; scattered spotting and staining, with losses around the seal area and other signs of age and use; otherwise well-preserved and clearly legible. \n an eye-opening exchange between two giants of italian music and a significant documentary evidence about one of rossini\u2019s greatest sacred compositions. \n one item: autograph letter signed, three pages with integral address leaf, bologna, 24 november 1841."},"estimateMax":4000,"lotNumber":"43","title":{"en":"[music autographs] - gioachino rossini (1792\u20131868) - important autograph letter signed to gaetano donizetti"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26574/view","tags":["usmemorabilia_entertainment","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":2800,"lastUpdate":"2026-10-20T17:57:24.330Z","textCase":"lower","estimate":"£4,000","internalCatalogNumber":"26574","currency":"GBP","id":26574,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":4000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26575/001/001.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"rossini gioacchino (1792 - 1868) \n autograph letter signed, dated \u201c19 mars 1864\u201d by the celebrated italian opera composer. 1 p. in-4. \n \n the letter was written five days after the premiere of rossini\u2019s \u201cpetite messe solennelle, \u201d which took place on march 14 in paris at the palace of countess pillet-will. attended by meyerbeer, thomas, auber, and the papal nuncio, the \u201cpetite messe\u201d was a huge success. \n \n addressed to the composer daniel auber, he mentions two orchestras from the paris conservatory that had performed the \u201cmesse\u201d and a conflict that arose between them and auber, who was the director of that conservatory. \n \n written immediately after a major success, this letter captures rossini\u2019s continued engagement with musical life despite his semi-retirement. the reference to institutional tensions adds a layer of complexity to the celebratory context."},"estimateMax":400,"lotNumber":"44","title":{"en":"[music] - gioachino rossini (1792\u20131868) - after the triumph: rossini on the success and tensions of the \u201cpetite messe solennelle\u201d"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26575/view","tags":["usmemorabilia_entertainment","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":340,"lastUpdate":"2026-10-12T15:54:40.859Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26575","currency":"GBP","id":26575,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":400},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26576/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26576/002/002.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"rossini gioacchino (1792 - 1868) \n autograph letter signed, dated \u201cda casa\u201d by the celebrated italian opera composer. 1 p. in-4. \n \n addressed to to monsieur masson \u201cdirecteur du théâtre italien de londres\u201d, recommending \u201c\u2026sebastiano ambrosini, il quale amerebbe di venire in londra al suo servizio\u2026\u201d. \n \n this brief recommendation reflects rossini\u2019s enduring authority within the operatic world, even after his withdrawal from composition. his support could significantly influence a musician\u2019s prospects abroad."},"estimateMax":400,"lotNumber":"45","title":{"en":"[music] - gioachino rossini (1792\u20131868) - rossini the patron: recommending a musician to the london stage"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26576/view","tags":["usmemorabilia_entertainment","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":240,"lastUpdate":"2026-10-12T15:57:11.861Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26576","currency":"GBP","id":26576,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":400},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26577/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26577/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26577/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26577/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26577/005/005.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"nino rota (1911\u20131979). \n an autograph note signed and five autograph postcard signed in italian (translated). \n autograph note signed on a printed invitation, 19 october 1961. \n printed invitation, 95 × 140 mm, with an autograph message in ink to adriana panni. \n printed text: \u201cnino rota informs his friends that the venerable cappella giulia of st peter\u2019s in the vatican will perform a mass of his for choir and organ in the basilica of san nicola, on wednesday 18 october at 11.30 a.m.\u201dautograph text: \u201c19 october 1961. dear adriana, i am sending you this invitation after the event. had i known that it would turn out to be so beautiful and solemn, even to look at, i would have sent it to you beforehand! this is to ask you to reserve me a good seat for the filarmonica subscription series. i hope to see you all again soon. i have spent the summer like a prisoner because of work. affectionately, nino r.\u201d autograph postcard signed [hamburg], 12 october 1963. postcard with stamp and postmark, 105 × 150 mm: 12 october 1963. hugs to everyone. nino r.\u201d autograph postcard signed, vienna, 11 november 1963. \n postcard with stamp and postmark, 105 × 150 mm, inscribed by rota and signed also by marcello panni: \u201cthe world is small, fortunately \u2026 and one has some happy encounters. hugs, nino, marcello. vienna, 11 november 1963.\u201d autograph postcard signed, tokyo, 14 july 1975. \n postcard with stamp and postmark, 105 × 150 mm: \u201ctokyo, 14 july 1975. my warmest greetings to everyone, while awaiting a reunion that will restore our proper habits! nino.\u201d \n autograph postcard signed, [bari], 15 may 1964. postcard with stamp and postmark, 105 × 150 mm: \u201c15 may 1964. dear adriana, don\u2019t think that because we have seen little of each other this year \u2014 a truly bari-centred year for me \u2014 i have forgotten you all! on the contrary, i often remember, with a certain nostalgia, the lovely hours spent at your home. work! (only in the evenings, since during the day the conservatory occupies me completely.) i hope to see you soon. a hug to you and everyone. nino. tell marcello to drop me a couple of lines from time to time to let me know what he is doing.\u201d.autograph postcard signed, london, 27 august 1975.postcard with stamp and postmark, 105 × 150 mm: \u201cdear adriana, i still have your dear telegram with me, and the desire to have a reunion with you and your family \u2014 indeed, many reunions, as in the good old days that are not so long past! but the ever-growing number of commitments, small and not so small, together with my disorganisation, holds me in an iron grip. see you soon! a hug to you, and one for arnaldo and for the children and grandchildren! nino r. london, 27 august 1975.\u201d"},"estimateMax":800,"lotNumber":"46","title":{"en":"[music autographs] - nino rota (1911\u20131979) - an autograph note signed and five autograph postcard signed in italian"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26577/view","tags":["usmemorabilia_entertainment","ukCollectibles_Ephemera","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":420,"lastUpdate":"2026-10-12T15:58:35.488Z","textCase":"lower","estimate":"£800","internalCatalogNumber":"26577","currency":"GBP","id":26577,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":800},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26578/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26578/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26578/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26578/004/004.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"artur rubinstein (1887\u20131982) and paul kletzki (1900\u20131973). inscribed and signed concert programme, rome, 14 november 1951. \n programme of the accademia nazionale di santa cecilia, 1951\u201352 season, teatro argentina, wednesday 14 november 1951. 205 × 125 mm, eight pages. inscribed and signed in ink on the cover by artur rubinstein and paul kletzki."},"estimateMax":180,"lotNumber":"47","title":{"en":"[music autographs] - artur rubinstein (1887\u20131982) and paul kletzki (1900\u20131973) - inscribed and signed concert programme, rome, 14 november 1951"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26578/view","tags":["usmemorabilia_entertainment","ukCollectibles_Ephemera","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":50,"lastUpdate":"2026-10-12T15:59:11.861Z","textCase":"lower","estimate":"£180","internalCatalogNumber":"26578","currency":"GBP","id":26578,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":180},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26579/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"henri sauguet (1901\u20131989). autograph letter signed to adriana panni, paris, 1 april 1957. \n autograph letter in ink, 270 × 210 mm, one leaf, recto only."},"estimateMax":100,"lotNumber":"48","title":{"en":"[music autographs] - henri sauguet (1901\u20131989) - autograph letter signed to adriana panni"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26579/view","tags":["usmemorabilia_entertainment","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":20,"lastUpdate":"2026-10-12T15:59:58.262Z","textCase":"lower","estimate":"£100","internalCatalogNumber":"26579","currency":"GBP","id":26579,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":100},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26580/001/001.jpg"],"available":false,"description":{"en":"arnold schoenberg (1874\u20131951). signed bank cheque, 3 september 1938. \n bank of america cheque no. 929, issued by arnold schoenberg to villa mart brooks & cruise, 3 september 1938; cashed on 7 september. 65 × 150 mm."},"estimateMax":1000,"lotNumber":"49","title":{"en":"[music autographs] - arnold schoenberg (1874\u20131951) - signed bank cheque, 3 september 1938"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26580/view","tags":["usmemorabilia_entertainment","ukCollectibles_Ephemera","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.730Z","textCase":"lower","estimate":"£1,000","internalCatalogNumber":"26580","currency":"GBP","id":26580,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":1000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26581/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26581/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26581/003/003.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"robert schumann (1810\u20131856) \n \u201cthe robert burns songs are popular\u201d \n important autograph letter signed to his publisher, concerning myrthen, the overture, scherzo and finale, and the four sketches for pedal piano, dresden, 1 september 1846 \n autograph letter signed \u201cr. schumann\u201d, dresden, 1 september 1846, to his leipzig publisher julius kistner. two pages, with integral address panel; dark red wax seal with initials, apparently \u201ccs\u201d, intact; postal markings dated \u201c1 sep. 46\u201d, \u201c2 sep.\u201d and \u201cstaatspost 2 sep.\u201d; contemporary annotations in other hands. \n a significant publishing letter in which schumann discusses the publication and circulation of three markedly different compositions: myrthen, op. 25, the overture, scherzo and finale, op. 52, and the four sketches for pedal piano, op. 58. \n schumann opens with myrthen, the celebrated song cycle composed during his extraordinary \u201cyear of song\u201d in 1840 and presented to clara wieck on the eve of their marriage. he reports having heard that \u201cthe robert burns songs are popular\u201d and asks kistner whether it might be advantageous to gather the most recent issues together and publish them separately. the passage offers an insight into schumann\u2019s direct interest not only in the reception of his songs but also in their commercial presentation and circulation. \n turning to the overture, scherzo and finale, op. 52, schumann requests revisions and discusses practical arrangements for its publication. he expects to be able to send kistner the four-hand piano reduction within three or four weeks, adding that the orchestral parts can follow shortly. initially conceived as a \u201csuite\u201d or \u201csymphonette\u201d, the work had received its first performance in leipzig in 1841 and underwent substantial revision before its publication in 1846. \n finally, schumann refers to the four sketches for pedal piano, op. 58, noting that he understands the work to be completely finished and asking kistner to send him complimentary copies. composed in 1845 during schumann\u2019s intensive engagement with counterpoint and his fascination with the pedal piano, the sketches were published in 1846. \n an unusually rich publishing letter, bringing together three distinct areas of schumann\u2019s output \u2014 song, orchestral music and experimental keyboard writing \u2014 and documenting his close involvement in the revision, presentation and dissemination of his works. his remark on the popularity of the burns settings is particularly striking as first-hand evidence of the composer\u2019s awareness of the contemporary reception of his songs. \n signed \u201cr. schumann\u201d. \n provenance / literature: published in schumann briefedition, series iii, vol. iv, briefwechsel robert und clara schumanns mit leipziger verlegern, pp. 204\u2013205. \n condition: slightly browned; creased at folds and very slightly overall; a very small split at the lower central fold; a small, neat triangular portion excised opposite the wax seal. overall in very good condition. \n one item: autograph letter signed, two pages with integral address panel, dresden, 1 september 1846."},"estimateMax":6000,"lotNumber":"50","title":{"en":"[music autographs] - robert schumann (1810\u20131856) - important autograph letter signed to his publisher"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26581/view","tags":["usmemorabilia_entertainment","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":3400,"lastUpdate":"2026-10-12T16:01:25.122Z","textCase":"lower","estimate":"£6,000","internalCatalogNumber":"26581","currency":"GBP","id":26581,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":6000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26582/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26582/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26582/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26582/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26582/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26582/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26582/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26582/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26582/009/009.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"karlheinz stockhausen (1928\u20132007). inscribed and signed concert programme, rome, 28 november 1989. \n programme entitled musiche di stockhausen, 205 × 135 mm, 16 pages, inscribed and signed by stockhausen in ink on the cover to adriana panni."},"estimateMax":200,"lotNumber":"51","title":{"en":"[music autographs] - karlheinz stockhausen (1928\u20132007) - inscribed and signed concert programme, rome, 28 november 1989"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26582/view","tags":["usmemorabilia_entertainment","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":90,"lastUpdate":"2026-10-12T16:02:07.861Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26582","currency":"GBP","id":26582,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":200},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26583/001/001.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"igor stravinsky (1882\u20131971) \n inscribed and signed photograph, rome, 1954. \n black-and-white photograph, 240 × 180 mm, inscribed and signed by stravinsky in ink: \n \u201cto adriana panni | sincerely i stravinsky | roma | 1954.\u201d"},"estimateMax":1000,"lotNumber":"52","title":{"en":"[music autographs] - igor stravinsky (1882\u20131971) - inscribed and signed photograph, rome, 1954"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26583/view","tags":["usmemorabilia_entertainment","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":900,"lastUpdate":"2026-10-12T16:03:41.862Z","textCase":"lower","estimate":"£1,000","internalCatalogNumber":"26583","currency":"GBP","id":26583,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":1000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26584/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26584/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26584/003/003.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"igor stravinsky (1882\u20131971) \n two photographs and and an autograph note by his wife. \n 1) inscribed and signed group photograph with giorgio de chirico, venice, 1957. \n black-and-white photograph, 100 × 145 mm, taken in campo la fenice, venice. from left to right: arnaldo panni, adriana panni, isa de chirico, igor stravinsky, giorgio de chirico and vera stravinsky. photograph by marcello panni. \n inscribed and signed by stravinsky: \n \u201cto | adriana | panni | cordially | istr | venezia 1957.\u201d \n 2) vera stravinsky (1889\u20131982). autograph note signed, [undated]. \n small card, 70 × 110 mm, inscribed in ink: \n \u201cmerci pour la belle | soirée. c\u2019était | très charmant. | vera | igor | bob.\u201d \n (\u201cthank you for the lovely evening. it was very charming. vera | igor | bob.\u201d) \n 3) rare photograph of stravinsky in rome surrounded by fans, dated 1961 with manuscript annotations"},"estimateMax":800,"lotNumber":"53","title":{"en":"[music autographs] - igor stravinsky (1882\u20131971) - two photographs and and an autograph note by his wife"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26584/view","tags":["usmemorabilia_entertainment","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":500,"lastUpdate":"2026-10-12T16:04:52.012Z","textCase":"lower","estimate":"£800","internalCatalogNumber":"26584","currency":"GBP","id":26584,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":800},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26585/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26585/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26585/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26585/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26585/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26585/006/006.jpg"],"available":false,"description":{"en":"alexandre tansman (1897\u20131986). \n six letters autograph letters signed. \n autograph letter signed, paris, 3 september 1957. autograph letter in ink, 195 × 145 mm, one folded sheet, one page written. autograph letter signed, paris, 12 november 1957. autograph letter in ink, 270 × 210 mm, one leaf, recto only. autograph letter signed, paris, 14 november 1957. autograph letter in ink, 270 × 210 mm, one leaf, recto only. autograph letter signed, paris, 24 september 1959. autograph letter in ink, 270 × 210 mm, one leaf, recto only. the french-polish composer sends the first sketch of his ballet pantomime les habits neufs du roi. \n autograph letter signed, paris, 3 february 1961. autograph letter in ink, 215 × 175 mm, one leaf, recto only. a letter of recommendation for the italian director luigi castellazzi (1896-1964), a major figure in argentina at the time. autograph letter signed, paris, 17 december [year unspecified]. autograph letter in ink, 210 × 135 mm, one leaf, recto only."},"estimateMax":500,"lotNumber":"54","title":{"en":"[music autographs] - alexandre tansman (1897\u20131986) - six letters autograph letters signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26585/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.731Z","textCase":"lower","estimate":"£500","internalCatalogNumber":"26585","currency":"GBP","id":26585,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":500},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26586/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26586/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26586/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26586/004/004.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"sarah vaughan (1924\u20131990) \n inscribed and signed photograph, with performance contract, artist rider, stage plot and related papers, 1985\u201387 \n an enlightening archive relating to the celebrated american jazz vocalist sarah vaughan, comprising an inscribed and signed publicity photograph together with professional concert documentation from the later years of her career. \n the group includes a large black-and-white publicity portrait of vaughan, issued by regency artists, ltd., with vaughan/reed inc. credited as personal management and the pablo logo at lower right. vaughan has inscribed the photograph in black ink: \n \u201call the best?sarah vaughan\u201d \n with her signature prominently positioned in the upper left portion of the image. \n together with a performance contract and artist rider relating to vaughan\u2019s appearances at the gusman cultural arts center, miami, florida, on 17 and 18 may 1986. the contract, dated 12 september 1985, engages the services of sarah vaughan through de vine one corporation and specifies a flat guarantee of $25,000 for the engagement. \n the accompanying multi-page artist rider provides unusually detailed information on the practical and technical requirements for vaughan\u2019s performances, including billing, sound equipment, piano and bass, rehearsal arrangements, dressing rooms, musicians, transport and accommodation. the piano specification calls for a minimum nine-foot concert grand tuned to a=440, while the dressing-room provisions include separate facilities for vaughan and her trio. \n also included is a stage plot showing the intended arrangement of vaughan, piano, bass, drums, podium and stage monitors. \n the archive further contains related professional correspondence, including a letter dated 9 october 1985 concerning the format of vaughan\u2019s miami performances and requesting that her accompanying combo perform a short set before her appearance. a later letter from triad artists, inc., dated 3 november 1986, concerns a separate vaughan engagement at the colden center for the performing arts, queens college, flushing, new york, on 8 march 1987. \n a substantial group documenting both the public image and the professional life of one of the great jazz vocalists of the twentieth century. the signed portrait provides the autograph element, while the contract, rider, stage plot and correspondence offer an uncommon behind-the-scenes record of the contractual and technical arrangements surrounding vaughan\u2019s live performances during the 1980s. \n a group comprising: one inscribed and signed photographic portrait, performance contract, multi-page artist rider, stage plot and related professional correspondence, 1985\u201387."},"estimateMax":500,"lotNumber":"55","title":{"en":"[music autographs] - sarah vaughan (1924\u20131990) - inscribed and signed photograph"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26586/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":140,"lastUpdate":"2026-10-12T16:07:27.865Z","textCase":"lower","estimate":"£500","internalCatalogNumber":"26586","currency":"GBP","id":26586,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":500},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26587/001/001.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"verdi giuseppe (1813 - 1901) \n autograph letter signed, dated \u201cgenova 2 del 92 [2.1.1892]\u201d by the celebrated italian composer. 1 p. in-8. \n \n addressed to the librettist antonio ghislanzoni (1824 - 1893), who, among others, wrote the libretto of aida for verdi and translated \u201cdon carlo\u201d into italian for him. ghislanzoni, a faithful friend and collaborator of the maestro, who had been suffering for some time, had taken refuge in his hermitage in caprino bergamasco where he was visited by his friends and also received financial help. in this affectionate letter, verdi thanks his correspondent for the missive he received: \u201c\u2026benché mi rechi notizie poco consolanti di voi e della vostra famiglia\u2026\u201d. \n then certainly referring to ghislanzoni's pressing economic needs, he continues: \u201c\u2026vi accludo una letterina per giulio [ricordi], la quale se vi può togliere per il momento da qualche imbarazzo, servitevene e mandatela a giulio\u2026\u201d. \n it should be remembered, that there were many professional relationships between ricordi and ghislanzoni, not the least of which was the editing on behalf of that one of the \u201cgazzetta musicale di milano\u201d from 1866 to 1872. \n verdi then gives news about himself and his family: \u201c\u2026noi pure siamo un poco ammalati. peppina [giuseppina strepponi] di catarro, e di nause; io di una forte tosse che mi rompe lo stomaco. speriamo meglio in seguito\u2026\u201d. \n \n written in the final decade of verdi\u2019s life, the document belongs to a period marked by both artistic triumph and personal reflection. his concern for ghislanzoni\u2019s health and financial difficulties reveals a deeply humane dimension, often less visible in official accounts of his career. \n on the market, letters documenting such personal relationships are particularly valued."},"estimateMax":600,"lotNumber":"56","title":{"en":"[music] - verdi giuseppe (1813 - 1901) - solidarity in hardship: verdi\u2019s support for the ailing ghislanzoni"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26587/view","tags":["usmemorabilia_entertainment","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":550,"lastUpdate":"2026-10-12T16:09:26.863Z","textCase":"lower","estimate":"£600","internalCatalogNumber":"26587","currency":"GBP","id":26587,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":600},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26588/001/001.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"verdi giuseppe (1813 - 1901) \n autograph letter signed, dated \u201cgenova 20 marzo 1893\u201d by the celebrated italian composer. 1 p. in-8. \n \n addressed to the librettist antonio ghislanzoni (1824 - 1893). this is perhaps the last letter addressed by verdi to his famous librettist of \u201caida\u201d and \u201cdon carlos\u201d, as indicated on the verso of the sheet by a coeval hand. ghislanzoni, seriously ill, had already a piece taken refuge in his hermitage in caprino bergamasco, hoping to restore his health. aggravated, however, in the spring of '93 he would die the following july 16. in these very cordial lines the maestro, who until the end had relieved ghislanzoni's financial straits, thanks him: \u201c\u2026dei vostri augurj anche per parte di peppina, che sono grati a noi quanto\u2026non so dirti, ma voi lo immaginate\u2026\u201d and makes an important mention of his very recent successes for \u201cfalstaff, \u201d staged at la scala in milan on 9. 2. 1893 and presented to roman audiences, the king present, on march 15, again with the la scala orchestra: \u201c\u2026non vi parlo di trionfi\u2026\u201d. \n rather, with exquisite good sense, he prefers to remind his sick friend of a recent certificate he obtained \u201c\u2026per i vostri bei versi\u2026\u201d. he finally ends by apologizing because \u201c\u2026la fretta m\u2019impedisce di restare più a lungo con voi\u2026\u201d. \n \n as one of the final exchanges between the two men, the letter holds particular biographical significance. it reflects verdi\u2019s sensitivity and discretion, choosing not to dwell on his own success but instead to acknowledge his friend\u2019s literary achievements."},"estimateMax":600,"lotNumber":"57","title":{"en":"[music] - verdi giuseppe (1813 - 1901) - farewell to a friend: verdi\u2019s final letter to ghislanzoni amid triumph and loss"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26588/view","tags":["usmemorabilia_entertainment","usmemorabilia","usmemorabilia_all"],"directSalePrice":10,"soldPrice":700,"lastUpdate":"2026-10-12T16:11:09.866Z","textCase":"lower","estimate":"£600","internalCatalogNumber":"26588","currency":"GBP","id":26588,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":600},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26589/001/001.jpg"],"available":false,"description":{"en":"kingsley amis (1922\u20131995) \n autograph letter signed, mentioning anthony powell and desert island discs, 1976 \n autograph letter signed \u201ckingsley amis\u201d, dated 16 october 1976, written in ink on one sheet of headed stationery from gardnor house, flask walk, london, n.w.3, and addressed to mr pieraccini. \n responding to pieraccini\u2019s request for manuscript material or a photograph, amis explains: \u201ci have no manuscripts since i do all my work on the typewriter. i can\u2019t find a satisfactory photograph \u2013 anyway, i\u2019m afraid you\u2019ll have to content yourself with this letter.\u201d \n writing on a saturday evening, amis remarks that he is listening to desert island discs while composing the letter, his guest of the evening being anthony powell, \u201cthe distinguished novelist (and old friend of mine)\u201d. he notes that powell has just chosen tales from the vienna woods, before concluding on a characteristically convivial note: \u201cin 10 minutes\u2019 time, at 7.30, i fulfil my usual programme and open a can of beer. i\u2019ll drink to you and your collection.\u201d signed at foot \u201ckingsley amis\u201d. \n together with the original addressed envelope, in amis\u2019s hand to roland pieraccini, helsinki, finland, bearing a british 10p postage stamp and hampstead postmark dated 18 october 1976. \n an engaging literary letter combining amis\u2019s comments on his working methods with a particularly vivid snapshot of his saturday evening routine, listening to his friend and fellow novelist anthony powell on one of the bbc\u2019s best-known radio programmes. \n two items: one autograph letter signed and the original postal envelope."},"estimateMax":80,"lotNumber":"58","title":{"en":"[various autographs, letters, & documents] - kingsley amis (1922\u20131995) - autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26589/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.733Z","textCase":"lower","estimate":"£80","internalCatalogNumber":"26589","currency":"GBP","id":26589,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":80},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26590/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26590/002/002.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"chinua achebe (1930\u20132013) \n typed letter signed and inscribed photograph, mentioning wole soyinka, amos tutuola, akinwande oluwole isola and gabriel okara, 1983 \n typed letter signed \u201cchinua achebe\u201d by the renowned nigerian writer, dated 25 october 1983, on achebe\u2019s personal headed stationery from p.o. box 53, nsukka, anambra state, nigeria, and addressed to mrs siv lind, helsinki, finland. \n achebe thanks his correspondent for her letters and apologises for having failed to answer her earlier communications. enclosing a photograph, he explains: \u201chere is a photograph taken quite a few years ago. but i have nothing better.\u201d \n of particular literary interest, achebe then helps his correspondent to contact several prominent nigerian writers: \u201cyou may be able to reach soyinka, tutuola, isola and okara through dr. k. omotoso, university of ife, nigeria.\u201d the references are to wole soyinka, amos tutuola, akinwande oluwole isola and gabriel okara, placing the letter within the remarkable network of nigerian writers active in the second half of the twentieth century. \n the letter is signed in blue ink \u201cchinua achebe\u201d. \n together with a black-and-white photographic portrait of achebe, extensively inscribed by him on the reverse in blue ink: \n \u201cfor mrs lind\u2019s collection?helsinki, finland \n with best wishes \n chinua achebe?nsukka \u2013 nigeria?october 1983\u201d \n and signed \u201cchinua achebe\u201d. \n an excellent literary association item from the author of things fall apart, combining a signed letter with a personally inscribed photograph. the letter is especially noteworthy for achebe\u2019s references to other distinguished nigerian authors, including wole soyinka, who three years later became the first african writer to receive the nobel prize in literature. \n two items: one typed letter signed and one inscribed photograph."},"estimateMax":300,"lotNumber":"59","title":{"en":"[various autographs, letters, & documents] - chinua achebe (1930\u20132013) - typed letter signed and inscribed photograph"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26590/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":190,"lastUpdate":"2026-10-12T16:13:09.862Z","textCase":"lower","estimate":"£300","internalCatalogNumber":"26590","currency":"GBP","id":26590,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":300},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26591/001/001.jpg"],"available":false,"description":{"en":"vittorio alfieri (1749\u20131803) \n \u201ci want nothing from anyone\u201d \n \n autograph letter signed to his sister giulia cumiana. villa santini, montughi (florence), 22 april 1799. \n autograph manuscript in brown ink on one bifolium (200 × 250 mm), one page written, integral address on verso to giulia cumiana alfieri in turin, traces of red wax seal, paper bearing the watermark \u201cchez m. lensi j. a. séné\u201d. an exceptionally well-preserved manuscript. \n an outstanding and largely unpublished autograph letter written in the wake of the french occupation of florence, preserving the complete text of a document long known only through incomplete nineteenth-century editions. \n the letter is one of the most important surviving private manuscripts by vittorio alfieri. emilio bertana published only the opening portion of the text in 1902, a partial transcription subsequently repeated in later editions of the correspondence. the present autograph restores the complete text, corrects the date to 22 april 1799 (misread as 2 april in earlier editions), and preserves passages omitted from the printed tradition. \n penned while alfieri had withdrawn to villa santini at montughi after the french occupation of florence, the letter combines family matters with reflections on political independence. referring to recommendations obtained through his sister, alfieri firmly declares: \u201cnon voglio nulla da nessuno; e nessuno vuol niente da me.\u201d (\u201ci want nothing from anyone; and no one wants anything from me.\u201d) \n alongside its political significance, the manuscript offers a remarkable portrait of alfieri's private life. it contains affectionate words to his sister giulia cumiana, references to tommaso valperga di caluso, discussion of financial affairs, and concludes with a touching mention of \u201cmia compagna\u201d, the countess of albany, the central companion of the poet's final years. \n the manuscript is of exceptional textual, historical and biographical importance. it not only restores a substantially unpublished text but also documents alfieri's unwavering ideal of personal liberty during one of the most turbulent moments in italian history. complete autograph letters of this quality are of the greatest rarity on the market and are rightly regarded among the finest literary manuscripts of eighteenth-century italy. \n references: emilio bertana, vittorio alfieri studiato nel pensiero, nella vita e nell'arte, turin, 1902; v. alfieri, epistolario, ed. l. caretti, asti, casa d'alfieri, vol. iii, pp. 18\u201319."},"estimateMax":4000,"lotNumber":"60","title":{"en":"[various autographs, letters, & documents] - vittorio alfieri (1749\u20131803) - autograph letter signed to his sister giulia cumiana"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26591/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T16:14:07.866Z","textCase":"lower","estimate":"£4,000","internalCatalogNumber":"26591","currency":"GBP","id":26591,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":4000},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26593/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26593/002/002.jpg"],"available":false,"description":{"en":"argoli andrea (1570 - 1659) \n extremely rare autograph letter signed, dated padova 14.1.1650, by the italian mathematician. 1 p. in-4. \n \n argoli addresses an unnamed correspondent, sending him some writings concerning \u201c\u2026le figure delle revoluzioni degli anni\u2026\u201d. argoli may refers to his \u201castronomicorum libri tres\u2026\u201d (padua, 1650). \n \n at the date of this letter, argoli was actively engaged in the production of his most mature scientific works, in a context where astronomy and astrology were still closely intertwined. his reflections on the \u201crevolutions of the years\u201d likely relate to calendrical and predictive calculations, a field in which he enjoyed considerable authority in italian academic circles. \n \n autograph material by argoli is exceptionally scarce, particularly when directly connected to a known publication. the possible link with the bentivoglio milieu further enhances the document\u2019s prestige, situating it within an elite network of scientific and noble patronage typical of 17th-century italy. \n \n this letter appeared on the 11th november 1868 sotheby\u2019s sale, described as being addressed possibly to a member of the bentivoglio family, from where the letter comes from. (catalogue of valuable continental autograph letters, literary manuscripts & historical documents\u2026)."},"estimateMax":200,"lotNumber":"61","title":{"en":"[various autographs, letters, & documents] - argoli andrea (1570 - 1659) - a rare scientific voice: argoli on astronomical revolutions"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26593/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T16:15:23.864Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26593","currency":"GBP","id":26593,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":200},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26594/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26594/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26594/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26594/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26594/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26594/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26594/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26594/008/008.jpg"],"available":false,"description":{"en":"louis fagan and anthony panizzi \n louis fagan (1845\u20131903) \n important correspondence with the florentine publisher gaspero barbera, concerning the plan to publish antonio panizzi\u2019s papers and correspondence, including letters by foscolo, cavour and leading figures of the risorgimento. london, 21 april\u201311 june 1879. \n a group of four autograph letters signed, in italian, from louis fagan to the celebrated florentine publisher gaspero barbèra (1818\u20131880), london, 21 april\u201311 june 1879, comprising twelve written pages. on various papers with elegant letterheads or embossed devices, including british museum stationery and an embossed arts club, hanover square, stamp. \n an important correspondence concerning the literary legacy of sir anthony panizzi, written within days of his death and documenting fagan\u2019s plans to publish the extraordinary collection of private letters left by the former principal librarian of the british museum. the letters provide a first-hand account of the editorial, legal and commercial considerations surrounding the proposed publication, while revealing the remarkable network of political and literary figures represented in panizzi\u2019s papers. \n panizzi had died in london on 8 april 1879. fagan, who had worked closely with him at the british museum and would become one of his biographers, writes to barbera scarcely two weeks later. in the first letter, dated 21 april, he thanks the publisher for his proposal to issue some of the panizzi letters in fagan\u2019s possession, while explaining that no immediate decision can be taken because legal and testamentary formalities are still being handled by the solicitor. \n in a supplementary communication dated 22 april, fagan asks barbera to send him a copy of michele lessona\u2019s volere è potere, published by barbera in 1869, drawing particular attention to a passage on page 274 in which he himself is mentioned. he also refers to two important articles on panizzi recently published in the london times, evidence of the immediate public attention surrounding panizzi\u2019s death and reputation. \n the correspondence becomes considerably more substantial on 1 june, when fagan, writing on british museum stationery, declares his determination to proceed with publication without unnecessary delay and offers barbera priority for the projected italian edition. he begins to describe the extraordinary body of correspondence at his disposal, comprising letters addressed to panizzi by some of the most prominent protagonists of nineteenth-century italian political and intellectual life. \n among the names cited are ugo foscolo, whose letters fagan describes as unpublished and previously unseen; camillo benso, count of cavour; luigi carlo farini; massimo d\u2019azeglio; sebastiano tecchio; giuseppe pecchio; santorre di santa rosa; michele amari; carlo poerio; luigi settembrini; and felice orsini. the correspondence extended well beyond italy, with letters from major european political figures including adolphe thiers and françois guizot. \n in the final and longest letter, dated 11 june 1879, fagan supplies barbera with a list of correspondents and the number of letters represented, while turning to the practical form of the proposed publication. the quantity of material leads him to suggest two volumes rather than one, and he discusses the dimensions of an engraved portrait of panizzi already prepared for an octavo edition. \n of particular interest are fagan\u2019s comments on editorial discretion and the treatment of private correspondence. he insists on retaining the exclusive right to remove from the proofs any passage or fact that might compromise the reputation of the dead or cause pain to people still living. the letters thus document the ethical problem confronting a nineteenth-century editor working with the papers of a recently deceased public figure: how to reconcile the historical value of private correspondence with obligations towards the individuals and families concerned. \n fagan also outlines a carefully considered bilingual publishing strategy. his projected english biography would not reproduce the italian texts of the letters, thereby avoiding competition with barbera\u2019s florentine edition and protecting its commercial prospects. the exchange consequently provides unusually detailed evidence of the negotiation of publication rights, markets and editorial content across national and linguistic boundaries. \n the correspondence has additional significance because of fagan\u2019s own close connection with panizzi and the british museum. an italian-born writer, art historian and museum official who spent most of his career in britain, fagan was exceptionally well placed to preserve and interpret panizzi\u2019s legacy. he would subsequently publish the life and correspondence of sir anthony panizzi in 1880, making these letters particularly valuable as documents from the formative stage of that undertaking."},"estimateMax":1000,"lotNumber":"62","title":{"en":"[various autographs, letters, & documents] - louis fagan and anthony panizzi - important correspondence with the florentine publisher gaspero barbera"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26594/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.735Z","textCase":"lower","estimate":"£1,000","internalCatalogNumber":"26594","currency":"GBP","id":26594,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":1000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26595/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26595/002/002.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"enrico fermi (1901\u20131954) \n autograph letter signed concerning his domestic life in rome, 18 october 1928 \n autograph letter signed \u201cenrico fermi\u201d, in italian, rome, 18 october 1928, to avv. de marinis. two pages. \n an unusually personal letter from the young enrico fermi, concerning the practicalities of everyday life in his rome apartment building during the early years of his scientific career. \n fermi discusses the appointment of a new porter, arrangements for the use of the laundry on fridays and saturdays, and the payment of 150 lire towards his share of the building\u2019s expenses. the letter provides an intimate glimpse of the everyday life of one of the twentieth century\u2019s greatest physicists at a remarkable moment in his career. in 1928 fermi was only twenty-seven years old and already held the chair of theoretical physics at the university of rome. these were the years in which the group of young physicists around fermi was taking shape that would subsequently become celebrated as the \u201cvia panisperna boys\u201d. \n signed at the conclusion in full, \u201cenrico fermi\u201d. \n an appealing document of fermi\u2019s private life in rome at the outset of his remarkable scientific career: the young physicist, already a university professor, attending to porters, laundry arrangements and ordinary expenses alongside the work that would soon establish his international reputation. \n one item: autograph letter signed, two pages, rome, 18 october 1928."},"estimateMax":800,"lotNumber":"63","title":{"en":"[various autographs, letters, & documents] - enrico fermi (1901\u20131954) - autograph letter signed concerning his domestic life in rome, 18 october 1928"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26595/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":1400,"lastUpdate":"2026-10-12T16:23:05.143Z","textCase":"lower","estimate":"£800","internalCatalogNumber":"26595","currency":"GBP","id":26595,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":800},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26596/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26596/002/002.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"enrico fermi (1901\u20131954) \n \u201cla vita che faccio qui presenta molta analogia con quella che facevo l\u2019anno scorso a pisa\u201d \n important autograph postcard signed from göttingen, written at the outset of fermi\u2019s scientific career, 7 june 1923 \n autograph postcard signed \u201cenrico fermi\u201d, in italian, göttingen, 7 june 1923, to the mathematician luigi fantappiè (1901\u20131956), via mazzini 4, viterbo, italy. \n densely written in fermi\u2019s hand on both sides, addressed and signed by him, with multiple german postage stamps and göttingen postal cancellations. \n an evocative early letter by the twenty-one-year-old fermi, written from göttingen during one of the formative periods of his scientific career to his friend and fellow student luigi fantappiè. \n fermi writes that he has been waiting for some time for news from fantappiè and reports news received from home, mentioning a friend who had been seriously ill but was now convalescing. he then gives an engaging account of his own life in germany, remarking on its similarity to his student days in pisa: \u201cla vita che faccio qui presenta molta analogia con quella che facevo l\u2019anno scorso a pisa\u201d (\u201cthe life i lead here bears a strong resemblance to the one i led last year in pisa.\u201d) \n in a charming glimpse of the young physicist\u2019s everyday life, fermi mentions that he has bought a new bicycle, which will probably keep him busy during the two months remaining before his return to italy. he describes göttingen as still rather cold, with rain almost every day, although the weather does not prevent him from going out. he closes by saying that he hopes to receive news soon and sends affectionate greetings to fantappiè and his family. \n the place and date give the postcard particular biographical significance. fermi was in göttingen in 1923 at a crucial stage in his intellectual development, having graduated from the scuola normale superiore in pisa the previous year. göttingen was then one of the foremost centres of theoretical physics and mathematics in europe, and fermi had travelled there to study in the circle of max born. although his stay in germany would prove less decisive for his scientific development than his subsequent encounter with paul ehrenfest in leiden, it nevertheless marked an important stage in the extraordinarily rapid emergence of the young physicist who, within only a few years, would become one of the leading figures of modern theoretical physics. \n the recipient, luigi fantappiè, almost exactly fermi\u2019s contemporary, was himself at the beginning of a distinguished mathematical career. a pupil of vito volterra, he would become particularly known for his theory of analytic functionals. the postcard thus also documents the friendship and intellectual network surrounding a remarkable generation of young italian scientists. \n particularly attractive for its combination of scientific association and biographical detail, the postcard captures fermi not as the later nobel laureate and architect of the nuclear age, but as a twenty-one-year-old scholar abroad, writing to a friend about news from home, the rain, his new bicycle and the familiar rhythms of scholarly life he remembered from pisa. \n one item: autograph postcard signed, göttingen, 7 june 1923."},"estimateMax":1500,"lotNumber":"64","title":{"en":"[various autographs, letters, & documents] - enrico fermi (1901\u20131954) - important autograph postcard signed from göttingen"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26596/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":2200,"lastUpdate":"2026-10-12T16:23:47.145Z","textCase":"lower","estimate":"£1,500","internalCatalogNumber":"26596","currency":"GBP","id":26596,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":1500},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26597/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26597/002/002.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"fermi enrico (1901 - 1954) \n autograph letter signed by the italian physicist, mostly remembered for being the creator of the world's first artificial nuclear reactor, the chicago pile-1. 1 p. in-8 with letterhead. \n \n addressed to a friend: \u201c\u2026vi ringrazio molto per la premura presso il ministero. in questi giorni gradirei sapere se ci sarà il concorso\u2026\u201d. \n this letter likely dates from fermi\u2019s early academic career, when institutional competitions played a crucial role in securing positions and recognition. it highlights the administrative dimension of scientific advancement in italy during the interwar years. \n \n autograph material from this formative period is relatively scarce, making such documents particularly valuable. they offer insight into the practical steps that preceded fermi\u2019s later groundbreaking achievements."},"estimateMax":500,"lotNumber":"65","title":{"en":"[various autographs, letters, & documents] - enrico fermi (1901\u20131954) - scientific matters and bureaucracy: fermi seeks updates on a competition"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26597/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":360,"lastUpdate":"2026-10-12T16:25:24.592Z","textCase":"lower","estimate":"£500","internalCatalogNumber":"26597","currency":"GBP","id":26597,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":500},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26598/001/001.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"flaubert gustave (1821 - 1880) \n autograph letter signed \"gve flaubert\", dated \u201cjeudi 19\u201d by the french novelist. 1 p. in-8. brownings along the lower and right margin. \n \n flaubert expresses to madame beaujean his regrets to not being able to visit her because: \u201c\u2026un abominable clou m'empêche d'aller après demain chez vous me réjouir de votre délivrance\u2026\u201d. \n \n this brief letter offers a glimpse into flaubert\u2019s daily life, where even minor physical ailments could disrupt social engagements. his tone, both humorous and apologetic, reflects his personality and his relationships within his social circle. \n \n while less significant in terms of literary content, such notes are appreciated for their intimacy. they contribute to a more nuanced understanding of the author beyond his major works."},"estimateMax":200,"lotNumber":"66","title":{"en":"[various autographs, letters, & documents] - flaubert gustave (1821 - 1880) - a minor affliction: flaubert\u2019s regretful absence"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26598/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":260,"lastUpdate":"2026-10-12T16:27:06.142Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26598","currency":"GBP","id":26598,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":200},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26599/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26599/002/002.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"édouard manet (1832\u20131883) \n \u201cvous êtes allé à mon atelier dernièrement avec gauguin\u201d \n important autograph letter signed, apparently documenting a visit by paul gauguin to manet\u2019s studio, bellevue, 13 july [c. 1880\u20131882] \n autograph letter signed \u201cmanet\u201d, in french, bellevue, 13 july [c. 1880\u20131882], to an unidentified artist friend. \n two pages, small format, written in pencil on a folded sheet and signed \u201cmanet\u201d at the conclusion. \n an important document containing an apparent reference by édouard manet to paul gauguin having recently visited his studio. such rare contemporary evidence connects two major figures in the development of modern french painting. \n writing from bellevue, manet refers explicitly to a recent visit by his correspondent: \u201cvous êtes allé à mon atelier dernièrement avec gauguin\u201d (\u201cyou went to my studio recently with gauguin\u201d). \n the casual remark is of considerable art-historical interest. gauguin, still at the beginning of his career as a painter, had entered the impressionist circle and exhibited with the group for the first time in 1880. although he greatly admired the work of manet and his contemporaries, direct documentary evidence for personal contact between manet and gauguin is scarce, to say the least. \n the significance of the passage lies partly in its informality. manet does not describe the visit as an event of particular consequence, but refers to gauguin\u2019s presence in his studio simply as something already known to his correspondent. the letter thus provides incidental insight into gauguin moves within manet\u2019s immediate artistic circle during the early years of his development as a painter. \n at this date gauguin was undergoing his gradual transformation from stockbroker and collector into professional artist. he collected works by leading contemporary painters and, from 1880 onwards, participated in the impressionist exhibitions. his presence in manet\u2019s studio offers a particularly evocative glimpse of the networks of artists, collectors, studios and personal visits through which the parisian avant-garde developed. \n the remainder of the letter concerns practical and financial matters. manet mentions paintings and a \u201cpetite somme\u201d which he considers should now be repaid to him, while at the same time assuring his correspondent of his friendship. he closes warmly: \u201cdécompte sur vous et sur gauguin. amitiés, manet.\u201d \n the precise identity of the recipient remains to be established, as does the year of the letter. the heading reads \u201cbellevue, 13 juillet\u201d. manet spent periods at bellevue during the final years of his life while receiving treatment for the illness that increasingly restricted his movements, providing a likely context for the correspondence. \n an important primary document for the artistic relationship between manet and gauguin, recording in manet\u2019s own hand the presence of the younger artist in his studio during the formative years of gauguin\u2019s career. \n condition: written in pencil, somewhat pale but substantially legible throughout. original folds, with light toning and minor handling wear consistent with age. a small old numerical annotation in pencil at the upper left. overall very good. \n one item: autograph letter signed, two pages, bellevue, 13 july [c. 1880\u20131882]."},"estimateMax":3000,"lotNumber":"67","title":{"en":"[various autographs, letters, & documents] - edouard manet (1832\u20131883) - important autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26599/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":2400,"lastUpdate":"2026-10-12T16:28:50.145Z","textCase":"lower","estimate":"£3,000","internalCatalogNumber":"26599","currency":"GBP","id":26599,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":3000},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26600/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26600/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26600/003/003.jpg"],"available":false,"description":{"en":"henry miller (1891\u20131980) \n autograph postcard signed, with original envelope, 1964 \n autograph postcard signed \u201chenry miller\u201d, dated 13 july 1964 and addressed to the autograph collector rolando pieraccini. \n the postcard, depicting the palais de la jetée at nice during rough seas, is inscribed by miller in blue ink (\u201cfor rolando pieraccini / with greetings from / henry miller / 13/7/64\u201d, followed by a typically informal postscript: \u201ci am now in bed with the \u2018flu\u2019.\u201d \n together with the original postal envelope, addressed in miller\u2019s hand to signor rolando pieraccini, pesaro, italy, and bearing his printed return address, \u201chenry miller / 444 ocampo drive / pacific palisades / california 90272\u201d. the envelope bears united states postage stamps and a pacific palisades, california, postmark dated december 1964. \n a charming example of miller\u2019s autograph correspondence, combining a signed presentation inscription with a characteristically informal reference to his health. the nice subject of the postcard also offers an evocative reminder of miller\u2019s long association with france, where he spent some of the most formative years of his literary career. \n two items: one autograph postcard signed and the original postal envelope."},"estimateMax":100,"lotNumber":"68","title":{"en":"[various autographs, letters, & documents] - henry miller (1891\u20131980) - autograph postcard signed, with original envelope, 1964"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26600/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.736Z","textCase":"lower","estimate":"£100","internalCatalogNumber":"26600","currency":"GBP","id":26600,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":100},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26601/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26601/002/002.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"vincenzo monti (1754\u20131828) to alessandro manzoni (1785\u20131873) \n \u201c\u2026whom i love as a son, and who above all others are worthy of love for your holy virtue\u201d \n an exceptionally important autograph letter signed to alessandro manzoni, on raynouard, the italian language and monti\u2019s declining health, with an intimate declaration of paternal affection, [milan, 2\u20137 february 1827] \n autograph letter signed, in italian, addressed to alessandro manzoni. [milan, between 2 and 7 february 1827]. one page, quarto, 18 lines, with address. \n an exceptionally important and deeply personal letter from the final years of vincenzo monti\u2019s life, combining his continuing engagement with the history of the italian language with a moving account of his declining health and a wholehearted declaration of affection for alessandro manzoni, whom he describes as one he loves \u201cas a son\u201d. \n the letter can be dated with unusual precision. on 2 february 1827 manzoni wrote to monti informing him that he had received the long-awaited communication from their mutual friend claude fauriel and offering to transmit monti\u2019s reply. manzoni closed with renewed assurances of his \u201cancient friendship\u201d and still older admiration for monti. the present letter was monti\u2019s prompt response. by 7 february manzoni\u2019s daughter giulia (\u201cgiulietta\u201d) had copied a substantial portion of it into a letter to fauriel. the autograph can therefore be securely dated to 2\u20137 february 1827. \n the immediate subject is the celebrated french philologist françois-juste-marie raynouard (1761\u20131836), whose pioneering studies of provençal and romance philology played an important part in contemporary debates over the origins and development of the italian language. monti asks manzoni to thank fauriel warmly for the trouble he has taken on his behalf and explains that, unless the whole of raynouard\u2019s work can be obtained, the search should be abandoned. in monti\u2019s judgement, every volume was necessary for the study of italian and for the successful compilation of a national dictionary. \n the passage is particularly significant in the context of monti\u2019s great lexicographical enterprise, the proposta di alcune correzioni ed aggiunte al vocabolario della crusca, and of the intense early nineteenth-century debate over the history and proper constitution of the italian language. monti reduces his instructions to fauriel to a memorable formula: \u201cscrivete dunque all\u2019amico, che tutto o nulla.\u201d (\u201cwrite therefore to our friend: all or nothing.\u201d) \n he accompanies the request with expressions of gratitude for the kindness fauriel has shown him in his misfortune. that \u201cmisfortune\u201d was no rhetorical commonplace. on 9 april 1826 monti had suffered a severe apoplectic stroke from which he never fully recovered. his physical decline forms the emotional background to the letter. he writes with striking candour of the calamity that has overtaken him and of a life that has become increasingly burdensome, expressing the bleak conviction that only death will bring release. \n the particular textual importance of the autograph lies in what follows. the passage copied by giulietta manzoni to fauriel on 7 february \u2014 and subsequently transmitted through the printed epistolary tradition \u2014 reproduces monti\u2019s discussion of raynouard and his poignant reference to his illness. the autograph, however, continues beyond the text transmitted by giulietta. \n in these concluding lines monti turns directly to manzoni. after reflecting upon the \u201cdisgrace\u201d that has struck him and the burden his life has become, he addresses manzoni in language of extraordinary tenderness: \u201c\u2026che amo siccome figlio e che siete sopra tutti degno di amore per la santa vostra virtù\u2026\u201d (\u201c\u2026whom i love as a son, and who above all others are worthy of love for your holy virtue\u2026\u201d) \n the words give the letter exceptional biographical significance. beneath the differences of generation, temperament and literary allegiance \u2014 monti, the great surviving representative of italian neoclassicism; manzoni, the central figure of the new romantic literature \u2014 they reveal a relationship of genuine personal devotion, expressed by the ageing monti in explicitly paternal terms. \n the affection was reciprocal. manzoni followed monti\u2019s declining health closely, reporting anxiously on his condition to fauriel in november 1826, while he and members of his family continued to visit the invalid poet. the present letter thus belongs not to a ceremonial exchange between two celebrated writers, but to the intimate final chapter of a friendship extending back to manzoni\u2019s youth. \n its date gives the document further resonance. only four months later, on 15 june 1827, manzoni sent monti a copy of the newly completed i promessi sposi, affectionately and self-deprecatingly calling his novel a \u201ccantafavola\u201d. on 13 october he wrote again, reporting the extraordinary esteem in which monti was held in florence and expressing the hope of seeing him again in milan. monti died there on 13 october 1828. \n the present manuscript consequently stands at the intersection of italian literary history, the history of the italian language and the private biography of two canonical authors. it records monti\u2019s continuing philological engagement with raynouard; provides a first-hand testimony to his state of mind after the devastating illness of 1826; and, most importantly, preserves in his own hand an intimate declaration of paternal affection for alessandro manzoni apparently absent from the contemporary transmission of the letter. \n an outstanding document linking monti and manzoni at a crucial moment in nineteenth-century italian literary history: the aged and ailing poet, still absorbed in the future of the italian language, writing to the younger author he loved \u201cas a son\u201d only months before the completion of the first edition of i promessi sposi. \n with: a fine engraved portrait of vincenzo monti by francesco rosaspina (1762\u20131841), after andrea appiani (1754\u20131817). appiani\u2019s celebrated portrait of monti was already being translated into engravings by rosaspina in 1809, commissioned by monti himself for presentation to friends; the engraving thus belongs to the poet\u2019s own contemporary iconographic tradition. \n two items: autograph letter signed, one page, with address, [milan, 2\u20137 february 1827]; engraved portrait of vincenzo monti by francesco rosaspina after andrea appiani."},"estimateMax":6000,"lotNumber":"69","title":{"en":"[various autographs, letters, & documents] - vincenzo monti (1754\u20131828) to alessandro manzoni (1785\u20131873) - an exceptionally important autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26601/view","tags":["ukCollectibles_BooksMagazinesPaper","itArt_EngravingsEtchings","itArt","ukCollectibles","ukCollectibles_all","itArt_all"],"directSalePrice":10,"soldPrice":4000,"lastUpdate":"2026-10-12T16:29:59.151Z","textCase":"lower","estimate":"£6,000","internalCatalogNumber":"26601","currency":"GBP","id":26601,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":6000},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26602/001/001.jpg"],"available":false,"description":{"en":"morse samuel f. b. - autograph letter signed, dated \u201cwashington march 6th 1845\u201d by the american inventor and painter. after establishing his reputation as a portrait painter, he contributed to the invention of a single-wire telegraph system. he was a co-developer of morse code in 1837 and helped to develop the commercial use of telegraphy. morse writes to the american geologist parker cleaveland (1780 - 1858), concerning the property of its invention and the possibility of installing it in colleges: \u201c\u2026the hon. mr. evans has handed me your letter of the i inst. and in reply i would say that had i the entire management of the property of the telegraph. i should make liberal and immediate arrangement for furnishing to colleges, the apparatus necessary to explain its operations, but acting with other i am as yet unable to grant any facilities for that purpose. we are, however, intending to put matters in train for a vigorous prosecution of the whole enterprise, and this point of furnishing colleges with an apparatus for illustrating the operations of the telegraph will not be overlooked. i will inform you of the result as soon as the arrangements are made\u2026\u201d. 1 p. in-4."},"estimateMax":1500,"lotNumber":"70","title":{"en":"[various autographs, letters, & documents] - morse samuel f. b. - \u201cmorse and the revolution of thought: telegraphy in collages\u201d"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26602/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.738Z","textCase":"lower","estimate":"£1,500","internalCatalogNumber":"26602","currency":"GBP","id":26602,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":1500},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26603/013/013.jpg"],"available":false,"description":{"en":"georges simenon (1903\u20131989) \n georges simenon archive: a remarkable collection of letters and personal memorabilia \n this extensive archive constitutes one of the most important private collections of simenon letters, manuscripts, photographs and personal memorabilia to have appeared on the market in recent decades. it sheds light on many fascinating and often unexpected aspects of the life and personality of the celebrated belgian writer, whose name remains inextricably linked with his most famous creation, inspector jules maigret, but whose literary achievement extends far beyond the maigret novels to the psychologically penetrating works he termed his romans durs. \n \n 1. a selection of rare and early letters \n \n long autograph letter signed, sent to \u201cmonsieur descaves\u201d. on headed paper of the hotel martinez, cannes. dated 8 march 1934. \n \u201cthe fog had prevented me from coming to dinner with you at my friend [maurice de] vlaminck\u2019s, and now the sunshine, this time, will not prevent us from getting together at least on easter day. andré, in fact, wants to put on a sketch [...] at the ambassadeurs in cannes, where i shall be on easter monday, and [...] i was weak enough to agree. [...] here there is respite from artificial life, a world without smells and without cares. it is very close to the casino de paris, but i prefer to keep myself apart. i am more often in the kitchens [...] than in the smoking room. this could provide the starting point for a novel. in any case, i shall begin one tomorrow or the day after, and another later for paris-soir. i have received offers from the petit parisien [...]\u201d (original in french). \n the letter was written a few months before simenon left genoa with his first wife, tigy, aboard the schooner araldo. during his long mediterranean voyage, simenon kept a shipboard diary which was published in instalments under the title mare nostrum. \n \n georges simenon and marcel prévost \n marcel prévost, naturalist novelist and member of the académie française, occupied a prominent position in french cultural life in the early twentieth century. simenon addresses him as \u201cmaître\u201d. \n autograph letter signed, sent to marcel prévost. undated [but 1930s]. \n \u201cmy dear and unjust friend [...] passing through nice for the trial [...] i tried to see you, made enquiries [...] and telephoned the artistic circle. i rushed to the address they gave me, which turned out to be an old one; regretfully i gave up and left again half an hour after the verdict because i am in the middle of a novel. that changes nothing. i would have been delighted to see you and talk with you, but you are impossible to find and nobody knew where you were [...]\u201d (original in french). \n \n autograph letter signed, sent to marcel prévost. in green ink, on headed paper. with stamp of the bibliothèque marcel prévost la roche. undated [but 1935\u201336]. \n \u201chere is the end. i am impatient to have your opinion and, when you have a moment, to come and talk to you. once again i have thought that my best novel of the year is the one about the reine de france, and i await the verdict [...]. it goes without saying that i leave you entirely free to make whatever changes to my text you consider necessary for the reine\u201d (original in french). \n \n autograph letter signed, sent to marcel prévost. on headed paper. with stamp of the bibliothèque marcel prévost la roche. undated [1937]. \n \u201cforgive me once again for troubling you in this way. i am sending you herewith the manuscript of the novel la soif. it is a little dirty, because it has already undergone its confrontation at gallimard. but it will not appear for another seven or eight months (i have four on the market!) [...]. i am sending my latest novels to monsieur henri [...]\u201d. \n ceux de la soif, one of simenon\u2019s so-called romans durs, appeared in instalments in the brussels newspaper le soir between 12 december 1936 and 1 january 1937. a year later it was published by gallimard. at simenon\u2019s request, the manuscript was sold at auction in 1943 for the benefit of prisoners of war. \n \n simenon\u2019s pipe \n typed letter with autograph signature in red ink, sent to gaston picard. on headed paper. dated 1 august 1938. \n \u201ci light my pipe when i get up. i smoke while working because i am working. i smoke after working because i am no longer working. i smoke while preparing the next day\u2019s chapter because i am preparing my chapter. fortunately one cannot yet smoke while eating or sleeping [...]\u201d. \n simenon began smoking a pipe when he was still a boy, at around thirteen. he became an inveterate smoker. he owned three hundred pipes, all briar, each associated with an important occasion or a pleasant event in his life. for inspector maigret, his most famous character, the pipe likewise became a distinguishing feature. \n \n typed letter signed, sent to georges grimmer. on georges simenon, shadow rock farm, lakeville, connecticut headed paper. dated 16 july 1951. \n \u201cyour cordial letter reaches me just as i am beginning a novel, which means that i am fiercely cutting myself off from the rest of the world for two or three weeks. nevertheless, i cannot resist the pleasure of telling you how happy i am to see your manuscript not in the hands of an indifferent collector, but in yours. the definitive title of the novel [...] is le temps d\u2019anaïs [...].\u201d \n le temps d\u2019anaïs was written during simenon\u2019s american residence at lakeville, connecticut, in november 1950. it was serialised under the title l\u2019auberge d\u2019ingrannes in the populaire de paris between february and april 1951. in the same year it appeared from presses de la cité under its definitive title, le temps d\u2019anaïs. \n \n georges simenon and dorothy l. sayers \n typed letter signed, with autograph note, sent to dorothy l. sayers. on hotel claridge headed paper. dated 18 april 1952. \n dorothy l. sayers (1893\u20131957) was an english writer, particularly celebrated for her series of detective novels featuring the amateur investigator lord peter wimsey. returning from italy, simenon writes: \n \u201ci shall be very happy and honoured to join your circle, and i thank the members of your club for having invited me to become a member honoris causa. [...] unfortunately thursday 21 may is the date on which i shall disembark in new york [...].\u201d \n simenon lived in north america for ten years (1945\u201355), first in quebec and then in arizona, california and connecticut. throughout his american period, he frequently visited new york, which provides the setting for trois chambres à manhattan (1946), maigret à new york and maigret se fâche (1947). arizona strongly inspired le fond de la bouteille (1949), while la mort de belle (1952) is set in connecticut. \n \n simenon and catherine spaak \n short autograph manuscript signed, dated june 1958, brussels. \n \u201cto agnès and catherine spaak, in memory of a dinner \u2014 very good but unfinished \u2014 during which i had the pleasure of getting to know their mother better and hearing her talk a great deal about the two of them \u2014 almost as much as i, for my part, spoke about my children. () hoping that they in turn will become my friends. [...] () meanwhile, at the other end of the table, papa spaak was in conversation with a lady. which goes to show that the \u2018bores\u2019 are always the same! ... just as everyone becomes a \u2018bore\u2019 in turn...\u201d (original in french). \n belgian screenwriter charles spaak married the french actress claudie clèves, with whom he had daughters agnès and catherine. \n \n long typed letter signed, sent to marcel duhamel. with autograph corrections and notes in the text. on georges simenon, château d\u2019échandens près lausanne headed paper. dated 16 december 1959. 3 written pages. \n the letter concerns the role of the examining magistrate and defence lawyer in france: \n \u201cwednesday already! 2.30 in the afternoon. and i am only now returning to la comédie humaine [...]. thanks to your wife and to you, we have spent a wonderful fortnight [...]. and now i shall try to give you, in a certain order, the information i promised. it might be entitled grandeur and littleness of the examining magistrate. in france [...] the juge d\u2019instruction is the man who holds the greatest powers [...]. no one can direct or control his investigation. he is its absolute master. [...]. the defence lawyer attends the interrogations, but an accused person may refuse the presence of his lawyer [...].\u201d \n \n typed letter signed, sent to renée hellman. on georges simenon, epalinges (vaud) headed paper. dated 20 september 1965. \n \u201ci am very pleased to send you herewith one of my favourite recipes together with a short introduction. i should not conceal from you that this text appeared in the artists\u2019 and writers\u2019 cookbook in los angeles. [...]\u201d \n renée hellman was the author of celebrity cooking (1967). \n \n typed letter signed, sent to robert pahin. on georges simenon, epalinges (vaud) headed paper. original envelope preserved. dated 21 june 1966. \n \u201ci am sending your letter to sven nielsen in the hope that he will listen to your protest and mine [...].\u201d \n at the end of the second world war sven nielsen was a young and virtually unknown publisher, while relations between simenon and gallimard were deteriorating. simenon therefore chose to publish his works with nielsen\u2019s presses de la cité. he succeeded in acquiring 45 per cent of the company, controlled the publishing strategy for his works and effectively became his own publisher. for foreign publications he retained 100% of all rights. \n \n long typed letter signed, sent to the publisher walter beckers. on georges simenon, epalinges (vaud) headed paper. dated 3 april 1968. \n the letter concerns a preface devoted to simenon. the author wishes to correct various details concerning his name, the origins of his family, the people with whom he associated and his works. he continues: \n \u201cthe most important error, which distorts the entire picture of my life, is to place in 1958, with le roman de l\u2019homme, the moment when critics devoted important articles to me [...]. gide had taken an interest in my work as early as 1937. [...]. there is also an error concerning pedigree. from the moment of its publication the book achieved large print-runs and since then it has never ceased to be reprinted [...]. la neige était sale attracted so little \u2018lack of notice\u2019 that in the united states alone more than two million copies were sold [...].\u201d \n of considerable interest. \n \n simenon and b.b. \n typed letter signed, sent to robert sherrill. on headed paper. dated 28 october 1968. \n \u201cbut it is a long time since i stopped writing articles. all the more so about brigitte bardot who, i confess, does not interest me in the slightest, either as a woman or as an artist. if she and i were left alone in the world, humanity would become extinct.\u201d \n colour photographic portrait of brigitte bardot, signed on the recto. 250 × 200 mm. \n colour photographic portrait of brigitte bardot, inscribed and signed on the recto. 140 × 90 mm. \n postcard: paris, editions lyna, no. 2085, \u201cd\u2019après ektachrome sam levin\u201d. \n colour photographic portrait of brigitte bardot, signed on the recto. 90 × 140 mm. \n postcard: paris, editions lyna, no. 2104. \n black-and-white photographic portrait of brigitte bardot, prominently signed by the actress on the recto. 253 × 200 mm. \n \n typed letter signed, sent to jean malosse, a scholar of arthur conan doyle. undated \n \u201ci am forced to disabuse you, for i do not belong to the p.t.t. administration. i shall nevertheless read your criticism with the greatest pleasure and profit [...]\u201d. \n \n short autograph letter signed, sent to bill godward. on headed paper. dated 13 february 1985. \n \u201ci am sending you an old pipe for your collection [...].\u201d \n together with: simenon\u2019s pipe. dunhill, \u201cbruyere 473\u201d, preserved in a 95 × 60 mm metal box for \u201cblackcurrant pastilles. original english formula\u201d (1977). \n \n typed letter signed, sent to bill godward. on headed paper. dated 1 september 1983. \n \u201c[...] thank you, too, for the pipe tobacco which i am looking forward to experiment [...] when involved in the writing of a novel i used to write, say five to six pages of dense handwriting which represented some twenty pages of the typewritten text. but this, i did in the afternoon, never at night. [...] i used to inscribe on yellow envelopes the names, dates and details relating to my characters [...].\u201d \n \n simenon\u2019s pipe, sent to rolando pieraccini. \n \u201cmorell mackenzie english mount, hermes paris\u201d, in a \u201cbruyères de butz choquin\u201d cloth case, preserved in a \u201cdunhill\u201d box, 170 × 89 mm. with a fragment of the original envelope bearing the recipient\u2019s address and the sender\u2019s address, \u201csecrétariat de georges simenon lausanne\u201d. \n \n \n 2. \u201ca confirmation of my independence\u201d \n \n 21 autograph letters and notes signed. \n 23 typed letters and notes signed. \n sent to various recipients. in french and english. most on the author\u2019s headed paper. 17 original envelopes preserved. dated 1960\u201387. \n \u201cthe manuscripts of all the novels i wrote prior to 1942 were sold, some thirty years ago, at an auction sale for the benefit of war prisoners, and i have no original document left for this entire period [...]\u201d (26 august 1970). \n \u201ci am very interested in what you tell me about la disparition d\u2019odile, a novel for which i retain a certain affection [...]\u201d (17 august 1972, originally in french). \n \u201ci have never accepted a literary prize, even when i was a beginner. all the more would i not accept one at my age, even if it were the nobel prize, should it happen to be offered to me. this is not a judgement on that prize or on those who award it. it is simply a confirmation of my independence [...]\u201d (1 june 1977, originally in french). \n \u201ci like everything that lives in nature and cosmos. i like simplicity and humility. i like every minute of the day, be it sunny, rainy or frosty. i especially like the man who, although the most disarmed of living creatures, has subsisted to all carnages he has caused and continues to bring about. at last, i like the woman, or more exactly, the couple [...]\u201d (14 april 1978). \n \u201ci have been a great cinema fan, even a passionate one, in the years 1920s and partly 30s, of what we call in french le cinéma d\u2019avant garde. as for the theatre, i never in my life sat in the ranks of the audience, and it is only when there was a play written by one of my friends or played by a friend of mine that i went to see them [...]. in any case, be it shakespeare or molière, i prefer reading them than seeing them on stage [...]\u201d (1 september 1983). \n \u201ci am absolutely opposed to literary prizes and [...] to all artistic prizes in general. [...] literary prizes serve only to create a certain number of mediocrities or failures [...]\u201d (20 february 1985, originally in french). \n \u201ci am an admirer of sibelius, but i have not had the pleasure of tasting finnish vodka [...]\u201d (7 january 1987, originally in french). \n \u201ci have always tried to write in the briefest possible manner. i write very swiftly: a novel is written within a week, as an average, followed by a single re-reading to remove useless adjectives or words [...]\u201d (7 january 1987). \n \n typed letter signed by denise simenon, sent to rolando pieraccini. on headed paper. dated 2 february 1961. \n together with: note signed by simenon. \n \u201cmy husband [...] has asked me to send you [...] a card which he has autographed for your collection [...].\u201d \n denise ouimet became simenon\u2019s secretary, lover, the inspiration for the novel trois chambres à manhattan, and his second wife, with whom he had three children. simenon, a man of excess and a formidable lover, fell madly in love with her. over the years, however, their relationship turned to hatred, with bitter legal repercussions and, in 1978, the suicide of their daughter marie-jo. \n \n 5 typed letters signed, sent to hein kohn. on headed paper. original envelopes preserved. dated 1964\u201369. \n texts in french, english and dutch. hein kohn (1907\u20131979), dutch publisher and literary agent, founded the international literatur bureau in 1951. \n \n typed letter signed, sent to rolando pieraccini. on headed paper. dated 11 november 1982. \n \u201cyou have, of course, my permission to exhibit your collection together with a selection of my works in different languages at the academic bookshop on the occasion of my eightieth birthday [...].\u201d \n typed letter signed, sent to rolando pieraccini. on headed paper. dated 11 november 1983. \n \u201call my manuscripts and my correspondence are at the centre d\u2019études georges simenon at the university of liège, and the statutes of this foundation prohibit even me from removing them. i am returning to you, signed, the letter i wrote at the time to florent fels when i had just moved to switzerland. i have excellent relations with finland, which is one of the most cultured countries in europe and perhaps in the world, judging by the number of translations of foreign works regularly published there [...]\u201d (original in french). \n typed letter signed by \u201cune secrétaire\u201d, sent to rolando pieraccini. on headed paper. dated 27 august 1984. \n \u201ci have the pleasure of sending you herewith a copy of le temps d\u2019anaïs, which i hope reaches you safely [...].\u201d \n on le temps d\u2019anaïs, see pp. 206\u20137, 212 and 222. \n autograph letter signed, sent to rolando pieraccini. on headed paper. original envelope preserved. dated december 1985. \n \u201c[...] i have seen very few maigret films and television adaptations. it is true that they have been made all over the world. the best maigret in the cinema? pierre renoir, brother of jean renoir. michel simon. jean gabin. there have been russian maigrets, japanese maigrets, etc. there was a famous british maigret [...].\u201d \n \n joyce aitken \n joyce aitken became simenon\u2019s secretary in the 1950s. discreet and entirely trustworthy, she handled the writer\u2019s business affairs: contracts, royalties, agreements with new publishers and film producers, assuming an increasingly important role over time. she became simenon\u2019s right-hand woman and remained close to him through the most painful episodes of his private life. \n colour photographic portrait of joyce aitken with long autograph inscription signed to rolando pieraccini. dated 19 march 1986. \n 6 typed letters signed by joyce aitken, sent to rolando pieraccini. on secrétariat de georges simenon headed paper. one original envelope preserved. dated 1984\u201385. \n the letters concern the novel le temps d\u2019anaïs (1951). rolando pieraccini owned the original manuscript for many years. through his secretary, simenon asked whether it might be possible to obtain a photocopy for the centre d\u2019études \u201cgeorges simenon\u201d in liège, which was duly supplied. simenon then sent pieraccini a fine photograph bearing a long inscription of thanks. the correspondence also discusses a project to publish the manuscript with eurographica. simenon readily agreed to the idea, but was unwilling to sign even one hundred copies, and the project therefore came to nothing. joyce aitken adds: \u201cwhen you have time, please tell m"},"estimateMax":20000,"lotNumber":"71","title":{"en":"[various autographs, letters, & documents] - georges simenon (1903\u20131989) - a remarkable collection of letters and personal memorabilia"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26603/view","tags":["ukCollectibles_BooksMagazinesPaper","art_photography","art_all","art","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.740Z","textCase":"lower","estimate":"£20,000","internalCatalogNumber":"26603","currency":"GBP","id":26603,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":20000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26604/001/001.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"pablo picasso (1881\u20131973) \n signed photograph of the artist with a monumental sculpted head \n vintage gelatin silver photograph depicting picasso in an interior beside a monumental sculpted head, signed \u201cpicasso\u201d in ink on the image. \n photographer\u2019s studio stamp on the verso: \u201cstudio a. hemery, 19, av. docteur-dautheville, juan-les-pins (a.-m.)\u201d; additionally inscribed in pencil on the verso, apparently \u201cdonné par marion / octobre 1958\u201d. \n a striking photographic portrait, juxtaposing picasso with the imposing sculpted head beside him. artist and sculpture dominate the composition, creating an unusually direct visual dialogue between picasso and his work. \n the stamp of studio a. hemery, juan-les-pins, firmly associates the photograph with the côte d\u2019azur milieu in which picasso lived and worked during this period, while the inscription dated october 1958 provides an early indication of the photograph\u2019s early provenance history. \n an evocative signed portrait of picasso with one of his sculptures, preserved with the photographer\u2019s studio stamp and a contemporary inscription dated october 1958. \n one item: vintage gelatin silver photograph, signed \u201cpicasso\u201d in ink on the image; photographer\u2019s stamp and pencil inscription on verso."},"estimateMax":2000,"lotNumber":"72","title":{"en":"[various autographs, letters, & documents] - pablo picasso (1881\u20131973) - signed photograph of the artist with a monumental sculpted head"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26604/view","tags":["art_photography","art_all","art"],"directSalePrice":10,"soldPrice":1400,"lastUpdate":"2026-10-12T16:36:30.959Z","textCase":"lower","estimate":"£2,000","internalCatalogNumber":"26604","currency":"GBP","id":26604,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":2000},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26605/001/001.jpg"],"available":false,"description":{"en":"marcel proust (1871\u20131922) \n \u201cvous me feriez bien grand plaisir \u2014 et vous devinez combien d\u2019honneur !\u201d \n autograph letter signed accompanying the gift of a face-à-main, paris, saturday 2 october [?] \n autograph letter signed \u201cmarcel proust\u201d, in french, paris, saturday 2 october [?], to an unidentified woman (\u201cmademoiselle\u201d). \n one page on a bifolium, written in proust\u2019s pencil hand and signed at the foot \u201cmarcel proust\u201d. \n a charming and highly characteristic presentation letter in which proust offers his correspondent a small gift, expressing both pleasure and deference at the prospect of her accepting it while taking particular care to ensure that she may exchange it should it not be to her taste. \n proust begins with an exquisitely courteous formulation: \n \u201cvous me feriez bien grand plaisir \u2014 et vous devinez combien d\u2019honneur ! \u2014 en acceptant ce petit face-à-main.\u201d \n (\u201cyou would give me great pleasure \u2014 and you can imagine what an honour! \u2014 by accepting this little lorgnette.\u201d) \n the face-à-main was a small hand-held lorgnette, an elegant personal accessory associated particularly with the theatres, salons and fashionable society of the period. \n with his typical solicitude, proust immediately reassures his correspondent that she may exchange the gift if it does not please her, explaining that arrangements have been made for her to choose something more to her liking. he mentions \u201cla grande maison\u201d from which the object came and emphasises that she should feel entirely free to replace it. \n what begins as a simple presentation note thus becomes an appealing miniature of proust\u2019s social manner: generous and ceremonious, yet anxious not to impose and attentive to the tastes and feelings of his correspondent. \n the subject of the letter has an additional proustian resonance. a face-à-main, an object made for looking and being seen in theatres, salons and fashionable gatherings, belongs naturally to the material and social world whose objects, gestures and rituals of observation proust would explore so minutely in à la recherche du temps perdu. \n a charming proustian document in which the presentation of an apparently modest gift reveals the writer\u2019s characteristic combination of courtesy, taste and minute consideration for its recipient. \n provenance: previously offered at sotheby\u2019s, paris, 16 december 2008, lot 77; subsequently included in a sale of nineteenth- and twentieth-century french literary manuscripts. \n condition: horizontal fold across the sheet, with light handling and age wear; pencil somewhat pale in places, but the text and signature remain legible. overall very good. \n one item: autograph letter signed, one page on a bifolium, paris, saturday 2 october [?]."},"estimateMax":2000,"lotNumber":"73","title":{"en":"[various autographs, letters, & documents] - marcel proust (1871\u20131922) - autograph letter signed accompanying the gift of a face-à-main"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26605/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.742Z","textCase":"lower","estimate":"£2,000","internalCatalogNumber":"26605","currency":"GBP","id":26605,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":2000},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26606/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26606/002/002.jpg"],"available":false,"description":{"en":"w. somerset maugham (1874\u20131965) \n typed letter signed, the dorchester, london, 1962 \n typed letter signed \u201cw. somerset maugham\u201d, dated 7 october 1962, on a single sheet of headed stationery from the dorchester, london, w.1, and addressed to rolando pieraccini. \n maugham warmly acknowledges pieraccini\u2019s letter: \u201cthank you for your charming letter and all the nice things you say. it was extremely kind of you to write to me; i was touched and much pleased.\u201d he then responds directly to pieraccini\u2019s request for his signature: \u201chere is the autograph you ask for.\u201d the letter concludes \u201cyours sincerely\u201d and is signed in blue ink \u201cw. somerset maugham\u201d. \n together with the original postal envelope, addressed to pieraccini in italy and bearing british postage and postal cancellation. \n written when maugham was in his late eighties, only three years before his death, this is an attractive example of the celebrated novelist and playwright\u2019s correspondence, with a particularly clear and substantial autograph signature. the dorchester letterhead adds an appealing london association. \n two items: one typed letter signed and the original postal envelope."},"estimateMax":200,"lotNumber":"74","title":{"en":"[various autographs, letters, & documents] - w. somerset maugham (1874\u20131965) - typed letter signed, the dorchester, london, 1962"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26606/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.743Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26606","currency":"GBP","id":26606,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":200},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26607/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26607/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26607/003/003.jpg"],"available":false,"description":{"en":"maria stona (1859\u20131944) \n autograph postcard signed to gini loebl, with a woodcut by e. hrabal. grzebowitz, 4 february 1927. \n illustrated postcard signed by maria stona, the literary pseudonym of marie scholz-stonawski, dated grzebowitz, 4 february 1927, and addressed to gini loebl, wife of a hofrat (court councillor), at falkestraße 1, vienna. the reverse bears a black-and-white woodcut by e. hrabal, entitled holzhauer, above which stona has added a brief autograph greeting and her signature. the address side contains a further handwritten message in black ink. with the original austrian postage and a clearly struck contemporary kravsko postmark. \n born marie scholz, and later known as marie scholz-stonawski, stona published under the pseudonym maria stona and established herself as a poet, writer and cultural figure in the german-speaking literary world of moravia and silesia. her work encompassed poetry, prose and travel writing and was closely connected with the cosmopolitan cultural environment of the late habsburg lands and their successor states. \n the postcard was sent from grzebowitz in 1927 to gini loebl in vienna. the manuscript message, written in traditional german cursive script, gives the piece the character of a personal communication between members of this central european social and cultural network. \n of particular visual interest is the woodcut on the reverse, e. hrabal\u2019s holzhauer, which transforms the postcard from a simple piece of correspondence into an attractive conjunction of graphic art and literary autograph. stona has written her greeting immediately above the image and signed it in her own hand. \n an appealing document of the mitteleuropean literary world between the wars. bringing together maria stona\u2019s autograph correspondence, an original period woodcut and its complete postal context, the postcard provides an intimate glimpse of the personal networks connecting writers, artists and cultivated society across austria and the former habsburg lands during the 1920s."},"estimateMax":180,"lotNumber":"75","title":{"en":"[various autographs, letters, & documents] - maria stona (1859\u20131944) - autograph postcard signed to gini loebl, with a woodcut by e. hrabal. grzebowitz"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26607/view","tags":["ukCollectibles_BooksMagazinesPaper","itArt_EngravingsEtchings","itArt","ukCollectibles","ukCollectibles_all","itArt_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.745Z","textCase":"lower","estimate":"£180","internalCatalogNumber":"26607","currency":"GBP","id":26607,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":180},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26608/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26608/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26608/003/003.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"henri de toulouse-lautrec (1864\u20131901) \n \u201cje m\u2019étais dit avec plaisir que nous recommencerions les agréables vacances du jour de l\u2019an\u201d \n important early autograph letter signed to his cousin raoul tapié de céleyran, written in the aftermath of the accidents that transformed his life, céleyran, december 1879 \n autograph letter signed, in french, céleyran, december 1879, to his young cousin raoul tapié de céleyran (1868\u20131937). \n four pages, small octavo, closely written in pencil on a single folded sheet. \n an unusually early and intimate letter by the fifteen-year-old henri de toulouse-lautrec, addressed to his cousin raoul tapié de céleyran and written during one of the most consequential periods of the future artist\u2019s youth. \n lautrec writes with affectionate urgency after learning that his young cousins\u2019 school results have been so unsatisfactory that they may be prevented from joining the family for the new year holidays. he reminds raoul of his promises to work harder and expresses his disappointment at the prospect that they may not be able to spend the holidays together: \n \u201cje m\u2019étais dit avec plaisir que nous recommencerions les agréables vacances du jour de l\u2019an.\u201d \n (\u201ci had been happily thinking that we would once again enjoy those pleasant new year holidays together.\u201d) \n he urges raoul to make every possible effort to avoid the threatened punishment: \n \u201ctu comprends ma peine, et je viens vous exhorter à faire votre possible pour que cette punition n\u2019ait pas lieu.\u201d \n (\u201cyou understand how distressed i am, and i urge you to do everything possible so that this punishment does not take place.\u201d) \n the letter continues in the animated, spontaneous voice of an adolescent writing to a much-loved younger cousin. lautrec encourages raoul to work hard enough to persuade his parents to relent, repeatedly returning to the prospect of their spending the holidays together. \n the document acquires particular poignancy from its date. in 1878 and 1879 lautrec had suffered the two severe fractures of his legs that permanently affected his physical development. in august 1879, only a few months before the present letter, he had suffered the second fracture while staying at barèges. the long periods of convalescence associated with these injuries coincided with the increasingly central place that drawing was assuming in his life. \n yet there is strikingly little sense of his own circumstances in the letter. instead, the fifteen-year-old lautrec is absorbed by family life, school marks, holidays and the prospect of seeing his cousins again. the contrast between the seriousness of his recent injuries and the affectionate, entirely youthful concerns of the letter gives it particular biographical appeal. \n the recipient, raoul tapié de céleyran, was lautrec\u2019s first cousin and remained closely connected with the artist throughout his life. the two belonged to the closely interwoven toulouse-lautrec and tapié de céleyran families, whose houses and estates formed the landscape of lautrec\u2019s childhood. raoul would later appear in lautrec\u2019s work and own several paintings from the artist\u2019s estate. \n the relationship between the cousins was therefore far from incidental. surviving correspondence records lautrec writing to raoul from an early age, and the present letter belongs to the formative period in which his physical circumstances were changing dramatically while his commitment to drawing was steadily developing. \n a compelling document from the dawn of toulouse-lautrec\u2019s artistic life: the future chronicler of montmartre, only fifteen years old and recovering from the injuries that would permanently alter his physical development, writing with youthful urgency about school marks, family affection and the hope of spending new year with his cousins. \n provenance: raoul tapié de céleyran (1868\u20131937), cousin of the artist; subsequently offered at l\u2019autographe auctions, lot 974, where described as an autograph letter signed, dated \u201ccéleyran xbre 79\u201d, to raoul tapié de céleyran. \n condition: written in pencil, generally pale but substantially legible; original horizontal and vertical folds; light age-toning, handling wear and occasional darker pencil emphasis or contemporary markings. overall good to very good."},"estimateMax":3000,"lotNumber":"76","title":{"en":"[various autographs, letters, & documents] - henri de toulouse-lautrec (1864\u20131901) - important early autograph letter signed to his cousin raoul tapié de céleyran"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26608/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":2000,"lastUpdate":"2026-10-12T16:40:15.954Z","textCase":"lower","estimate":"£3,000","internalCatalogNumber":"26608","currency":"GBP","id":26608,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":3000},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26609/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26609/002/002.jpg"],"available":false,"description":{"en":"p. g. wodehouse (1881\u20131975) \n autograph letter signed and signed photograph, 1964 \n autograph letter signed \u201cp. g. wodehouse\u201d, dated 8 february 1964, written in blue ink on a single sheet of wodehouse\u2019s headed stationery, \u201cp. g. wodehouse, remsenburg, new york\u201d, and addressed to \u201csignor pieraccini\u201d. \n wodehouse thanks rolando pieraccini for his letter and is delighted that he has enjoyed his books, before turning to the novel he is about to complete: \n \u201ci am within three pages of the end of my new one and expect to finish it tomorrow. it is a blandings castle story about lord emsworth and his pig and has come out very well. my only trouble is that i cannot think of a title for it!\u201d. signed at foot \u201cp. g. wodehouse\u201d. \n together with an original black-and-white portrait photograph of wodehouse in profile, wearing spectacles and smoking a pipe, inscribed beneath the image \u201cwith best wishes\u201d and signed \u201cp. g. wodehouse\u201d. \n an appealing literary document offering a vivid glimpse of wodehouse at work, most likely on what would become galahad at blandings. this novel first appeared in the united states later that year as the brinkmanship of galahad threepwood. written when wodehouse was only three pages from completing the novel, the letter is particularly evocative in recording that he had yet to find a title for it. \n two items: one autograph letter signed and one signed photograph."},"estimateMax":400,"lotNumber":"77","title":{"en":"[various autographs, letters, & documents] - p. g. wodehouse (1881\u20131975) - autograph letter signed and signed photograph, 1964"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26609/view","tags":["ukCollectibles_BooksMagazinesPaper","art_photography","art_all","art","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.747Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26609","currency":"GBP","id":26609,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":400},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26610/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26610/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26610/003/003.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"stefan zweig (1881\u20131942) to arturo toscanini (1867\u20131957) ?\u201cthe last opportunity to see one of the immortals of our age\u201d?an exceptional letter proposing a visit to sigmund freud in london, only months before freud\u2019s death?autograph letter signed (\u201cstefan zweig\u201d), in italian, [bath], may 1939, to arturo toscanini, with the original autograph envelope addressed to the conductor at the langham hotel, london.?2 pages, written in ink on a single folded sheet of headed stationery of the grand pump room hotel, bath, with the hotel\u2019s arms printed at the head; accompanied by the original envelope, addressed in zweig\u2019s hand to \u201cmaestro arturo toscanini, london w1, langham hotel\u201d, franked with a george vi 1½d stamp and postmarked london, 10 may 1939.?a remarkable association letter linking three towering figures of twentieth-century european culture \u2014 stefan zweig, arturo toscanini and sigmund freud \u2014 in which zweig urges toscanini to visit the ailing freud, warning that it may be his last opportunity to see \u201cone of the immortals of our age.\u201d?writing affectionately to \u201ccarissimo maestro et amico\u201d, zweig explains that he had been unable to attend toscanini\u2019s concert because he was spending the weekend in bath, but had listened to the performance on the radio. his response is ecstatic: \u201cquale perfezione!\u201d (\u201cwhat perfection!\u201d)?the performance prompts zweig to recall an earlier conversation, before he turns to the principal and historically most compelling subject of the letter: sigmund freud.?zweig reminds toscanini that during the previous year in london the conductor had told him that he would be pleased to visit freud. zweig now offers to arrange the meeting personally. freud, he explains, has suffered greatly from ill health, but zweig is certain that he would derive enormous pleasure from seeing toscanini. the two men, he suggests, could go together to visit him at around five o\u2019clock on almost any day.??he then adds an extraordinarily poignant warning: \u201cho paura che sia l\u2019ultima occasione per lei di aver visto uno dei più immortali di nostra epoca.\u201d (\u201ci fear that this may be your last opportunity to have seen one of the great immortals of our age.\u201d)?the words proved tragically prescient. freud had fled nazi-occupied vienna for london in june 1938, already gravely ill with the cancer from which he had suffered for many years. he died at his london home on 23 september 1939, only a few months after this letter was written.?the document is particularly resonant because of zweig\u2019s own relationship with freud. the two men had maintained a long friendship and correspondence, and zweig greatly admired the founder of psychoanalysis. both were austrian jewish intellectuals driven from their homeland by national socialism, and both found refuge in britain. zweig was among those who remained close to freud during his final london exile.?the recipient adds another exceptional dimension to the letter. arturo toscanini, one of the greatest conductors of the twentieth century and an outspoken opponent of fascism and nazism, had refused to perform in mussolini\u2019s italy and hitler\u2019s germany. the proposed encounter therefore brought together three internationally celebrated european figures whose lives had become intimately entangled with the political catastrophe engulfing europe.?written in zweig\u2019s characteristically warm if occasionally idiosyncratic italian, the letter moves effortlessly from music to friendship and finally to mortality. its greatest force lies in zweig\u2019s urgent desire to bring toscanini and freud together while there was still time.?an exceptional document of european intellectual history on the eve of the second world war: zweig writing to toscanini about the dying freud \u2014 and urging him not to miss what might be his final opportunity to meet \u201cone of the immortals of our age.\u201d?provenance:?arturo toscanini; addressed to him by zweig at the langham hotel, london.?condition:?the letter with the original horizontal fold and light handling wear; ink clear and well preserved. the accompanying envelope with expected postal wear, creasing and a small loss/tear at the lower edge; stamp and london cancellation preserved. overall very good."},"estimateMax":3000,"lotNumber":"78","title":{"en":"[various autographs, letters, & documents] - stefan zweig (1881\u20131942) to arturo toscanini (1867\u20131957) - an exceptional letter"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26610/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":2600,"lastUpdate":"2026-10-12T16:42:12.963Z","textCase":"lower","estimate":"£3,000","internalCatalogNumber":"26610","currency":"GBP","id":26610,"exportLicenseDue":true,"category":{"en":"VARIOUS AUTOGRAPHS, LETTERS, & DOCUMENTS"},"estimateMin":3000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26611/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26611/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26611/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26611/004/004.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"paolo andreani (1763\u20131823) - important autograph letter signed, discussing the battle of leipzig, the collapse of napoleon\u2019s power, the political future of italy and spain, and his hopes of returning to england. cádiz, 26 november 1813. \n autograph letter signed, in english, four pages, dated cádiz, 26 november 1813, and addressed \u201cmy dear sir\u201d to an unidentified but evidently influential british correspondent. signed with the formula \u201cyour truly ob. hbl s.v\u201d and andreani\u2019s autograph signature. \n an unusually substantial political and personal letter from the celebrated milanese scientist, explorer and pioneering aeronaut, written from cádiz as the napoleonic order in europe appeared to be unravelling in the aftermath of the battle of leipzig. \n andreani opens with news of the allied victory at leipzig, the great battle of the nations of 16\u201319 october 1813, which had dealt napoleon one of the most consequential defeats of his career. he welcomes: \u201cthe pleasant confirmation of the great event of leipzig to which it is likely that europe will be indebted once more to repose & happiness\u201d. he is surprised, however, by the muted response in cádiz, observing that the news: \u201chas made a very little impression on the inhabitants of this city\u201d. \n from leipzig his thoughts turn back to the catastrophe of napoleon\u2019s russian campaign the previous year. with evident astonishment at the chain of events set in motion by the french retreat, andreani exclaims: \u201cwhat a wonderful result, my dear sir, of the burning of moscow\u201d. \n italy occupies a central place in his political reflections. although napoleon\u2019s position in germany had been shattered, andreani observes that: \u201citaly still remains to be roused\u201d. \n he speculates that a sufficiently timely offer from the allies might persuade eugène de beauharnais, napoleon\u2019s stepson and viceroy of the kingdom of italy, to change sides and: \u201cthrow himself into the arms of the allies, & abandon the cause of the man who devoted his mother to shamefully\u201d. \n such a defection, andreani argues, would deprive napoleon of the substantial resources offered by the italian territories. the passage is particularly revealing of the fluid political calculations that followed leipzig, when the future allegiance of napoleon\u2019s remaining allies and satellite states had become a matter of immediate european importance. \n andreani is no less outspoken in his assessment of the political situation in spain. writing from cádiz \u2014 the centre of spanish liberal constitutionalism and the birthplace of the constitution of 1812 \u2014 he expresses deep hostility towards the liberal faction and what he regards as its: \n \u201cunreasonable patriotism\u201d. for andreani, political stability requires monarchical authority. he maintains that \u201cnothing else, but a royal person at the head can restore order\u201d and suppress \u201cin the cradle the democratic principles, which are taking root daily\u201d. \n his remarks provide a striking contemporary reaction to the political experiment unfolding in cádiz. he also detects hostility towards britain not merely there but in madrid, where, in his assessment, the jacobin tendency was attempting to \u201cusurp an influence\u201d. the letter thus combines observations on the military collapse of napoleonic power with a distinctly conservative assessment of the revolutionary and constitutional forces competing to determine post-war europe. \n the political commentary gradually gives way to andreani\u2019s own increasingly difficult circumstances. confined to bed by gout and anxious about his financial position, he appeals to his well-connected correspondent for assistance in securing passage aboard an admiralty vessel to gibraltar. his ultimate objective is england, where he hopes: \u201cto procure myself the means to live with some comfort in england\u201d. the personal appeal lends an intimate counterpoint to the sweeping geopolitical analysis of the preceding pages: the man who comments on the fate of napoleon, italy and constitutional spain is simultaneously attempting to secure his own passage and financial survival amid the upheavals of war. \n a compelling letter written at a turning point in european history, combining first-hand political observation with andreani\u2019s own precarious circumstances. from cádiz, only weeks after leipzig, the pioneering italian aeronaut surveys the consequences of moscow, anticipates the possible defection of eugène de beauharnais, condemns the growth of democratic principles in spain and looks towards a restored european order, while seeking british assistance for his own return to england. the breadth and candour of the four-page letter make it an unusually vivid testimony to both andreani\u2019s political outlook and the profound uncertainty surrounding the final phase of the napoleonic era."},"estimateMax":800,"lotNumber":"79","title":{"en":"[historical letters & documents] - paolo andreani (1763\u20131823) - important autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26611/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":220,"lastUpdate":"2026-10-12T16:43:38.955Z","textCase":"lower","estimate":"£800","internalCatalogNumber":"26611","currency":"GBP","id":26611,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":800},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26612/001/001.jpg"],"available":false,"description":{"en":"vittorio barzoni (1767\u20131829) - important autograph letter signed, recalling his eleven years of service to the anti-french cause in malta and seeking british assistance to return permanently to italy. livorno, 23 july 1814. \n autograph letter signed by vittorio barzoni, in italian, dated livorno, 23 july 1814, and addressed to an unidentified high-ranking figure styled \u201ceccellenza\u201d. on contemporary watermarked paper, in excellent condition. the letter was entrusted for personal delivery to patrick laing, principal secretary to the government of malta. \n an important autobiographical letter from the journalist and political polemicist vittorio barzoni, written in the immediate aftermath of napoleon\u2019s first abdication and recalling his long maltese exile and eleven years of service to the anti-french cause under british protection. \n barzoni, one of the most outspoken italian opponents of revolutionary and napoleonic france, writes from livorno at a decisive turning point in both european history and his own life. with napoleon defeated and exiled to the nearby island of elba, barzoni hoped that the political transformation of 1814 would finally allow him to return permanently to his native italy after years spent abroad. \n the letter amounts in part to a summary of his claims upon british gratitude. barzoni recalls his eleven years in malta and the services he had rendered there to the anti-french cause. his residence on the island had placed him within a strategically important centre of british power in the mediterranean and provided a base from which he could continue the political and journalistic opposition to napoleon that had made his position in french-dominated italy untenable. \n with the circumstances that had sustained his exile apparently brought to an end, barzoni asks the recipient to intercede with the ministers of george iii on his behalf. his object is the grant of a life pension that would provide the financial security necessary for him to return home. the purpose of the request is expressed with particular simplicity and poignancy: he wishes \u201candar a finire i miei giorni a casa mia in italia\u201d (\u201cto go and end my days at my own home in italy\u201d), and to be reunited with his elderly parents. \n of particular interest is the means by which the letter reached its destination. barzoni explains that patrick laing, principal secretary to the government of malta, had undertaken to deliver it personally, referring to him as the intermediary who \u201csi fa il piacere di recarle questa lettera\u201d (\u201cdoes me the favour of delivering this letter to your excellency\u201d). \n a compelling document of exile, political commitment and attempted homecoming at the first fall of napoleon. written after eleven years spent in malta under british protection, the letter finds the veteran anti-napoleonic polemicist appealing to the government whose cause he had supported for the means to \u201cend my days at my own home in italy\u201d. its personal delivery by patrick laing gives the manuscript an additional connection with the british administration of malta and the diplomatic networks of the mediterranean, while its date at livorno, with napoleon already confined on nearby elba, places barzoni\u2019s intensely personal appeal against the dramatic transformation of europe in the summer of 1814."},"estimateMax":800,"lotNumber":"80","title":{"en":"[historical letters & documents] - vittorio barzoni (1767\u20131829) - important autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26612/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.748Z","textCase":"lower","estimate":"£800","internalCatalogNumber":"26612","currency":"GBP","id":26612,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":800},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26613/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26613/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26613/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26613/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26613/005/005.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"caroline de brunswick (1768 - 1821) \n collection of memorabilia relating to the trial of queen caroline in 1820, mounted in three large albums, over 400 pages, folio, morocco, rubbed, bookplate of lord fairhaven, in a slipcase, together with a folio printed volume, 1820. the collection comprises a. authorized notes of admission to the house of lords between august and november 1820, addressed to the doorkeeper and signed by peers and bishops (including lords grey, holland, aberdeen, grenville, wellesley, melbourne, melville, sidmouth, and wellington) (c.280). b. letter signed by george iv ordering the commissioners for auditing the public accounts to discharge viscount castlereagh, secretary of state, from rendering any account of the expenditure of 7,500, which was given to thomas coutts & co. to discharge \"the bills of the several authorised agents appointed to consider the enquiries respecting her majesty the queen\", 2 pages, folio, integral blank, carlton house, 30 november 1820. c. a volume of printed state acts and proceedings relating to the trial, c.1000 pages, half-morocco, bookplate of lord lonsdale, folio, 1820. d. upwards of 200 contemporary prints. the trial of queen caroline in the house of lords between august and november 1820 was one of the great scandals of the age. in the event, george iv's attempt to establish her adultery and secure a divorce failed and, to the delight of the public, she was acquitted. the document in the present collection, proving the king's use of his secret service to prepare the case, bears vivid witness to the determination he felt, in the first year of his reign, to rid himself of his official connection to a woman he had long despised and rejected. his wish was, as it happens, granted in the following year after she was physically barred from attending his coronation, took ill and died. \n \n \n \n ---ex sotheby's auction 1990---"},"estimateMax":2000,"lotNumber":"81","title":{"en":"[historical letters & documents] - caroline de brunswick (1768 - 1821) - collection of memorabilia"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26613/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":700,"lastUpdate":"2026-10-12T16:46:49.403Z","textCase":"lower","estimate":"£2,000","internalCatalogNumber":"26613","currency":"GBP","id":26613,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":2000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26614/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26614/002/002.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"eugène de beauharnais (1781\u20131824) - important autograph draft letter to napoleon, written during the retreat from russia shortly after eugène assumed command of the remnants of the grande armée. posen [poznań], 29 january 1813. \n autograph draft in the hand of eugène de beauharnais, viceroy of italy, in french, addressed at the head \u201cà l\u2019empereur\u201d and dated posen, 29 january 1813. the sheet bears extensive working material on both sides. some losses to the paper, with foxing and contemporary signs of handling and use. \n an important working document from the final stages of the retreat from russia, written by eugène de beauharnais to napoleon only days after he had assumed supreme command of the shattered remnants of the grande armée following murat\u2019s departure. \n the letter belongs to one of the most critical moments of eugène\u2019s military career. after the catastrophic russian campaign and napoleon\u2019s departure for paris in december 1812, command of the surviving army had initially passed to joachim murat. in january 1813 murat abandoned the army and returned to his kingdom of naples, leaving eugène to take command of the rapidly diminishing french forces and organise their retreat and reconstruction in poland and germany. \n writing from posen (poznań) on 29 january 1813, eugène reports directly to napoleon and refers repeatedly to the instructions arriving from the emperor. he acknowledges the receipt of multiple letters: \u201cj\u2019ai reçu le 16 lettres de v.m.\u201d (\u201ci received on the 16 letters from your majesty\u201d), and later: \u201cj\u2019ai reçu auj. la lettre par laq. v.m. me donne copie\u2026\u201d (\u201ci received today the letter by which your majesty sends me a copy\u2026\u201d). \n these references convey the urgency of the correspondence passing between napoleon and his new commander in the field as they attempted to preserve and reorganise what remained of the grande armée. posen had become a crucial point in the french withdrawal, and eugène was confronted with the formidable task of maintaining cohesion while responding to the advancing russian forces and preparing a further retreat westwards. \n of particular interest is the physical character of the manuscript. the recto is occupied by five densely written lines consisting principally of sequences of numbers interspersed with isolated words or textual fragments. the arrangement appears to represent work connected with the deciphering or enciphering of a coded communication, offering a striking material indication of the procedures by which sensitive military information could be transmitted during the campaign. \n on the verso, eugène reused the same sheet for his draft to napoleon. corrections, abbreviations and the absence of the formal finish of a dispatched letter clearly reveal its character as an office draft rather than the copy actually sent to the emperor. further lines written in the reverse direction at the foot of the sheet reinforce its nature as a working document produced amid the pressures of active military command. \n the date lends the manuscript particular historical significance. eugène had only just inherited responsibility for the remnants of an army devastated by the russian campaign. his conduct during the ensuing withdrawal would demonstrate his ability to preserve a degree of order under extraordinarily difficult circumstances, as french forces progressively abandoned their positions in poland and fell back towards the oder and eventually the elbe. \n a compelling working document from the aftermath of napoleon\u2019s russian catastrophe. combining eugène de beauharnais\u2019s autograph draft of a dispatch to the emperor with what appears to be contemporary work on a coded military communication, the sheet preserves the immediacy of command at one of the most precarious moments in the history of the grande armée. written at posen shortly after eugène assumed command, it records both his direct exchange of orders with napoleon and the practical mechanisms of military communication during the desperate attempt to reorganise the remnants of the french army in january 1813."},"estimateMax":1000,"lotNumber":"82","title":{"en":"[historical letters & documents] - eugene de beauharnais (1781\u20131824) - to napoleon - important autograph draft letter"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26614/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":850,"lastUpdate":"2026-10-12T16:47:55.959Z","textCase":"lower","estimate":"£1,000","internalCatalogNumber":"26614","currency":"GBP","id":26614,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":1000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26615/001/001.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"julie clary bonaparte (1771\u20131845) - autograph letter signed, probably to cardinal joseph fesch, expressing gratitude for his \n devotion to joseph bonaparte and herself. lyon, 24 july 1804. \n autograph letter signed \u201cgiulia\u201d, in italian, dated lyon, 24 july 1804, addressed to an unidentified senior prelate, probably cardinal joseph fesch (1763\u20131839), archbishop of lyon and maternal half-uncle of napoleon bonaparte. with an early archival annotation in the upper left corner, \u201cdalla regina di spagna\u201d (\u201cfrom the queen of spain, a title obtained by the writer a few years later\u201d). in good overall condition, with light foxing and the usual folds. \n a warm letter from julie clary, wife of joseph bonaparte, written at lyon during the momentous summer of 1804 and expressing her gratitude for the recipient\u2019s attachment to her husband and herself.julie thanks her correspondent for his letter of the 10th of the month and responds warmly to the sentiments of devotion he had expressed towards joseph bonaparte and herself. she explains that this attachment fully justifies the favourable impression he had made upon them from their first meeting and assures him that she will always be pleased to receive further news and will retain a grateful memory of his kindness. the letter closes with expressions of perfect esteem and consideration. the letter was written at a decisive moment in the transformation of the bonaparte family into a european dynasty. only two months earlier, on 18 may 1804, napoleon had been proclaimed emperor of the french, making joseph an imperial prince. julie herself would become queen of naples in 1806 and queen of spain in 1808, following joseph\u2019s successive elevation to those thrones. \n an attractive document from the formative months of the napoleonic imperial dynasty. written four years before julie became queen of spain, the letter records the personal relationships linking joseph bonaparte\u2019s immediate family with the senior ecclesiastical establishment surrounding napoleon. its probable association with cardinal fesch, if confirmed, would give the document particular interest as correspondence between two figures at the heart of the bonaparte family network during the transition from consulate to empire."},"estimateMax":300,"lotNumber":"83","title":{"en":"[historical letters & documents] - julie clary bonaparte (1771\u20131845) - autograph letter signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26615/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":100,"lastUpdate":"2026-10-12T16:49:00.166Z","textCase":"lower","estimate":"£300","internalCatalogNumber":"26615","currency":"GBP","id":26615,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":300},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26616/003/003.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"anne willem carel, baron van nagell van ampsen (1756\u20131851) - important letter signed to sir charles stuart, concerning the movement of brunswick troops into the netherlands during the preparations for the waterloo campaign. brussels, 1 may 1815. \n letter signed by anne willem carel, baron van nagell van ampsen, in french, dated brussels, 1 may 1815, and addressed to sir charles stuart (1779\u20131845), british ambassador extraordinary and plenipotentiary at brussels. written in his capacity as secretary of state for foreign affairs of the newly established united kingdom of the netherlands and signed in full by van nagell. \n an important diplomatic and military document from the hundred days, recording the movement of brunswick troops into the netherlands as the allied powers concentrated their forces in belgium for the campaign that would culminate at waterloo only seven weeks later. \n van nagell informs stuart that king william i of the netherlands has been formally apprised of the movements and intended march of the brunswick corps. he further confirms that the necessary orders have already been issued to ensure the troops\u2019 reception and passage through the territory of the united kingdom of the netherlands. \n the reference is to the forces of the duchy of brunswick, one of the german contingents assembling in the low countries after napoleon\u2019s return from elba. their movement formed part of the rapid concentration of allied forces intended to confront the restored french empire before napoleon could consolidate his position or defeat the coalition armies separately. \n the date gives the letter particular significance. on 1 may 1815, napoleon had been back in paris for little more than a month. the european powers had already renewed their alliance against him, while british, dutch-belgian, german and other contingents were assembling in the southern netherlands. brussels had consequently become a crucial centre of allied diplomatic and military activity. the brunswick contingent would shortly form part of the multinational army commanded by the duke of wellington. \n a compelling document from the preparations for the waterloo campaign. written only seven weeks before the battle, the letter captures the practical process by which the coalition forces were being assembled in belgium: governments exchanged intelligence, troop movements were communicated through diplomatic channels, and orders were issued for the reception and transit of allied contingents. its specific reference to the brunswick troops who would fight at quatre bras and waterloo, and whose commander would be killed only six weeks later, gives the document particular immediacy as a record of the military concentration that preceded napoleon\u2019s final campaign."},"estimateMax":800,"lotNumber":"84","title":{"en":"[historical letters & documents] - anne willem carel, baron van nagell van ampsen (1756\u20131851) - the hundred days \u2014 waterloo - important letter signed to sir charles stuart"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26616/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":460,"lastUpdate":"2026-10-12T16:50:25.963Z","textCase":"lower","estimate":"£800","internalCatalogNumber":"26616","currency":"GBP","id":26616,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":800},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26617/001/001.jpg"],"available":false,"description":{"en":"jean-étienne championnet (1762\u20131800) - autograph letter signed to the minister of war, concerning desertion and the reorganisation of the 51st demi-brigade during the mobilisation of the army of england. headquarters, 16 fructidor, year v [2 september 1797]. \n autograph letter signed, in french, one page, folio, addressed to the minister of war and signed by championnet. concluding with the republican formula \u201csalut et respect\u201d. \n an important military letter from championnet during the formation of the army of england, exposing the difficulties encountered in bringing units up to strength as revolutionary france began concentrating forces for the projected invasion of great britain. \n a distinguished general of the revolutionary wars and later commander of the army that occupied naples and established the parthenopean republic in 1799, championnet was appointed to command the right wing of the newly constituted armée d\u2019angleterre. the present letter belongs to the period in which troops were being assembled and reorganised for operations against britain. \n championnet writes to the minister of war enclosing nominal rolls of men of the 51st demi-brigade who had left their unit on authorised leave but had failed to return to their colours: \u201cvous trouverez ci joint citoyen ministre, les états nominatifs des hommes partis en permission, et les parties sans délai [de la] 51.me 1/2 brigade qui n\u2019ont pas rejoints leurs drapeaux.\u201d (\u201cyou will find enclosed, citizen minister, the nominal rolls of the men of the 51st demi-brigade who left on leave and have not returned to their colours.\u201d) \n the problem, however, extended beyond the soldiers themselves. championnet reports that representatives of the directory attached to the municipal administrations were failing to exercise the authority entrusted to them to ensure the return of deserters. more seriously, some were actively extending their leave or obstructing their departure: \u201cje dois vous prévenir qu\u2019on m\u2019assure que plusieurs commissaires du directoire près les administrations municipales, bien loin d\u2019user de l\u2019autorité que la loy leur a confiée pour faire rejoindre les déserteurs, leur accordent des prolongations de permission, et s\u2019opposent quelquefois à leur départ.\u201d (\u201ci must inform you that i am assured that several commissioners of the directory attached to the municipal administrations, far from using the authority entrusted to them by law to compel deserters to rejoin their units, grant them extensions of leave and sometimes even prevent their departure.\u201d) \n the complaint provides revealing evidence of the practical difficulties facing the revolutionary armies. orders issued by the central military authorities depended upon municipal officials for their implementation, and championnet\u2019s intervention exposes the tension between commanders attempting to restore units to full strength and local administrators willing to tolerate \u2014 or even facilitate \u2014 the continued absence of soldiers from their regiments. \n the letter acquires particular significance from its date. written in september 1797, it belongs to the period in which the directory was turning increasing attention towards britain and assembling forces along the channel coast for the projected invasion. championnet\u2019s concern with the effective strength of the 51st demi-brigade thus records at first hand one of the fundamental logistical problems behind france\u2019s ambitious plans: the need to concentrate reliable, fully manned units while simultaneously combating desertion and administrative resistance. \n a revealing document of the military machinery behind revolutionary france\u2019s projected invasion of britain. championnet\u2019s terse report to the minister of war captures the gap between strategic ambition and the realities of mobilisation, as a senior commander struggled not merely with absent soldiers but with local officials accused of frustrating their return to the colours. the letter provides particularly direct evidence of the administrative tensions underlying the creation of the armée d\u2019angleterre, only two years before championnet would achieve lasting fame through his conquest of naples and the establishment of the parthenopean republic."},"estimateMax":300,"lotNumber":"85","title":{"en":"[historical letters & documents] - jeanetienne championnet (1762\u20131800) - armée d'angleterre - autograph letter signed to the minister of war"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26617/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.750Z","textCase":"lower","estimate":"£300","internalCatalogNumber":"26617","currency":"GBP","id":26617,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":300},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26618/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26618/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26618/003/003.jpg"],"available":false,"description":{"en":"godefroi coupé de larozière (1745\u20131831) - autograph letter signed to françois-antoine de boissy d\u2019anglas, reflecting on political exile during the revolution and the bonds of masonic fraternity. annonay, 23 ventôse, year viii [14 march 1800]. \n autograph letter signed, in french, written on contemporary laid paper. addressed to the distinguished jurist and politician françois-antoine de boissy d\u2019anglas (1756\u20131826) at suresnes, near paris. with contemporary postal markings, including the straight-line \u201cannonay\u201d handstamp, circular departmental mark \u201c69\u201d and manuscript postal charges; retaining the original red wax seal impressed with the sender\u2019s initials and ornamental monogram. \n a warm and revealing letter from the annonay notable and freemason godefroi coupé de larozière to the exiled françois-antoine de boissy d\u2019anglas, welcoming the imminent end of his correspondent\u2019s long political exile and offering a strikingly disillusioned reflection on character and loyalty in the aftermath of the french revolution. \n a saddler and merchant in annonay, where he also served as police commissioner, larozière was an active member of the town\u2019s celebrated masonic lodge, la vraie vertu, founded in 1787. the masonic character of the correspondence is apparent from its opening, in which larozière addresses boissy d\u2019anglas with the fraternal and honorific formula: \u201cmon respectable compagnon\u201d (\u201cmy esteemed companion\u201d). the small triangular marks appearing at the beginning of the postscript is another hint to mansory. freemasons frequently employed groups of three dots and related coded signs in their correspondence, particularly near names and signatures. such discreet marks served as marks of recognition between fellow members, allowing them to identify one another as \u201cbrothers\u201d, particulary during periods of political censorship and uncertainty. \n the letter was written at a crucial moment in boissy d\u2019anglas\u2019s life, as the recipient prepared to return following the end of his long political exile. writing from annonay, larozière expresses his joy at the prospect of his friend\u2019s return: \u201cpermettez-moi de vous témoigner toute ma sensibilité sur le terme de votre long exil. je me réjouis de votre retour dans la capitale, en vous rendant une épouse, une famille, des amis, une patrie.\u201d (\u201callow me to express all my feeling at the end of your long exile. i rejoice at your return to the capital, which restores to you a wife, a family, friends and a homeland.\u201d) \n against this language of friendship and fraternity, larozière offers a particularly bitter reflection on the moral consequences of the revolutionary years and what they had revealed about human character: \u201cle nombre des hommes à caractère est mille fois plus petit que je ne croyais avant la révolution, vous en avez fait l\u2019expérience\u201d (\u201cthe number of men of character is a thousand times smaller than i believed before the revolution; you have experienced this yourself\u201d). \n larozière contrasts his correspondent\u2019s experience with the relative security of his own life since year iv, explaining that he had devoted himself to his profession and remained sheltered from the political upheavals of the period: \u201cdepuis l\u2019an quatre, je n\u2019ay couru aucun danger, je me suis livré à mon état à l\u2019abri des secousses de la révolution.\u201d (\u201csince year iv, i have run no danger; i have devoted myself to my profession, sheltered from the upheavals of the revolution.\u201d) \n the letter concludes with a solemn declaration of enduring gratitude and respect: \n \u201cagréez l\u2019émission de ma reconnaissance qui durera autant que ma vie à titre d\u2019hommage dû au mérite et à la vertu.\u201d (\u201caccept the expression of my gratitude, which will endure as long as my life, as a tribute owed to merit and virtue.\u201d). the postscript returns to the intimate world of family and friendship: \u201coserai-je vous prier citoyen, de me rappeler au souvenir de madame boissy, et de votre aimable famille.\u201d (\u201cmay i venture to ask you, citizen, to recall me to the memory of madame boissy and your charming family.\u201d) \n a compelling document of friendship, masonic fraternity and political survival in the aftermath of the french revolution. written by larozière as his correspondent boissy d\u2019anglas prepared to return from exile, the letter combines the discreet signs and language of masonic fellowship with an unusually candid assessment of the disillusionment produced by the revolutionary years. its postal markings and original red wax seal further preserve the character of a private communication between two men bound by friendship, shared origins and the experience of revolutionary upheaval."},"estimateMax":300,"lotNumber":"86","title":{"en":"[historical letters & documents] - godefroi coupe de laroziere (1745\u20131831) - mansory in the revolution - autograph letter signed to françois-antoine de boissy d\u2019anglas"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26618/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T16:51:50.958Z","textCase":"lower","estimate":"£300","internalCatalogNumber":"26618","currency":"GBP","id":26618,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":300},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26619/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26619/002/002.jpg"],"available":false,"description":{"en":"french national convention \u2014 committee of general security - manuscript document signed by four members of the committee of general security, ordering measures of surveillance and public security in paris at the height of the reign of terror. 14 germinal, year ii [3 april 1794]. \n manuscript document issued by the comité de sûreté générale et de surveillance of the national convention and addressed to the citizen administrators of the department of paris. dated 14 germinal, year ii of the french republic [3 april 1794]. signed by four representatives of the people: claude-jean-baptiste lomont, hugues-guillaume-bernard-joseph monmayou, jean-baptiste-charles mathieu and rené-claude gauthier. bearing the revolutionary formula \u201cfrance une et indivisible\u201d. \n a dramatic document from the height of the reign of terror, issued by the committee of general security as danton and desmoulins stood trial in paris, and ordering measures of domestic surveillance amid fears over food supplies, public order and counter-revolutionary activity. \n the comité de sûreté générale formed, alongside the committee of public safety, one of the principal instruments of revolutionary government during the terror, exercising extensive police and surveillance powers. the present directive, sent to the administrators of the department of paris, provides a striking example of those powers in operation at local level. \n in the context of acute shortages, political suspicion and concern over the black market, the committee instructs the authorities to: \u201cfaire des visites domiciliaires pour des subsistances\u201d (\u201ccarry out searches of private homes for provisions\u201d). the language of the document conveys the intensity of the surveillance expected of local officials. at so critical a moment, the committee insists: \n \u201ctoutes les parties du département, dans un instant aussi important, doivent être continuellement sous vos yeux\u201d (\u201cevery part of the department, at so important a moment, must remain continually under your eyes\u201d), with the overriding objective of preserving the \u201ctranquillité publique\u201d (\u201cpublic tranquillity\u201d). \n the date lends the document exceptional historical immediacy. on 3 april 1794, georges danton, camille desmoulins and their associates were actually on trial before the revolutionary tribunal. arrested during the night of 30\u201331 march, they were tried from 2 to 5 april and sent to the guillotine on 5 april. the present order was therefore issued while one of the defining political trials of the terror was under way, as the revolutionary government moved against some of its most prominent former representatives. \n the document bears the autograph signatures of four representatives of the people, claude-jean-baptiste lomont, hugues-guillaume-bernard-joseph monmayou, jean-baptiste-charles mathieu and rené-claude gauthier. particularly striking in retrospect is the involvement of figures who, having participated in the machinery of revolutionary government during the terror, would only months later take part in the political reaction that brought about the fall of robespierre. \n a compelling first-hand document of the machinery of the terror at work. issued from the committee of general security at the very moment of the trial of danton and desmoulins, it brings together domestic searches, the policing of food supplies and the demand for constant surveillance in the name of tranquillité publique, offering vivid evidence of the mechanisms through which revolutionary authority sought to maintain control over paris during one of the most intense phases of the french revolution."},"estimateMax":500,"lotNumber":"87","title":{"en":"[historical letters & documents] - french national convention \u2014 committee of general security - manuscript document signed"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26619/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.752Z","textCase":"lower","estimate":"£500","internalCatalogNumber":"26619","currency":"GBP","id":26619,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":500},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26620/001/001.jpg"],"available":false,"description":{"en":"émile, prince of hesse-darmstadt (1790\u20131856) - letter signed to the french general claude carra-saint-cyr, presenting him with a decoration from grand duke louis i of hesse in recognition of his command of hessian troops during the austrian campaign. 21 july 1809. \n letter signed \u201cémile prince de hesse\u201d, in french, one page, quarto, addressed to the french divisional general claude carra-saint-cyr (1760\u20131834). \n a formal letter of military recognition written in the immediate aftermath of the austrian campaign of 1809, only two weeks after the battle of wagram, presenting carra-saint-cyr with a high hessian decoration and thanking him for his command of the grand duchy\u2019s troops. \n the grand duchy of hesse, a member of napoleon\u2019s confederation of the rhine, had supplied troops to the french war effort, including a hessian infantry brigade placed under carra-saint-cyr\u2019s command. writing on behalf of his father, grand duke louis i of hesse, the nineteen-year-old prince émile informs the french general that he has been charged with presenting him with the grand decoration of the second class of his father\u2019s order: \u201cle grand duc mon père m\u2019a chargé d\u2019avoir l\u2019honneur de vous remettre la grande décoration de la seconde classe de son ordre.\u201d (\u201cthe grand duke, my father, has charged me with the honour of presenting you with the grand decoration of the second class of his order.\u201d) \n the award is explicitly associated with carra-saint-cyr\u2019s command of the hessian contingent. émile conveys his father\u2019s satisfaction that his troops should serve under the french general and his gratitude for the care taken of them: \u201cil se félicite que ses troupes se trouvent sous vos ordres, et vous remercie des soins que vous voulez bien en prendre.\u201d (\u201che is gratified that his troops find themselves under your command, and thanks you for the care you are kind enough to take of them.\u201d) \n prince émile adds that he would have been delighted to carry out his father\u2019s commission in person, but that his military duties prevent him from leaving his post: \u201cj\u2019aurais été charmé, monsieur le général, de pouvoir m\u2019acquitter moi-même de ma commission, mais les circonstances ne me permettent pas de m\u2019absenter dans ce moment.\u201d (\u201ci should have been delighted, general, to carry out my commission in person, but circumstances do not permit me to absent myself at present.\u201d) the letter concludes with the formal expression of respect: \u201cagréez je vous prie l\u2019assurance de la parfaite considération avec laquelle je suis monsieur le général votre très humble et très obéissant serviteur.\u201d (\u201cplease accept the assurance of the highest consideration with which i remain, general, your most humble and obedient servant.\u201d) signed \u201cémile prince de hesse\u201d and dated 21 july 1809. \n written scarcely a fortnight after napoleon\u2019s victory at wagram on 5\u20136 july 1809, the letter provides a vivid document of the military alliance binding napoleonic france to the german states of the confederation of the rhine. the decoration conferred upon carra-saint-cyr, together with louis i\u2019s explicit thanks for his treatment of the hessian troops under his command, gives the document particular interest as evidence of the personal and ceremonial relationships through which that alliance was maintained in the field."},"estimateMax":400,"lotNumber":"88","title":{"en":"[historical letters & documents] - emile, prince of hesse-darmstadt (1790\u20131856) - letter signed to the french general claude carra-saint-cyr"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26620/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.753Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26620","currency":"GBP","id":26620,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":400},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26621/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26621/002/002.jpg"],"available":false,"description":{"en":"john jeffery (1751\u20131822) - autograph letter signed to william hamilton, concerning a dispute over the forced recruitment of servants employed by british merchants in portugal during the peninsular war. [lisbon], friday, [12 february 1813]. \n autograph letter signed, in english, several pages, addressed to william hamilton esq. (1777\u20131859), then under-secretary of state for foreign affairs and prominent archaeologist. with integral address leaf inscribed to hamilton and signed by jeffery. \n an important diplomatic letter from john jeffery, british consul-general at lisbon, defending the privileges of british merchants in portugal against attempts by the portuguese military authorities to recruit their servants during the peninsular war. \n jeffery writes to william hamilton in london concerning a sensitive dispute involving the portuguese authorities and senior figures in the anglo-portuguese military establishment. he begins by returning official papers which he had received for his opinion from sir charles stuart, the influential british minister in portugal, while admitting that he has not yet been able to examine them sufficiently: \u201cherewith i return the papers i received from sir charles for my opinion. i request you will inform him that i have not been able to get them translated nor leisure to form sufficient judgement to hazard an opinion on the subject.\u201d \n at the heart of the letter is a dispute over attempts to recruit as soldiers the servants employed by british merchants at oporto. jeffery notes that william carr beresford, marshal and commander of the portuguese army, had already sought information from his officers there, but insists that the merchants themselves should be heard before any decision is reached: \u201cmarshal beresford has procured information from his officers at oporto, and i think it right that the parties complaining should be allowed to make their reports for the information of sir charles previous to any decision taking place.\u201d \n jeffery then addresses the central legal issue. while the military authorities apparently accepted that individual british merchants might retain six servants, they maintained that this privilege could extend only to men who were not otherwise legally liable for military service: \u201cthe british merchants may keep in their individual service six servants \u2014 but contends that those servants must be of a description not subject by law to be taken as recruits, by which no person would be allowed to protect servants that are fit for the army\u201d. \n jeffery firmly rejects this interpretation, grounding his argument in the established privileges enjoyed by british subjects in portugal. in his view, portuguese recruitment law could not override rights that had not merely survived but had been expressly confirmed by the prince regent of portugal: \u201ci beg to observe that there is no law binding on british subjects in this case inasmuch as it is contrary to the privileges which even the marshal himself allows were granted to them, and which instead of being done away, have been confirmed in the most positive terms by his royal highness the prince regent of portugal\u201d. \n his proposed solution nevertheless recognises the legitimate claims of military service. a servant who had previously entered the army voluntarily could not escape his obligations simply by entering the employment of a british merchant; in other circumstances, however, jeffery maintains that servants of british subjects should be exempt from recruitment without their consent: \u201cif a british merchant takes into his service persons previously belonging to the army by voluntary engagement no such servants can have any pretension to be reclaimed from military duty, but in all other cases i contend that the servants of british subjects are not liable nor ought they to be recruited under any circumstances whatever without their consent\u201d. he concludes by asking hamilton to transmit his formal opinion to stuart: \u201cbe pleased to lay this my opinion before sir charles for his information.\u201d \n a revealing document of the practical workings of british diplomacy in portugal during the peninsular war. behind an apparently narrow dispute over the recruitment of domestic servants lay competing claims of portuguese military necessity and the long-established privileges of the british mercantile community. jeffery\u2019s detailed legal argument, together with his references to sir charles stuart and marshal beresford, places the letter directly within the diplomatic and military administration of the anglo-portuguese alliance at a crucial stage of the war."},"estimateMax":600,"lotNumber":"89","title":{"en":"[historical letters & documents] - john jeffery (1751\u20131822) - autograph letter signed to william hamilton"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26621/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.755Z","textCase":"lower","estimate":"£600","internalCatalogNumber":"26621","currency":"GBP","id":26621,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":600},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26622/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26622/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26622/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26622/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26622/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26622/006/006.jpg"],"available":false,"description":{"en":"thomas meunier (early 19th century) - trade between lisbon and paris after napoleon \n autograph letter signed, in french, five closely written pages on watermarked paper, dated lisbon, 28 november 1814, and addressed to sir charles stuart (1779\u20131845). complete with the original wrapper addressed to stuart in london, at lady stuart\u2019s residence in whitehall, retaining a well-preserved red wax seal with impressed monogram and a contemporary circular foreign office postal marking. the french displays numerous phonetic spellings, idiomatic constructions and mercantile expressions characteristic of the writer. \n a substantial and unusually detailed commercial letter from lisbon in the immediate aftermath of the napoleonic wars, documenting the network of merchants, financial intermediaries and diplomatic contacts through which money and luxury goods circulated between portugal, france and britain. meunier writes at length concerning a series of transactions and remittances involving lisbon and paris, referring to previous correspondence and in particular to a letter sent from paris on 27 august 1814. throughout the five pages he discusses payments, accounts and intermediaries, naming figures including faramajor, gilver, languin, ahonce and jeremi, and providing a vivid picture of the practical difficulties involved in conducting international business during the first months of the bourbon restoration. \n the letter is particularly interesting for the insight it provides into the procurement of goods apparently intended for stuart. meunier records quantities of barley received on account, transactions calculated in écus and dollars, and dealings involving a piece of locally produced cloth. the accumulation of prices, payments, intermediaries and shipping arrangements gives the correspondence the character of a working commercial report rather than a merely private letter. \n especially evocative is meunier\u2019s discussion of candied fruit and orange-flower water. he explains the difficulty and expense of obtaining fruit preserved in sugar in lisbon and notes that orange-flower water could not simply be purchased from ordinary shops. instead, it was produced privately in households during the appropriate season, making its acquisition dependent upon local contacts as well as timing. \n he similarly investigates the availability and price of essence of lavender, which he reports at approximately one dollar an ounce. local distillers, however, advised him that the product obtained directly from italy was considerably superior in quality and represented better value than that available in portugal. such observations make the letter an unusually detailed testimony to the circulation, comparative quality and pricing of specialist and luxury commodities in early nineteenth-century lisbon. \n the date is significant. written only months after napoleon\u2019s first abdication, the letter belongs to the brief interval between the fall of the first empire and the hundred days, when commercial and diplomatic connections disrupted by more than two decades of european warfare were being rapidly re-established. meunier\u2019s repeated references to paris, lisbon, financial transfers and the sourcing of imported commodities vividly reflect this renewed circulation. \n a fascinating document of commerce and everyday diplomacy at the end of the napoleonic era."},"estimateMax":200,"lotNumber":"90","title":{"en":"[historical letters & documents] - thomas meunier (early 19th century) - trade between lisbon and paris after napoleon"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26622/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.757Z","textCase":"lower","estimate":"£200","internalCatalogNumber":"26622","currency":"GBP","id":26622,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":200},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26623/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26623/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26623/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26623/004/004.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"napoleon i (1769\u20131821) \u2014 first french empire - official manuscript decree appointing leading statesmen, generals, scientists and churchmen to the rank of grand cross of the imperial order of the reunion. élysée palace, 3 april 1813. \n \n extrait des minutes de la secrétairerie d\u2019état. substantial official manuscript document on watermarked paper, four continuous pages, dated \u201cau palais de l\u2019élysée, le 3 avril 1813\u201d. headed with napoleon\u2019s full imperial style: \u201cnapoléon, empereur des français, roi d\u2019italie, protecteur de la confédération du rhin, médiateur de la confédération suisse, etc. etc. etc.\u201d concluding \u201csigné: napoléon\u201d and countersigned with the autograph signature of pierre daru (1767\u20131829), minister-secretary of state. with the large embossed seal of the secrétairerie d\u2019état, incorporating the imperial eagle, preserved in the left margin. in excellent condition. \n an impressive document of the first french empire, appointing an extraordinary roll-call of napoleonic statesmen, generals, scientists and churchmen to the highest rank of the imperial order of the reunion at a crucial moment in the campaign of 1813. \n established by napoleon, the ordre impérial de la réunion served both as an imperial honour and as an instrument for binding the civil and military elites of territories incorporated into or associated with the empire to the napoleonic state. article 1 of the present decree confers the rank of grand-croix de l\u2019ordre impérial de la réunion upon a remarkable cross-section of the imperial establishment. \n among the senior civil and diplomatic figures named are the comte de cussy, minister of commerce; the comte roederer, minister-secretary of state of the grand duchy of berg; regnaud de saint-jean d\u2019angély and defermon, ministers of state; boulay, president of the legislative section of the council of state; muraire, first president of the court of cassation; caffarelli and jollivet, councillors of state; the comte otto, minister of state; and laforest, councillor of state and napoleon\u2019s ambassador to spain. \n they are joined by a formidable succession of senior military commanders of the empire and the grande armée, including aldobrandini, hullin, belliard, drouot, latour-maubourg, lefebvre-desnoëttes, gérard, compans, molitor, bonnet, pernety, dulauloy, souham, decaen, roguet, reille, lobau, rapp, the duke of padua arrighi de casanova, , maurice mathieu, darricau, foucher, chasseloup and morand, together with vice-admiral missiessy. several are identified by their current commands, placing the document firmly within the military organisation of the empire at the opening of the 1813 campaign. \n of particular interest is the presence of members of the sénat conservateur and some of the most celebrated intellectual and scientific figures of napoleonic france. the list includes gaspard monge, pierre-simon laplace, jean-antoine chaptal, claude-louis berthollet and joseph-louis lagrange, alongside emmanuel-joseph sieyès and roger ducos. lagrange\u2019s inclusion is especially poignant: the great mathematician died in paris on 10 april 1813, only one week after the date of the decree. \n the ecclesiastical establishment is represented by figures including cardinal jean-sifrein maury, archbishop of paris; louis-mathias de barral, archbishop of tours; and jean-baptiste duvoisin, bishop of nantes, further illustrating the extraordinary breadth of the imperial elite assembled in the document. \n article 2 entrusts execution of the decree to the grand chancellor of the order: \u201cnotre ministre d\u2019état grand chancelier de l\u2019ordre impérial de la réunion est chargé de l\u2019exécution du présent décret.\u201d (\u201cour minister of state, grand chancellor of the imperial order of the reunion, is charged with the execution of the present decree.\u201d) \n the document closes with \u201csigné: napoléon\u201d, followed by the formula \u201cpar l\u2019empereur: le ministre secrétaire d\u2019état\u201d and the autograph signature of pierre daru, one of napoleon\u2019s most important military administrators and minister-secretary of state from 1811 to 1813. the large embossed seal of the secrétairerie d\u2019état, bearing the imperial eagle, gives the document its formal authentication. \n a remarkable collective portrait of the napoleonic establishment in the spring of 1813. bringing together ministers, diplomats, generals, admirals, prelates and some of the greatest scientific minds of the age, the decree offers an unusually concentrated record of the civil, military and intellectual elite upon which napoleon\u2019s empire rested. issued as the emperor was rebuilding his forces following the catastrophe of the russian campaign and preparing for renewed war in germany, it is also a compelling document of the administrative and ceremonial machinery of the empire at a decisive moment in its history."},"estimateMax":2000,"lotNumber":"91","title":{"en":"[historical letters & documents] - napoleon i (1769\u20131821) \u2014 first french empire - official manuscript"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26623/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":2000,"lastUpdate":"2026-10-12T16:56:16.960Z","textCase":"lower","estimate":"£2,000","internalCatalogNumber":"26623","currency":"GBP","id":26623,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":2000},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26624/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26624/002/002.jpg"],"available":false,"description":{"en":"charles-frédéric reinhard (1761\u20131837) - important autograph letter signed to general étienne macdonald, reporting political unrest in the canton of léman and congratulating him on the successful winter crossing of the splügen pass by the armée des grisons. bern, 14 frimaire, year ix [5 december 1800]. \n autograph letter signed \u201creinhard\u201d, in french, two pages in iron-gall ink on watermarked official stationery headed \u201cle ministre plénipotentiaire de la république française en helvétie\u201d, addressed to étienne-jacques-joseph-alexandre macdonald (1765\u20131840), general-in-chief of the armée des grisons and future marshal of the empire. \n an important diplomatic and military letter from the french minister plenipotentiary in switzerland to general macdonald, written immediately after the latter\u2019s celebrated winter crossing of the splügen pass, and combining first-hand intelligence on the political instability of the helvetic republic with an exceptionally immediate reference to one of the most hazardous alpine operations of the revolutionary wars. \n an experienced diplomat who would hold a succession of important posts under the directory, consulate and empire, reinhard writes from bern during one of the most unstable periods in the short history of the helvetic republic. established under french influence in 1798, the new state remained divided by profound tensions between centralising and federalist forces, while the presence of french troops made swiss internal politics inseparable from the wider european conflict. \n the first part of the letter concerns a new political disturbance in the canton of léman. reinhard reports the circulation through its towns and villages of addresses intended to demonstrate the inhabitants\u2019 desire to remain united with the helvetic republic: \u201cun nouvel incident est survenu dans le canton léman. depuis quelque temps on y colportait dans les villes et dans les villages des adresses pour exprimer le désir des habitants de ce canton de rester réunis à la république helvétique.\u201d (\u201ca new incident has arisen in the canton of léman. for some time, petitions have been circulated through the towns and villages expressing the desire of the inhabitants of this canton to remain united with the helvetic republic.\u201d) \n the situation had become sufficiently serious to require military measures. reinhard explains that general montchoisy, directly approached by the helvetic executive council, had issued strict orders to the french and swiss local commanders to maintain public order: \u201ccependant le général montchoisy auquel le c.e. s\u2019est adressé directement, a donné des ordres sévères aux commandants de place français et suisses, pour faire maintenir la tranquillité publique.\u201d (\u201cgeneral montchoisy, however, to whom the executive council addressed itself directly, has issued strict orders to the french and swiss local commanders to ensure the maintenance of public tranquillity.\u201d) \n a cavalry regiment was to be sent into the canton and quartered there. reinhard is sharply critical of the helvetic government, which he reproaches for having imprudently contributed to the agitation. the passage provides direct evidence of the extent to which french diplomatic and military authorities intervened in the internal security of the nominally independent helvetic republic. \n the second part of the letter moves from political unrest to an event of much wider military significance: macdonald\u2019s winter crossing of the splügen pass by the armée des grisons. between 27 november and 4 december 1800, macdonald\u2019s troops forced their way across the snowbound alpine route in exceptionally severe conditions, overcoming storms, deep snow and the constant danger of avalanches in order to descend towards italy and continue operations against austria. \n writing from bern on 5 december, immediately after the completion of the crossing, reinhard expresses his relief at the news that macdonald had successfully overcome the mountains and explicitly acknowledges the dangers of the season: \n \u201cje goûte bien vivement d\u2019apprendre que vous ayez passé heureusement les montagnes; la saison est périlleuse; votre courage en triomphera et je me confie dans la fortune française.\u201d (\u201ci am greatly pleased to learn that you have crossed the mountains successfully; the season is perilous; your courage will triumph over it, and i place my trust in french fortune.\u201d) \n the date gives these words particular historical immediacy. reinhard was writing on the day following the completion of the crossing of the splügen, while macdonald\u2019s alpine campaign was still unfolding. his reference to the \u201csaison périlleuse\u201d therefore has a very concrete significance: the winter passage had exposed the armée des grisons to extreme conditions and serious losses, with avalanches and precipitous mountain roads making the crossing itself one of the principal hazards of the operation. \n the achievement became one of the most celebrated episodes of macdonald\u2019s military career. undertaken in the depths of winter, the passage of the splügen demonstrated the strategic importance of the swiss alpine routes to french operations in northern italy and the extraordinary logistical demands imposed upon revolutionary armies campaigning across them. reinhard\u2019s letter is particularly valuable in recording an almost immediate diplomatic reaction to the operation rather than a later retrospective account. \n the juxtaposition of the two subjects is itself revealing. in the same communication, france\u2019s senior diplomatic representative in switzerland reports on political agitation in the canton of léman and the deployment of cavalry to preserve public order, before turning to the successful passage of a french army across one of switzerland\u2019s most formidable alpine routes. the letter thus captures both dimensions of french power in the helvetic republic: intervention in its internal political affairs and exploitation of its strategic position within the wider european war. \n reinhard closes with the republican formula: \u201csalut et considération distinguée. reinhard.\u201d (\u201cgreetings and distinguished consideration. reinhard.\u201d) \n a compelling document of the celebrated crossing of the splügen and of french power in switzerland during the war of the second coalition. written by the french minister plenipotentiary in bern to the commander of the armée des grisons on 5 december 1800, immediately after macdonald had completed his formidable winter passage across the splügen, the letter combines an exceptionally immediate reference to that alpine feat with a detailed report on the political fragility of the helvetic republic. bringing together macdonald\u2019s military operations, unrest in the canton of léman and direct french intervention in swiss internal security, it vividly illustrates the close interdependence of diplomacy, political control and military strategy at a decisive moment in the campaign of 1800."},"estimateMax":2000,"lotNumber":"92","title":{"en":"[historical letters & documents] - charles-frederic reinhard (1761\u20131837) - important autograph letter signed to general étienne macdonald"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26624/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.759Z","textCase":"lower","estimate":"£2,000","internalCatalogNumber":"26624","currency":"GBP","id":26624,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":2000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26625/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26625/002/002.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"william seton (1746\u20131798), hugh pollock and lawrence yates - important marriage between french emigres in new york \n rare french consular certificate of residence, signed by three prominent members of new york\u2019s mercantile community as witnesses, including william seton, a leading figure of the bank of new york. new york, [late eighteenth century]. \n original printed and manuscript certificate of residence issued by the consulate of the french republic in new york and signed by the french consul louis arcambal. with the autograph signatures of william seton, hugh pollock and lawrence yates as witnesses. the upper portion of the document bears an elaborate engraved republican vignette depicting the personification of the french republic seated upon a cannon, accompanied by printed revolutionary mottos. \n a rare document of the french émigré community in early new york, bringing together french consular administration and three representatives of the city\u2019s mercantile elite in support of the french émigré jean-baptiste alexis marie de seze. \n the certificate was issued to jean-baptiste alexis marie de seze, husband of marie louise buron of baltimore, a french émigré who had sought refuge in the united states amid the upheavals of the revolutionary period. the document formally establishes his residence through the testimony of three new york merchants whose signatures authenticate his declaration. \n most prominent among them is william seton (1746\u20131798), a major figure in the commercial and financial life of early new york and closely associated with the establishment and management of the bank of new york. his signature appears alongside those of the merchants hugh pollock and lawrence yates, giving the certificate an unusually distinguished group of witnesses and placing de seze within the networks of the city\u2019s mercantile community. \n the document is also of particular interest for the later career of its recipient. jean-baptiste alexis marie de seze became associated with french-language teaching in the united states and was the author of the english and french interpreter, published in new york in 1813. his presence in america belongs to the wider movement of french émigrés who crossed the atlantic during the revolutionary upheavals and established new intellectual, commercial and social connections in the young united states. de seze also belonged to the same family as raymond de sèze (1748\u20131828), the celebrated french advocate who defended louis xvi before the national convention. the association lends an additional resonance to a document issued under the authority of the very french republic whose creation had transformed the fortunes of the de sèze family. \n the certificate itself is an attractive example of french revolutionary consular documentation abroad. its engraved allegorical heading, revolutionary formulas and signature of consul louis arcambal combine the visual language of the new republic with the practical requirements of french administration overseas. the signatures of the three american witnesses, meanwhile, demonstrate the interaction between the french consular establishment and new york\u2019s established commercial community."},"estimateMax":1000,"lotNumber":"93","title":{"en":"[historical letters & documents] - william seton (1746\u20131798), hugh pollock and lawrence yates - rare french consular certificate of residence"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26625/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":420,"lastUpdate":"2026-10-12T16:58:39.962Z","textCase":"lower","estimate":"£1,000","internalCatalogNumber":"26625","currency":"GBP","id":26625,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":1000},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26626/001/001.jpg"],"available":false,"description":{"en":"william sidney smith (1764\u20131840) - the parisian exile of a great british admiral \n letter signed to the civil list of the kingdom of france, interceding on behalf of an impoverished widow and her two young children. paris, 4 july 1831. \n letter signed by sir william sidney smith, in french, on watermarked paper, dated paris, 4 july 1831, and addressed to the administration of the french civil list. with contemporary administrative and archival annotations in the left margin summarising the petition and its processing. signed by smith with his naval rank, \u201camiral de l\u2019escadre blanche de la flotte de s.m. britannique\u201d. \n an appealing document from the later life of the celebrated british naval commander who had played a decisive role in the defence of acre against napoleon in 1799, revealing smith acting as an influential intermediary on behalf of a widow in financial distress. \n writing from paris, smith lends his name and considerable social standing to a petition on behalf of madame walter, whose husband had died on the preceding 23 may. he asks the authorities responsible for the civil list to grant her financial assistance without delay, emphasising the precarious circumstances in which her husband\u2019s death had left the family. \n smith draws particular attention to the widow\u2019s responsibility for two young children, appealing to the commissioners to consider her request favourably on grounds of both equity and urgent need. the letter thus offers a more private perspective on a figure principally remembered for his conspicuous military career, showing him using his position and connections in support of an individual seeking charitable relief. \n the signature is followed by smith\u2019s full naval designation: \u201camiral de l\u2019escadre blanche de la flotte de s.m. britannique.\u201d (\u201cadmiral of the white squadron of the fleet of his britannic majesty.\u201d) the title reflects the traditional division of the royal navy into the red, white and blue squadrons, a system that also structured the hierarchy of flag-officer ranks. smith had risen through this hierarchy during a career spanning the revolutionary and napoleonic wars. \n by 1831 he was one of the most recognisable surviving naval figures of that generation. his reputation rested above all on the siege of acre in 1799, when his intervention in support of the ottoman defenders helped frustrate napoleon bonaparte\u2019s attempt to capture the city and contributed to the abandonment of the french campaign in syria. his subsequent career encompassed further naval and diplomatic activity during the wars against napoleonic france. \n in his later years smith lived for extended periods in paris, where he remained active in philanthropic and humanitarian causes. the present letter belongs naturally to this less familiar aspect of his career: rather than recording naval operations or high diplomacy, it shows the veteran admiral deploying the prestige attached to his name in a practical act of personal intercession. \n the contemporary annotations in the margin add to the documentary character of the piece, showing that smith\u2019s recommendation entered the administrative machinery of the french civil list and was treated as part of an official request for assistance. \n an attractive document from the later years of one of the most celebrated british naval officers of the revolutionary and napoleonic era."},"estimateMax":300,"lotNumber":"94","title":{"en":"[historical letters & documents] - william sidney smith (1764\u20131840) - letter signed to the civil list of the kingdom of france"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26626/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.760Z","textCase":"lower","estimate":"£300","internalCatalogNumber":"26626","currency":"GBP","id":26626,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":300},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26627/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26627/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26627/003/003.jpg"],"available":false,"description":{"en":"george white (1775\u20131811) - mportant autograph letter signed to sir charles stuart, reporting francisco espoz y \n mina\u2019s attempt to intercept king joseph bonaparte and describing the organisation and severe discipline of the navarrese guerrillas. corunna, 16 may 1811. \n autograph letter signed \u201cgeo. white\u201d, with his rank \u201cass.t comm.y gen.l\u201d [assistant commissary general], in english, two pages on a folio bifolium, dated corunna, 16 may 1811, and addressed to his excellency charles stuart at lisbon. brown ink; light contemporary folds. \n an exceptional intelligence report from the peninsular war, recording an attempt by francisco espoz y mina\u2019s forces to intercept joseph bonaparte and providing remarkably candid information on the strength, organisation and ruthless internal discipline of the navarrese guerrillas. \n white, a british commissariat officer operating in spain, writes to sir charles stuart, the british minister in lisbon and a central figure in the diplomatic, financial and logistical support of the allied war effort in the peninsula. his report provides stuart with detailed intelligence concerning francisco espoz y mina, already emerging as one of the most formidable guerrilla commanders of the spanish resistance to french occupation. \n of particular importance is white\u2019s report of an operation directed against joseph bonaparte, napoleon\u2019s brother and king of spain. having received intelligence concerning the king\u2019s movements, mina dispatched his navarrese volunteers at daybreak on 1 may towards the principal road in an attempt to intercept him. the episode places the letter directly within the intelligence networks through which irregular spanish forces sought to exploit information about french movements and communications. \n white proceeds to assess mina\u2019s military strength, estimating his entire force at approximately 4,000 infantry and 300 cavalry, while reporting the guerrilla commander\u2019s pressing need for arms and ammunition. his account is particularly valuable for presenting mina\u2019s forces not simply as an informal band of insurgents but as an increasingly organised military body, operating according to a recognisable system of command and discipline. \n the most striking passage concerns mina\u2019s efforts to suppress disaffection and collaboration within navarre. white attributes the danger of sedition partly to the province\u2019s close geographical and social connections with france, but reports that mina had responded with extraordinary severity. according to the intelligence transmitted in the letter, more than two hundred inhabitants had been executed on what mina regarded as satisfactory evidence since he had assumed command. \n the passage provides a stark contemporary testimony to the coercive dimension of guerrilla warfare in northern spain. mina\u2019s campaign was directed not only against french troops and communications but also against those among the local population believed to have collaborated with the occupying regime or threatened the cohesion of the resistance. white\u2019s matter-of-fact report to stuart gives unusual immediacy to this aspect of the peninsular conflict. \n a vivid intelligence document from the guerrilla war against napoleonic occupation. white\u2019s report brings together the attempted interception of joseph bonaparte, the numerical strength and material requirements of mina\u2019s forces, and a disturbing account of the executions used to suppress collaboration and disaffection in navarre. addressed directly to sir charles stuart, it provides unusually immediate evidence of how intelligence concerning spanish irregular warfare was gathered and transmitted through the british diplomatic and military apparatus during the peninsular war."},"estimateMax":300,"lotNumber":"95","title":{"en":"[historical letters & documents] - george white (1775\u20131811) - important autograph letter signed to sir charles stuart"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26627/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.762Z","textCase":"lower","estimate":"£300","internalCatalogNumber":"26627","currency":"GBP","id":26627,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":300},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26628/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26628/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26628/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26628/014/014.jpg"],"soldDate":"2026-10-14","available":false,"description":{"en":"william v, prince of orange (1748\u20131806) - important autograph letter signed to frederick william ii, king of prussia, urgently requesting the positioning of prussian troops for the defence of the dutch republic against a threatened french invasion. the hague, 31 december 1792. \n autograph letter signed \u201cguill. p. d\u2019orange\u201d, in french, addressed to frederick william ii, king of prussia (1744\u20131797). 4 pp., folio, written in brown ink, opening with the formal address \u201csire\u201d and concluding \u201cde votre majesté le très humble et très obéissant serviteur et frère\u201d (\u201cyour majesty\u2019s most humble and obedient servant and brother\u201d). \n a highly significant diplomatic and military letter written at a critical moment in the french revolutionary wars, in which william v warns the king of prussia that the dutch republic is in imminent danger of attack and urgently seeks prussian military assistance. \n william assures frederick william ii that he will neglect nothing within his own power to place the republic in a state of defence. in particular, he refers to the considerable efforts required to obtain the necessary funds: \u201cpour augmenter l\u2019armée et mettre en mer une escadre\u201d (\u201cto increase the army and put a squadron to sea\u201d). \n his principal concern, however, is that these defensive preparations will inevitably take time, whereas the republic might suddenly require \u201cun prompt secours\u201d (\u201cimmediate assistance\u201d). he therefore appeals directly to the prussian king to move troops stationed in his westphalian territories towards the dutch frontier, placing them in a position to intervene rapidly in the event of a french attack. \n william presents such assistance not merely as a military precaution but as a guarantee of the republic\u2019s security at a potentially disastrous moment, appealing personally to frederick william ii\u2019s concern for the preservation of the dutch state and to the ties between the two rulers. \n the date gives the letter particular historical immediacy. it was written on 31 december 1792, less than two months after the french victory at jemappes on 6 november had opened the austrian netherlands to the armies of revolutionary france. with french forces advancing through the region, william warns explicitly that: \u201cla république court grand risque d\u2019être attaquée\u201d (\u201cthe republic runs a great risk of being attacked\u201d). \n his appeal was therefore not a general expression of diplomatic anxiety but a request for a practical military contingency plan: prussian troops were to be brought sufficiently close to the frontier to provide rapid assistance before the republic could complete its own mobilisation. \n events would vindicate his fears almost immediately. on 1 february 1793, exactly one month and one day after the letter was written, the french national convention declared war on great britain and the dutch republic, and french forces shortly afterwards launched their offensive against the netherlands. \n a compelling document from the very threshold of war, capturing william v\u2019s attempt to secure prussian military protection while strengthening the dutch army and preparing a naval squadron for the expected french offensive. written only thirty-two days before revolutionary france formally declared war on the dutch republic, the letter gives remarkable immediacy to the rapidly escalating crisis that would draw the netherlands into the war of the first coalition."},"estimateMax":2000,"lotNumber":"96","title":{"en":"[historical letters & documents] - william v, prince of orange (1748\u20131806) - important autograph letter signed to frederick william ii, king of prussia"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26628/view","tags":["ukCollectibles_BooksMagazinesPaper","ukCollectibles","ukCollectibles_all"],"directSalePrice":10,"soldPrice":1100,"lastUpdate":"2026-10-12T17:00:22.961Z","textCase":"lower","estimate":"£2,000","internalCatalogNumber":"26628","currency":"GBP","id":26628,"exportLicenseDue":true,"category":{"en":"HISTORICAL LETTERS & DOCUMENTS"},"estimateMin":2000},{"startPrice":10,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26629/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26629/002/002.jpg"],"soldDate":"2026-10-12","available":false,"description":{"en":"richard wagner (1813\u20131883) \n \n important autograph letter signed (\u201crichard wagner\u201d), to his agent carl voltz, concerning his performing rights, royalties and financial affairs. bayreuth, 27 september 1873. \n \n autograph letter signed, in german, addressed to carl voltz in wiesbaden. bayreuth, 27 september 1873. 2½ pages, octavo, written in ink on a bifolium, signed at the conclusion \u201crichard wagner\u201d. \n \n an important letter concerning wagner\u2019s financial and performing rights, written from bayreuth at a crucial moment in the establishment of what was to become the permanent centre of his artistic enterprise. \n \n wagner writes to voltz seeking precise clarification of the sums to which he is entitled and when they may become available to him. although conscious of his correspondent\u2019s own financial circumstances and apparently prepared to accept that voltz cannot at present provide him with an advance, wagner insists upon receiving a clear account of his rights and the prospects of their realization. \n \n the matter appears to concern rights arising from legal proceedings in leipzig which had resulted favourably for wagner and voltz. wagner nevertheless fears that the sums due to them might still be lost through the bad faith of the opposing party, and presses voltz for clarification and guarantees. his anxiety is heightened by the fact that the uncertain information thus far supplied by his agent has left him unable to give satisfactory answers to the administrator responsible for his own financial affairs. \n \n the letter is characteristic of wagner\u2019s frequently complicated dealings with the commercial and legal administration of his works. carl voltz acted as one of his agents in matters relating to theatrical performances and the collection of revenues from wagner\u2019s operas; surviving documents record payments made through voltz to wagner as well as further correspondence between the two men concerning royalties and commissions. \n \n its date is particularly significant. wagner had moved permanently to bayreuth in 1872, and in september 1873 the financing of his projected festival remained precarious. his original intention to inaugurate the bayreuth festival with the complete der ring des nibelungen in 1873 had proved financially impossible. patronage certificates had been issued in an effort to finance the enterprise, each intended to contribute towards the projected performances of the complete cycle. against this background, wagner\u2019s insistence here upon knowing precisely what money was legally his and when he might receive it acquires particular immediacy. \n \n the letter also belongs to a substantial and at times contentious financial correspondence between wagner and voltz. their dealings continued throughout the decade: a letter of september 1874 discusses voltz\u2019s commission on revenues from a performance of rienzi, while a surviving receipt of january 1875 records wagner\u2019s acknowledgement of 2,917 marks 30 pfennigs received from voltz for the final quarter of 1874. \n \n a revealing document from the formative bayreuth years, illustrating the practical financial and legal concerns that accompanied wagner\u2019s immense artistic ambitions and his continuing struggle to secure and administer the income generated by his works. \n \n condition: in good overall condition. original central and horizontal folds; light handling and minor age-related wear. ink remains clear and well preserved. with an old typewritten italian catalogue description and accompanying documentation."},"estimateMax":1500,"lotNumber":"97","title":{"en":"[music autographs] - richard wagner (1813\u20131883) - important autograph letter signed (\u201crichard wagner\u201d)"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26629/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"soldPrice":1900,"lastUpdate":"2026-10-12T17:01:24.965Z","textCase":"lower","estimate":"£1,500","internalCatalogNumber":"26629","currency":"GBP","id":26629,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":1500},{"startPrice":10,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26630/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/lautographe/cloned-images/26630/002/002.jpg"],"available":false,"description":{"en":"giovanni pacini (1796\u20131867) \n \n \u201cave maria \u2013 largo religiosamente\u201d \n \n autograph musical manuscript, signed and dated 1859, for soprano and organ in c major. \n \n oblong 8vo, one manuscript page, finely decorated in the margins, containing the opening of pacini\u2019s sacred setting of the ave maria, beginning with the words: \u201cave maria gratia plena dominus tecum\u2026\u201d \n \n the manuscript preserves the incipit of the composition, comprising the instrumental introduction for organ followed by the first bars of the soprano\u2019s entrance. the organ accompaniment opens with a sustained, flowing texture of tied notes, establishing the devotional character indicated by pacini\u2019s expressive marking, \u201clargo religiosamente.\u201d \n \n signed by the composer and dated 1859. \n \n an attractive and particularly desirable example of pacini\u2019s musical autograph, combining a complete and immediately identifiable opening passage with an unusually decorative presentation. autograph musical manuscripts by pacini are considerably less frequently encountered on the market than his letters and other documentary material, and the present leaf is especially appealing for its combination of musical content, signature, date and ornamental execution. \n \n pacini, one of the most prolific italian opera composers of the nineteenth century and a prominent contemporary of rossini, bellini and donizetti, composed more than seventy operas during a career extending over half a century. alongside his extensive theatrical output, he cultivated sacred music throughout his career. this intimate ave maria, written in 1859, belongs to this less commonly represented aspect of his oeuvre and offers an evocative example of his autograph musical hand."},"estimateMax":400,"lotNumber":"98","title":{"en":"[music autographs] - giovanni pacini (1796\u20131867) - autograph musical manuscript, signed and dated 1859"},"url":"https://uk.bidspirit.com/ui/lotPage/lautographe/source/catalog/auction/79969/lot/26630/view","tags":["usmemorabilia_entertainment","ukCollectibles_BooksMagazinesPaper","usmemorabilia","ukCollectibles","usmemorabilia_all","ukCollectibles_all"],"directSalePrice":10,"lastUpdate":"2026-10-12T17:03:40.764Z","textCase":"lower","estimate":"£400","internalCatalogNumber":"26630","currency":"GBP","id":26630,"exportLicenseDue":true,"category":{"en":"MUSIC AUTOGRAPHS"},"estimateMin":400}],"schema":"bidspirit-bots-feed/1","catalog":{"date":"2026-10-12","timedAuction":false,"liveAuctionDisabled":false,"type":"auction","catalogOnly":false,"number":"09","buyersPremiumPercent":25,"lotsCount":98,"currency":"GBP","state":"ENDED","contentType":"ART","key":79969,"feedUrl":"https://tools-bots.bidspirit.com/services/bots/catalogs/lautographe/79969","address":{"en":"L'Autographe Auctions, Hanover Square, London, 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Viewings:<\/b><\/p> \n

Sunday 11th October 2026 between 2 pm and 5 pm<\/p> \n

Monday 12th October 2026 between 10 am and 2 pm<\/p> \n


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Address:<\/b><\/p> \n

13 Hanover Square<\/p> \n

Mayfair, London W1S 1HN<\/p> \n

United Kingdom<\/p>"},"url":"https://uk.bidspirit.com/ui/catalog/auction/lautographe/79969","aiDescriptions":"none","lastUpdate":"2026-10-20T17:57:49.092Z","name":{"en":"Auction 09 - Autumn Voices: Autographs, Music, Literature & Art from L'Autographe Auction"},"soldPricesHidden":false,"time":"16:00","endTime":"2026-10-12T17:03:40.230Z","collectionHours":{"en":"

After the auction, invoices will be issued to successful buyers. Once payment has been received, we can refer buyers to our preferred specialist shipping partner. Alternatively, buyers are welcome to arrange their own courier to collect their purchases from our warehouse.<\/p> \n


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Full terms and conditions apply. Please refer to our Terms & Conditions for further details.<\/p>"}},"house":{"country":"GB","feedUrl":"https://tools-bots.bidspirit.com/services/bots/houses/lautographe","code":"lautographe","address":{"en":"L'Autographe Auctions, 13 Hanover Square, London W1S 1HN, UK"},"name":{"en":"L'Autographe Auctions"},"region":"UK","url":"https://uk.bidspirit.com/ui/houses/lautographe"}}