{"lots":[{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18559/002/002.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18559/001/001.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"керамика, русский обвар \n \n \n \n \n высота 7,5 см \n \n \n диаметр 14,5 см \n \n \n \n \n \n в эпоху цифровых технологий, стандартизации и массового производства именно традиционные технологии становятся тем живым мостом, который соединяет студента с исторической памятью, материалом и этическими основами ремесла. \n \n \n \n \n \n уникальной возможностью для реализации этой образовательной задачи стала площадка арт-резиденции «мыс кунгасный», любезно предоставленная ано «благое дело» (по адресу: ул. острякова, 42/3, владивосток), где в черте города создаются условия для работы с традиционными методами обжига керамики открытым пламенем (дрова и газ). \n \n \n \n \n \n среди множества методов обработки керамики особое место занимает обвар \u2014 древнерусская техника, известная на руси более пятисот лет, чьи корни уходят ещё в античные практики. обращение к обвару \u2014 это способ вступить в диалог с национальной традицией, понять логику традиционного мышления, где мастерство передаётся не через инструкцию, а через проживание процесса. эта техника учит видеть в простом предмете носитель памяти, где каждый подтёк и оттенок становятся свидетельством прямого контакта огня, глины и человеческого внимания. \n \n \n \n \n \n особое значение приобретает инклюзивный формат тренингов, где вместе работают студенты дпи, молодёжь и дети с ограниченными возможностями здоровья. глина и огонь становятся универсальным языком, стирающим границы и формирующим сообщество единомышленников. \n \n \n \n \n \n эстетика таких изделий строится на матовой, слегка шероховатой поверхности с естественными переходами, потёками и точечными узорами, которые невозможно воспроизвести искусственно. каждый обжиг даёт неповторимый результат, фиксируя момент взаимодействия материала и среды. \n \n \n историческая глубина, технологическая точность и экологическая чистота обвара формируют художника, способного мыслить системно, уважать материал и работать в команде. \n \n \n \n \n \n площадка арт-резиденции «мыс кунгасный» доказывает, что традиционные технологии могут успешно существовать в городской среде, становясь центром притяжения для молодёжи, инклюзивных практик и культурного обмена.","en":"ceramic. traditional russian scald-fired ware (obvar). \n \n \n \n \n height: 7.5 cm. \n \n \n diameter: 14.5 cm. \n \n \n \n \n \n created within the educational and cultural programme of the cape kungasny art residency in vladivostok, this ceramic bowl reflects a commitment to preserving traditional craft practices in a contemporary context. \n \n \n \n \n \n at a time of digital technologies, standardization, and mass production, traditional ceramic techniques serve as a vital link between emerging artists and the historical memory of craftsmanship. the cape kungasny art residency, supported by the non-profit organization blagoye delo, provides a unique urban environment where students, young artists, and community participants can engage directly with traditional open-flame firing methods using wood and gas kilns. \n \n \n \n \n \n the work was produced using the ancient technique of obvar, a traditional russian firing process known for more than five centuries and rooted in even earlier ceramic traditions. after firing, the hot vessel is immersed in a specially prepared organic solution, producing distinctive patterns, tonal variations, and surface markings created through the interaction of fire, clay, and natural materials. \n \n \n \n \n \n obvar ware is valued for its organic aesthetic: matte surfaces, subtle transitions of colour, natural drips, and unique markings that cannot be artificially replicated. each firing produces an unrepeatable result, making every object entirely individual. \n \n \n \n \n \n a particularly important aspect of the residency\u2019s programme is its inclusive educational format, bringing together students of decorative and applied arts, young people, and children with disabilities. within this collaborative environment, clay and fire become a universal language that transcends social and physical barriers, fostering creativity, mutual support, and cultural exchange. \n \n \n \n \n \n this bowl embodies not only a traditional ceramic technique but also a broader commitment to cultural continuity, craftsmanship, and community engagement. it stands as a testament to how historic technologies can remain relevant within contemporary urban life, serving as a source of education, artistic experimentation, and social inclusion."},"lotNumber":"1","title":{"ru":"благотворительный лот. арт-резиденция «мыс кунгасный». тарелка «плошка» (светлая). 2026","en":"charity lot. art residency \u201ccape kungasny\u201d. bowl (\u201cploshka\u201d), light finish. 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18559/view","tags":["decorativeart"],"directSalePrice":5000,"soldPrice":5000,"lastUpdate":"2026-06-25T08:02:00.642Z","textCase":"lower","currency":"RUB","id":18559,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18560/001/001.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18560/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"керамика, русский обвар \n \n \n \n \n высота 7 см \n \n \n диаметр 16,5 см \n \n \n \n \n \n в эпоху цифровых технологий, стандартизации и массового производства именно традиционные технологии становятся тем живым мостом, который соединяет студента с исторической памятью, материалом и этическими основами ремесла. \n \n \n \n \n \n уникальной возможностью для реализации этой образовательной задачи стала площадка арт-резиденции «мыс кунгасный», любезно предоставленная ано «благое дело» (по адресу: ул. острякова, 42/3, владивосток), где в черте города создаются условия для работы с традиционными методами обжига керамики открытым пламенем (дрова и газ). \n \n \n \n \n \n среди множества методов обработки керамики особое место занимает обвар \u2014 древнерусская техника, известная на руси более пятисот лет, чьи корни уходят ещё в античные практики. обращение к обвару \u2014 это способ вступить в диалог с национальной традицией, понять логику традиционного мышления, где мастерство передаётся не через инструкцию, а через проживание процесса. эта техника учит видеть в простом предмете носитель памяти, где каждый подтёк и оттенок становятся свидетельством прямого контакта огня, глины и человеческого внимания. \n \n \n \n \n \n особое значение приобретает инклюзивный формат тренингов, где вместе работают студенты дпи, молодёжь и дети с ограниченными возможностями здоровья. глина и огонь становятся универсальным языком, стирающим границы и формирующим сообщество единомышленников. \n \n \n \n \n \n эстетика таких изделий строится на матовой, слегка шероховатой поверхности с естественными переходами, потёками и точечными узорами, которые невозможно воспроизвести искусственно. каждый обжиг даёт неповторимый результат, фиксируя момент взаимодействия материала и среды. \n \n \n историческая глубина, технологическая точность и экологическая чистота обвара формируют художника, способного мыслить системно, уважать материал и работать в команде. \n \n \n \n \n \n площадка арт-резиденции «мыс кунгасный» доказывает, что традиционные технологии могут успешно существовать в городской среде, становясь центром притяжения для молодёжи, инклюзивных практик и культурного обмена.","en":"ceramic. traditional russian scald-fired ware (obvar). \n \n \n \n \n height: 7 cm. \n \n \n diameter: 16.5 cm. \n \n \n \n \n \n produced within the educational programme of the cape kungasny art residency in vladivostok, this ceramic bowl embodies the revival and preservation of traditional firing techniques within a contemporary artistic and educational environment. \n \n \n \n \n \n in an era increasingly shaped by digital technologies, standardization, and mass production, traditional crafts provide a meaningful connection to historical knowledge, material culture, and the ethical foundations of making. the cape kungasny art residency, supported by the non-profit organization blagoye delo, offers a unique space where participants can engage with historic methods of ceramic firing using open flame, wood, and gas kilns within an urban setting. \n \n \n \n \n \n the bowl was created using obvar, an ancient russian ceramic technique known for more than five hundred years and rooted in even earlier traditions. after firing, the heated vessel is immersed in a fermented organic mixture, creating distinctive patterns and tonal effects through the interaction of clay, fire, air, and natural materials. the process yields surfaces that are impossible to replicate exactly, making each object unique. \n \n \n \n \n \n the aesthetic qualities of obvar ware derive from its matte texture, subtle tonal transitions, organic drips, and naturally occurring speckled patterns. every firing records a singular moment in the interaction between material and environment, preserving traces of the creative process itself. \n \n \n \n \n \n a significant aspect of the residency\u2019s work is its inclusive educational format, bringing together students of decorative and applied arts, young people, and children with disabilities. through the shared experience of working with clay and fire, participants engage in a collaborative creative process that transcends social and physical boundaries. \n \n \n \n \n \n this bowl reflects not only the historical depth and ecological character of the obvar technique but also the broader mission of the cape kungasny art residency: to demonstrate that traditional technologies can remain vibrant and relevant within contemporary urban culture, serving as a platform for education, inclusion, artistic development, and cultural exchange."},"lotNumber":"2","title":{"ru":"благотворительный лот. арт-резиденция «мыс кунгасный». тарелка «плошка» (тёмная). 2026","en":"charity lot. art residency \u201ccape kungasny\u201d. bowl (\u201cploshka\u201d), dark finish. 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18560/view","tags":["decorativeart"],"directSalePrice":5000,"soldPrice":5000,"lastUpdate":"2026-06-25T08:03:44.784Z","textCase":"lower","currency":"RUB","id":18560,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18561/001/001.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18561/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"керамика, русский обвар \n \n \n \n \n высота 17,5 см \n \n \n диаметр 11,5 см \n \n \n \n \n \n в эпоху цифровых технологий, стандартизации и массового производства именно традиционные технологии становятся тем живым мостом, который соединяет студента с исторической памятью, материалом и этическими основами ремесла. \n \n \n \n \n \n уникальной возможностью для реализации этой образовательной задачи стала площадка арт-резиденции «мыс кунгасный», любезно предоставленная ано «благое дело» (по адресу: ул. острякова, 42/3, владивосток), где в черте города создаются условия для работы с традиционными методами обжига керамики открытым пламенем (дрова и газ). \n \n \n \n \n \n среди множества методов обработки керамики особое место занимает обвар \u2014 древнерусская техника, известная на руси более пятисот лет, чьи корни уходят ещё в античные практики. обращение к обвару \u2014 это способ вступить в диалог с национальной традицией, понять логику традиционного мышления, где мастерство передаётся не через инструкцию, а через проживание процесса. эта техника учит видеть в простом предмете носитель памяти, где каждый подтёк и оттенок становятся свидетельством прямого контакта огня, глины и человеческого внимания. \n \n \n \n \n \n особое значение приобретает инклюзивный формат тренингов, где вместе работают студенты дпи, молодёжь и дети с ограниченными возможностями здоровья. глина и огонь становятся универсальным языком, стирающим границы и формирующим сообщество единомышленников. \n \n \n \n \n \n эстетика таких изделий строится на матовой, слегка шероховатой поверхности с естественными переходами, потёками и точечными узорами, которые невозможно воспроизвести искусственно. каждый обжиг даёт неповторимый результат, фиксируя момент взаимодействия материала и среды. \n \n \n историческая глубина, технологическая точность и экологическая чистота обвара формируют художника, способного мыслить системно, уважать материал и работать в команде. \n \n \n \n \n \n площадка арт-резиденции «мыс кунгасный» доказывает, что традиционные технологии могут успешно существовать в городской среде, становясь центром притяжения для молодёжи, инклюзивных практик и культурного обмена.","en":"ceramic. traditional russian scald-fired ware (obvar). \n \n \n \n \n height: 17.5 cm. \n \n \n diameter: 11.5 cm. \n \n \n \n \n \n this ceramic krynka\u2014a traditional russian vessel historically used for storing and serving milk and other dairy products\u2014was created within the educational programme of the cape kungasny art residency in vladivostok. \n \n \n \n \n \n in an age defined by digital technologies, standardization, and mass production, traditional craft practices serve as a living bridge connecting contemporary makers with historical memory, material knowledge, and the ethical foundations of craftsmanship. the residency, supported by the non-profit organization blagoye delo, provides a rare opportunity to work with historic methods of ceramic production, including open-flame firing using wood and gas kilns within an urban environment. \n \n \n \n \n \n the vessel was produced using obvar, an ancient russian ceramic technique known for more than five centuries and rooted in even earlier traditions. after firing, the heated ceramic object is immersed in a fermented organic solution, creating distinctive patterns and tonal effects through the interaction of clay, fire, air, and natural materials. each firing yields an entirely unique result, making every piece unrepeatable. \n \n \n \n \n \n the aesthetic character of obvar ceramics is defined by matte surfaces, subtle colour transitions, natural drips, and intricate speckled patterns that cannot be artificially reproduced. these markings become a visual record of the creative process, preserving the direct encounter between material, environment, and human attention. \n \n \n \n \n \n an important aspect of the residency\u2019s programme is its inclusive educational model, bringing together students of decorative and applied arts, young people, and children with disabilities. through collaborative work with clay and fire, participants engage in a shared creative practice that fosters communication, mutual support, and cultural exchange. \n \n \n \n \n \n combining historical tradition with contemporary artistic education, this krynka embodies the cultural significance of russian ceramic heritage while demonstrating the continuing relevance of traditional technologies within modern urban life. it stands as both a functional vessel and a testament to craftsmanship, community, and the enduring dialogue between past and present."},"lotNumber":"3","title":{"ru":"благотворительный лот. арт-резиденция «мыс кунгасный». крынка. 2026","en":"charity lot. art residency \u201ccape kungasny\u201d. krynka vessel. 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18561/view","tags":["decorativeart"],"directSalePrice":5000,"soldPrice":5000,"lastUpdate":"2026-06-25T08:05:45.437Z","textCase":"lower","currency":"RUB","id":18561,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18562/001/001.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18562/002/002.jpg"],"available":false,"description":{"ru":"керамика, русский обвар \n \n \n \n \n высота 11 см \n \n \n диаметр 8 см \n \n \n ширина с ручкой 11,5 см \n \n \n \n \n \n в эпоху цифровых технологий, стандартизации и массового производства именно традиционные технологии становятся тем живым мостом, который соединяет студента с исторической памятью, материалом и этическими основами ремесла. \n \n \n \n \n \n уникальной возможностью для реализации этой образовательной задачи стала площадка арт-резиденции «мыс кунгасный», любезно предоставленная ано «благое дело» (по адресу: ул. острякова, 42/3, владивосток), где в черте города создаются условия для работы с традиционными методами обжига керамики открытым пламенем (дрова и газ). \n \n \n \n \n \n среди множества методов обработки керамики особое место занимает обвар \u2014 древнерусская техника, известная на руси более пятисот лет, чьи корни уходят ещё в античные практики. обращение к обвару \u2014 это способ вступить в диалог с национальной традицией, понять логику традиционного мышления, где мастерство передаётся не через инструкцию, а через проживание процесса. эта техника учит видеть в простом предмете носитель памяти, где каждый подтёк и оттенок становятся свидетельством прямого контакта огня, глины и человеческого внимания. \n \n \n \n \n \n особое значение приобретает инклюзивный формат тренингов, где вместе работают студенты дпи, молодёжь и дети с ограниченными возможностями здоровья. глина и огонь становятся универсальным языком, стирающим границы и формирующим сообщество единомышленников. \n \n \n \n \n \n эстетика таких изделий строится на матовой, слегка шероховатой поверхности с естественными переходами, потёками и точечными узорами, которые невозможно воспроизвести искусственно. каждый обжиг даёт неповторимый результат, фиксируя момент взаимодействия материала и среды. \n \n \n историческая глубина, технологическая точность и экологическая чистота обвара формируют художника, способного мыслить системно, уважать материал и работать в команде. \n \n \n \n \n \n площадка арт-резиденции «мыс кунгасный» доказывает, что традиционные технологии могут успешно существовать в городской среде, становясь центром притяжения для молодёжи, инклюзивных практик и культурного обмена.","en":"ceramic. traditional russian scald-fired ware (obvar). \n \n \n \n \n height: 11 cm. diameter: 8 cm. width with handle: 11.5 cm. \n \n \n \n \n \n created within the educational programme of the cape kungasny art residency in vladivostok, this ceramic mug reflects the revival and reinterpretation of traditional russian firing techniques in a contemporary artistic context. \n \n \n \n \n \n in an era dominated by digital technologies, standardization, and mass production, traditional craft practices provide a vital connection between contemporary makers and the historical memory of material culture. the residency, supported by the non-profit organization *blagoye delo*, offers a rare urban setting where participants can work with historic methods of ceramic firing using open flame, wood, and gas kilns. \n \n \n \n \n \n the mug was produced using obvar, an ancient russian ceramic technique known for more than five centuries and rooted in even earlier traditions. after firing, the heated vessel is immersed in a fermented organic mixture, creating distinctive patterns and tonal effects through the interaction of clay, fire, air, and natural materials. each firing produces a unique and unrepeatable surface. \n \n \n \n \n \n the title, harmony of three principles, suggests a balance of material, fire, and human intention\u2014the three forces that come together in the creation of obvar ceramics. the resulting surface is characterized by matte textures, subtle tonal transitions, natural drips, and speckled patterns that cannot be artificially replicated. \n \n \n \n \n \n a particularly significant aspect of the residency\u2019s programme is its inclusive educational model, bringing together students of decorative and applied arts, young people, and children with disabilities. through collaborative work with clay and fire, participants engage in a shared creative process that fosters communication, mutual support, and cultural exchange. \n \n \n \n \n \n this mug stands not only as a functional ceramic object but also as a reflection of cultural continuity, craftsmanship, and community. it demonstrates how traditional technologies can remain meaningful and relevant within contemporary urban life, serving as a platform for education, inclusion, and artistic experimentation."},"lotNumber":"4","title":{"ru":"благотворительный лот. арт-резиденция «мыс кунгасный». кружка «гармония трёх начал». 2026.","en":"charity lot. art residency \u201ccape kungasny\u201d. mug \u201charmony of three principles.\u201d 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18562/view","tags":["decorativeart"],"directSalePrice":3000,"lastUpdate":"2026-06-25T09:45:51.072Z","textCase":"lower","currency":"RUB","id":18562,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18563/001/001.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18563/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18563/003/003.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"керамика, русский обвар \n \n \n \n \n высота 15,5 см \n \n \n диаметр 16,5 см \n \n \n \n \n \n в эпоху цифровых технологий, стандартизации и массового производства именно традиционные технологии становятся тем живым мостом, который соединяет студента с исторической памятью, материалом и этическими основами ремесла. \n \n \n \n \n \n уникальной возможностью для реализации этой образовательной задачи стала площадка арт-резиденции «мыс кунгасный», любезно предоставленная ано «благое дело» (по адресу: ул. острякова, 42/3, владивосток), где в черте города создаются условия для работы с традиционными методами обжига керамики открытым пламенем (дрова и газ). \n \n \n \n \n \n среди множества методов обработки керамики особое место занимает обвар \u2014 древнерусская техника, известная на руси более пятисот лет, чьи корни уходят ещё в античные практики. обращение к обвару \u2014 это способ вступить в диалог с национальной традицией, понять логику традиционного мышления, где мастерство передаётся не через инструкцию, а через проживание процесса. эта техника учит видеть в простом предмете носитель памяти, где каждый подтёк и оттенок становятся свидетельством прямого контакта огня, глины и человеческого внимания. \n \n \n \n \n \n особое значение приобретает инклюзивный формат тренингов, где вместе работают студенты дпи, молодёжь и дети с ограниченными возможностями здоровья. глина и огонь становятся универсальным языком, стирающим границы и формирующим сообщество единомышленников. \n \n \n \n \n \n эстетика таких изделий строится на матовой, слегка шероховатой поверхности с естественными переходами, потёками и точечными узорами, которые невозможно воспроизвести искусственно. каждый обжиг даёт неповторимый результат, фиксируя момент взаимодействия материала и среды. \n \n \n историческая глубина, технологическая точность и экологическая чистота обвара формируют художника, способного мыслить системно, уважать материал и работать в команде. \n \n \n \n \n \n площадка арт-резиденции «мыс кунгасный» доказывает, что традиционные технологии могут успешно существовать в городской среде, становясь центром притяжения для молодёжи, инклюзивных практик и культурного обмена.","en":"ceramic. traditional russian scald-fired ware (obvar). \n \n \n \n \n height: 15.5 cm. \n \n \n diameter: 16.5 cm. \n \n \n \n \n \n created within the educational programme of the cape kungasny art residency in vladivostok, this ceramic candle lantern demonstrates the continued relevance of traditional ceramic technologies in contemporary artistic practice. \n \n \n \n \n \n in an age shaped by digital technologies, standardization, and mass production, traditional crafts provide a vital connection to historical memory, material knowledge, and the ethical foundations of craftsmanship. the residency, supported by the non-profit organization blagoye delo, offers a unique urban environment where participants can engage with historic methods of ceramic firing using open flame, wood, and gas kilns. \n \n \n \n \n \n the lantern was produced using obvar, an ancient russian ceramic technique known for more than five centuries and rooted in even earlier traditions. following firing, the heated ceramic form is immersed in a specially prepared organic solution, producing distinctive patterns and tonal variations through the interaction of clay, fire, air, and natural materials. the process yields surfaces that are impossible to reproduce exactly, ensuring that every object remains unique. \n \n \n \n \n \n the aesthetic qualities of obvar ceramics are defined by their matte texture, subtle colour transitions, natural drips, and organic speckled markings. each firing records a singular moment in the encounter between material and environment, preserving traces of the creative process itself. \n \n \n \n \n \n an important aspect of the residency\u2019s programme is its inclusive educational model, bringing together students of decorative and applied arts, young people, and children with disabilities. through collaborative work with clay and fire, participants engage in a shared creative practice that encourages communication, mutual support, and cultural exchange. \n \n \n \n \n \n combining traditional craftsmanship with contemporary community engagement, this candle lantern embodies the historical depth, environmental sensitivity, and artistic vitality of the obvar technique. it demonstrates how traditional technologies can successfully exist within a modern urban context, serving as a source of education, creativity, and social inclusion."},"lotNumber":"5","title":{"ru":"благотворительный лот. арт-резиденция «мыс кунгасный». светильник свечной. 2026","en":"charity lot. art residency \u201ccape kungasny\u201d. candle lantern. 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18563/view","tags":["decorativeart"],"directSalePrice":5000,"soldPrice":5500,"lastUpdate":"2026-06-25T08:08:10.637Z","textCase":"lower","currency":"RUB","id":18563,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":3000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18564/001/001.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18564/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"керамика, русский обвар \n \n \n \n \n высота 8,5 см \n \n \n диаметр 10 см \n \n \n ширина с ручкой 12,5 см \n \n \n \n \n \n в эпоху цифровых технологий, стандартизации и массового производства именно традиционные технологии становятся тем живым мостом, который соединяет студента с исторической памятью, материалом и этическими основами ремесла. \n \n \n \n \n \n уникальной возможностью для реализации этой образовательной задачи стала площадка арт-резиденции «мыс кунгасный», любезно предоставленная ано «благое дело» (по адресу: ул. острякова, 42/3, владивосток), где в черте города создаются условия для работы с традиционными методами обжига керамики открытым пламенем (дрова и газ). \n \n \n \n \n \n среди множества методов обработки керамики особое место занимает обвар \u2014 древнерусская техника, известная на руси более пятисот лет, чьи корни уходят ещё в античные практики. обращение к обвару \u2014 это способ вступить в диалог с национальной традицией, понять логику традиционного мышления, где мастерство передаётся не через инструкцию, а через проживание процесса. эта техника учит видеть в простом предмете носитель памяти, где каждый подтёк и оттенок становятся свидетельством прямого контакта огня, глины и человеческого внимания. \n \n \n \n \n \n особое значение приобретает инклюзивный формат тренингов, где вместе работают студенты дпи, молодёжь и дети с ограниченными возможностями здоровья. глина и огонь становятся универсальным языком, стирающим границы и формирующим сообщество единомышленников. \n \n \n \n \n \n эстетика таких изделий строится на матовой, слегка шероховатой поверхности с естественными переходами, потёками и точечными узорами, которые невозможно воспроизвести искусственно. каждый обжиг даёт неповторимый результат, фиксируя момент взаимодействия материала и среды. \n \n \n историческая глубина, технологическая точность и экологическая чистота обвара формируют художника, способного мыслить системно, уважать материал и работать в команде. \n \n \n \n \n \n площадка арт-резиденции «мыс кунгасный» доказывает, что традиционные технологии могут успешно существовать в городской среде, становясь центром притяжения для молодёжи, инклюзивных практик и культурного обмена.","en":"ceramic. traditional russian scald-fired ware (obvar). \n \n \n \n \n height: 8.5 cm. \n \n \n diameter: 10 cm. \n \n \n width with handle: 12.5 cm. \n \n \n \n \n \n created within the educational programme of the cape kungasny art residency in vladivostok, this ceramic candle lantern demonstrates the continued relevance of traditional ceramic technologies in contemporary artistic practice. \n \n \n \n \n \n in an age shaped by digital technologies, standardization, and mass production, traditional crafts provide a vital connection to historical memory, material knowledge, and the ethical foundations of craftsmanship. the residency, supported by the non-profit organization blagoye delo, offers a unique urban environment where participants can engage with historic methods of ceramic firing using open flame, wood, and gas kilns. \n \n \n \n \n \n the lantern was produced using obvar, an ancient russian ceramic technique known for more than five centuries and rooted in even earlier traditions. following firing, the heated ceramic form is immersed in a specially prepared organic solution, producing distinctive patterns and tonal variations through the interaction of clay, fire, air, and natural materials. the process yields surfaces that are impossible to reproduce exactly, ensuring that every object remains unique. \n \n \n \n \n \n the aesthetic qualities of obvar ceramics are defined by their matte texture, subtle colour transitions, natural drips, and organic speckled markings. each firing records a singular moment in the encounter between material and environment, preserving traces of the creative process itself. \n \n \n \n \n \n an important aspect of the residency\u2019s programme is its inclusive educational model, bringing together students of decorative and applied arts, young people, and children with disabilities. through collaborative work with clay and fire, participants engage in a shared creative practice that encourages communication, mutual support, and cultural exchange. \n \n \n \n \n \n combining traditional craftsmanship with contemporary community engagement, this candle lantern embodies the historical depth, environmental sensitivity, and artistic vitality of the obvar technique. it demonstrates how traditional technologies can successfully exist within a modern urban context, serving as a source of education, creativity, and social inclusion."},"lotNumber":"6","title":{"ru":"благотворительный лот. арт-резиденция «мыс кунгасный». кружка «кандюшка»\nмалая. 2026","en":"charity lot. art residency \u201ccape kungasny\u201d. \u201ckandyushka\u201d mug (small). 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18564/view","tags":["decorativeart"],"directSalePrice":3000,"soldPrice":3000,"lastUpdate":"2026-06-25T08:09:25.663Z","textCase":"lower","currency":"RUB","id":18564,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18565/001/001.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18565/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"керамика, русский обвар \n \n \n \n \n высота 11 см \n \n \n диаметр 12 см \n \n \n ширина с ручкой 16 см \n \n \n \n \n \n в эпоху цифровых технологий, стандартизации и массового производства именно традиционные технологии становятся тем живым мостом, который соединяет студента с исторической памятью, материалом и этическими основами ремесла. \n \n \n \n \n \n уникальной возможностью для реализации этой образовательной задачи стала площадка арт-резиденции «мыс кунгасный», любезно предоставленная ано «благое дело» (по адресу: ул. острякова, 42/3, владивосток), где в черте города создаются условия для работы с традиционными методами обжига керамики открытым пламенем (дрова и газ). \n \n \n \n \n \n среди множества методов обработки керамики особое место занимает обвар \u2014 древнерусская техника, известная на руси более пятисот лет, чьи корни уходят ещё в античные практики. обращение к обвару \u2014 это способ вступить в диалог с национальной традицией, понять логику традиционного мышления, где мастерство передаётся не через инструкцию, а через проживание процесса. эта техника учит видеть в простом предмете носитель памяти, где каждый подтёк и оттенок становятся свидетельством прямого контакта огня, глины и человеческого внимания. \n \n \n \n \n \n особое значение приобретает инклюзивный формат тренингов, где вместе работают студенты дпи, молодёжь и дети с ограниченными возможностями здоровья. глина и огонь становятся универсальным языком, стирающим границы и формирующим сообщество единомышленников. \n \n \n \n \n \n эстетика таких изделий строится на матовой, слегка шероховатой поверхности с естественными переходами, потёками и точечными узорами, которые невозможно воспроизвести искусственно. каждый обжиг даёт неповторимый результат, фиксируя момент взаимодействия материала и среды. \n \n \n историческая глубина, технологическая точность и экологическая чистота обвара формируют художника, способного мыслить системно, уважать материал и работать в команде. \n \n \n \n \n \n площадка арт-резиденции «мыс кунгасный» доказывает, что традиционные технологии могут успешно существовать в городской среде, становясь центром притяжения для молодёжи, инклюзивных практик и культурного обмена.","en":"ceramic. traditional russian scald-fired ware (obvar). \n \n \n \n \n height: 11 cm. \n \n \n diameter: 12 cm. \n \n \n width with handle: 16 cm. \n \n \n \n \n \n created within the educational programme of the cape kungasny art residency in vladivostok, this ceramic candle lantern demonstrates the continued relevance of traditional ceramic technologies in contemporary artistic practice. \n \n \n \n \n \n in an age shaped by digital technologies, standardization, and mass production, traditional crafts provide a vital connection to historical memory, material knowledge, and the ethical foundations of craftsmanship. the residency, supported by the non-profit organization blagoye delo, offers a unique urban environment where participants can engage with historic methods of ceramic firing using open flame, wood, and gas kilns. \n \n \n \n \n \n the lantern was produced using obvar, an ancient russian ceramic technique known for more than five centuries and rooted in even earlier traditions. following firing, the heated ceramic form is immersed in a specially prepared organic solution, producing distinctive patterns and tonal variations through the interaction of clay, fire, air, and natural materials. the process yields surfaces that are impossible to reproduce exactly, ensuring that every object remains unique. \n \n \n \n \n \n the aesthetic qualities of obvar ceramics are defined by their matte texture, subtle colour transitions, natural drips, and organic speckled markings. each firing records a singular moment in the encounter between material and environment, preserving traces of the creative process itself. \n \n \n \n \n \n an important aspect of the residency\u2019s programme is its inclusive educational model, bringing together students of decorative and applied arts, young people, and children with disabilities. through collaborative work with clay and fire, participants engage in a shared creative practice that encourages communication, mutual support, and cultural exchange. \n \n \n \n \n \n combining traditional craftsmanship with contemporary community engagement, this candle lantern embodies the historical depth, environmental sensitivity, and artistic vitality of the obvar technique. it demonstrates how traditional technologies can successfully exist within a modern urban context, serving as a source of education, creativity, and social inclusion."},"lotNumber":"7","title":{"ru":"благотворительный лот. арт-резиденция «мыс кунгасный». кружка «кандюшка»\nбольшая. 2026","en":"charity lot. art residency \u201ccape kungasny\u201d. \u201ckandyushka\u201d mug (big). 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18565/view","tags":["decorativeart"],"directSalePrice":5000,"soldPrice":5000,"lastUpdate":"2026-06-25T08:11:08.565Z","textCase":"lower","currency":"RUB","id":18565,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18566/001/001.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18566/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"керамика, бесцветная глазурь, русский обвар \n \n \n \n \n высота 14,5 см \n \n \n диаметр 11 см \n \n \n ширина с ручкой 17 см \n \n \n \n \n \n в эпоху цифровых технологий, стандартизации и массового производства именно традиционные технологии становятся тем живым мостом, который соединяет студента с исторической памятью, материалом и этическими основами ремесла. \n \n \n \n \n \n уникальной возможностью для реализации этой образовательной задачи стала площадка арт-резиденции «мыс кунгасный», любезно предоставленная ано «благое дело» (по адресу: ул. острякова, 42/3, владивосток), где в черте города создаются условия для работы с традиционными методами обжига керамики открытым пламенем (дрова и газ). \n \n \n \n \n \n среди множества методов обработки керамики особое место занимает обвар \u2014 древнерусская техника, известная на руси более пятисот лет, чьи корни уходят ещё в античные практики. обращение к обвару \u2014 это способ вступить в диалог с национальной традицией, понять логику традиционного мышления, где мастерство передаётся не через инструкцию, а через проживание процесса. эта техника учит видеть в простом предмете носитель памяти, где каждый подтёк и оттенок становятся свидетельством прямого контакта огня, глины и человеческого внимания. \n \n \n \n \n \n особое значение приобретает инклюзивный формат тренингов, где вместе работают студенты дпи, молодёжь и дети с ограниченными возможностями здоровья. глина и огонь становятся универсальным языком, стирающим границы и формирующим сообщество единомышленников. \n \n \n \n \n \n эстетика таких изделий строится на матовой, слегка шероховатой поверхности с естественными переходами, потёками и точечными узорами, которые невозможно воспроизвести искусственно. каждый обжиг даёт неповторимый результат, фиксируя момент взаимодействия материала и среды. \n \n \n историческая глубина, технологическая точность и экологическая чистота обвара формируют художника, способного мыслить системно, уважать материал и работать в команде. \n \n \n \n \n \n площадка арт-резиденции «мыс кунгасный» доказывает, что традиционные технологии могут успешно существовать в городской среде, становясь центром притяжения для молодёжи, инклюзивных практик и культурного обмена.","en":"ceramic, clear glaze, traditional russian scald-fired ware (obvar). \n \n \n \n \n height: 14.5 cm. \n \n \n diameter: 11 cm. \n \n \n width with handle: 17 cm. \n \n \n \n \n \n created within the educational programme of the cape kungasny art residency in vladivostok, this ceramic mug represents a contemporary interpretation of traditional russian pottery, combining practical function with historic firing techniques. \n \n \n \n \n \n in an era defined by digital technologies, standardization, and mass production, traditional craft practices serve as an important bridge connecting contemporary makers with historical memory, material culture, and the ethical foundations of craftsmanship. the residency, supported by the non-profit organization blagoye delo, provides a unique environment where participants can work with traditional open-flame ceramic firing methods using wood and gas kilns within an urban setting. \n \n \n \n \n \n the mug was produced using obvar, an ancient russian ceramic technique known for more than five centuries and rooted in even earlier traditions. following firing, the heated vessel is immersed in a specially prepared organic solution, creating distinctive tonal transitions, organic markings, and surface patterns formed through the interaction of clay, fire, air, and natural materials. a transparent glaze complements these effects while preserving the characteristic appearance of the obvar process. \n \n \n \n \n \n the aesthetic of such works is defined by matte and glossy contrasts, subtle colour variations, natural drips, and unique speckled textures that cannot be artificially reproduced. each firing yields an entirely individual result, recording a singular moment in the interaction between material and environment. \n \n \n \n \n \n a particularly important aspect of the residency\u2019s programme is its inclusive educational format, which brings together students of decorative and applied arts, young people, and children with disabilities. through shared work with clay and fire, participants engage in a collaborative creative process that encourages communication, mutual support, and cultural exchange. \n \n \n \n \n \n this handled mug embodies the historical depth, technical precision, and ecological character of traditional obvar ceramics. it demonstrates how centuries-old technologies can remain relevant in contemporary urban culture, serving simultaneously as a functional object, a work of craft, and a symbol of community-based artistic practice."},"lotNumber":"8","title":{"ru":"благотворительный лот. арт-резиденция «мыс кунгасный». кружка с ручкой.\n2026.","en":"charity lot. art residency \u201ccape kungasny\u201d. handled mug. 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18566/view","tags":["decorativeart"],"directSalePrice":5000,"soldPrice":5000,"lastUpdate":"2026-06-25T08:12:05.519Z","textCase":"lower","currency":"RUB","id":18566,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":85000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18537/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18537/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18537/003/003.jpg"],"available":false,"description":{"ru":"оргалит, масло. 45 х 76. \n \n рыбачук иван васильевич (1921 - 2008 ) - советский и российский художник, член союза художников ссср, народный художник российской федерации, почётный член российской академии художеств. \n \n его живопись \u2014 будь то пейзаж, портрет или жанровая картина \u2014 своеобразный сплав остроты выражения нашего времени и гармонического восприятия мира явно классического происхождения. \n он \u2014 художник светлый, мажорный, жизнелюбивый и необъятно душевный. \n \n родился 25 июня 1921 года в с. збараж казатинского района киевской области. \n в 1940 году окончил благовещенское художественное училище; в 1950 году окончил отделение живописи владивостокского художественного училища. \n в училище иван васильевич учился у петра евстафьева, одного из учеников и. репина, словом, он \u2014 наследник репинской традиции по прямой. \n в 1940 году \u2014 был призван во флот, с 1943 по 1947 годы \u2014 руководил студией флотских художников 1-й краснознаменной бригады торпедных катеров. \n с 1947 года \u2014 работал директором дома народного творчества во владивостоке. \n с 1950 по 1952 годы \u2014 преподавал черчение и рисование в средней школе № 1 города владивостока. \n с 1950 года \u2014 участник художественных выставок. \n в 2007 году \u2014 избран почётным членом российской академии художеств. \n иван васильевич рыбачук умер 20 октября 2008 года во владивостоке. \n \n произведения и.в. рыбачука представлены в коллекциях приморской картинной галереи, приморского государственного объединённого краеведческого музея имени в. к. арсеньева, сахалинского областного художественного музея, дальневосточного художественного музея (г. хабаровск), магаданского областного краеведческого музея, музея тихоокеанского флота.","en":"oil on hardboard. \n \n 45 × 76 cm. \n \n \n \n \n \n ivan vasilievich rybachuk (1921\u20132008) was a soviet and russian painter, a member of the union of artists of the ussr, people's artist of the russian federation, and an honorary member of the russian academy of arts. \n \n \n \n \n \n his oeuvre\u2014whether landscape, portrait, or genre painting\u2014represents a distinctive synthesis of the expressive dynamism of his time and a harmonious vision of the world rooted in the classical tradition. \n \n \n \n \n \n rybachuk was an artist of remarkable optimism and warmth, whose work is imbued with a profound love of life and humanity. \n \n \n \n \n \n born on 25 june 1921 in the village of zbarazh, kazatin district, kyiv region, he graduated from the blagoveshchensk art school in 1940 and completed his studies at the painting department of the vladivostok art school in 1950. \n \n \n \n \n \n at the vladivostok art school, rybachuk studied under pyotr evstafiev, a pupil of ilya repin, thus becoming a direct heir to the repin artistic tradition. \n \n \n \n \n \n drafted into the soviet navy in 1940, he served from 1943 to 1947 as head of the naval artists\u2019 studio of the 1st red banner torpedo boat brigade. \n \n \n \n \n \n from 1947, he worked as director of the house of folk art in vladivostok. between 1950 and 1952, he taught technical drawing and art at secondary school no. 1 in vladivostok. \n \n \n \n \n \n rybachuk participated in art exhibitions from 1950 onwards and, in 2007, was elected an honorary member of the russian academy of arts. \n \n \n \n \n \n he passed away on 20 october 2008 in vladivostok. \n \n \n \n \n \n works by ivan v. rybachuk are held in the collections of the primorye state art gallery, the v. k. arsenyev primorye state united museum, the sakhalin regional art museum, the far eastern art museum (khabarovsk), the magadan regional museum of local lore, and the museum of the pacific fleet."},"lotNumber":"9","title":{"ru":"рыбачук иван васильевич (1921-2008). тихий океан. 1983.","en":"ivan vasilievich rybachuk (1921\u20132008)\npacific ocean. 1983"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18537/view","tags":["painting"],"directSalePrice":85000,"lastUpdate":"2026-06-25T09:45:51.083Z","textCase":"lower","currency":"RUB","id":18537,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":80000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18535/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18535/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18535/003/003.jpg"],"available":false,"description":{"ru":"оргалит, масло. 50 х 82. \n \n рыбачук иван васильевич (1921 - 2008 ) - советский и российский художник, член союза художников ссср, народный художник российской федерации, почётный член российской академии художеств. \n \n его живопись \u2014 будь то пейзаж, портрет или жанровая картина \u2014 своеобразный сплав остроты выражения нашего времени и гармонического восприятия мира явно классического происхождения. \n он \u2014 художник светлый, мажорный, жизнелюбивый и необъятно душевный. \n \n родился 25 июня 1921 года в с. збараж казатинского района киевской области. \n в 1940 году окончил благовещенское художественное училище; в 1950 году окончил отделение живописи владивостокского художественного училища. \n в училище иван васильевич учился у петра евстафьева, одного из учеников и. репина, словом, он \u2014 наследник репинской традиции по прямой. \n в 1940 году \u2014 был призван во флот, с 1943 по 1947 годы \u2014 руководил студией флотских художников 1-й краснознаменной бригады торпедных катеров. \n с 1947 года \u2014 работал директором дома народного творчества во владивостоке. \n с 1950 по 1952 годы \u2014 преподавал черчение и рисование в средней школе № 1 города владивостока. \n с 1950 года \u2014 участник художественных выставок. \n в 2007 году \u2014 избран почётным членом российской академии художеств. \n иван васильевич рыбачук умер 20 октября 2008 года во владивостоке. \n \n произведения и.в. рыбачука представлены в коллекциях приморской картинной галереи, приморского государственного объединённого краеведческого музея имени в. к. арсеньева, сахалинского областного художественного музея, дальневосточного художественного музея (г. хабаровск), магаданского областного краеведческого музея, музея тихоокеанского флота.","en":"oil on hardboard. \n \n 50 × 82 cm. \n \n \n \n \n \n ivan vasilievich rybachuk (1921\u20132008) was a soviet and russian painter, a member of the union of artists of the ussr, people's artist of the russian federation, and an honorary member of the russian academy of arts. \n \n \n \n \n \n his oeuvre\u2014whether landscape, portrait, or genre painting\u2014represents a distinctive synthesis of the expressive dynamism of his time and a harmonious vision of the world rooted in the classical tradition. \n \n \n \n \n \n rybachuk was an artist of remarkable optimism and warmth, whose work is imbued with a profound love of life and humanity. \n \n \n \n \n \n born on 25 june 1921 in the village of zbarazh, kazatin district, kyiv region, he graduated from the blagoveshchensk art school in 1940 and completed his studies at the painting department of the vladivostok art school in 1950. \n \n \n \n \n \n at the vladivostok art school, rybachuk studied under pyotr evstafiev, a pupil of ilya repin, thus becoming a direct heir to the repin artistic tradition. \n \n \n \n \n \n drafted into the soviet navy in 1940, he served from 1943 to 1947 as head of the naval artists\u2019 studio of the 1st red banner torpedo boat brigade. \n \n \n \n \n \n from 1947, he worked as director of the house of folk art in vladivostok. between 1950 and 1952, he taught technical drawing and art at secondary school no. 1 in vladivostok. \n \n \n \n \n \n rybachuk participated in art exhibitions from 1950 onwards and, in 2007, was elected an honorary member of the russian academy of arts. \n \n \n \n \n \n he passed away on 20 october 2008 in vladivostok. \n \n \n \n \n \n works by ivan v. rybachuk are held in the collections of the primorye state art gallery, the v. k. arsenyev primorye state united museum, the sakhalin regional art museum, the far eastern art museum (khabarovsk), the magadan regional museum of local lore, and the museum of the pacific fleet."},"lotNumber":"10","title":{"ru":"рыбачук иван васильевич (1921-2008). переменчивая погода. 1957.","en":"ivan vasilievich rybachuk (1921\u20132008)\nchanging weather. 1957"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18535/view","tags":["painting"],"directSalePrice":80000,"lastUpdate":"2026-06-25T09:45:51.086Z","textCase":"lower","currency":"RUB","id":18535,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":55000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18536/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18536/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18536/003/003.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"холст на картоне, масло. 14,7 х 20,5. \n \n рыбачук иван васильевич (1921 - 2008 ) - советский и российский художник, член союза художников ссср, народный художник российской федерации, почётный член российской академии художеств. \n \n его живопись \u2014 будь то пейзаж, портрет или жанровая картина \u2014 своеобразный сплав остроты выражения нашего времени и гармонического восприятия мира явно классического происхождения. \n он \u2014 художник светлый, мажорный, жизнелюбивый и необъятно душевный. \n \n родился 25 июня 1921 года в с. збараж казатинского района киевской области. \n в 1940 году окончил благовещенское художественное училище; в 1950 году окончил отделение живописи владивостокского художественного училища. \n в училище иван васильевич учился у петра евстафьева, одного из учеников и. репина, словом, он \u2014 наследник репинской традиции по прямой. \n в 1940 году \u2014 был призван во флот, с 1943 по 1947 годы \u2014 руководил студией флотских художников 1-й краснознаменной бригады торпедных катеров. \n с 1947 года \u2014 работал директором дома народного творчества во владивостоке. \n с 1950 по 1952 годы \u2014 преподавал черчение и рисование в средней школе № 1 города владивостока. \n с 1950 года \u2014 участник художественных выставок. \n в 2007 году \u2014 избран почётным членом российской академии художеств. \n иван васильевич рыбачук умер 20 октября 2008 года во владивостоке. \n \n произведения и.в. рыбачука представлены в коллекциях приморской картинной галереи, приморского государственного объединённого краеведческого музея имени в. к. арсеньева, сахалинского областного художественного музея, дальневосточного художественного музея (г. хабаровск), магаданского областного краеведческого музея, музея тихоокеанского флота.","en":"oil on canvas on cardboard. \n \n 14,7 х 20,5 cm. \n \n \n \n \n \n ivan vasilievich rybachuk (1921\u20132008) was a soviet and russian painter, a member of the union of artists of the ussr, people's artist of the russian federation, and an honorary member of the russian academy of arts. \n \n \n \n \n \n his oeuvre\u2014whether landscape, portrait, or genre painting\u2014represents a distinctive synthesis of the expressive dynamism of his time and a harmonious vision of the world rooted in the classical tradition. \n \n \n \n \n \n rybachuk was an artist of remarkable optimism and warmth, whose work is imbued with a profound love of life and humanity. \n \n \n \n \n \n born on 25 june 1921 in the village of zbarazh, kazatin district, kyiv region, he graduated from the blagoveshchensk art school in 1940 and completed his studies at the painting department of the vladivostok art school in 1950. \n \n \n \n \n \n at the vladivostok art school, rybachuk studied under pyotr evstafiev, a pupil of ilya repin, thus becoming a direct heir to the repin artistic tradition. \n \n \n \n \n \n drafted into the soviet navy in 1940, he served from 1943 to 1947 as head of the naval artists\u2019 studio of the 1st red banner torpedo boat brigade. \n \n \n \n \n \n from 1947, he worked as director of the house of folk art in vladivostok. between 1950 and 1952, he taught technical drawing and art at secondary school no. 1 in vladivostok. \n \n \n \n \n \n rybachuk participated in art exhibitions from 1950 onwards and, in 2007, was elected an honorary member of the russian academy of arts. \n \n \n \n \n \n he passed away on 20 october 2008 in vladivostok. \n \n \n \n \n \n works by ivan v. rybachuk are held in the collections of the primorye state art gallery, the v. k. arsenyev primorye state united museum, the sakhalin regional art museum, the far eastern art museum (khabarovsk), the magadan regional museum of local lore, and the museum of the pacific fleet."},"lotNumber":"11","title":{"ru":"рыбачук иван васильевич (1921-2008). вторая речка. ноябрь. 1974.","en":"ivan vasilievich rybachuk (1921\u20132008)\nvtoraya rechka (second river). november. 1974"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18536/view","tags":["painting"],"directSalePrice":55000,"soldPrice":55000,"lastUpdate":"2026-06-25T08:16:45.261Z","textCase":"lower","currency":"RUB","id":18536,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":80000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18541/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18541/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18541/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18541/004/004.png"],"available":false,"description":{"ru":"холст, масло. 49 х 57. \n \n ткаченко александр васильевич (род. 1931) во владивостоке. заслуженный художник рф и почетный член российской академии художеств. \n \n 1950 г. \u2013 студия военных художников г. уссурийск \n с 1967 г. \u2013 член союза художников ссср (с 1992 г. \u2013 союз художников россии) \n 1977-1981 гг. \u2013 председатель художественного совета уссурийских художественно-производственных мастерских художественного фонда рсфср \n 1999 г. \u2013 заслуженный художник рф \n 2015 г. \u2013 почетный член российской академии художеств \n 2016 г. \u2013 академик китайско-российской академии изобразительного искусства \n \n с 1960 г. - участник многочисленных международных, союзных, республиканских, региональных, краевых, всероссийских и персональных выставок. \n \n произведения а.в. ткаченко находятся в москве в министерстве культуры россии, в союзе художников россии, в государственном музейно-выставочном центре «рос изо». \n во владивостоке - в приморской государственной картинной галерее, в музее им. в.к. арсеньева. \n \n в красноярске \u2013 в художественном музее им. в.и. сурикова, в чите \u2013 в областной картинной галерее, в шушинском \u2013 в муниципальной картинной галерее, в петропавловске камчатском - в краевом художественном музее. \n \n в китае \u2013 в русском музее г. хэйхэ, в харбине \u2013 в художественном музее им. тэньчжунь и в хэйлунцзянском музее русской живописи. \n \n \n \n \n 11 июня 2026 г. александру васильевичу ткаченко исполняется 95 лет. 70 из них он посвятил живописи. \n \n главным жанром в творчестве дальневосточного художника стал пейзаж. \n в произведениях а.в. ткаченко воплощены образы уникальной природы дальнего востока (приморский и хабаровский края, камчатка, курильские и командорские острова) и средней полосы россии (подмосковье). \n оптимизм, которым обладает сам художник, пронизывает все работы мастера. каждая работа а.в. ткаченко \u2013 это своеобразный гимн жизни! интерьерная визуализация носит иллюстративный характер и создана с использованием технологий искусственного интеллекта. фотография предмета соответствует оригиналу.","en":"oil on canvas. \n \n 49 × 57 cm. \n \n \n \n \n \n alexander vasilievich tkachenko (born 1931, vladivostok) is a distinguished russian painter, honoured artist of the russian federation, honorary member of the russian academy of arts, and academician of the sino-russian academy of fine arts. \n \n \n \n \n \n in 1950, he studied at the military artists\u2019 studio in ussuriysk. \n \n \n \n \n \n since 1967, he has been a member of the union of artists of the ussr (from 1992, the union of artists of russia). \n \n \n \n \n \n from 1977 to 1981, he served as chairman of the artistic council of the ussuriysk art production workshops of the art fund of the russian soviet federative socialist republic (rsfsr). \n \n \n \n \n \n in 1999, he was awarded the title of honoured artist of the russian federation. in 2015, he was elected an honorary member of the russian academy of arts, and in 2016, he became an academician of the sino-russian academy of fine arts. \n \n \n \n \n \n since 1960, tkachenko has participated in numerous international, national, republican, regional, territorial, all-russian, and solo exhibitions. \n \n \n \n \n \n works by alexander v. tkachenko are held in the collections of the ministry of culture of the russian federation, the union of artists of russia, and the state museum and exhibition centre rosizo in moscow. \n \n \n \n \n \n in vladivostok, his works are represented in the collections of the primorye state art gallery and the v. k. arsenyev museum of history of the far east. \n \n \n \n \n \n additional works are housed in the v. i. surikov art museum in krasnoyarsk, the regional art gallery in chita, the municipal art gallery in shushenskoye, and the regional art museum in petropavlovsk-kamchatsky. \n \n \n \n \n \n in china, his works are held by the russian museum in heihe, the tengzhun art museum in harbin, and the heilongjiang museum of russian painting. \n \n \n \n \n \n on 11 june 2021, alexander vasilievich tkachenko celebrates his 95th birthday, having devoted seventy years of his life to painting. \n \n \n \n \n \n landscape has become the principal genre of the far eastern master's oeuvre. his works capture the distinctive beauty of the russian far east\u2014including primorsky and khabarovsk territories, kamchatka, the kuril islands, and the commander islands\u2014as well as the landscapes of central russia and the moscow region. \n \n \n \n \n \n the optimism that characterizes the artist himself permeates all of his paintings. each work by alexander tkachenko may be seen as a heartfelt celebration of life."},"lotNumber":"12","title":{"ru":"ткаченко александр васильевич (род. 1931). зима. 1980-е.","en":"alexander vasilievich tkachenko (b. 1931). winter. 1980s."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18541/view","tags":["painting"],"directSalePrice":80000,"lastUpdate":"2026-06-25T09:45:51.096Z","textCase":"lower","currency":"RUB","id":18541,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":85000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18556/001/001.jpg"],"available":false,"description":{"ru":"картон, масло. 73 х 96. \n \n владимир антонович снытко \u2013 один из патриархов приморского \n изобразительного искусства. живописец, автор сюжетно-тематических композиций и натюрмортов, пейзажист, портретист. один из первооткрывателей темы дальневосточного севера в отечественном искусстве, заслуженный художник российской \n федерации. член «шикотанской группы». \n \n в 1967 году владимир антонович - выпускник первого набора отделения живописи дальневосточного педагогического института искусств (мастерская вениамина алексеевича гончаренко). \n \n значимой в летописи приморского искусства стала тема дальневосточного севера, которую владимир снытко, начиная с 1968 года, в течение пяти лет \n разрабатывал вместе с другом и коллегой иваном ионченковым. «северные» работы владимира антоновича имеют ценность наглядного исторического документа - одежда и амуниция оленеводов и охотников, их семьи, жилища, утварь, даже региональные погодно-климатические условия. \n \n в середине 1970-х художник побывал на баме, где собрал обширный этюдный материал, который лёг в основу работ, посвящённых самой известной послевоенной советской стройке. владимир снытко одним из первых запечатлел начало «стройки века». его холсты стали своеобразной художественной летописью бама. \n \n в составе «шикотанской группы» работал на островах курильской гряды (шикотан, итуруп, шумшу). энергетика тихого океана, уникальная островная природа, сильные красивые люди - всё способствовало формированию творческой атмосферы высокого накала, которая запечатлелась в работах «шикотанского» цикла. \n \n награды \n диплом секретариата правления союза художников рсфср, 1974; благодарственные письма приморской государственной картинной галереи, 1997, 2001; почётные грамоты: секретариата союза художников рсфср, 1982; втоо «союз художников россии», 2012; управления культуры примкрайисполкома, 1982; уссурийского отделения союза художников рсфср, 1882; президиума приморского комитета профсоюза работников культуры, 1988; политического отдела авиационно-истребительной дивизии, 1982; научной библиотеки двгу, 2000; тихоокеанского регионального управления федеральной пограничной службы россии, 2002","en":"oil on cardboard. \n \n 73 × 96 cm. \n \n \n \n \n \n vladimir antonovich snytko was one of the patriarchs of primorye\u2019s fine arts tradition. a painter of thematic compositions, still lifes, landscapes, and portraits, he was among the first artists to introduce the subject of the russian far east and the arctic north into soviet art. he was awarded the title of honoured artist of the russian federation and was a member of the renowned \u201cshikotan group.\u201d \n \n \n \n \n \n in 1967, snytko graduated as part of the first cohort of the painting department of the far eastern state institute of arts, where he studied under veniamin a. goncharenko. \n \n \n \n \n \n a significant chapter in the history of primorye art was the exploration of the far eastern north, a theme that snytko developed from 1968 onward over a period of five years together with his friend and colleague ivan ionchenkov. these northern works possess the value of vivid historical documents, recording the clothing and equipment of reindeer herders and hunters, their families, dwellings, household objects, and even the distinctive climatic and environmental conditions of the region. \n \n \n \n \n \n in the mid-1970s, the artist travelled to the construction sites of the baikal\u2013amur mainline (bam), where he gathered extensive preparatory material that later formed the basis of a series of works dedicated to the most celebrated soviet infrastructure project of the post-war era. snytko was among the first artists to document the beginning of this monumental undertaking, and his canvases became a unique visual chronicle of the bam. \n \n \n \n \n \n as a member of the \u201cshikotan group, \u201d he worked extensively on the islands of the kuril archipelago, including shikotan, iturup, and shumshu. the powerful energy of the pacific ocean, the dramatic beauty of the island landscapes, and the strength and character of their inhabitants fostered an atmosphere of exceptional creative intensity, vividly reflected in the works of his celebrated \u201cshikotan cycle.\u201d \n \n \n \n \n \n honours and awards \n \n \n \n \n \n diploma of the secretariat of the board of the union of artists of the rsfsr (1974); letters of appreciation from the primorye state art gallery (1997, 2001); certificates of honour from the secretariat of the union of artists of the rsfsr (1982), the union of artists of russia (2012), the department of culture of the primorye regional executive committee (1982), the ussuriysk branch of the union of artists of the rsfsr (1982), the primorye regional trade union of cultural workers (1988), the political department of the fighter aviation division (1982), the scientific library of far eastern state university (2000), and the pacific regional directorate of the federal border service of russia (2002)."},"lotNumber":"13","title":{"ru":"снытко владимир антонович (1932-2024). ветры шикотана. 1976.","en":"vladimir antonovich snytko (1932\u20132026). winds of shikotan. 1976."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18556/view","tags":["painting"],"directSalePrice":85000,"lastUpdate":"2026-06-25T09:45:51.098Z","textCase":"lower","currency":"RUB","id":18556,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":48000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18557/001/001.jpg"],"available":false,"description":{"ru":"холст, масло. 50 х 80 см \n \n владимир антонович снытко \u2013 один из патриархов приморского изобразительного искусства. живописец, автор сюжетно-тематических композиций и натюрмортов, пейзажист, портретист. один из первооткрывателей темы дальневосточного севера в отечественном искусстве, заслуженный художник российской федерации. член «шикотанской группы». \n \n в 1967 году владимир антонович - выпускник первого набора отделения живописи дальневосточного педагогического института искусств (мастерская вениамина алексеевича гончаренко). \n \n значимой в летописи приморского искусства стала тема дальневосточного севера, которую владимир снытко, начиная с 1968 года, в течение пяти лет \n \n разрабатывал вместе с другом и коллегой иваном ионченковым. «северные» работы владимира антоновича имеют ценность наглядного исторического документа - одежда и амуниция оленеводов и охотников, их семьи, жилища, утварь, даже региональные погодно-климатические условия. \n \n в середине 1970-х художник побывал на баме, где собрал обширный этюдный материал, который лёг в основу работ, посвящённых самой известной послевоенной советской стройке. владимир снытко одним из первых запечатлел начало «стройки века». его холсты стали своеобразной художественной летописью бама. \n \n в составе «шикотанской группы» работал на островах курильской гряды (шикотан, итуруп, шумшу). энергетика тихого океана, уникальная островная природа, сильные красивые люди - всё способствовало формированию творческой атмосферы высокого накала, которая запечатлелась в работах «шикотанского» цикла. \n \n награды \n \n диплом секретариата правления союза художников рсфср, 1974; благодарственные письма приморской государственной картинной галереи, 1997, 2001; почётные грамоты: секретариата союза художников рсфср, 1982; втоо «союз художников россии», 2012; управления культуры примкрайисполкома, 1982; уссурийского отделения союза художников рсфср, 1882; президиума приморского комитета профсоюза работников культуры, 1988; политического отдела авиационно-истребительной дивизии, 1982; научной библиотеки двгу, 2000; тихоокеанского регионального управления федеральной пограничной службы россии, 2002","en":"oil on canvas. \n \n 50 × 80 cm. \n \n \n \n \n \n vladimir antonovich snytko was one of the patriarchs of primorye\u2019s fine arts tradition. a painter of thematic compositions, still lifes, landscapes, and portraits, he was among the first artists to introduce the subject of the russian far east and the arctic north into soviet art. he was awarded the title of honoured artist of the russian federation and was a member of the renowned \u201cshikotan group.\u201d \n \n \n \n \n \n in 1967, snytko graduated as part of the first cohort of the painting department of the far eastern state institute of arts, where he studied under veniamin a. goncharenko. \n \n \n \n \n \n a significant chapter in the history of primorye art was the exploration of the far eastern north, a theme that snytko developed from 1968 onward over a period of five years together with his friend and colleague ivan ionchenkov. these northern works possess the value of vivid historical documents, recording the clothing and equipment of reindeer herders and hunters, their families, dwellings, household objects, and even the distinctive climatic and environmental conditions of the region. \n \n \n \n \n \n in the mid-1970s, the artist travelled to the construction sites of the baikal\u2013amur mainline (bam), where he gathered extensive preparatory material that later formed the basis of a series of works dedicated to the most celebrated soviet infrastructure project of the post-war era. snytko was among the first artists to document the beginning of this monumental undertaking, and his canvases became a unique visual chronicle of the bam. \n \n \n \n \n \n as a member of the \u201cshikotan group, \u201d he worked extensively on the islands of the kuril archipelago, including shikotan, iturup, and shumshu. the powerful energy of the pacific ocean, the dramatic beauty of the island landscapes, and the strength and character of their inhabitants fostered an atmosphere of exceptional creative intensity, vividly reflected in the works of his celebrated \u201cshikotan cycle.\u201d \n \n \n \n \n \n honours and awards \n \n \n \n \n \n diploma of the secretariat of the board of the union of artists of the rsfsr (1974); letters of appreciation from the primorye state art gallery (1997, 2001); certificates of honour from the secretariat of the union of artists of the rsfsr (1982), the union of artists of russia (2012), the department of culture of the primorye regional executive committee (1982), the ussuriysk branch of the union of artists of the rsfsr (1982), the primorye regional trade union of cultural workers (1988), the political department of the fighter aviation division (1982), the scientific library of far eastern state university (2000), and the pacific regional directorate of the federal border service of russia (2002)."},"lotNumber":"14","title":{"ru":"снытко владимир антонович. (1932-2024). итуруп. бухта оля. 1976.","en":"vladimir antonovich snytko (1932\u20132026). iturub. bay olya. 1976."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18557/view","tags":["painting"],"directSalePrice":48000,"lastUpdate":"2026-06-25T09:45:51.102Z","textCase":"lower","currency":"RUB","id":18557,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":90000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18525/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18525/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18525/002/002.jpg"],"available":false,"description":{"ru":"холст, масло. \n размер холста: 30 х 40 см \n размер багета: 52 х 60 см. \n \n рачёв владимир семенович (1939-2003) - живописец, участник «шикотанской группы». группа была образованна в середине 1960-х гг. молодыми художниками из москвы, владивостока и уссурийска. название свое группа получила в честь острова шикотан, куда они приезжали работать летом и где создали тысячи пейзажей. очарованные живописными дикими побережьями и холмами, красотой молодых работниц рыбозаводов, художники создали в пейзажах со спокойными заливами и характерным абрисом двойного вулкана на горизонте идиллический образ природы острова.","en":"oil on canvas. \n \n canvas size: 30 × 40 cm \n \n \n framed size: 52 × 60 cm \n \n \n \n \n \n vladimir semyonovich rachyov (1939\u20132003) was a russian painter and a member of the renowned shikotan group, an artistic association formed in the mid-1960s by young painters from moscow, vladivostok, and ussuriysk. \n \n \n \n \n \n the group took its name from shikotan island in the kuril archipelago, where its members spent their summers working and produced thousands of paintings. captivated by the island\u2019s dramatic natural beauty\u2014its rugged coastlines, rolling hills, and the unique atmosphere of life on the remote pacific frontier\u2014the artists developed a distinctive visual language that became one of the most recognizable phenomena in far eastern russian art. \n \n \n \n \n \n inspired by the picturesque bays, untamed landscapes, and the daily lives of local fishing communities, the painters created an idealized yet deeply poetic image of shikotan. their works frequently depict tranquil inlets, expansive coastal vistas, and the characteristic silhouette of the twin volcanoes rising on the horizon, conveying both the serenity and grandeur of the island\u2019s natural environment. \n \n \n \n \n \n rachyov\u2019s paintings from the shikotan cycle reflect the group's shared fascination with the kuril islands and stand as an important contribution to the artistic exploration of russia\u2019s pacific territories."},"lotNumber":"15","title":{"ru":"рачёв владимир семенович (1939-2003) о. шикотан. 1970-е.","en":"vladimir semyonovich rachyov (1939\u20132003). shikotan island. 1970s."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18525/view","tags":["painting"],"directSalePrice":90000,"lastUpdate":"2026-06-25T09:45:51.104Z","textCase":"lower","currency":"RUB","id":18525,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":80000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18545/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18545/002/002.jpg"],"available":false,"description":{"ru":"холст, масло. 40 х 60. \n \n волков юрий иванович (1941-2017) - заслуженный художник россии. живописец, график. портретист, пейзажист, мастер натюрморта и сюжетно-тематической картины. окончил владивостокское художественное училище (1962), дальневосточный институт искусств (1967). член приморского отделения союза художников ссср (1967). член творческого объединения «художники на курилах» (шикотанская группа), яркий представитель приморского искусства второй половины xx века. его пейзажи \u2013 это яркое выражение непридуманной реальности, с особым освещением, контрастными цветовыми эффектами и острыми ракурсами.","en":"oil on canvas. \n \n \n 40 × 60 cm. \n \n \n \n \n \n yuri ivanovich volkov (1941\u20132017) was a distinguished russian painter and graphic artist, awarded the title of honoured artist of the russian federation. a versatile master, he worked across portraiture, landscape, still life, and thematic painting. \n \n \n \n \n \n volkov graduated from the vladivostok art college in 1962 and from the far eastern institute of arts in 1967. in the same year, he became a member of the primorye branch of the union of artists of the ussr. \n \n \n \n \n \n he was a member of the creative association \u201cartists in the kuril islands\u201d (the renowned shikotan group) and is regarded as one of the leading representatives of primorye art in the second half of the twentieth century. \n \n \n \n \n \n the kuril islands became one of the artist\u2019s principal sources of inspiration. his landscapes are distinguished by their powerful sense of authenticity and direct observation, capturing the unique atmosphere of the russian far east. characterized by dramatic lighting, bold colour contrasts, and dynamic compositional viewpoints, volkov\u2019s works convey both the grandeur of nature and the emotional intensity of personal experience. \n \n \n \n \n \n in paintings such as kunashir. mendeleev volcano, the artist masterfully translates the monumental beauty of the kuril landscape into a vivid and expressive visual language, reflecting the untamed energy of the pacific frontier that inspired generations of artists associated with the shikotan group."},"lotNumber":"16","title":{"ru":"волков юрий иванович (1941-2017). кунашир. вулкан менделеева. 1994.","en":"yuri ivanovich volkov (1941\u20132017). kunashir. mendeleev volcano. 1994."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18545/view","tags":["painting"],"directSalePrice":80000,"lastUpdate":"2026-06-25T09:45:51.107Z","textCase":"lower","currency":"RUB","id":18545,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":90000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18544/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18544/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18544/003/003.jpg"],"available":false,"description":{"ru":"холст, масло. 66,5 х 75. \n \n матюхин анатолий яковлевич (1942\u20132016) - художник-живописец, продолжатель традиций русского реализма. член союз художников россии. окончил владивостокское художественное училище (преподаватели ф.н. бабанин, н.п. жоголев), дальневосточный государственный институт искусств и институт живописи, скульптуры и архитектуры им. и.е. репина (мастерс- кая е.е. моисеенко). участник городских, краевых выставок с 1975 г. в творчестве анатолия матюхина особое место занимают образы старинных русских городов с видами храмов, мо- настырей, неприукрашенных улочек ростова великого, суздаля, пскова. его работы повест- вовательны и сдержанны по цветовой гамме, рассказывают о скромной красоте и величии рус- ской земли, несут спокойствие и умиротворение.","en":"oil on canvas. \n \n \n 66.5 × 75 cm. \n \n \n \n \n \n anatoly yakovlevich matyukhin (1942\u20132016) was a russian painter and a distinguished follower of the traditions of russian realism. he was a member of the union of artists of russia. \n \n \n \n \n \n matyukhin graduated from the vladivostok art college, where he studied under f. n. babanin and n. p. zhogolev, and later continued his education at the far eastern state institute of arts and the ilya repin institute of painting, sculpture and architecture in leningrad, where he studied in the studio of the renowned painter evsei moiseenko. \n \n \n \n \n \n since 1975, he participated regularly in municipal and regional exhibitions. \n \n \n \n \n \n a central theme of matyukhin\u2019s artistic practice was the historic landscape of russia. his oeuvre is particularly noted for its depictions of ancient russian towns, featuring churches, monasteries, and the unembellished streets of rostov veliky, suzdal, and pskov. these works reveal a deep appreciation for the spiritual and cultural heritage of russia. \n \n \n \n \n \n characterized by a restrained palette and a quietly narrative approach, matyukhin\u2019s paintings evoke the modest beauty and enduring grandeur of the russian land. their contemplative atmosphere conveys a sense of harmony, serenity, and timelessness, inviting the viewer into a world of reflection and inner peace."},"lotNumber":"17","title":{"ru":"матюхин анатолий яковлевич (1942-2016). монастырский дворик. 2011.","en":"anatoly yakovlevich matyukhin (1942\u20132016). monastery courtyard, rostov veliky. 2011."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18544/view","tags":["painting"],"directSalePrice":90000,"lastUpdate":"2026-06-25T09:45:51.110Z","textCase":"lower","currency":"RUB","id":18544,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":80000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18543/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18543/003/003.jpg"],"available":false,"description":{"ru":"холст, масло. \n 74 х 85 см. \n \n матюхин анатолий яковлевич (1942\u20132016) - художник-живописец, продолжатель традиций русского реализма. член союз художников россии. окончил владивостокское художественное училище (преподаватели ф.н. бабанин, н.п. жоголев), дальневосточный государственный институт искусств и институт живописи, скульптуры и архитектуры им. и.е. репина (мастерс- кая е.е. моисеенко). участник городских, краевых выставок с 1975 г. в творчестве анатолия матюхина особое место занимают образы старинных русских городов с видами храмов, мо- настырей, неприукрашенных улочек ростова великого, суздаля, пскова. его работы повест- вовательны и сдержанны по цветовой гамме, рассказывают о скромной красоте и величии рус- ской земли, несут спокойствие и умиротворение.","en":"oil on canvas. \n \n \n 74 х 85 cm. \n \n \n \n \n \n anatoly yakovlevich matyukhin (1942\u20132016) was a russian painter and a distinguished follower of the traditions of russian realism. he was a member of the union of artists of russia. \n \n \n \n \n \n matyukhin graduated from the vladivostok art college, where he studied under f. n. babanin and n. p. zhogolev, and later continued his education at the far eastern state institute of arts and the ilya repin institute of painting, sculpture and architecture in leningrad, where he studied in the studio of the renowned painter evsei moiseenko. \n \n \n \n \n \n since 1975, he participated regularly in municipal and regional exhibitions. \n \n \n \n \n \n a central theme of matyukhin\u2019s artistic practice was the historic landscape of russia. his oeuvre is particularly noted for its depictions of ancient russian towns, featuring churches, monasteries, and the unembellished streets of rostov veliky, suzdal, and pskov. these works reveal a deep appreciation for the spiritual and cultural heritage of russia. \n \n \n \n \n \n characterized by a restrained palette and a quietly narrative approach, matyukhin\u2019s paintings evoke the modest beauty and enduring grandeur of the russian land. their contemplative atmosphere conveys a sense of harmony, serenity, and timelessness, inviting the viewer into a world of reflection and inner peace."},"lotNumber":"18","title":{"ru":"матюхин анатолий яковлевич (1942-2016). бело-голубая весна. 2012.","en":"anatoly yakovlevich matyukhin (1942\u20132016)\nspring in white and blue. 2012."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18543/view","tags":["painting"],"directSalePrice":80000,"lastUpdate":"2026-06-25T09:45:51.112Z","textCase":"lower","currency":"RUB","id":18543,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":55000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18506/002/002.jpg"],"available":false,"description":{"ru":"двп, масло. 66,5 х 45,5. \n \n тушкин рюрик васильевич (1924 \u2013 2006) - живописец, график, художник-нонконформист. член союза художников россии. \n \n участник великой отечественной войны, служил на северном флоте, в 1944 году был переведён на дальний восток. \n в 1960-х гг. обучался живописи в народном университете культуры во владивостоке. \n \n с 1988 года \u2013 член творческой группы «владивосток». \n выработал собственную уникальную живописную манеру, используя чрезвычайно разнообразные приёмы живописных, колористических и пластических решений.","en":"oil on fibreboard. \n \n \n 66.5 × 45.5 cm. \n \n \n \n \n \n rurik vasilyevich tushkin (1924\u20132006) was a russian painter, graphic artist, and nonconformist artist. he was a member of the union of artists of russia. \n \n \n \n \n \n a veteran of the second world war, tushkin served in the northern fleet before being transferred to the russian far east in 1944. his life experience, shaped by both wartime service and the unique cultural environment of vladivostok, would later inform the independent spirit of his artistic practice. \n \n \n \n \n \n during the 1960s, he studied painting at the people's university of culture in vladivostok. from 1988, he was a member of the creative association \u201cvladivostok\u201d, which brought together artists seeking new forms of artistic expression beyond the conventions of official soviet art. \n \n \n \n \n \n tushkin developed a highly distinctive and individual painterly language, characterized by an exceptional diversity of compositional, chromatic, and plastic solutions. working outside established stylistic frameworks, he continuously experimented with form, colour, and texture, creating works that stand apart within the context of far eastern russian art. \n \n \n \n \n \n his paintings reveal a powerful personal vision, combining expressive freedom with a deep engagement with the emotional and intellectual dimensions of human experience."},"lotNumber":"19","title":{"ru":"тушкин рюрик васильевич (1924-2006). читающий. 1985.","en":"rurik vasilyevich tushkin (1924\u20132006). the reader. 1985."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18506/view","tags":["painting"],"directSalePrice":55000,"lastUpdate":"2026-06-25T09:45:51.115Z","textCase":"lower","currency":"RUB","id":18506,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":200000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18507/002/002.jpg"],"available":false,"description":{"ru":"двп, масло. \n 80,5 х 74 см. \n \n тушкин рюрик васильевич (1924 \u2013 2006) - живописец, график, художник-нонконформист. член союза художников россии. участник великой отечественной войны, служил на северном флоте, в 1944 году был переведён на дальний восток. \n \n \n в 1960-х гг. обучался живописи в народном университете культуры во владивостоке. \n \n \n с 1988 года \u2013 член творческой группы «владивосток». \n выработал собственную уникальную живописную манеру, используя чрезвычайно разнообразные приёмы живописных, колористических и пластических решений.","en":"oil on fibreboard. \n \n \n 80,5 х 74 cm. \n \n \n \n \n \n rurik vasilyevich tushkin (1924\u20132006) was a russian painter, graphic artist, and nonconformist artist. he was a member of the union of artists of russia. \n \n \n \n \n \n a veteran of the second world war, tushkin served in the northern fleet before being transferred to the russian far east in 1944. his life experience, shaped by both wartime service and the unique cultural environment of vladivostok, would later inform the independent spirit of his artistic practice. \n \n \n \n \n \n during the 1960s, he studied painting at the people's university of culture in vladivostok. from 1988, he was a member of the creative association \u201cvladivostok\u201d, which brought together artists seeking new forms of artistic expression beyond the conventions of official soviet art. \n \n \n \n \n \n tushkin developed a highly distinctive and individual painterly language, characterized by an exceptional diversity of compositional, chromatic, and plastic solutions. working outside established stylistic frameworks, he continuously experimented with form, colour, and texture, creating works that stand apart within the context of far eastern russian art. \n \n \n \n \n \n his paintings reveal a powerful personal vision, combining expressive freedom with a deep engagement with the emotional and intellectual dimensions of human experience."},"lotNumber":"20","title":{"ru":"тушкин рюрик васильевич (1924-2006). воспоминание о деревне. 1987.","en":"rurik vasilyevich tushkin (1924\u20132006)\nmemories of the contryside. 1987."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18507/view","tags":["painting"],"directSalePrice":200000,"lastUpdate":"2026-06-25T09:45:51.118Z","textCase":"lower","currency":"RUB","id":18507,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":70000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18539/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18539/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18539/003/003.png"],"available":false,"description":{"ru":"холст, масло. 51 х 79. \n \n корж евгений николаевич (род. 1940) - заслуженный художник рф, член союза художников ссср, член приморского отделения втоо «союз художников россии». живописец, пейза- жист, портретист, участник шикотанской группы, объединявшей художников из москвы, владивостока и уссурийска. работы шикотанцев строги, порой монументальны, показывают суровую мощь дальневосточной природы. не ограничивается этой темой и создает серию удивительных и ярких пейзажей и портретов, умело работает с цветом, его картины говорят о внимательном взгляде художника.","en":"oil on canvas. \n \n 51 × 79 cm. \n \n \n \n \n \n evgeny nikolaevich korzh (born 1940) is a distinguished russian painter, honoured artist of the russian federation, a member of the union of artists of the ussr, and a member of the primorye branch of the union of artists of russia. \n \n \n \n \n \n a painter of landscapes and portraits, korzh was also a participant in the renowned shikotan group, which united artists from moscow, vladivostok, and ussuriysk. the group became one of the most significant artistic phenomena of the russian far east in the second half of the twentieth century, celebrated for its depictions of the kuril islands and the pacific frontier. \n \n \n \n \n \n the works created by the shikotan artists are often marked by a sense of monumentality and restraint, conveying the rugged power and grandeur of far eastern nature. while korzh contributed significantly to this artistic tradition, his creative range extends far beyond it. \n \n \n \n \n \n over the course of his career, he has produced a remarkable body of landscapes and portraits distinguished by their vivid colour, atmospheric sensitivity, and keen observation. his mastery of colour relationships and nuanced painterly technique reveals an artist deeply attentive to the character of both nature and people. whether depicting the dramatic landscapes of the russian far east or more intimate subjects, korzh\u2019s works are united by a thoughtful and perceptive vision of the world around him."},"lotNumber":"21","title":{"ru":"корж евгений николаевич (род. 1940). андреевка. 2013.","en":"evgeny nikolaevich korzh (b. 1940). andreyevka. 2013."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18539/view","tags":["painting"],"directSalePrice":70000,"lastUpdate":"2026-06-25T09:45:51.120Z","textCase":"lower","currency":"RUB","id":18539,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":95000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18540/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18540/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18540/003/003.jpg"],"available":false,"description":{"ru":"холст, масло. 72 х 76. \n \n корж евгений николаевич (род. 1940) - заслуженный художник рф, член союза художников ссср, член приморского отделения втоо «союз художников россии». живописец, пейза- жист, портретист, участник шикотанской группы, объединявшей художников из москвы, владивостока и уссурийска. работы шикотанцев строги, порой монументальны, показывают суровую мощь дальневосточной природы. не ограничивается этой темой и создает серию удивительных и ярких пейзажей и портретов, умело работает с цветом, его картины говорят о внимательном взгляде художника.","en":"oil on canvas. \n \n 72 х 76 cm. \n \n \n \n \n \n evgeny nikolaevich korzh (born 1940) is a distinguished russian painter, honoured artist of the russian federation, a member of the union of artists of the ussr, and a member of the primorye branch of the union of artists of russia. \n \n \n \n \n \n a painter of landscapes and portraits, korzh was also a participant in the renowned shikotan group, which united artists from moscow, vladivostok, and ussuriysk. the group became one of the most significant artistic phenomena of the russian far east in the second half of the twentieth century, celebrated for its depictions of the kuril islands and the pacific frontier. \n \n \n \n \n \n the works created by the shikotan artists are often marked by a sense of monumentality and restraint, conveying the rugged power and grandeur of far eastern nature. while korzh contributed significantly to this artistic tradition, his creative range extends far beyond it. \n \n \n \n \n \n over the course of his career, he has produced a remarkable body of landscapes and portraits distinguished by their vivid colour, atmospheric sensitivity, and keen observation. his mastery of colour relationships and nuanced painterly technique reveals an artist deeply attentive to the character of both nature and people. whether depicting the dramatic landscapes of the russian far east or more intimate subjects, korzh\u2019s works are united by a thoughtful and perceptive vision of the world around him."},"lotNumber":"22","title":{"ru":"корж евгений николаевич (род. 1940). лоскутное одеяло. 2015.","en":"evgeny nikolaevich korzh (b. 1940). patchwork quilt. 2015."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18540/view","tags":["painting"],"directSalePrice":95000,"lastUpdate":"2026-06-25T09:45:51.123Z","textCase":"lower","currency":"RUB","id":18540,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":250000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18555/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18555/002/002.png"],"available":false,"description":{"ru":"холст, акрил. \n 60 х 80 см. \n \n черкасов сергей михайлович (род. 1948) - родился в городе артём, приморский край. заслуженный художник российской федерации. живописец, график, художник - иллюстратор. член втоо \"союз художников россии\". почетный гражданин владивостока. окончил владивостокское художественное училище, дальневосточный педагогический институт искусств. работы сергея черкасова находятся в коллекциях государственных музеев и частных собраний в россии и за рубежом.","en":"acrylic on canvas. \n \n \n 60 × 80 cm. \n \n \n \n \n \n sergey mikhailovich cherkasov (born 1948) was born in the city of artem, primorsky krai. he is a distinguished russian painter, graphic artist, and illustrator, awarded the title of honoured artist of the russian federation. he is a member of the union of artists of russia and an honorary citizen of vladivostok. \n \n \n \n \n \n cherkasov graduated from the vladivostok art college and later from the far eastern pedagogical institute of arts, where he received a comprehensive artistic education that laid the foundation for his multifaceted career. \n \n \n \n \n \n working across painting, graphic art, and book illustration, he has established himself as one of the notable representatives of contemporary art in the russian far east. his works are distinguished by their technical mastery, expressive imagery, and sensitive interpretation of nature and human experience. \n \n \n \n \n \n paintings by sergey cherkasov are held in the collections of state museums and in numerous private collections in russia and abroad, attesting to the broad recognition of his artistic achievements both nationally and internationally."},"lotNumber":"23","title":{"ru":"дар автора эндаумент фонду. черкасов сергей михайлович (род. 1948). \"весна\" 2019.","en":"sergey mikhailovich cherkasov (b. 1948). spring. 2019."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18555/view","tags":["painting"],"directSalePrice":250000,"lastUpdate":"2026-06-25T09:45:51.125Z","textCase":"lower","currency":"RUB","id":18555,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":70000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18546/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18546/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18546/003/003.jpg"],"available":false,"description":{"ru":"холст, масло. 55 х 72. \n \n симаков сергей васильевич (род. 1955) - российский художник, график. \n \n \n сергей симаков родился 4 января 1955 года в городе владивосток. в юности увлекся живописью. в 1982 году окончил владивостокское художественное училище. \n \n \n \n \n \n вёл студию для молодых художников. участник объединений «штиль» и «владивосток». сергей васильевич вошел в международную федерацию художников-профессионалов при юнеско. \n \n \n \n \n \n симаков является участником молодежных, городских, зональных, краевых, региональных, передвижных, персональных выставок, а также международных выставок в сша, японии, франции, австрии, украине, китае, вьетнаме и кореи. \n \n \n \n \n \n работы сергея симакова хранятся в частных коллекциях россии, сша, польши, вьетнама, японии, гонконга, норвегии, франции.","en":"oil on canvas. \n \n \n 55 × 72 cm. \n \n \n \n \n \n sergey vasilyevich simakov (born 1955) is a russian painter and graphic artist. \n \n \n \n \n \n born on 4 january 1955 in vladivostok, simakov developed an interest in painting at an early age. in 1982, he graduated from the vladivostok art college, where he received his formal artistic training. \n \n \n \n \n \n alongside his creative practice, he led a studio for emerging artists and was an active member of the artistic associations \u201cshtil\u201d and \u201cvladivostok, \u201d both of which played an important role in the cultural life of the russian far east during the late soviet and post-soviet periods. \n \n \n \n \n \n simakov became a member of the international federation of professional artists affiliated with unesco, further expanding his international artistic presence. \n \n \n \n \n \n throughout his career, he has participated in numerous youth, municipal, regional, travelling, and solo exhibitions, as well as international exhibitions held in the united states, japan, france, austria, ukraine, china, vietnam, and south korea. \n \n \n \n \n \n his works are represented in private collections throughout russia and internationally, including collections in the united states, poland, vietnam, japan, hong kong, norway, and france. \n \n \n \n \n \n simakov\u2019s art reflects the diversity of contemporary russian painting, combining expressive imagery with a distinctive personal vision. his works often reveal a poetic interpretation of reality, where imagination and observation merge into compelling visual narratives."},"lotNumber":"24","title":{"ru":"симаков сергей васильевич (род. 1955). город солнечного затмения. 1992.","en":"sergey vasilyevich simakov (b. 1955). city of the solar eclipse. 1992."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18546/view","tags":["painting"],"directSalePrice":70000,"lastUpdate":"2026-06-25T09:45:51.129Z","textCase":"lower","currency":"RUB","id":18546,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":150000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18527/002/002.jpg"],"available":false,"description":{"ru":"холст, масло. \n \n \n формат: 80 х 90 см \n \n \n \n \n \n попович наталья анатольевна родилась 11 сентября 1975 г. в россии, город владивосток. \n \n \n \n \n \n 2004-2026 - декан художественного факультета дальневосточного государственного института искусств, профессор, руководитель мастерской. \n \n \n с 2005 года - член втоо союз художников россии, \n \n \n 2015-2026 - член правления приморского отделения союза художников россии \n \n \n \n \n \n 2021-2026- профессор кафедры живописи, рисунка и декоративно-прикладного искусства дальневосточного государственного института искусств. \n \n \n \n \n \n «слоник» - небольшой камерный натюрморт в контрастном тональном и цветовом исполнении. восточное происхождение предметов и декоративное исполнение, как бы подсмотренное художником в естественной обстановке быта человека с восточных и южных морей, несмотря на понятное фигуративное и станковое решение композиционно выстраивается с фовистским открытым цветовым пятном. яркий зеленый - теплый и насыщенный как первая весенняя трава, становится центром и дает перспективный прорыв на второй план подчеркивая главного героя статуэтку тайского слона. \n \n \n \n \n \n выставки: \n \n \n наталья попович участник многочисленных российских и международных художественных выставок, в том числе персональных. ее работы хранятся в музеях и галереях россии, республики кореи, китая, польши и германии. \n \n \n \n \n \n награды: \n \n \n 2012 - благодарность министра культуры рф \n \n \n 2012 - благодарность российской академии художеств \n \n \n 2015 - благодарность губернатора приморского края \n \n \n 2015 - золотая медаль втоо союз художников россии \n \n \n 2016 - благодарность втоо союз художников россии \n \n \n 2019 - благодарность российской академии художеств \n \n \n 2021 - серебренная медаль втоо союз художников россии \n \n \n 2023 - благодарность законодательного собрания \n \n \n 2025 - благодарность мэра г владивостока","en":"oil on canvas. \n \n 80 × 90 cm. \n \n \n \n \n \n natalia anatolyevna popovich (born 11 september 1975, vladivostok, russia) is a contemporary russian painter, educator, and professor. \n \n \n \n \n \n from 2004 to 2026, she served as dean of the faculty of fine arts at the far eastern state institute of arts, where she also held the position of professor and head of studio. since 2005, she has been a member of the union of artists of russia. from 2015 to 2026, she served on the board of the primorye regional branch of the union of artists of russia. since 2021, she has been professor in the department of painting, drawing, and decorative and applied arts at the far eastern state institute of arts. \n \n \n \n \n \n little elephant is an intimate still life distinguished by its expressive contrasts of tone and colour. the composition is built around objects of eastern origin, presented in a decorative arrangement that appears to have been observed within the natural domestic environment of a person connected to the cultures of the southern and eastern seas. \n \n \n \n \n \n despite its clear figurative and easel-painting character, the work is structured through a distinctly fauvist approach to colour. a vivid green\u2014warm, saturated, and reminiscent of the first spring grass\u2014becomes the compositional centre of the painting. this powerful chromatic accent creates depth and visual movement into the background while simultaneously emphasizing the principal subject: a statuette of a thai elephant. through the interplay of colour and form, the artist transforms an everyday arrangement of objects into a vibrant and emotionally charged pictorial statement. \n \n \n \n \n \n natalia popovich has participated in numerous russian and international exhibitions, including solo exhibitions. her works are held in museum and gallery collections in russia, south korea, china, poland, and germany. \n \n \n \n \n \n selected awards and honours \n \n \n \n \n \n 2012 \u2014 commendation of the minister of culture of the russian federation \n \n \n 2012 \u2014 commendation of the russian academy of arts \n \n \n 2015 \u2014 commendation of the governor of primorsky krai \n \n \n 2015 \u2014 gold medal of the union of artists of russia \n \n \n 2016 \u2014 commendation of the union of artists of russia \n \n \n 2019 \u2014 commendation of the russian academy of arts \n \n \n 2021 \u2014 silver medal of the union of artists of russia \n \n \n 2023 \u2014 commendation of the legislative assembly of primorsky krai \n \n \n 2025 \u2014 commendation of the mayor of vladivostok"},"lotNumber":"25","title":{"ru":"попович наталья анатольевна (род. 1975). слоник. 2025.","en":"natalia anatolyevna popovich (b. 1975). little elephant. 2025."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18527/view","tags":["painting"],"directSalePrice":150000,"lastUpdate":"2026-06-25T09:45:51.131Z","textCase":"lower","currency":"RUB","id":18527,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":210000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18526/001/001.jpg"],"available":false,"description":{"ru":"холст, масло \n \n \n формат: 78 х 120 см \n \n \n \n \n \n попович наталья анатольевна родилась 11 сентября 1975 г. в россии, город владивосток. \n \n \n \n \n \n \n \n 2004-2026 - декан художественного факультета дальневосточного государственного института искусств, профессор, руководитель мастерской. \n \n \n с 2005 года - член втоо союз художников россии, \n \n \n 2015-2026 - член правления приморского отделения союза художников россии. \n \n \n 2021-2026 - профессор кафедры живописи, рисунка и декоративно-прикладного искусства дальневосточного государственного института искусств. \n \n \n \n \n \n «цветы и полоски» - декоративно и геометрически выстроенный натюрморт. именно полоска и фактурная техника исполнения стали основой в пластическом строе композиции. фовизм и модернизм \u2013 приемы и индивидуальное прочтение этих стилей использовала наталья попович, чтобы передать динамику и движение природы, через стилизацию цветов, ритма полосок и контрастных, объемных линий. \n \n \n \n \n \n \n \n выставки: \n \n \n наталья попович участник многочисленных российских и международных художественных выставок, в том числе персональных. ее работы хранятся в музеях и галереях россии, республики кореи, китая, польши и германии. \n \n \n \n \n \n \n \n награды: \n \n \n 2012 - благодарность министра культуры рф \n \n \n 2012 - благодарность российской академии художеств \n \n \n 2015 - благодарность губернатора приморского края \n \n \n 2015 - золотая медаль втоо союз художников россии \n \n \n 2016 - благодарность втоо союз художников россии \n \n \n 2019 - благодарность российской академии художеств \n \n \n 2021 - серебренная медаль втоо союз художников россии \n \n \n 2023 - благодарность законодательного собрания \n \n \n 2025 - благодарность мэра г владивостока","en":"oil on canvas. \n \n 78 × 120 cm. \n \n \n \n \n \n natalia anatolyevna popovich (born 11 september 1975, vladivostok, russia) is a contemporary russian painter, educator, and professor. \n \n \n \n \n \n from 2004 to 2026, she served as dean of the faculty of fine arts at the far eastern state institute of arts, where she also held the position of professor and head of studio. since 2005, she has been a member of the union of artists of russia. from 2015 to 2026, she served on the board of the primorye regional branch of the union of artists of russia. since 2021, she has been professor in the department of painting, drawing, and decorative and applied arts at the far eastern state institute of arts. \n \n \n \n \n \n flowers and stripes is a decorative still life constructed through a carefully balanced geometric composition. the motif of the stripe and the richly textured painterly surface form the foundation of the work\u2019s visual and structural language. drawing upon elements of fauvism and modernism, natalia popovich employs her own interpretation of these artistic traditions to convey the dynamism and vitality of nature. \n \n \n \n \n \n through the stylization of floral forms, the rhythmic repetition of stripes, and the interplay of bold, volumetric lines, the artist creates a composition filled with movement and expressive energy. the painting demonstrates popovich\u2019s mastery of colour and form, transforming familiar motifs into a vibrant decorative statement that balances structure with spontaneity. \n \n \n \n \n \n natalia popovich has participated in numerous russian and international exhibitions, including solo exhibitions. her works are held in museum and gallery collections in russia, south korea, china, poland, and germany. \n \n \n \n \n \n selected awards and honours \n \n \n \n \n \n 2012 \u2014 commendation of the minister of culture of the russian federation \n \n \n 2012 \u2014 commendation of the russian academy of arts \n \n \n 2015 \u2014 commendation of the governor of primorsky krai \n \n \n 2015 \u2014 gold medal of the union of artists of russia \n \n \n 2016 \u2014 commendation of the union of artists of russia \n \n \n 2019 \u2014 commendation of the russian academy of arts \n \n \n 2021 \u2014 silver medal of the union of artists of russia \n \n \n 2023 \u2014 commendation of the legislative assembly of primorsky krai \n \n \n 2025 \u2014 commendation of the mayor of vladivostok"},"lotNumber":"26","title":{"ru":"попович наталья анатольевна (род. 1975). цветы и полоски. 2016.","en":"natalia anatolyevna popovich (b. 1975)\nflowers and stripes. 2016."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18526/view","tags":["painting"],"directSalePrice":210000,"lastUpdate":"2026-06-25T09:45:51.134Z","textCase":"lower","currency":"RUB","id":18526,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":100000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18493/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18493/003/003.jpg"],"available":false,"description":{"ru":"холст, масло. 50 х 70. \n \n осипов евгений и оксана окончили новоалтайское художественное училище, а оксана и дальневосточную государственную академию искусств. являются членами союза художников россии. \n \n \n \n \n \n \n \n работы художников находятся в приморском краевом музее им. арсеньева, частных коллекциях, в россии и за рубежом. \n \n \n \n \n \n \n \n \n евгений и оксана приверженцы реалистичного искусства. городской пейзаж, ставший основной темой в творчестве, решен в абсолютно традиционной манере - цветовая графика скрупулезно передает натуру. у осиповых - владивосток безусловно особый, у художников город не урбанистический, а живой, со своим индивидуальным обликом. \n \n \n \n \n \n \n \n \n осипов евгений валерьевич (род. 1964). художник - живописец. член союза художников россии. окончил новоалтайское художественное училище. дальневосточную академию искусств. участвует в выставочной деятельности с 1993 г. произведения художника находятся в музейных, корпоративных и частных коллекциях в россии и за рубежом. \n \n \n \n \n \n в творчестве евгения осипова важное место занимает городской пейзаж. в его работах владивосток приоткрывается, через них можно почувствовать его атмосферу, оказаться в уютных двориках старого города.","en":"oil on canvas. \n \n 50 × 70 cm. \n \n \n \n \n \n evgeny valeryevich osipov (born 1964) and oksana valentinovna osipova (born 1970) are russian painters and members of the union of artists of russia. \n \n \n \n \n \n both artists graduated from the novoaltaysk art college, while oksana osipova also completed her studies at the far eastern state academy of arts. their works are held in the collections of the v. k. arsenyev primorye museum and in numerous private collections in russia and abroad. \n \n \n \n \n \n the osipovs are devoted practitioners of the realist tradition. the urban landscape, which has become the central theme of their artistic practice, is executed in a thoroughly classical manner, with meticulous attention to colour and draftsmanship. their paintings reveal a profound sensitivity to the character of place and an exceptional ability to capture the atmosphere of the city. \n \n \n \n \n \n in the works of evgeny and oksana osipov, vladivostok emerges as a uniquely personal and living environment. rather than presenting the city as an anonymous urban landscape, they depict it as a vibrant organism with its own distinct identity, history, and emotional resonance. \n \n \n \n \n \n evgeny osipov is a painter who graduated from both the novoaltaysk art college and the far eastern state academy of arts. he has participated in exhibitions since 1993, and his works are represented in museum, corporate, and private collections both in russia and internationally. \n \n \n \n \n \n a significant place in evgeny osipov\u2019s oeuvre is occupied by the cityscape. through his paintings, viewers are invited to experience the atmosphere of vladivostok, wander through its intimate courtyards, and discover the charm and poetry of the historic city. his works convey not only architectural details but also the unique spirit of place that defines vladivostok\u2019s cultural landscape."},"lotNumber":"27","title":{"ru":"осиповы евгений валерьевич (род. 1964) и оксана валентиновна (род. 1970). светланская. 2026.","en":"evgeny valeryevich osipov (b. 1964) & oksana valentinovna osipova (b. 1970). svetlanskaya street. 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18493/view","tags":["painting"],"directSalePrice":100000,"lastUpdate":"2026-06-25T09:45:51.139Z","textCase":"lower","currency":"RUB","id":18493,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":120000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18494/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18494/003/003.jpg"],"available":false,"description":{"ru":"холст, масло. 50 х 90. \n \n осипов евгений и оксана окончили новоалтайское художественное училище, а оксана и дальневосточную государственную академию искусств. являются членами союза художников россии. \n \n \n \n \n работы художников находятся в приморском краевом музее им. арсеньева, частных коллекциях, в россии и за рубежом. \n \n \n \n \n \n евгений и оксана приверженцы реалистичного искусства. городской пейзаж, ставший основной темой в творчестве, решен в абсолютно традиционной манере - цветовая графика скрупулезно передает натуру. у осиповых - владивосток безусловно особый, у художников город не урбанистический, а живой, со своим индивидуальным обликом. \n \n \n \n \n \n осипов евгений валерьевич (род. 1964). художник - живописец. член союза художников россии. окончил новоалтайское художественное училище. дальневосточную академию искусств. участвует в выставочной деятельности с 1993 г. произведения художника находятся в музейных, корпоративных и частных коллекциях в россии и за рубежом. \n \n \n \n \n \n в творчестве евгения осипова важное место занимает городской пейзаж. в его работах владивосток приоткрывается, через них можно почувствовать его атмосферу, оказаться в уютных двориках старого города.","en":"oil on canvas. \n \n 50 × 90 cm. \n \n \n \n \n \n evgeny valeryevich osipov (born 1964) and oksana valentinovna osipova (born 1970) are russian painters and members of the union of artists of russia. \n \n \n \n \n \n both artists graduated from the novoaltaysk art college, while oksana osipova also completed her studies at the far eastern state academy of arts. their works are held in the collections of the v. k. arsenyev primorye museum and in private collections throughout russia and abroad. \n \n \n \n \n \n the osipovs are committed to the tradition of realist painting. the urban landscape, which occupies a central place in their artistic practice, is rendered in a distinctly classical manner, with meticulous attention to colour, atmosphere, and architectural detail. their paintings demonstrate a profound sensitivity to the character of the city and an ability to transform everyday urban scenes into compelling artistic images. \n \n \n \n \n \n for the osipovs, vladivostok is not merely an urban environment but a living organism with its own unique identity and spirit. their works reveal a city rich in personality, history, and human presence, capturing both its visual beauty and emotional resonance. \n \n \n \n \n \n evgeny osipov, a member of the union of artists of russia, graduated from the novoaltaysk art college and the far eastern state academy of arts. he has participated in exhibitions since 1993, and his works are represented in museum, corporate, and private collections in russia and internationally. \n \n \n \n \n \n a significant aspect of evgeny osipov\u2019s oeuvre is the cityscape. through his paintings, viewers gain access to the atmosphere of vladivostok\u2014its historic streets, intimate courtyards, and distinctive architectural character. his works invite the viewer to experience the city from within, revealing the quiet poetry and enduring charm of its urban landscape."},"lotNumber":"28","title":{"ru":"осиповы евгений валерьевич (род. 1964) и оксана валентиновна (род. 1970). перекресток. 2026.","en":"evgeny valeryevich osipov (b. 1964) & oksana valentinovna osipova (b. 1970). crossroads. 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18494/view","tags":["painting"],"directSalePrice":120000,"lastUpdate":"2026-06-25T09:45:51.141Z","textCase":"lower","currency":"RUB","id":18494,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":190000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18470/001/001.jpg"],"available":false,"description":{"ru":"холст, масло. 119 х 98. \n \n сергей викторович меренков \u2013 один из самых ярких современных художников дальнего востока. член втоо «союз художников россии» с 2017 года. в его произведениях можно найти и глубокую философию, и добрый юмор, недаром жанр, в котором он работает, \u2013 философско-карикатурная и ироническая живопись. \n \n с.в. меренков родился 6 апреля 1976 года во владивостоке. с 1991 по 1996 год учился во владивостокском художественном училище на отделении живописи у педагога антонины андреевны стуковой. в 2002 году окончил художественный факультет дальневосточной академии искусств (ныне \u2013 дальневосточный государственный институт искусств), где педагогом с. меренкова был живописец николай павлович жоголев. после обучения сергей меренков занимается разными видами творчества: живописью, графикой, скульптурой, дизайном интерьера. автор сюжетных композиций, комиксов. с 1998 года принимал участие в групповых выставках, проводимых во владивостоке, москве, санкт-петербурге, южно-сахалинске, петропавловске-камчатском, на кунашире, итурупе. с 2017 года начал активно принимать участие в международных выставках, в том числе в минске, париже, берлине, пекине, чаньчуне, нумансдорпе. в 2017 году на международной выставке art-vladivostok с. меренков получил первую премию в номинации «живопись» в категории «профессиональные художники». \n \n благодаря неординарному мировосприятию с. меренков создал свой неподражаемый почерк и уникальный стиль, который он определяет как наивный реализм. часто свои идеи художник воплощает, используя литературные, фольклорные, исторические или мифологические сюжеты. \n сергей викторович работает в оригинальном жанре короткого визуального рассказа, притчи. ирония, лирический абсурдизм, философия романтического нестяжательства, поэзия и гротеск в его произведениях слиты воедино. \n \n произведения с.в. меренкова хранятся в приморской государственной картинной галерее, в частных художественных коллекциях в россии и за рубежом.","en":"oil on canvas. \n \n \n 119 × 98 cm. \n \n \n \n \n \n sergey viktorovich merenkov is among the most distinctive contemporary artists of the russian far east. a member of the union of artists of russia since 2017, he has developed a highly individual artistic language that combines philosophical reflection with subtle humour. the artist describes his work as naïve realism, while critics often characterize it as philosophical, satirical, and ironic painting. \n \n \n \n \n \n merenkov was born on 6 april 1976 in vladivostok. from 1991 to 1996, he studied painting at the vladivostok art college under antonina a. stukova. in 2002, he graduated from the faculty of fine arts of the far eastern academy of arts (now the far eastern state institute of arts), where he studied under the painter nikolai p. zhogolev. \n \n \n \n \n \n following his academic training, merenkov developed a diverse artistic practice encompassing painting, graphic art, sculpture, and interior design. he is also the author of narrative compositions and comics. since 1998, he has participated in numerous group exhibitions in vladivostok, moscow, st petersburg, yuzhno-sakhalinsk, petropavlovsk-kamchatsky, kunashir, and iturup. since 2017, he has actively exhibited internationally, participating in exhibitions in minsk, paris, berlin, beijing, changchun, and numansdorp. in the same year, he was awarded first prize in the painting category for professional artists at the international exhibition art-vladivostok. \n \n \n \n \n \n through his unconventional worldview, merenkov has created a unique and instantly recognizable artistic style. his works frequently draw upon literary, folkloric, historical, and mythological narratives, transforming familiar stories into visual metaphors rich with contemporary meaning. \n \n \n \n \n \n the artist works within an original genre that may be described as a concise visual parable. irony, lyrical absurdism, the philosophy of romantic non-possessiveness, poetry, and grotesque imagery are seamlessly interwoven throughout his oeuvre. beneath their apparent simplicity lies a profound meditation on human nature, society, and the contradictions of modern life. \n \n \n \n \n \n works by sergey v. merenkov are held in the collection of the primorye state art gallery and in private collections in russia and abroad."},"lotNumber":"29","title":{"ru":"меренков сергей викторович\n(род. 1976). камень преткновения. 2023.","en":"sergey viktorovich merenkov (b. 1976). stumbling block. 2023."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18470/view","tags":["painting"],"directSalePrice":190000,"lastUpdate":"2026-06-25T09:45:51.146Z","textCase":"lower","currency":"RUB","id":18470,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":145000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18471/001/001.jpg"],"available":false,"description":{"ru":"холст, масло. 90 х 82 \n \n сергей викторович меренков \u2013 один из самых ярких современных художников дальнего востока. член втоо «союз художников россии» с 2017 года. в его произведениях можно найти и глубокую философию, и добрый юмор, недаром жанр, в котором он работает, \u2013 философско-карикатурная и ироническая живопись. \n \n с.в. меренков родился 6 апреля 1976 года во владивостоке. с 1991 по 1996 год учился во владивостокском художественном училище на отделении живописи у педагога антонины андреевны стуковой. в 2002 году окончил художественный факультет дальневосточной академии искусств (ныне \u2013 дальневосточный государственный институт искусств), где педагогом с. меренкова был живописец николай павлович жоголев. после обучения сергей меренков занимается разными видами творчества: живописью, графикой, скульптурой, дизайном интерьера. автор сюжетных композиций, комиксов. с 1998 года принимал участие в групповых выставках, проводимых во владивостоке, москве, санкт-петербурге, южно-сахалинске, петропавловске-камчатском, на кунашире, итурупе. с 2017 года начал активно принимать участие в международных выставках, в том числе в минске, париже, берлине, пекине, чаньчуне, нумансдорпе. в 2017 году на международной выставке art-vladivostok с. меренков получил первую премию в номинации «живопись» в категории «профессиональные художники». \n \n благодаря неординарному мировосприятию с. меренков создал свой неподражаемый почерк и уникальный стиль, который он определяет как наивный реализм. часто свои идеи художник воплощает, используя литературные, фольклорные, исторические или мифологические сюжеты. \n \n сергей викторович работает в оригинальном жанре короткого визуального рассказа, притчи. ирония, лирический абсурдизм, философия романтического нестяжательства, поэзия и гротеск в его произведениях слиты воедино. \n \n произведения с.в. меренкова хранятся в приморской государственной картинной галерее, в частных художественных коллекциях в россии и за рубежом.","en":"oil on canvas. \n \n \n 90 × 82 cm. \n \n \n \n \n \n sergey viktorovich merenkov is among the most distinctive contemporary artists of the russian far east. a member of the union of artists of russia since 2017, he has developed a highly individual artistic language that combines philosophical reflection with subtle humour. the artist describes his work as naïve realism, while critics often characterize it as philosophical, satirical, and ironic painting. \n \n \n \n \n \n merenkov was born on 6 april 1976 in vladivostok. from 1991 to 1996, he studied painting at the vladivostok art college under antonina a. stukova. in 2002, he graduated from the faculty of fine arts of the far eastern academy of arts (now the far eastern state institute of arts), where he studied under the painter nikolai p. zhogolev. \n \n \n \n \n \n following his academic training, merenkov developed a diverse artistic practice encompassing painting, graphic art, sculpture, and interior design. he is also the author of narrative compositions and comics. since 1998, he has participated in numerous group exhibitions in vladivostok, moscow, st petersburg, yuzhno-sakhalinsk, petropavlovsk-kamchatsky, kunashir, and iturup. since 2017, he has actively exhibited internationally, participating in exhibitions in minsk, paris, berlin, beijing, changchun, and numansdorp. in the same year, he was awarded first prize in the painting category for professional artists at the international exhibition art-vladivostok. \n \n \n \n \n \n through his unconventional worldview, merenkov has created a unique and instantly recognizable artistic style. his works frequently draw upon literary, folkloric, historical, and mythological narratives, transforming familiar stories into visual metaphors rich with contemporary meaning. \n \n \n \n \n \n the artist works within an original genre that may be described as a concise visual parable. irony, lyrical absurdism, the philosophy of romantic non-possessiveness, poetry, and grotesque imagery are seamlessly interwoven throughout his oeuvre. beneath their apparent simplicity lies a profound meditation on human nature, society, and the contradictions of modern life. \n \n \n \n \n \n works by sergey v. merenkov are held in the collection of the primorye state art gallery and in private collections in russia and abroad."},"lotNumber":"30","title":{"ru":"меренков сергей викторович\n(род. 1976). мазаев ковчег. 2022.","en":"sergey viktorovich merenkov (b. 1976). ark of mazay. 2022."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18471/view","tags":["painting"],"directSalePrice":145000,"lastUpdate":"2026-06-25T09:45:51.150Z","textCase":"lower","currency":"RUB","id":18471,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":240000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18472/001/001.jpg"],"available":false,"description":{"ru":"холст, масло. 126 х 109 \n \n сергей викторович меренков \u2013 один из самых ярких современных художников дальнего востока. член втоо «союз художников россии» с 2017 года. в его произведениях можно найти и глубокую философию, и добрый юмор, недаром жанр, в котором он работает, \u2013 философско-карикатурная и ироническая живопись. \n \n с.в. меренков родился 6 апреля 1976 года во владивостоке. с 1991 по 1996 год учился во владивостокском художественном училище на отделении живописи у педагога антонины андреевны стуковой. в 2002 году окончил художественный факультет дальневосточной академии искусств (ныне \u2013 дальневосточный государственный институт искусств), где педагогом с. меренкова был живописец николай павлович жоголев. после обучения сергей меренков занимается разными видами творчества: живописью, графикой, скульптурой, дизайном интерьера. автор сюжетных композиций, комиксов. с 1998 года принимал участие в групповых выставках, проводимых во владивостоке, москве, санкт-петербурге, южно-сахалинске, петропавловске-камчатском, на кунашире, итурупе. с 2017 года начал активно принимать участие в международных выставках, в том числе в минске, париже, берлине, пекине, чаньчуне, нумансдорпе. в 2017 году на международной выставке art-vladivostok с. меренков получил первую премию в номинации «живопись» в категории «профессиональные художники». \n \n благодаря неординарному мировосприятию с. меренков создал свой неподражаемый почерк и уникальный стиль, который он определяет как наивный реализм. часто свои идеи художник воплощает, используя литературные, фольклорные, исторические или мифологические сюжеты. \n \n сергей викторович работает в оригинальном жанре короткого визуального рассказа, притчи. ирония, лирический абсурдизм, философия романтического нестяжательства, поэзия и гротеск в его произведениях слиты воедино. \n \n произведения с.в. меренкова хранятся в приморской государственной картинной галерее, в частных художественных коллекциях в россии и за рубежом.","en":"oil on canvas. \n \n \n 126 × 109 cm. \n \n \n \n \n \n sergey viktorovich merenkov is among the most distinctive contemporary artists of the russian far east. a member of the union of artists of russia since 2017, he has developed a highly individual artistic language that combines philosophical reflection with subtle humour. the artist describes his work as naïve realism, while critics often characterize it as philosophical, satirical, and ironic painting. \n \n \n \n \n \n merenkov was born on 6 april 1976 in vladivostok. from 1991 to 1996, he studied painting at the vladivostok art college under antonina a. stukova. in 2002, he graduated from the faculty of fine arts of the far eastern academy of arts (now the far eastern state institute of arts), where he studied under the painter nikolai p. zhogolev. \n \n \n \n \n \n following his academic training, merenkov developed a diverse artistic practice encompassing painting, graphic art, sculpture, and interior design. he is also the author of narrative compositions and comics. since 1998, he has participated in numerous group exhibitions in vladivostok, moscow, st petersburg, yuzhno-sakhalinsk, petropavlovsk-kamchatsky, kunashir, and iturup. since 2017, he has actively exhibited internationally, participating in exhibitions in minsk, paris, berlin, beijing, changchun, and numansdorp. in the same year, he was awarded first prize in the painting category for professional artists at the international exhibition art-vladivostok. \n \n \n \n \n \n through his unconventional worldview, merenkov has created a unique and instantly recognizable artistic style. his works frequently draw upon literary, folkloric, historical, and mythological narratives, transforming familiar stories into visual metaphors rich with contemporary meaning. \n \n \n \n \n \n the artist works within an original genre that may be described as a concise visual parable. irony, lyrical absurdism, the philosophy of romantic non-possessiveness, poetry, and grotesque imagery are seamlessly interwoven throughout his oeuvre. beneath their apparent simplicity lies a profound meditation on human nature, society, and the contradictions of modern life. \n \n \n \n \n \n works by sergey v. merenkov are held in the collection of the primorye state art gallery and in private collections in russia and abroad."},"lotNumber":"31","title":{"ru":"меренков сергей викторович\n(род. 1976). статика суеты. 2025.","en":"sergey viktorovich merenkov (b. 1976). the stillness of bustle. 2025."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18472/view","tags":["painting"],"directSalePrice":240000,"lastUpdate":"2026-06-25T09:45:51.152Z","textCase":"lower","currency":"RUB","id":18472,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":135000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18495/001/001.jpg"],"available":false,"description":{"ru":"холст, масло. 45 х 150. \n \n вошко валерия александровна (род. 1997) г. владивосток - мультидисциплинарная художница медиумы - живопись, текстиль, коллаж и фотография. \n \n образование: студентка 1 курса двгии, станковая живопись; пкхк , дизайн. \n художественная практика вошко \u2014 это исследование повседневности через призму памяти и её вещественного воплощения. живописный процесс для неё является актом рефлексии, где холст становится полем для наслоения не только красок, но и смыслов, формирующих наше восприятие мира. \n работая с холстом, художница буквально выстраивает историю поверхности, где слой за слоем могут быть нанесены и частично стёрты, перекрашены без опасения. эта смелость \u2014 следствие доверия к естественному потоку мысли, который способен меняться и возвращаться, фиксируясь в фактуре. \n сюжеты её картин, часто стилизованы и символичны, обращаясь к образам быта и окружающей среды как к форме эскапизма. однако эта внутренняя территория постоянно находится в диалоге с внешним миром, который оказывает давление или, напротив, стимулирует наблюдения. это взаимодействие собирается воедино на поверхности холста, ощущается в его сложной, «прожитой» фактуре. таким образом, каждая работа становится объектом \u2014 хранителем памяти времени, визуальной историей и исследованием циклов постоянного обновления.","en":"oil on canvas. \n \n \n 45 × 150 cm. \n \n \n \n \n \n valeria alexandrovna voshko (born 1997, vladivostok) is a multidisciplinary artist whose practice encompasses painting, textiles, collage, and photography. \n \n \n \n \n \n she is studying the far eastern state institute of arts, specializing in easel painting, and previously studied design at the primorsky regional college of arts. \n \n \n \n \n \n voshko\u2019s artistic practice explores everyday life through the prism of memory and its material manifestations. for the artist, the act of painting is a process of reflection, in which the canvas becomes a site for the accumulation of not only pigment but also meaning\u2014layers that shape our perception of the world. \n \n \n \n \n \n working with canvas, she literally constructs the history of a surface. layers of paint are applied, partially erased, repainted, and reworked without hesitation. this freedom stems from a trust in the natural flow of thought, which is capable of shifting, returning, and ultimately becoming embedded within the painting\u2019s texture. \n \n \n \n \n \n the subjects of her works are often stylized and symbolic, drawing upon domestic objects and elements of the surrounding environment as forms of escapism. yet this inner territory remains in constant dialogue with the external world, which may exert pressure or, conversely, inspire observation and contemplation. these interactions converge on the canvas surface and are expressed through its complex, lived-in texture. \n \n \n \n \n \n as a result, each work becomes an object that preserves traces of time\u2014a repository of memory, a visual narrative, and an exploration of the cycles of continual transformation and renewal. \n \n \n \n \n \n the series \u201cmakosha\u201d references makosh, the slavic goddess associated with fate, fertility, and the cyclical rhythms of life. through layered surfaces and symbolic imagery, the artist creates a contemporary visual language that bridges personal memory, cultural archetypes, and material experience."},"lotNumber":"32","title":{"ru":"вошко валерия александровна (род. 1997). из серии «макоша» (iii). 2024.","en":"valeria alexandrovna voshko (b. 1997). from the series \u201cmakosha\u201d (iii). 2024."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18495/view","tags":["painting"],"directSalePrice":135000,"lastUpdate":"2026-06-25T09:45:51.157Z","textCase":"lower","currency":"RUB","id":18495,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":36000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18491/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18491/003/003.jpg"],"available":false,"description":{"ru":"холст, масло. 50 х 70 \n \n джура маргарита алексеевна (род. 1990) - живописец, график. член втоо \u201cсоюз художников россии\u201d. преподаватель приморского краевого художественного колледжа. окончила владивостокское художественное училище и дальневосточный государственный институт искусств. \n \n \n работы находятся в коллекциях государственных музеев россии и частных собраниях в россии и за рубежом.","en":"oil on canvas. \n \n \n 50 × 70 cm. \n \n \n \n \n \n margarita alexeyevna dzhura (born 1990) is a russian painter and graphic artist. she is a member of the union of artists of russia and teaches at the primorye regional art college. \n \n \n \n \n \n dzhura graduated from the vladivostok art college and subsequently from the far eastern state institute of arts, where she received her professional training in the traditions of russian academic art. \n \n \n \n \n \n working across both painting and graphic media, the artist has established herself as a notable representative of the younger generation of contemporary artists in the russian far east. her work demonstrates a strong command of form, colour, and composition, combining technical proficiency with a sensitive approach to subject matter. \n \n \n \n \n \n margarita dzhura\u2019s works are held in the collections of state museums in russia as well as in private collections both in russia and internationally."},"lotNumber":"33","title":{"ru":"джура маргарита алексеевна (род. 1990). натюрморт с цветами. 2017.","en":"margarita alexeyevna dzhura (b. 1990)\nstill life with flowers. 2017."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18491/view","tags":["painting"],"directSalePrice":36000,"lastUpdate":"2026-06-25T09:45:51.160Z","textCase":"lower","currency":"RUB","id":18491,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":42000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18490/001/001.jpg"],"available":false,"description":{"ru":"холст, масло. 60 х 50. \n \n джура маргарита алексеевна (род. 1990) - живописец, график. член втоо \u201cсоюз художников россии\u201d. преподаватель приморского краевого художественного колледжа. окончила владивостокское художественное училище и дальневосточный государственный институт искусств. работы находятся в коллекциях государственных музеев россии и частных собраниях в россии и за рубежом.","en":"oil on canvas. \n \n \n 60 × 50 cm. \n \n \n \n \n \n margarita alexeyevna dzhura (born 1990) is a russian painter and graphic artist. she is a member of the union of artists of russia and teaches at the primorye regional art college. \n \n \n \n \n \n dzhura graduated from the vladivostok art college and subsequently from the far eastern state institute of arts, where she received her professional training in the traditions of russian academic art. \n \n \n \n \n \n working across both painting and graphic media, the artist has established herself as a notable representative of the younger generation of contemporary artists in the russian far east. her work demonstrates a strong command of form, colour, and composition, combining technical proficiency with a sensitive approach to subject matter. \n \n \n \n \n \n margarita dzhura\u2019s works are held in the collections of state museums in russia as well as in private collections both in russia and internationally."},"lotNumber":"34","title":{"ru":"джура маргарита алексеевна\n(род. 1990). натюрморт с черноморской рыбой. 2025.","en":"margarita alexeyevna dzhura (b. 1990). still life with black sea fish. 2025"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18490/view","tags":["painting"],"directSalePrice":42000,"lastUpdate":"2026-06-25T09:45:51.162Z","textCase":"lower","currency":"RUB","id":18490,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":30000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18489/001/001.jpg"],"available":false,"description":{"ru":"холст, масло. 50 х 40. \n \n джура маргарита алексеевна (род. 1990) - живописец, график. член втоо \u201cсоюз художников россии\u201d. преподаватель приморского краевого художественного колледжа. окончила владивостокское художественное училище и дальневосточный государственный институт искусств. работы находятся в коллекциях государственных музеев россии и частных собраниях в россии и за рубежом.","en":"oil on canvas. \n \n \n 50 × 40 cm. \n \n \n \n \n \n margarita alexeyevna dzhura (born 1990) is a russian painter and graphic artist. she is a member of the union of artists of russia and teaches at the primorye regional art college. \n \n \n \n \n \n dzhura graduated from the vladivostok art college and subsequently from the far eastern state institute of arts, where she received her professional training in the traditions of russian academic art. \n \n \n \n \n \n working across both painting and graphic media, the artist has established herself as a notable representative of the younger generation of contemporary 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2019.","en":"vitaly viktorovich medvedev (b. 1967). cape crillon. 2019."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18480/view","tags":["painting"],"directSalePrice":70000,"lastUpdate":"2026-06-25T09:45:51.180Z","textCase":"lower","currency":"RUB","id":18480,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":50000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18482/001/001.jpg"],"available":false,"description":{"ru":"холст, масло. 55 х 45. \n \n медведев виталий викторович (род. 1967) - живописец, мастер пейзажного жанра, натюрморта и портрета с индивидуальным творческим почерком. член приморского отделения втоо «союз художников россии». с 2024 г. \u2013 зслуженный художник россии.","en":"oil on canvas. \n \n \n 55 × 45 cm. \n \n \n \n \n \n vitaly viktorovich medvedev (born 1967) is a russian painter, recognized for his mastery of landscape painting, still life, and portraiture. he is a member of the primorye regional branch of the union of artists of russia. \n \n \n \n \n \n medvedev has developed a distinctive artistic style characterized by a sensitive treatment of colour, atmosphere, and natural light. his work demonstrates a deep engagement with the landscape tradition while maintaining an individual artistic voice and a refined painterly approach. \n \n \n \n \n \n working across landscape, portraiture, and still life, the artist pays particular attention to the expressive possibilities of colour and the emotional resonance of place. his paintings often depict the natural beauty of the russian far east, capturing the unique character of coastal landscapes and remote territories through direct observation and a strong sense of atmosphere. \n \n \n \n \n \n in works such as cape bruce, medvedev conveys the grandeur and tranquility of the maritime landscape, transforming a specific geographical location into a timeless image of nature. his paintings invite viewers to contemplate the subtle relationships between land, sea, light, and space, reflecting both the physical reality and the poetic essence of the far eastern environment."},"lotNumber":"43","title":{"ru":"медведев виталий викторович (род. 1967). мыс брюса. 2021.","en":"vitaly viktorovich medvedev (b. 1967). cape bruce. 2021."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18482/view","tags":["painting"],"directSalePrice":50000,"lastUpdate":"2026-06-25T09:45:51.182Z","textCase":"lower","currency":"RUB","id":18482,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":50000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18481/001/001.jpg"],"available":false,"description":{"ru":"холст, масло. 50 х 50. \n \n медведев виталий викторович (род. 1967) - живописец, мастер пейзажного жанра, натюрморта и портрета с индивидуальным творческим почерком. член приморского отделения втоо «союз художников россии». с 2024 г. \u2013 зслуженный художник россии.","en":"oil on canvas. \n \n \n 50 × 50 cm. \n \n \n \n \n \n vitaly viktorovich medvedev (born 1967) is a russian painter, recognized for his mastery of landscape painting, still life, and portraiture. he is a member of the primorye regional branch of the union of artists of russia. \n \n \n \n \n \n medvedev has developed a distinctive artistic style characterized by a sensitive treatment of colour, atmosphere, and natural light. his work demonstrates a deep engagement with the traditions of russian painting while maintaining a highly individual artistic voice. \n \n \n \n \n \n a versatile artist working across landscape, still life, and portraiture, medvedev is particularly acclaimed for his ability to capture the subtle transformations of nature. his paintings reveal a careful observation of seasonal change, atmospheric conditions, and the emotional qualities of the landscape. \n \n \n \n \n \n through a refined painterly language and a nuanced understanding of light and colour, the artist transforms familiar motifs into evocative visual narratives. his works convey both the physical reality of a place and its poetic essence, inviting the viewer into a contemplative dialogue with the natural world. \n \n \n \n \n \n in march, medvedev reflects the quiet awakening of nature at the threshold of spring, capturing the delicate balance between winter\u2019s retreat and the promise of renewal."},"lotNumber":"44","title":{"ru":"дар автора эндаумент фонду. медведев виталий викторович (род. 1967). март. 2024.","en":"vitaly viktorovich medvedev (b. 1967). march. 2024."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18481/view","tags":["painting"],"directSalePrice":50000,"lastUpdate":"2026-06-25T09:45:51.185Z","textCase":"lower","currency":"RUB","id":18481,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":60000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18466/001/001.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"холст, акрил. 60 х 60. \n \n филатов алексей геннадьевич (род. 1968) в кемеровской области - художник, член правления союза художников россии приморского отделения г. владивостока. \n \n \n \n \n в 1986 г. - окончил кемеровское художественное училище. \n \n \n в 1991 г. - окончил владивостокское художественное училище \n \n \n в 1994 г. - окончил дальневосточную академию искусств. \n \n \n в 2003-2004 гг. жил в санкт-петербурге. \n \n \n в настоящее время живет и работает в г. владивостоке. \n \n \n \n \n \n активный участник городских, краевых, зональных выставок, участник международных выставочных проектов. \n \n \n провел ряд персональных выставок во владивостоке, арсеньеве, артеме. \n \n \n \n \n \n работы художника хранятся в галерее «артэтаж» г. владивосток, в частных коллекциях в россии и за рубежом. \n \n \n \n \n \n художник, бывший священник, неформал и провокатор в искусстве. \n \n \n пишет акрилом в технике современной живописи, произведения носят философский характер. \n \n \n \n \n \n работы автора \u2014 это его высказывание о познании своего отношения к миру, взаимодействие мыслей и чувств на тему духовного поиска человека, размышления над жизненными процессами, внутренние переживания автора. \n \n \n для алексея важны исполнительское мастерство и профессионализм, владение техникой и ремеслом: композиция, цветовое решение, пластичность форм. \n \n \n \n \n \n живопись для алексея как образ жизни, который включает поиск, переживания, размышления, тайны, природу, искру божью.","en":"acrylic on canvas. \n \n \n 60 × 60 cm. \n \n \n \n \n \n alexey gennadyevich filatov (born 1968, kemerovo region) is a russian artist and a member of the board of the primorye regional branch of the union of artists of russia in vladivostok. \n \n \n \n \n \n he graduated from the kemerovo art college in 1986, the vladivostok art college in 1991, and the far eastern academy of arts in 1994. between 2003 and 2004, he lived and worked in st petersburg. he currently lives and works in vladivostok. \n \n \n \n \n \n filatov is an active participant in municipal, regional, and national exhibitions, as well as international exhibition projects. he has held a number of solo exhibitions in vladivostok, arsenyev, and artem. \n \n \n \n \n \n his works are represented in the collection of the artetage museum of contemporary art in vladivostok and in private collections in russia and abroad. \n \n \n \n \n \n an artist, former orthodox priest, nonconformist, and provocateur, filatov occupies a distinctive place within contemporary russian art. working primarily in acrylic and employing the language of contemporary painting, he creates works of a deeply philosophical character. \n \n \n \n \n \n for the artist, painting serves as a means of exploring humanity\u2019s spiritual quest and its relationship with the surrounding world. his works reflect an ongoing dialogue between thought and emotion, addressing themes of self-knowledge, existential reflection, inner experience, and the search for meaning. \n \n \n \n \n \n technical mastery remains central to filatov\u2019s practice. he places particular importance on professional craftsmanship, compositional structure, colour relationships, and the plasticity of form. these formal qualities support the conceptual depth of his paintings, allowing philosophical ideas to be expressed through a compelling visual language. \n \n \n \n \n \n for alexey filatov, painting is not merely a profession but a way of life\u2014one that encompasses inquiry, contemplation, mystery, nature, and the divine spark that lies at the heart of human existence."},"lotNumber":"45","title":{"ru":"филатов алексей геннадьевич\n(род. 1968). мальчик. 2022.","en":"alexey gennadyevich filatov (b. 1968). boy. 2022."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18466/view","tags":["painting"],"directSalePrice":60000,"soldPrice":60000,"lastUpdate":"2026-06-25T08:53:47.716Z","textCase":"lower","currency":"RUB","id":18466,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":60000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18467/001/001.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"холст, акрил. 60 х 60. \n \n филатов алексей геннадьевич (род. 1968) в кемеровской области - художник, член правления союза художников россии приморского отделения г. владивостока. \n \n \n \n \n \n в 1986 г. - окончил кемеровское художественное училище. \n \n \n в 1991 г. - окончил владивостокское художественное училище \n \n \n в 1994 г. - окончил дальневосточную академию искусств. \n \n \n в 2003-2004 гг. жил в санкт-петербурге. \n \n \n \n \n \n в настоящее время живет и работает в г. владивостоке. \n \n \n активный участник городских, краевых, зональных выставок, участник международных выставочных проектов. \n \n \n провел ряд персональных выставок во владивостоке, арсеньеве, артеме. \n \n \n работы художника хранятся в галерее «артэтаж» г. владивосток, в частных коллекциях в россии и за рубежом. \n \n \n художник, бывший священник, неформал и провокатор в искусстве. \n \n \n пишет акрилом в технике современной живописи, произведения носят философский характер. \n \n \n \n \n \n \n \n работы автора \u2014 это его высказывание о познании своего отношения к миру, взаимодействие мыслей и чувств на тему духовного поиска человека, размышления над жизненными процессами, внутренние переживания автора. \n \n \n для алексея важны исполнительское мастерство и профессионализм, владение техникой и ремеслом: композиция, цветовое решение, пластичность форм. \n \n \n \n \n \n \n \n живопись для алексея как образ жизни, который включает поиск, переживания, размышления, тайны, природу, искру божью.","en":"acrylic on canvas. \n \n \n 60 × 60 cm. \n \n \n \n \n \n alexey gennadyevich filatov (born 1968, kemerovo region) is a russian artist and a member of the board of the primorye regional branch of the union of artists of russia in vladivostok. \n \n \n \n \n \n he graduated from the kemerovo art college in 1986, the vladivostok art college in 1991, and the far eastern academy of arts in 1994. between 2003 and 2004, he lived and worked in st petersburg. he currently lives and works in vladivostok. \n \n \n \n \n \n filatov is an active participant in municipal, regional, and national exhibitions, as well as international exhibition projects. he has held a number of solo exhibitions in vladivostok, arsenyev, and artem. \n \n \n \n \n \n his works are represented in the collection of the artetage museum of contemporary art in vladivostok and in private collections in russia and abroad. \n \n \n \n \n \n an artist, former orthodox priest, nonconformist, and provocateur, filatov occupies a distinctive place within contemporary russian art. working primarily in acrylic and employing the language of contemporary painting, he creates works of a deeply philosophical character. \n \n \n \n \n \n for the artist, painting serves as a means of exploring humanity\u2019s spiritual quest and its relationship with the surrounding world. his works reflect an ongoing dialogue between thought and emotion, addressing themes of self-knowledge, existential reflection, inner experience, and the search for meaning. \n \n \n \n \n \n technical mastery remains central to filatov\u2019s practice. he places particular importance on professional craftsmanship, compositional structure, colour relationships, and the plasticity of form. these formal qualities support the conceptual depth of his paintings, allowing philosophical ideas to be expressed through a compelling visual language. \n \n \n \n \n \n for alexey filatov, painting is not merely a profession but a way of life\u2014one that encompasses inquiry, contemplation, mystery, nature, and the divine spark that lies at the heart of human existence."},"lotNumber":"46","title":{"ru":"филатов алексей геннадьевич\n(род. 1968). девочка. 2022.","en":"alexey gennadyevich filatov (b. 1968). girl. 2022."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18467/view","tags":["painting"],"directSalePrice":60000,"soldPrice":60000,"lastUpdate":"2026-06-25T08:54:36.085Z","textCase":"lower","currency":"RUB","id":18467,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":75000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18474/001/001.jpg"],"available":false,"description":{"ru":"холст, масло. 72 х 72. \n \n енин александр александрович (род. 1975) - живописец, график, доцент, заведующий кафедрой живописи и рисунка дальневосточного государственного института искусств. член втоо \"союз художников россии\". окончил дальневосточную государственную академию искусств. участник краевых, региональных, международных выставок. работы александра енина находятся в собрании приморской государственной картинной галереи, коллекциях частных собраний в россии и за рубежом. \n \n работа выставлялась на коллективных выставках союза художников россии, в музее имени сукачёва (иркутск) и на зарубежных площадках: китай, узбекистан.","en":"oil on canvas. \n \n 72 × 72 cm. \n \n \n \n \n \n alexander alexandrovich yenin (born 1975) is a russian painter, graphic artist, educator, and associate professor. he serves as head of the department of painting and drawing at the far eastern state institute of arts and is a member of the union of artists of russia. \n \n \n \n \n \n yenin graduated from the far eastern state academy of arts and has established himself as a prominent representative of contemporary art in the russian far east. he regularly participates in regional, national, and international exhibitions, presenting works distinguished by their refined painterly language and strong compositional structure. \n \n \n \n \n \n his works are held in the collection of the primorye state art gallery as well as in private collections in russia and abroad. \n \n \n \n \n \n the painting evening has been exhibited in collective exhibitions organized by the union of artists of russia, including exhibitions at the v. p. sukachev irkutsk regional art museum, and has also been shown internationally in china and uzbekistan. \n \n \n \n \n \n combining academic training with a contemporary sensibility, alexander yenin\u2019s work demonstrates a thoughtful engagement with colour, atmosphere, and pictorial form. his paintings reveal a keen sensitivity to mood and light, transforming everyday motifs into contemplative visual experiences."},"lotNumber":"47","title":{"ru":"енин александр александрович (род. 1975). вечер. 2018.","en":"alexander alexandrovich yenin (b. 1975). evening. 2018."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18474/view","tags":["painting"],"directSalePrice":75000,"lastUpdate":"2026-06-25T09:45:51.190Z","textCase":"lower","currency":"RUB","id":18474,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":60000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18475/001/001.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"холст, масло. 80 х 50. \n \n енин александр александрович (род. 1975) - живописец, график, доцент, заведующий кафедрой живописи и рисунка дальневосточного государственного института искусств. член втоо \"союз художников россии\". окончил дальневосточную государственную академию искусств. участник краевых, региональных, международных выставок. работы александра енина находятся в собрании приморской государственной картинной галереи, коллекциях частных собраний в россии и за рубежом.","en":"oil on canvas. \n \n 80 × 50 cm. \n \n \n \n \n \n alexander alexandrovich yenin (born 1975) is a russian painter, graphic artist, educator, and associate professor. he serves as head of the department of painting and drawing at the far eastern state institute of arts and is a member of the union of artists of russia. \n \n \n \n \n \n yenin graduated from the far eastern state academy of arts and is recognized as one of the notable representatives of contemporary art in the russian far east. he actively participates in regional, national, and international exhibitions, consistently presenting works distinguished by their technical mastery and thoughtful artistic vision. \n \n \n \n \n \n his works are held in the collection of the primorye state art gallery and in private collections in russia and abroad. \n \n \n \n \n \n combining the traditions of academic painting with a contemporary sensibility, yenin creates works characterized by a refined understanding of colour, form, and composition. whether working in landscape, still life, or figurative genres, he demonstrates a particular sensitivity to atmosphere and the expressive possibilities of pictorial language. \n \n \n \n \n \n in works such as fish, the artist transforms a familiar motif into a compelling visual composition, revealing both the material presence of the subject and its broader symbolic and aesthetic resonance. his paintings invite careful observation and reward viewers with a rich interplay of form, texture, and colour."},"lotNumber":"48","title":{"ru":"дар автора эндаумент фонду. енин александр александрович (род. 1975). рыбы. 2016.","en":"alexander alexandrovich yenin (b. 1975). fish. 2016."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18475/view","tags":["painting"],"directSalePrice":60000,"soldPrice":60000,"lastUpdate":"2026-06-25T08:57:13.794Z","textCase":"lower","currency":"RUB","id":18475,"category":{"ru":"Живопись","en":"Painting"}},{"startPrice":50000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18533/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18533/004/004.jpg"],"available":false,"description":{"ru":"бумага, литография. \n \n л: 44,5 х 50,5 см \n и: 35 х 41 см \n \n конюхов федор филиппович (род. 1951) - российский путешественник, писатель, художник, священник украинской православной церкви (московского патриархата). федор филиппович окончил профессионально-техническое училище № 15 города бобруйска, по специальности резчик-инкрустатор; одесск ое мореходное училище \u2014 судоводитель, затем ленинградское арктическое училище \u2014 судовой механик. обучался в санкт-петербургской духовной семинарии. \n \n в 1974 г. переехал на постоянное место жительства в находку, где проживал до 1995 г. там фёдор конюхов работал такелажником на судоремонтном заводе и на рыболовных судах. с 1995 г. проживает в москве. \n \n в одиночку совершил пять кругосветных плаваний, 17 раз пересёк атлантику, причём один раз на вёсельной лодке. первый россиянин, побывавший на всех семи вершинах всех частей света, в одиночку на южном и северном полюсах (т. н. большой шлем исследователей). обладатель национальной премии «хрустальный компас» и мировых рекордов гиннесса[2]. первый в мире человек, который достиг пяти полюсов земли: северный географический (три раза), южный географический, полюс относительной недоступности в северном ледовитом океане, эверест (полюс высоты), мыс горн (полюс яхтсменов). \n \n первый в рф достиг северного и южного полюса на лыжах, первый россиянин, совершивший одиночное кругосветное плавание, первый выполнил программу «семь вершин», вторым совершил кругосветный полёт на воздушном шаре в одиночку, установив два абсолютных мировых рекорда.","en":"paper, lithograph. \n \n sheet: 44.5 × 50.5 cm \n \n \n image: 35 × 41 cm \n \n \n \n \n \n fyodor filippovich konyukhov (born 1951) is a russian traveller, writer, artist, and orthodox priest. internationally renowned for his extraordinary expeditions, he occupies a unique position at the intersection of exploration, spirituality, and artistic practice. \n \n \n \n \n \n konyukhov studied wood carving and marquetry at vocational school no. 15 in bobruisk, later graduating from the odessa maritime school as a navigator and subsequently from the leningrad arctic school as a marine engineer. he also studied at the st petersburg theological seminary. \n \n \n \n \n \n in 1974, he settled in nakhodka in the russian far east, where he lived until 1995. during this period, he worked as a rigger at a ship-repair yard and served aboard fishing vessels. since 1995, he has lived and worked in moscow. \n \n \n \n \n \n konyukhov is widely recognized as one of the greatest explorers of the modern era. he has completed five solo circumnavigations of the globe and crossed the atlantic ocean seventeen times, including one crossing by rowing boat. he became the first russian to complete the seven summits challenge and to reach both the north and south poles solo, achieving the so-called explorer\u2019s grand slam. \n \n \n \n \n \n he is the recipient of the national crystal compass award and multiple guinness world records. konyukhov was the first person in history to reach five symbolic poles of the earth: the geographic north pole (three times), the geographic south pole, the pole of relative inaccessibility in the arctic ocean, mount everest (the pole of altitude), and cape horn (the pole of sailors). \n \n \n \n \n \n among his many achievements, he was the first russian to reach both the north and south poles on skis, the first russian to complete a solo circumnavigation by yacht, the first russian to complete the seven summits programme, and the second person in the world to complete a solo circumnavigation in a hot-air balloon, setting two absolute world records in the process. \n \n \n \n \n \n alongside his achievements as an explorer, konyukhov has maintained a lifelong artistic practice. his graphic works and paintings are deeply informed by his experiences at sea and in some of the most remote regions of the world, reflecting themes of adventure, faith, endurance, and humanity\u2019s relationship with nature."},"lotNumber":"49","title":{"ru":"конюхов федор филиппович (род. 1951). гравюра \"постановка паруса\" 1/9. 1982.","en":"fyodor filippovich konyukhov (b. 1951). setting the sail. lithograph 1/9. 1982."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18533/view","directSalePrice":50000,"lastUpdate":"2026-06-25T09:45:51.192Z","textCase":"lower","currency":"RUB","id":18533,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":90000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18552/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18552/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18552/003/003.jpg"],"available":false,"description":{"ru":"бумага, акварель. \n \n багет, паспарту, музейное стекло. \n формат в багете 46 х 57 см \n \n куянцев павел павлович (1912-1997) родился в г. владивосток. \n родился павел павлович 3 марта 1912 г. в семье потомственного моряка и с малолетства решил пойти по стопам отца. несмотря на постоянный интерес к живописи, профессию решил выбрать отцовскую. окончив морское училище по классу штурманов, работал на кораблях и юнгой и помощником кочегара. стал капитаном уже в 26 лет, оказавшись самым молодым из всех капитанов на флоте. но тут случилось \u2013 отца посадили как «врага народа». в ту пору сын врага не мог стоять на капитанском мостике и его тут же понизили до помощника капитана на каботажном судне. но во время войны опытных капитанов явно не хватало и руководство флота направило талантливого моряка на «огненные рейсы». до конца второй мировой военным и старшим помощником куянцев ходил на пароходе «дальстрой» в сша и канаду. подменял капитана, участвовал в десантных операциях в корее и на сахалине. был награждён орденом красного знамени. \n \n \n только в 1952 году, когда п.п. куянцева восстановили, как капитана загранрейсов, он случайно узнал, что его отец был расстрелян тогда же, в 1938 г. \n мечтая с юности об антарктиде, в 1959 году, уже получив звание «лучший капитан министерства морского флота» он отправил в морфлот запрос направить его, при первой возможности к ледяному континенту, хотя бы матросом. два года ответа не было и только в октябре 1961 г. из москвы пришла радиограмма: «направьте куянцева дублером капитана на т/х «кооперация». там, в «мирном» павел павлович написал с натуры больше сотни этюдов. \n как рассказывал сам павел павлович, основную поддержку и советы в своем увлечении живописью он получил от николая максимовича штукенберга, тоже капитана, и художника-профессионала. главным от собрата по профессии стало признание у молодого капитана выдающегося таланта и рекомендации по наработке техники. \n \n \n вплоть до 1972 года, т. е. до ухода на пенсию, павел куянцев ходил капитаном на грузовых и пассажирских судах. последнее его судно \u2014 теплоход «приморье» \u2014 совершал рейсы с советскими туристами на курилы и камчатку. и после каждого дальнего плавания капитан-художник делал выставки своих работ. \n сколько всего работ куянцева п.п. написано \u2013 неизвестно, ведь он был плодовитым художником и щедрым дарителем. известно приблизительно около двух тысяч его работ, причем около 700 он подарил в разное время и разным людям (только владивостокской картинной галерее было подарено 67 работ). в наши дни работы п.п. куянцева находятся в девяти музеях нашей страны, из них в трех музеях владивостока; в двух музеях японии. тематика работ павла куянцева самая разнообразная, но подавляющее их большинство \u2014 это марины, воплощающее прошлое и настоящее нашего флота. \n в 1970 году студия «дальтелефильм» посвятила павлу куянцеву один из своих фильмов. \n \n \n в 1992 году во владивостоке состоялась крупная персональная выставка павла куянцева, посвящённая его 80-летию. похоронен знаменитый капитан \u2013 художник в феврале 1997 г. на морском кладбище. \n \n состояние: по информации, полученной от владельца, в прошлом работа подвергалась незначительному воздействию влаги. затронут левый край и нижний угол листа на участке около 2-3 см. указанная зона находится под паспарту и визуально не просматривается; следов данного воздействия на лицевой стороне в оформленном виде не наблюдается.","en":"watercolour on paper. \n \n \n \n \n framed with mat and museum glass. \n \n \n framed dimensions: 46 × 57 cm. \n \n \n \n \n \n pavel pavlovich kuyantsev (1912\u20131997) was a russian sea captain, explorer, and artist whose life and work became inseparably linked with the maritime history of the russian far east. \n \n \n \n \n \n born in vladivostok on 3 march 1912 into the family of a hereditary sailor, kuyantsev chose to follow in his father\u2019s footsteps. although he showed a lifelong interest in painting, he initially pursued a maritime career. after graduating from nautical school as a navigator, he worked his way up from cabin boy and assistant stoker to become a ship captain at the age of twenty-six, one of the youngest captains in the soviet merchant fleet. \n \n \n \n \n \n his career was dramatically affected during the stalinist purges when his father was arrested and later executed as an \u201cenemy of the people.\u201d as a consequence, kuyantsev was removed from command and reassigned as an officer on coastal vessels. during the second world war, however, the shortage of experienced captains led to his return to active service. he served aboard the steamship dalstroy, making wartime voyages to the united states and canada, acting as senior officer and participating in military operations in korea and on sakhalin island. for his service, he was awarded the order of the red banner. \n \n \n \n \n \n in 1952, after being fully reinstated as a captain on international routes, kuyantsev learned that his father had been executed in 1938. despite these personal hardships, he continued to pursue both navigation and art with remarkable dedication. \n \n \n \n \n \n a lifelong dream of reaching antarctica was fulfilled in 1961 when, already recognized as the best captain of the ministry of the merchant fleet, he joined the vessel kooperatsiya bound for the soviet antarctic station mirny. during this expedition, he painted more than one hundred studies directly from nature, creating an invaluable visual record of the antarctic landscape. \n \n \n \n \n \n kuyantsev credited much of his artistic development to nikolai maksimovich shtukenberg, a fellow sea captain and professional artist, who recognized his talent and encouraged him to refine his technique. \n \n \n \n \n \n until his retirement in 1972, kuyantsev continued to command cargo and passenger vessels. his final ship, the motor vessel primorye, carried soviet tourists to the kuril islands and kamchatka. after each voyage, he would organize exhibitions of works inspired by his travels. \n \n \n \n \n \n an exceptionally prolific artist, kuyantsev is believed to have created approximately two thousand works, many of which he generously donated. sixty-seven works alone were presented to the vladivostok art gallery. today, his paintings are held in nine museums across russia, including three in vladivostok, as well as in two museums in japan. \n \n \n \n \n \n marine painting formed the core of his artistic legacy. his seascapes and depictions of ships chronicle both the history and contemporary life of the russian fleet, combining the precision of a professional sailor with the sensitivity of an accomplished artist. \n \n \n \n \n \n in 1970, the far eastern film studio daltelefilm dedicated a documentary to his life and work. in 1992, a major retrospective exhibition was held in vladivostok to celebrate his eightieth birthday. pavel kuyantsev passed away in february 1997 and was laid to rest in the city's marine cemetery. \n \n \n \n \n \n today, he is remembered as one of the most remarkable figures in the cultural history of the russian far east\u2014a captain whose artistic legacy preserved the spirit of the sea for future generations."},"lotNumber":"50","title":{"ru":"куянцев павел павлович (1912-1997) \"ледокол \"добрыня никитич\". 1989.","en":"pavel pavlovich kuyantsev (1912\u20131997). icebreaker dobrynya nikitich. 1989."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18552/view","directSalePrice":90000,"lastUpdate":"2026-06-25T09:45:51.194Z","textCase":"lower","currency":"RUB","id":18552,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":30000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18553/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18553/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18553/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"бумага 23 х 35 см. \n музейное стекло, паспарту. \n размер в багете 36,5 х 48 cм \n \n линогравюра \u2014 техника высокой печати, при которой изображение вырезается на полимерной основе и отпечатывается на бумагу. краска наносится только на выступающие участки материала, а всё, что вырезано, остаётся белым. \n \n димура евгений федорович (1929-2004) - в новосибирске. график, художник-оформитель, пейзажист, маринист, портретист. жил и работал евгений федорович во владивостоке. около двух лет, в 1950-х, жил в комсомольске-на-амуре, где впервые занялся художественным творчеством в изостудии. \n \n член союза художников ссср (1981). \n работал в техниках литографии, линогравюры, рисунка. \n автолитография \u2014 вид литографии, при котором изображение на камень наносит художник автор, в отличие от репродукционной литографии, где оригинал воспроизводится на камне мастером литографом или фотомеханическим устройством. \n \n \n 1974-1980 г. \u2014 участник пяти антарктических экспедиций на судах «дальморепродукта». именно в эти годы навсегда связал свое творчество со стихией моря, природой и историей освоения антарктиды, дальнего востока. \n с 1980 г. \u2014 член союза художников россии. \n 1990-1991 г. \u2014 участник экспедиций «игры доброй воли», «русская америка» на фрегате «паллада». \n с 1967 г. участник всех краевых, зональных, всероссийских выставках.","en":"linocut on paper. \n \n \n \n \n sheet: 23 × 35 cm. \n \n \n museum glass and mat. \n \n \n framed dimensions: 36.5 × 48 cm. \n \n \n \n \n \n evgeny fyodorovich dimura (1929\u20132004) was a russian graphic artist, designer, landscape painter, marine artist, and portraitist. born in novosibirsk, he spent most of his life and artistic career in vladivostok. \n \n \n \n \n \n in the 1950s, dimura lived for approximately two years in komsomolsk-on-amur, where he first became involved in artistic practice through a local art studio. over time, he established himself as one of the notable graphic artists of the russian far east. \n \n \n \n \n \n dimura worked extensively in the techniques of lithography, linocut, and drawing. his mastery of printmaking allowed him to develop a distinctive visual language characterized by clarity of form, expressive line, and a strong sense of composition. \n \n \n \n \n \n a significant turning point in his artistic career came between 1974 and 1980, when he participated in five antarctic expeditions aboard vessels of the far eastern fishing fleet company dalmoreprodukt. these voyages profoundly influenced his artistic vision and permanently connected his work with the sea, maritime history, antarctica, and the exploration of the russian far east. \n \n \n \n \n \n he became a member of the union of artists of the ussr in 1981 and subsequently the union of artists of russia. from 1967 onward, he participated in all major regional, zonal, and national exhibitions. in 1990\u20131991, he joined the goodwill games and russian america expeditions aboard the historic frigate pallada. \n \n \n \n \n \n the artist's oeuvre is distinguished by its close relationship with maritime culture and coastal landscapes. whether depicting remote islands, historic ships, or northern seas, dimura approached his subjects with both documentary precision and poetic sensitivity. \n \n \n \n \n \n rabbit island, sidimi (bezverkhovo) is executed in the linocut technique, a relief-printing process in which the image is carved into a linoleum surface and printed from the remaining raised areas. the resulting contrast between black and white lends the composition a striking graphic clarity, emphasizing the rhythm of forms and the atmosphere of the coastal landscape. \n \n \n \n \n \n today, dimura's works remain important visual documents of the maritime history and natural environment of the russian far east, preserving a unique artistic perspective on one of the country's most distinctive regions."},"lotNumber":"51","title":{"ru":"димура евгений федорович (1929-2004). кроличий остров. сидими (безверхово). 1970-1980-е гг. линогравюра.","en":"evgeny fyodorovich dimura (1929\u20132004)\nrabbit island, sidimi (bezverkhovo). 1970s\u20131980s"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18553/view","directSalePrice":30000,"soldPrice":30000,"lastUpdate":"2026-06-25T09:01:26.701Z","textCase":"lower","currency":"RUB","id":18553,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":50000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18558/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18558/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18558/008/008.jpg"],"available":false,"description":{"ru":"л 41 х 50, и 31 х 40. \n багет, музейное стекло 50 х 58. \n \n дацко евгений иннокентьевич (1940\u20132023) \u2014 советский и российский художник, график и плакатист. заслуженный художник российской федерации. \n \n родился во владивостоке. работал в различных техниках графики и печатного искусства, включая автолитографию, линогравюру и шелкографию. считается одним из ведущих мастеров дальневосточной графики и одним из основоположников калининградской школы художественного плаката. \n \n особое место в творчестве художника занимали морская тема, история освоения дальнего востока и русской америки. в 1990-х годах дацко совершил масштабную художественно-исследовательскую экспедицию вдоль западного побережья северной америки \u2014 от петропавловска-камчатского до лос-анджелеса. в ходе путешествия создал серию живописных и графических работ, посвящённых православным общинам, русским старообрядцам аляски и наследию русской америки. итогом экспедиции стала книга «путешествие в русскую америку» (2007). \n \n произведения художника неоднократно экспонировались в россии и за рубежом. работы евгения дацко находятся в собраниях приморской государственной картинной галереи, музея мирового океана, дома русского зарубежья имени александра солженицына, калининградского музея изобразительных искусств, росизо и других музейных коллекциях россии, а также в частных собраниях европы, северной америки, китая и австралии. \n \n творчество евгения дацко отличается многогранностью, вниманием к историческим и этнографическим сюжетам, яркой декоративностью и глубоким интересом к культурному наследию россии и русского зарубежья.","en":"sheet: 41 × 50 cm. \n \n image: 31 × 40 cm. \n \n \n \n \n \n framed with museum glass. \n \n \n framed dimensions: 50 × 58 cm. \n \n \n \n \n \n evgeny innokentyevich datsko (1940\u20132023) was a soviet and russian artist, graphic artist, and poster designer. he was awarded the honorary title of honoured artist of the russian federation. \n \n \n \n \n \n born in vladivostok, datsko worked in a wide range of graphic and printmaking techniques, including autolithography, linocut, and silkscreen printing. he is regarded as one of the leading masters of far eastern graphic art and as one of the founders of the kaliningrad school of poster design. \n \n \n \n \n \n maritime subjects, the history of the russian far east, and the legacy of russian america occupied a central place in his artistic practice. in the 1990s, datsko undertook a major artistic and research expedition along the western coast of north america, travelling from petropavlovsk-kamchatsky to los angeles. during this journey, he created a substantial body of paintings and graphic works devoted to orthodox communities, russian old believers in alaska, and the cultural heritage of russian america. the expedition later inspired his book journey to russian america (2007). \n \n \n \n \n \n datsko\u2019s works have been exhibited extensively in russia and abroad. they are represented in the collections of the primorye state art gallery, the museum of the world ocean, the alexander solzhenitsyn house of russian abroad, the kaliningrad museum of fine arts, rosizo, and other museum collections throughout russia, as well as in private collections across europe, north america, china, and australia. \n \n \n \n \n \n his oeuvre is distinguished by its diversity, vivid decorative qualities, and a sustained interest in historical and ethnographic subjects. through both graphic art and painting, datsko explored the cultural heritage of russia and the russian diaspora, creating works that combine documentary insight with expressive artistic vision."},"lotNumber":"52","title":{"ru":"дацко евгений иннокентьевич (1940-2023). день вмф. владивосток 1974. автолитография.","en":"evgeny innokentyevich datsko (1940\u20132023). navy day. vladivostok. 1974. autolithograph."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18558/view","directSalePrice":50000,"lastUpdate":"2026-06-25T09:45:51.198Z","textCase":"lower","currency":"RUB","id":18558,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":45000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18473/001/001.jpg"],"available":false,"description":{"ru":"грунтованная бумага, смешанная техника. 62 х 37. \n \n енин александр александрович (род. 1975) - живописец, график, доцент, заведующий кафедрой живописи и рисунка дальневосточного государственного института искусств. член втоо \"союз художников россии\". окончил дальневосточную государственную академию искусств. участник краевых, региональных, международных выставок. работы александра енина находятся в собрании приморской государственной картинной галереи, коллекциях частных собраний в россии и за рубежом. \n \n работа выставлялась на коллективных выставках союза художников россии, музее имени арсеньева и на международном биеннале графики урал-графо.","en":"primed paper, mixed media. \n \n 62 × 37 cm. \n \n \n \n \n \n alexander alexandrovich yenin (born 1975) is a russian painter, graphic artist, educator, and associate professor. he serves as head of the department of painting and drawing at the far eastern state institute of arts and is a member of the union of artists of russia. \n \n \n \n \n \n yenin graduated from the far eastern state academy of arts and is an active participant in regional, national, and international exhibitions. his works are held in the collection of the primorye state art gallery as well as in private collections in russia and abroad. \n \n \n \n \n \n combining a strong academic foundation with a contemporary artistic sensibility, yenin works across painting and graphic media, exploring the expressive possibilities of line, colour, texture, and space. his oeuvre is distinguished by its thoughtful engagement with landscape, memory, and the cultural geography of the russian far east. \n \n \n \n \n \n from the series journey along the iman: evening boat forms part of a body of work inspired by the landscapes and waterways of the iman river region (today known as the bolshaya ussurka river). in this series, the artist reflects upon the poetic relationship between nature and human presence, capturing fleeting atmospheric impressions and the quiet rhythms of travel through remote territories. \n \n \n \n \n \n the work has been exhibited in collective exhibitions organized by the union of artists of russia, at the v. k. arsenyev museum of history of the far east, and at the international graphic arts biennale ural-grapho, underscoring its significance within the artist\u2019s graphic oeuvre."},"lotNumber":"53","title":{"ru":"енин александр александрович (род. 1975). серия работ путешествие по иману \"вечерняя лодка\". \n2023.","en":"alexander alexandrovich yenin (b. 1975). from the series journey along the iman: evening boat. 2023."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18473/view","directSalePrice":45000,"lastUpdate":"2026-06-25T09:45:51.200Z","textCase":"lower","currency":"RUB","id":18473,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":35000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18479/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18479/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"бумага, смешанная техника. 58 х 36. \n \n фирюлина светлана викторовна (род. 1987) - живописец, график. член молодежного объединения приморского отделения союза художников россии. окончила дальневосточный государственный институт искусств. \n \n \n \n работы находятся в коллекциях частных собраний в россии и за рубежом.","en":"paper, mixed media. 58 x 36. \n \n firyulina svetlana viktorovna (born 1987) - painter, graphic artist. member of the youth association of the primorsky branch of the union of artists of russia. graduated from the far eastern state institute of arts. her works are in private collections in russia and abroad."},"lotNumber":"54","title":{"ru":"дар автора эндаумент фонду. фирюлина светлана викторовна (род. 1987). из серии «прогулки по фрегату «надежда». лист 3. 2021.","en":"firyulina svetlana viktorovna (born 1987). from the series \"walks on the frigate \"nadezhda\". sheet 3. 2021."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18479/view","directSalePrice":35000,"soldPrice":35000,"lastUpdate":"2026-06-27T02:38:03.916Z","textCase":"lower","currency":"RUB","id":18479,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":69000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18476/001/001.jpg"],"available":false,"description":{"ru":"бумага, смешанная техника. 50 х 49. \n \n работа выставлялась на коллективных выставках приморского отделения союза художников рф. \n \n фирюлина светлана викторовна (род. 1987) - живописец, график. член молодежного объединения приморского отделения союза художников россии. окончила дальневосточный государственный институт искусств. работы находятся в коллекциях частных собраний в россии и за рубежом.","en":"paper, mixed media. \n \n 50 × 49 cm. \n \n \n \n \n \n svetlana viktorovna firyulina (born 1987) is a russian painter and graphic artist. she is a member of the youth association of the primorye regional branch of the union of artists of russia. \n \n \n \n \n \n firyulina graduated from the far eastern state institute of arts and works across both painting and graphic media. her artistic practice demonstrates a particular interest in narrative imagery, historical themes, and the interpretation of literary sources through contemporary visual language. \n \n \n \n \n \n her works are represented in private collections in russia and abroad. \n \n \n \n \n \n this work forms part of a series of illustrations inspired by memoirs of a trans-amur sailor: life in vladivostok, 1861 by e. s. burachek, a significant historical account documenting the early years of vladivostok and the russian far east. through a contemporary artistic interpretation of the text, firyulina reimagines episodes from the city's formative period, creating a visual dialogue between historical memory and the present day. \n \n \n \n \n \n the work has been exhibited in collective exhibitions organized by the primorye regional branch of the union of artists of russia."},"lotNumber":"55","title":{"ru":"фирюлина светлана викторовна (род. 1987). из серии иллюстрации к произведению бурачека е.с., «воспоминания заамурского моряка. жизнь во владивостоке 1861». лист 1. 2025.","en":"svetlana viktorovna firyulina (b. 1987). from the series illustrations to e. s. burachek\u2019s memoirs of a trans-amur sailor: life in vladivostok, 1861. sheet i. 2025."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18476/view","directSalePrice":69000,"lastUpdate":"2026-06-25T09:45:51.203Z","textCase":"lower","currency":"RUB","id":18476,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":69000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18477/001/001.jpg"],"available":false,"description":{"ru":"бумага, смешанная техника. 50 х 66. \n \n работа выставлялась на коллективных выставках приморского отделения союза художников рф. фирюлина светлана викторовна (род. 1987) - живописец, график. член молодежного объединения приморского отделения союза художников россии. окончила дальневосточный государственный институт искусств. \n \n работы находятся в коллекциях частных собраний в россии и за рубежом.","en":"paper, mixed media. \n \n 50 × 66 cm. \n \n \n \n \n \n svetlana viktorovna firyulina (born 1987) is a russian painter and graphic artist. she is a member of the youth association of the primorye regional branch of the union of artists of russia. \n \n \n \n \n \n firyulina graduated from the far eastern state institute of arts and works in both painting and graphic art. her creative practice is distinguished by an interest in narrative imagery, historical memory, and the reinterpretation of literary and documentary sources through contemporary visual means. \n \n \n \n \n \n her works are held in private collections in russia and abroad. \n \n \n \n \n \n this work belongs to the series of illustrations inspired by memoirs of a trans-amur sailor: life in vladivostok, 1861 by e. s. burachek. the series is based on one of the earliest firsthand accounts of vladivostok\u2019s formative years and offers a visual interpretation of the city\u2019s historical beginnings. through a combination of graphic expressiveness and imaginative reconstruction, firyulina creates images that connect documentary history with contemporary artistic reflection. \n \n \n \n \n \n the work has been exhibited in collective exhibitions organized by the primorye regional branch of the union of artists of russia."},"lotNumber":"56","title":{"ru":"фирюлина светлана викторовна (род. 1987). из серии иллюстрации к произведению бурачека е.с., «воспоминания заамурского моряка. жизнь во владивостоке 1861г». лист 2. 2025.","en":"svetlana viktorovna firyulina (b. 1987). from the series illustrations to e. s. burachek\u2019s memoirs of a trans-amur sailor: life in vladivostok, 1861. sheet ii. 2025."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18477/view","directSalePrice":69000,"lastUpdate":"2026-06-25T09:45:51.205Z","textCase":"lower","currency":"RUB","id":18477,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":15000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18468/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18468/001/001.jpg"],"available":false,"description":{"ru":"бумага, масло. \n \n \n высокая печать. \n \n \n тираж 10 шт. \n \n \n формат: 86 х 61 см \n \n михаил витальевич чувакин (род. 1990, большой камень, приморский край) \u2014 художник, куратор. \n \n \n окончил факультет психологии дальневосточного государственного университета (владивосток). создатель мастерской шелкотрафаретной печати otetz (2012\u20132019). с 2020 года \u2014 художник-декоратор, технолог выставок в музее истории дальнего востока им. в. к. арсеньева (владивосток). \n \n \n \n \n \n в 2020 году в центре современного искусства «артэтаж» (владивосток) состоялась персональная выставка михаила fun is over. \n \n \n в 2021 и 2022 годах был куратором и участником выставки графики fun is over 2.0 в одноименном пространстве во владивостоке и выставки atavistic в галерее «арка» (владивосток). \n \n \n в 2022 году участвовал в групповой выставке «она была красива как русский пейзаж» (музей современного искусства permm, пермь). \n \n \n \n \n \n живет и работает во владивостоке.","en":"oil on paper. \n \n relief print. \n \n \n edition of 10. \n \n \n 86 × 61 cm. \n \n \n \n \n \n mikhail vitalyevich chuvakin (born 1990, bolshoy kamen, primorsky krai) is a russian artist and curator based in vladivostok. \n \n \n \n \n \n he graduated from the faculty of psychology at the far eastern state university in vladivostok. from 2012 to 2019, he founded and operated otetz, an independent screen-printing workshop that became a notable platform for contemporary graphic experimentation in the russian far east. since 2020, he has worked as an exhibition technician and decorative artist at the v. k. arsenyev museum of the history of the far east in vladivostok. \n \n \n \n \n \n chuvakin's artistic practice combines contemporary printmaking techniques with a strong interest in symbolism, visual narratives, and experimental graphic language. working across editions, installations, and exhibition projects, he explores the relationship between personal mythology, collective memory, and the visual culture of contemporary society. \n \n \n \n \n \n in 2020, the center for contemporary art artetage (vladivostok) hosted his solo exhibition fun is over. in 2021 and 2022, he served as both curator and participating artist of the graphic art exhibition fun is over 2.0 in vladivostok, and of the exhibition atavistic at the arka gallery. in 2022, he participated in the group exhibition she was beautiful like a russian landscape at the permm museum of contemporary art in perm. \n \n \n \n \n \n living and working in vladivostok, chuvakin represents a new generation of far eastern artists whose practice bridges independent graphic culture, contemporary exhibition-making, and experimental visual art."},"lotNumber":"57","title":{"ru":"чувакин михаил витальевич (род. 1990). проводник затмений. 2026.","en":"mikhail vitalyevich chuvakin (b. 1990). guide of eclipses. 2026."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18468/view","directSalePrice":15000,"lastUpdate":"2026-06-25T09:45:51.207Z","textCase":"lower","currency":"RUB","id":18468,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":15000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18469/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18469/001/001.jpg"],"available":false,"description":{"ru":"бумага, масло. высокая печать. \n \n \n формат 86 х 61 см. \n \n \n тираж 12 шт. \n \n \n \n \n михаил витальевич чувакин (род. 1990, большой камень, приморский край) \u2014 художник, куратор. \n \n \n окончил факультет психологии дальневосточного государственного университета (владивосток). создатель мастерской шелкотрафаретной печати otetz (2012\u20132019). с 2020 года \u2014 художник-декоратор, технолог выставок в музее истории дальнего востока им. в. к. арсеньева (владивосток). \n \n \n \n \n \n в 2020 году в центре современного искусства «артэтаж» (владивосток) состоялась персональная выставка михаила fun is over. \n \n \n в 2021 и 2022 годах был куратором и участником выставки графики fun is over 2.0 в одноименном пространстве во владивостоке и выставки atavistic в галерее «арка» (владивосток). \n \n \n в 2022 году участвовал в групповой выставке «она была красива как русский пейзаж» (музей современного искусства permm, пермь). \n \n \n \n \n \n живет и работает во владивостоке.","en":"oil on paper. \n \n relief print. \n \n \n edition of 12. \n \n \n 86 × 61 cm. \n \n \n \n \n \n mikhail vitalyevich chuvakin (born 1990, bolshoy kamen, primorsky krai) is a russian artist and curator based in vladivostok. \n \n \n \n \n \n he graduated from the faculty of psychology at the far eastern state university in vladivostok. from 2012 to 2019, he founded and directed otetz, an independent screen-printing workshop that became an important platform for contemporary graphic art and experimental printmaking in the russian far east. since 2020, he has worked as an exhibition technician and decorative artist at the v. k. arsenyev museum of the history of the far east in vladivostok. \n \n \n \n \n \n chuvakin\u2019s artistic practice is rooted in contemporary print culture and explores the intersection of image, materiality, and symbolic meaning. through printmaking and mixed-media works, he develops a distinctive visual language that draws upon personal mythology, cultural memory, and the aesthetics of contemporary graphic art. \n \n \n \n \n \n in 2020, the center for contemporary art artetage (vladivostok) presented his solo exhibition fun is over. in 2021 and 2022, he was both curator and participating artist of the graphic art exhibition fun is over 2.0 in vladivostok and the exhibition atavistic at arka gallery. in 2022, he participated in the group exhibition she was beautiful like a russian landscape at the permm museum of contemporary art in perm. \n \n \n \n \n \n living and working in vladivostok, chuvakin is among a new generation of far eastern artists whose work engages with contemporary visual culture while expanding the possibilities of traditional printmaking techniques."},"lotNumber":"58","title":{"ru":"чувакин михаил витальевич (род. 1990). без названия. 2026.","en":"mikhail vitalyevich chuvakin (b. 1990)\nuntitled. 2026"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18469/view","directSalePrice":15000,"lastUpdate":"2026-06-25T09:45:51.211Z","textCase":"lower","currency":"RUB","id":18469,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":80000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18501/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18501/001/001.png"],"available":false,"description":{"ru":"бумага, цветная тушь, перо. 59 х 42. \n \n лидия александровна козьмина родилась в 1966 г. \n \n живописец, график. член союза художников россии. \n \n \n окончила владивостокское художественное училище, дальневосточный педагогический институт искусств по классу живописи у профессора в.н. доронина. участник международной женской ассоциации художников \"цветы мира\" (россия, япония, китай, республика корея, австралия). участник краевых, региональных и международных выставок. \n \n \n работы лидии козьминой находятся в коллекция государственных музеев и частных собраниях в россии и за рубежом. \n \n \n арт-критик александр лобычев отмечал: \"в творчестве лидии козьминой различимы сквозные мотивы, образы, символы, которые хранятся в сокровищнице мирового искусства. в большей степени это касается средневековой книжной миниатюры, русского народного лубка..., но уточнённость, графическую выразительность, атмосферу декаданса художница впитала из искусства модерна xix и xx веков\". в её графике и живописи сплетаются живописные традиции запада и востока.","en":"paper, coloured ink and pen. \n \n \n 59 × 42 cm. \n \n \n \n \n \n lidia alexandrovna kozmina (born 1966) is a russian painter and graphic artist, and a member of the union of artists of russia. \n \n \n \n \n \n she graduated from the vladivostok art college and later from the far eastern pedagogical institute of arts, where she studied painting under professor viktor n. doronin. kozmina is also a participant in the international women artists\u2019 association flowers of the world, which brings together artists from russia, japan, china, the republic of korea, and australia. \n \n \n \n \n \n an active participant in regional, national, and international exhibitions, kozmina has established herself as a distinctive voice in contemporary far eastern art. her works are held in the collections of state museums and private collections in russia and abroad. \n \n \n \n \n \n art critic alexander lobychev observed that \u201clidia kozmina\u2019s work reveals recurring motifs, images, and symbols preserved within the treasury of world art. this is particularly evident in her engagement with medieval manuscript illumination and the russian folk lubok tradition. at the same time, the precision of line, graphic expressiveness, and atmosphere of decadence in her work derive from the art nouveau movements of the nineteenth and twentieth centuries.\u201d \n \n \n \n \n \n in both her graphic art and painting, kozmina creates a unique synthesis of eastern and western artistic traditions. her works are distinguished by their decorative refinement, symbolic depth, and intricate visual language, in which historical references are transformed into contemporary poetic imagery. \n \n \n \n \n \n the series trace of the sea reflects the artist\u2019s enduring interest in landscape, memory, and cultural symbolism. through a delicate interplay of line, colour, and rhythm, kozmina transforms familiar locations into evocative visual narratives that resonate beyond their geographical origins."},"lotNumber":"59","title":{"ru":"козьмина лидия александровна (род. 1966). серия след моря. сопка тигровая. 2026.","en":"lidia alexandrovna kozmina (b. 1966)\nfrom the trace of the sea series. tigrovaya hill. 2026"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18501/view","directSalePrice":80000,"lastUpdate":"2026-06-25T09:45:51.214Z","textCase":"lower","currency":"RUB","id":18501,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":80000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18502/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18502/001/001.png"],"available":false,"description":{"ru":"бумага, цветная тушь, перо. 59 х 42. \n \n лидия александровна козьмина родилась в 1966 г. \n \n живописец, график. член союза художников россии. \n \n \n окончила владивостокское художественное училище, дальневосточный педагогический институт искусств по классу живописи у профессора в.н. доронина. участник международной женской ассоциации художников \"цветы мира\" (россия, япония, китай, республика корея, австралия). участник краевых, региональных и международных выставок. \n \n \n работы лидии козьминой находятся в коллекция государственных музеев и частных собраниях в россии и за рубежом. \n \n \n арт-критик александр лобычев отмечал: \"в творчестве лидии козьминой различимы сквозные мотивы, образы, символы, которые хранятся в сокровищнице мирового искусства. в большей степени это касается средневековой книжной миниатюры, русского народного лубка..., но уточнённость, графическую выразительность, атмосферу декаданса художница впитала из искусства модерна xix и xx веков\". в её графике и живописи сплетаются живописные традиции запада и востока.","en":"paper, coloured ink and pen. \n \n \n 59 × 42 cm. \n \n \n \n \n \n lidia alexandrovna kozmina (born 1966) is a russian painter and graphic artist, and a member of the union of artists of russia. \n \n \n \n \n \n she graduated from the vladivostok art college and later from the far eastern pedagogical institute of arts, where she studied painting under professor viktor n. doronin. kozmina is a participant in the international women artists\u2019 association flowers of the world, which unites artists from russia, japan, china, the republic of korea, and australia. \n \n \n \n \n \n an active participant in regional, national, and international exhibitions, kozmina\u2019s works are represented in the collections of state museums and private collections in russia and abroad. \n \n \n \n \n \n art critic alexander lobychev noted that \u201clidia kozmina\u2019s work reveals recurring motifs, images, and symbols preserved within the treasury of world art. this is especially evident in her engagement with medieval manuscript illumination and the russian folk lubok tradition. at the same time, the precision of line, graphic expressiveness, and atmosphere of decadence in her work have been absorbed from the art nouveau movements of the nineteenth and twentieth centuries.\u201d \n \n \n \n \n \n in both her painting and graphic art, kozmina creates a distinctive synthesis of eastern and western artistic traditions. her works are characterized by intricate decorative structures, symbolic imagery, and a refined graphic language that transforms familiar subjects into poetic visual narratives. \n \n \n \n \n \n the series trace of the sea is dedicated to the maritime landscapes and cultural landmarks of vladivostok and its surroundings. in skryplev lighthouse, one of the city\u2019s most recognizable maritime symbols becomes not merely a geographical landmark but a metaphorical point of orientation, memory, and connection between land and sea. through the expressive use of coloured ink and line, the artist imbues the composition with a sense of rhythm, contemplation, and timelessness."},"lotNumber":"60","title":{"ru":"козьмина лидия александровна (род. 1966). серия след моря. маяк скрыплева. 2026.","en":"lidia alexandrovna kozmina (b. 1966)\nfrom the trace of the sea series. skryplev lighthouse. 2026"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18502/view","directSalePrice":80000,"lastUpdate":"2026-06-25T09:45:51.216Z","textCase":"lower","currency":"RUB","id":18502,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":80000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18503/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18503/001/001.png"],"available":false,"description":{"ru":"бумага, цветная тушь, перо. 59 х 42. \n \n лидия александровна козьмина родилась в 1966 г. \n \n живописец, график. член союза художников россии. \n \n \n окончила владивостокское художественное училище, дальневосточный педагогический институт искусств по классу живописи у профессора в.н. доронина. участник международной женской ассоциации художников \"цветы мира\" (россия, япония, китай, республика корея, австралия). участник краевых, региональных и международных выставок. \n \n \n работы лидии козьминой находятся в коллекция государственных музеев и частных собраниях в россии и за рубежом. \n \n \n арт-критик александр лобычев отмечал: \"в творчестве лидии козьминой различимы сквозные мотивы, образы, символы, которые хранятся в сокровищнице мирового искусства. в большей степени это касается средневековой книжной миниатюры, русского народного лубка..., но уточнённость, графическую выразительность, атмосферу декаданса художница впитала из искусства модерна xix и xx веков\". в её графике и живописи сплетаются живописные традиции запада и востока.","en":"paper, coloured ink and pen. \n \n 59 × 42 cm. \n \n \n \n \n \n lidia alexandrovna kozmina (born 1966) is a russian painter and graphic artist, and a member of the union of artists of russia. \n \n \n \n \n \n she graduated from the vladivostok art college and later from the far eastern pedagogical institute of arts, where she studied painting under professor viktor n. doronin. kozmina is a participant in the international women artists\u2019 association flowers of the world, bringing together artists from russia, japan, china, the republic of korea, and australia. \n \n \n \n \n \n an active participant in regional, national, and international exhibitions, kozmina\u2019s works are represented in the collections of state museums and private collections in russia and abroad. \n \n \n \n \n \n art critic alexander lobychev observed that \u201clidia kozmina\u2019s work reveals recurring motifs, images, and symbols preserved within the treasury of world art. this is particularly evident in her engagement with medieval manuscript illumination and the russian folk lubok tradition. at the same time, the precision of line, graphic expressiveness, and atmosphere of decadence in her work derive from the art nouveau movements of the nineteenth and twentieth centuries.\u201d \n \n \n \n \n \n in both her graphic art and painting, kozmina creates a distinctive synthesis of eastern and western artistic traditions. her works are characterized by decorative sophistication, symbolic richness, and an intricate linear language that transforms landscape motifs into poetic visual narratives. \n \n \n \n \n \n the series trace of the sea is devoted to the maritime geography and cultural memory of vladivostok and the surrounding coast. in truda bay, the artist interprets the landscape not merely as a topographical location but as a repository of memory and emotion. through the expressive use of coloured ink and pen, kozmina creates a layered image in which natural forms, symbolic motifs, and decorative rhythms merge into a unified and contemplative composition."},"lotNumber":"61","title":{"ru":"козьмина лидия александровна (род. 1966). серия след моря. бухта труда. 2026.","en":"lidia alexandrovna kozmina (b. 1966)\nfrom the trace of the sea series. truda bay. 2026"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18503/view","directSalePrice":80000,"lastUpdate":"2026-06-25T09:45:51.218Z","textCase":"lower","currency":"RUB","id":18503,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":40000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18510/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18510/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18510/002/002.jpg"],"available":false,"description":{"ru":"картон, гуашь. 20 х 60. \n \n босак евгений александрович (род. в 1975) - г. спасск-дальний, приморский край. живописец, график, художник - реставратор приморской государственной картинной галереи. член творческого союза профессиональных художников россии. окончил владивостокское художественное училище, дальневосточную государственную академию искусств. работы евгения босака находятся в коллекциях государственных музеев и частных собраниях в россии и за рубежом.","en":"gouache on cardboard. \n \n \n 20 × 60 cm. \n \n \n \n \n \n evgeny alexandrovich bosak (born 1975, spassk-dalny, primorsky krai) is a russian painter, graphic artist, and art conservator at the primorye state art gallery. \n \n \n \n \n \n a member of the creative union of professional artists of russia, bosak graduated from the vladivostok art college and later from the far eastern state academy of arts. his professional experience as both an artist and conservator has contributed to a deep understanding of artistic technique, material culture, and the traditions of russian painting. \n \n \n \n \n \n working across painting and graphic media, bosak is particularly attentive to the expressive qualities of landscape and the subtle relationships between light, atmosphere, and place. his works are characterized by a thoughtful approach to composition and a sensitive observation of the natural environment. \n \n \n \n \n \n works by evgeny bosak are represented in the collections of state museums and in private collections in russia and abroad. \n \n \n \n \n \n in sleeping haystacks. tretyanovka village, the artist transforms a familiar rural motif into a poetic image, capturing the quiet rhythm and contemplative beauty of the countryside. through a restrained palette and carefully balanced composition, bosak conveys both the physical presence of the landscape and its emotional resonance."},"lotNumber":"62","title":{"ru":"босак евгений александрович (род. 1975). спящие стога. с. третьяновка. 2023.","en":"evgeny alexandrovich bosak (b. 1975). sleeping haystacks. tretyanovka village. 2021."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18510/view","directSalePrice":40000,"lastUpdate":"2026-06-25T09:45:51.220Z","textCase":"lower","currency":"RUB","id":18510,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":40000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18511/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18511/002/002.jpg"],"available":false,"description":{"ru":"картон, гуашь. 36 х 44. \n \n босак евгений александрович (род. в 1975) - г. спасск-дальний, приморский край. - живописец, график, художник - реставратор приморской государственной картинной галереи. член творческого союза профессиональных художников россии. окончил владивостокское художественное училище, дальневосточную государственную академию искусств. работы евгения босака находятся в коллекциях государственных музеев и част- ных собраниях в россии и за рубежом.","en":"gouache on cardboard. \n \n 36 × 44 cm. \n \n \n \n \n \n evgeny alexandrovich bosak (born 1975, spassk-dalny, primorsky krai) is a russian painter, graphic artist, and art conservator at the primorye state art gallery. \n \n \n \n \n \n a member of the creative union of professional artists of russia, bosak graduated from the vladivostok art college and the far eastern state academy of arts. his dual experience as both practicing artist and conservator has fostered a profound appreciation for artistic craftsmanship, historical techniques, and the traditions of russian painting. \n \n \n \n \n \n working in both painting and graphic media, bosak is particularly known for his landscapes, in which careful observation of nature is combined with a refined sense of colour and atmosphere. his works reveal a deep connection to the landscapes of the russian far east and an ability to convey the unique character of specific places through concise and expressive means. \n \n \n \n \n \n works by evgeny bosak are represented in the collections of state museums and private collections in russia and abroad. \n \n \n \n \n \n in cape tobizina, the artist turns to one of the most iconic coastal landmarks of vladivostok and russky island. through a sensitive treatment of light, colour, and spatial rhythm, bosak captures the dramatic beauty of the maritime landscape, conveying both the grandeur of nature and the contemplative atmosphere of the far eastern coastline."},"lotNumber":"63","title":{"ru":"босак евгений александрович (род. 1975). мыс тобизина. 2022.","en":"evgeny alexandrovich bosak (b. 1975). cape tobizina. 2022."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18511/view","directSalePrice":40000,"lastUpdate":"2026-06-25T09:45:51.222Z","textCase":"lower","currency":"RUB","id":18511,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":20000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18484/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18484/002/002.jpg"],"available":false,"description":{"ru":"чёрная бумага, масляная пастель. 30 х 42. \n \n архипова екатерина владимировна (род. 1967) - александрия, египет. живописец, график, портретист, пейзажист, мастер натюрморта. член союза художников россии с 2000 г. окончила екатеринбургское художественное училище им. и. шадра. \n \n работы находятся в коллекциях приморской государственной картинной галереи, музейно-выставочного центра г. находка, музея современного искусства \"артэтаж\", в частных собраниях коллекционеров россии, сша, канады, японии. \n \n выставки: 15 - персональных, 6 - международных, свыше 100 - коллективных.","en":"oil pastel on black paper. \n \n \n 30 × 42 cm. \n \n \n \n \n \n ekaterina vladimirovna arkhipova (born 1967, alexandria, egypt) is a russian painter and graphic artist, known for her work in portraiture, landscape, and still life. she has been a member of the union of artists of russia since 2000. \n \n \n \n \n \n arkhipova graduated from the i. shadr sverdlovsk art college (now yekaterinburg art college), where she received a classical artistic education that became the foundation of her diverse creative practice. \n \n \n \n \n \n over the course of her career, she has established herself as a versatile artist, working across a range of genres while maintaining a distinctive sensitivity to colour, atmosphere, and the emotional character of her subjects. her works are represented in the collections of the primorye state art gallery, the nakhodka museum and exhibition centre, the artetage museum of contemporary art, and in private collections in russia, the united states, canada, and japan. \n \n \n \n \n \n arkhipova has participated extensively in exhibition activities, including fifteen solo exhibitions, six international exhibitions, and more than one hundred group exhibitions, reflecting her significant contribution to contemporary russian art. \n \n \n \n \n \n in lighthouses. cape povorotny, the artist turns to one of the emblematic maritime landmarks of the russian far east. executed in oil pastel on black paper, the work combines graphic precision with atmospheric depth, evoking the poetic relationship between the coastline, the sea, and the guiding presence of the lighthouse. through a restrained yet expressive visual language, arkhipova captures both the physical reality and symbolic resonance of the coastal landscape."},"lotNumber":"64","title":{"ru":"дар автора эндаумент фонду. архипова екатерина владимировна\n(род. 1967). маяки. мыс поворотный. \n2025.","en":"ekaterina vladimirovna arkhipova (b. 1967). lighthouses. cape povorotny. 2025."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18484/view","directSalePrice":20000,"lastUpdate":"2026-06-25T09:45:51.224Z","textCase":"lower","currency":"RUB","id":18484,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":20000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18486/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18486/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"чёрная бумага, масляная пастель. 42 х 30. архипова екатерина владимировна (род. 1967) - александрия, египет. живописец, график, портретист, пейзажист, мастер натюрморта. член союза художников россии с 2000 г. окончила екатеринбургское художественное училище им. и. шадра. \n \n \n работы находятся в коллекциях приморской государственной картинной галереи, музейно-выставочного центра г. находка, музея современного искусства \"артэтаж\", в частных собраниях коллекционеров россии, сша, канады, японии. \n \n \n выставки: 15 - персональных, 6 - международных, свыше 100 - коллективных.","en":"oil pastel on black paper. \n \n \n 42 × 30 cm. \n \n \n \n \n \n ekaterina vladimirovna arkhipova (born 1967, alexandria, egypt) is a russian painter and graphic artist, known for her work in portraiture, landscape painting, and still life. she has been a member of the union of artists of russia since 2000. \n \n \n \n \n \n arkhipova graduated from the i. shadr sverdlovsk art college (now yekaterinburg art college), where she received a rigorous academic training that laid the foundation for her multifaceted artistic career. \n \n \n \n \n \n her works are held in the collections of the primorye state art gallery, the nakhodka museum and exhibition centre, the artetage museum of contemporary art, and in private collections in russia, the united states, canada, and japan. \n \n \n \n \n \n throughout her career, arkhipova has participated in an extensive exhibition programme, including fifteen solo exhibitions, six international exhibitions, and more than one hundred group exhibitions. \n \n \n \n \n \n distinguished by a refined sense of colour and atmosphere, the artist explores the expressive possibilities of landscape and the emotional resonance of place. her works often focus on the natural and maritime environment of the russian far east, transforming observed reality into poetic visual imagery. \n \n \n \n \n \n in lighthouses. cape nepristupny, executed in oil pastel on black paper, arkhipova combines graphic clarity with a luminous treatment of light and space. the lighthouse emerges not only as a navigational landmark but also as a symbol of guidance, endurance, and humanity\u2019s enduring relationship with the sea. the dramatic contrast between the dark ground and the vibrant pastel highlights enhances the work\u2019s evocative and contemplative character."},"lotNumber":"65","title":{"ru":"архипова екатерина владимировна\n(род. 1967). маяки. мыс неприступный. 2025.","en":"ekaterina vladimirovna arkhipova (b. 1967). lighthouses. cape nepristupny. 2025."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18486/view","directSalePrice":20000,"soldPrice":20000,"lastUpdate":"2026-06-25T09:12:18.471Z","textCase":"lower","currency":"RUB","id":18486,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":20000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18488/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18488/002/002.jpg"],"available":false,"description":{"ru":"чёрная бумага, масляная пастель. 42 х 30 см. \n \n архипова екатерина владимировна (род. 1967) - александрия, египет. живописец, график, портретист, пейзажист, мастер натюрморта. член союза художников россии с 2000 г. окончила екатеринбургское художественное училище им. и. шадра. \n \n \n \n \n \n \n \n \n \n работы находятся в коллекциях приморской государственной картинной галереи, музейно-выставочного центра г. находка, музея современного искусства \"артэтаж\", в частных собраниях коллекционеров россии, сша, канады, японии. \n \n \n \n \n \n \n \n выставки: 15 - персональных, 6 - международных, свыше 100 - коллективных.","en":"oil pastel on black paper. \n \n 42 × 30 cm. \n \n \n \n \n \n ekaterina vladimirovna arkhipova (born 1967, alexandria, egypt) is a russian painter and graphic artist, renowned for her work in portraiture, landscape painting, and still life. she has been a member of the union of artists of russia since 2000. \n \n \n \n \n \n arkhipova graduated from the i. shadr sverdlovsk art college (now yekaterinburg art college), where she received a classical artistic education that has informed her diverse and accomplished practice. \n \n \n \n \n \n her works are held in the collections of the primorye state art gallery, the nakhodka museum and exhibition centre, the artetage museum of contemporary art, and in private collections in russia, the united states, canada, and japan. \n \n \n \n \n \n throughout her career, arkhipova has participated in an extensive range of exhibitions, including fifteen solo exhibitions, six international exhibitions, and more than one hundred group exhibitions. \n \n \n \n \n \n the artist is particularly admired for her ability to capture the atmosphere and emotional character of a landscape through a refined interplay of colour, light, and graphic structure. her works frequently draw inspiration from the coastal scenery of the russian far east, where natural beauty and maritime history converge. \n \n \n \n \n \n in lighthouses. cape tokarev, arkhipova depicts one of vladivostok\u2019s most recognizable maritime landmarks. executed in oil pastel on black paper, the work combines luminous colour accents with expressive draftsmanship, emphasizing the lighthouse\u2019s role as both a practical beacon and a powerful symbol of guidance, resilience, and connection between sea and shore. the dramatic contrast between the dark ground and the vibrant pastel tones creates a striking visual presence and a sense of atmospheric depth."},"lotNumber":"66","title":{"ru":"архипова екатерина владимировна\n(род. 1967). маяки. мыс токарева.\n2025.","en":"ekaterina vladimirovna arkhipova (b. 1967). lighthouses. cape tokarev. 2025."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18488/view","directSalePrice":20000,"lastUpdate":"2026-06-25T09:45:51.227Z","textCase":"lower","currency":"RUB","id":18488,"category":{"ru":"Графика","en":"Graphics"}},{"startPrice":45000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18547/002/002.jpg"],"available":false,"description":{"ru":"надглазурная роспись, тонированное дерево, браширование. \n размер без рамы: 30 х 30 см. \n размер в раме: 60 х 60 см. \n \n лапо евгений геннадьевич (род. 1967) - архитектор, художник декоративно-прикладного искусства, керамист. член союза художников россии (2011) окончил красноярский государственный художественный институт (художественная керамика). преподаёт \"основы технологии художественной обработки \" в дальневосточном государственном университете. с 1995 году участник выставок в россии и за рубежом. руководитель международной летней школы художественной керамики. \n \n \n произведения находятся в коллекциях: приморской государственной картинной галереи, в частных собраниях в россии, республики корея, японии, сша.","en":"overglaze painting on toned and brushed wood. \n dimensions (without frame): 30 × 30 cm. \n dimensions (framed): 60 × 60 cm. \n \n evgeny gennadyevich lapo (born 1967) is a russian architect, ceramic artist, and practitioner of decorative and applied arts. he has been a member of the union of artists of russia since 2011. \n \n lapo graduated from the krasnoyarsk state art institute with a specialization in artistic ceramics. alongside his creative practice, he teaches fundamentals of artistic processing technologies at the far eastern state university and is the director of the international summer school of artistic ceramics. \n \n since 1995, he has participated in numerous exhibitions in russia and abroad, establishing a reputation for innovative work that bridges traditional ceramic techniques, contemporary decorative art, and philosophical imagery. \n \n his works are represented in the collections of the primorye state art gallery and in private collections in russia, the republic of korea, japan, and the united states. \n \n the cycle the path to the shaman reflects the artist\u2019s interest in archetypal imagery, spiritual traditions, and the symbolic dimensions of human experience. drawing upon themes associated with ritual, contemplation, and the relationship between humanity and nature, lapo creates works that resonate with both personal and universal meanings. \n \n in waiting, the artist combines overglaze painting with treated wood surfaces, employing texture, colour, and material contrast to create a meditative visual space. the work reflects his distinctive approach to decorative art, where craftsmanship, symbolism, and contemporary artistic expression are brought together in a unified composition."},"lotNumber":"67","title":{"ru":"лапо евгений геннадьевич (род. 1967). ожидание. из цикла \"путь к шаману\". 2022.","en":"evgeny gennadyevich lapo (b. 1967). waiting. from the series the path to the shaman. 2022."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18547/view","tags":["decorativeart"],"directSalePrice":45000,"lastUpdate":"2026-06-25T09:45:51.229Z","textCase":"lower","currency":"RUB","id":18547,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":47000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18548/002/002.jpg"],"available":false,"description":{"ru":"из серии работ над оформлением ресторана «супра». \n \n подглазурная роспись по составной шамотной плитке, тонированное дерево, браширование. \n формат без рамы: 30 х 30 см \n размер в раме: 60 х 60 см \n \n лапо евгений геннадьевич (род. 1967) - архитектор, художник декоративно-прикладного искусства, керамист. член союза художников россии (2011) окончил красноярский государственный художественный институт (художественная керамика). преподаёт \"основы технологии художественной обработки \" в дальневосточном государственном университете. с 1995 году участник выставок в россии и за рубежом. руководитель международной летней школы художественной керамики. \n \n \n произведения находятся в коллекциях: приморской государственной картинной галереи, в частных собраниях в россии, республики корея, японии, сша.","en":"underglaze painting on composite chamotte ceramic tiles, toned and brushed wood. \n dimensions (without frame): 30 × 30 cm. \n dimensions (framed): 60 × 60 cm. \n \n evgeny gennadyevich lapo (born 1967) is a russian architect, ceramic artist, and practitioner of decorative and applied arts. a member of the union of artists of russia since 2011, he is recognized for his distinctive synthesis of architecture, ceramics, and contemporary decorative art. \n \n lapo graduated from the krasnoyarsk state art institute with a specialization in artistic ceramics. in addition to his artistic practice, he teaches fundamentals of artistic processing technologies at the far eastern state university and serves as director of the international summer school of artistic ceramics. \n \n since 1995, he has participated in numerous exhibitions in russia and abroad. his work is distinguished by a deep understanding of ceramic materials and traditional craft techniques, which he combines with contemporary artistic concepts and narrative imagery. \n \n his works are represented in the collection of the primorye state art gallery and in private collections in russia, the republic of korea, japan, and the united states. \n \n old friends belongs to a series created as part of the artistic design programme for the renowned supra restaurant. drawing upon themes of hospitality, memory, and cultural tradition, the work demonstrates lapo\u2019s ability to integrate fine art and decorative design into a cohesive visual statement. through the use of underglaze painting on chamotte ceramic tiles and the tactile qualities of treated wood, the artist creates a richly textured composition that reflects both the warmth of human relationships and the enduring value of shared cultural experience."},"lotNumber":"68","title":{"ru":"лапо евгений геннадьевич (род. 1967). старые друзья. 2019.","en":"evgeny gennadyevich lapo (b. 1967). old friends. 2019. from the series created for the interior design of the supra restaurant."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18548/view","tags":["decorativeart"],"directSalePrice":47000,"lastUpdate":"2026-06-25T09:45:51.232Z","textCase":"lower","currency":"RUB","id":18548,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":35000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18550/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"шамотное блюдо, подглазурная роспись, соли. \n диаметр: 50 см \n \n лапо евгений геннадьевич (род. 1967) - архитектор, художник декоративно-прикладного искусства, керамист. член союза художников россии (2011) окончил красноярский государственный художественный институт (художественная керамика). преподаёт \"основы технологии художественной обработки \" в дальневосточном государственном университете. с 1995 году участник выставок в россии и за рубежом. руководитель международной летней школы художественной керамики. \n \n \n произведения находятся в коллекциях: приморской государственной картинной галереи, в частных собраниях в россии, республики корея, японии, сша.","en":"chamotte ceramic platter, underglaze painting, salt firing. \n diameter: 50 cm. \n \n evgeny gennadyevich lapo (born 1967) is a russian architect, ceramic artist, and practitioner of decorative and applied arts. he has been a member of the union of artists of russia since 2011. \n \n lapo graduated from the krasnoyarsk state art institute, specializing in artistic ceramics. alongside his artistic practice, he teaches fundamentals of artistic processing technologies at the far eastern state university and serves as director of the international summer school of artistic ceramics. \n \n since 1995, he has participated in numerous exhibitions in russia and abroad. his work is characterized by a profound understanding of ceramic materials, traditional firing techniques, and the expressive possibilities of decorative art. combining technical mastery with a contemporary artistic vision, he creates works that explore themes of nature, spirituality, cultural memory, and personal experience. \n \n his works are represented in the collection of the primorye state art gallery and in private collections in russia, the republic of korea, japan, and the united states. \n \n in to the summit, lapo employs the expressive qualities of chamotte clay, underglaze decoration, and salt-firing effects to create a work that is both sculptural and painterly. the circular format of the ceramic platter reinforces the symbolic character of the composition, while the title evokes themes of aspiration, perseverance, and spiritual ascent. through the synthesis of material, image, and craftsmanship, the artist transforms a functional ceramic form into a contemplative artistic object."},"lotNumber":"69","title":{"ru":"лапо евгений геннадьевич (род. 1967). к вершине. 2017.","en":"evgeny gennadyevich lapo (b. 1967)\nto the summit. 2017"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18550/view","tags":["decorativeart"],"directSalePrice":35000,"soldPrice":35000,"lastUpdate":"2026-06-25T09:15:43.504Z","textCase":"lower","currency":"RUB","id":18550,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":38000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18549/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18549/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18549/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18549/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18549/006/006.jpg"],"available":false,"description":{"ru":"надглазурная роспись, препарат золота. \n диаметр: 23 см \n \n лапо евгений геннадьевич (род. 1967) - архитектор, художник декоративно-прикладного искусства, керамист. член союза художников россии (2011) окончил красноярский государственный художественный институт (художественная керамика). преподаёт \"основы технологии художественной обработки \" в дальневосточном государственном университете. с 1995 году участник выставок в россии и за рубежом. руководитель международной летней школы художественной керамики. \n \n \n произведения находятся в коллекциях: приморской государственной картинной галереи, в частных собраниях в россии, республики корея, японии, сша.","en":"overglaze painting with gold decoration. \n diameter: 23 cm (each element). \n \n evgeny gennadyevich lapo (born 1967) is a russian architect, ceramic artist, and practitioner of decorative and applied arts. a member of the union of artists of russia since 2011, he is recognized for his innovative approach to contemporary ceramic art and his ability to combine traditional craftsmanship with contemporary artistic concepts. \n \n lapo graduated from the krasnoyarsk state art institute with a specialization in artistic ceramics. in addition to his artistic practice, he teaches fundamentals of artistic processing technologies at the far eastern state university and serves as director of the international summer school of artistic ceramics. \n \n since 1995, he has participated in numerous exhibitions in russia and abroad. his work reflects a deep engagement with ceramic traditions while exploring themes of spirituality, nature, cultural symbolism, and the contemplative dimensions of human experience. \n \n works by the artist are represented in the collection of the primorye state art gallery and in private collections in russia, the republic of korea, japan, and the united states. \n \n night silence forms part of lapo\u2019s ongoing exploration of the poetic and meditative possibilities of ceramic art. executed with overglaze painting and gold decoration, the diptych combines refined craftsmanship with a restrained visual language. the circular format and luminous gold accents evoke a sense of stillness and contemplation, while the title suggests the quiet introspection and heightened awareness associated with the nocturnal world. through the interplay of form, surface, and symbolism, the work invites the viewer into a space of reflection and silence."},"lotNumber":"70","title":{"ru":"лапо евгений геннадьевич (род. 1967). диптих \"ночное безмолвие\". 2023.","en":"evgeny gennadyevich lapo (b. 1967). night silence. diptych. 2023."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18549/view","tags":["decorativeart"],"directSalePrice":38000,"lastUpdate":"2026-06-25T09:45:51.234Z","textCase":"lower","currency":"RUB","id":18549,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18531/004/004.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18531/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"пластик, цветной картон, wpap (wedha\u2019s pop art portrait). \n \n \n ручная работа. 42,6 х 22,8 см \n \n \n \n \n \n грищенко никита евгеньевич - родился в 2003 году, 23 года. глухой с детства, техникой wpap (wedha\u2019s pop art portrait) увлекся сам. живет в уссурийске. учится в техникуме на повара. \n \n \n \n \n \n никита работает в технике wpap (wedha\u2019s pop art portrait) \u2014 художественный стиль, в котором изображение разбивается на геометрические фрагменты с яркими, насыщенными цветами. \n \n \n \n \n \n в отличие от «традиционного» поп-арта, такие изображения создаются в векторных редакторах, задача иллюстратора \u2014 создать узнаваемый образ, используя линии и сложные геометрические фигуры. но дальше никита продолжает работать с цветным картоном и создает объемные узнаваемые портреты известных личностей. вырезает и собирает работы вручную. никита технику изучил самостоятельно.","en":"plastic, coloured cardstock, wpap (wedha\u2019s pop art portrait). \n \n \n handcrafted. \n \n \n 42.6 × 22.8 cm. \n \n \n \n \n \n nikita evgenyevich grishchenko (born 2003) is a self-taught artist from ussuriysk. deaf since childhood, he discovered and independently mastered the technique of wpap (wedha\u2019s pop art portrait), a contemporary artistic style in which an image is constructed from geometric planes and rendered in vivid, contrasting colours. \n \n \n \n \n \n unlike traditional pop art, wpap portraits are typically created using vector-based graphic design methods, where the challenge lies in achieving a recognizable likeness through the use of angular lines and complex geometric forms. grishchenko has developed his own interpretation of this technique by transforming digital aesthetics into handcrafted three-dimensional works. \n \n \n \n \n \n working with coloured cardstock and plastic, he meticulously cuts and assembles each element by hand, creating striking layered portraits that combine graphic precision with sculptural depth. his works demonstrate remarkable technical skill, patience, and attention to detail. \n \n \n \n \n \n currently living in ussuriysk, grishchenko is studying culinary arts at a vocational college. alongside his studies, he continues to develop his artistic practice, creating expressive portraits of iconic cultural figures through a medium he mastered entirely on his own. \n \n \n \n \n \n this work, depicting marilyn monroe, exemplifies the artist\u2019s ability to translate one of the most recognizable images of twentieth-century popular culture into a dynamic composition of colour, geometry, and handcrafted form."},"lotNumber":"71","title":{"ru":"благотворительный лот. грищенко никита евгеньевич. мэрилин монро. 2023.","en":"charity lot. nikita evgenyevich grishchenko (b. 2003). marilyn monroe. 2023."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18531/view","directSalePrice":5000,"soldPrice":5000,"lastUpdate":"2026-06-25T09:18:18.645Z","textCase":"lower","currency":"RUB","id":18531,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18532/003/003.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18532/002/002.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"пластик, цветной картон, wpap (wedha\u2019s pop art portrait). \n \n \n ручная работа. 42 х 30 см \n \n \n \n \n \n грищенко никита евгеньевич - родился в 2003 году, 23 года. глухой с детства, техникой wpap (wedha\u2019s pop art portrait) увлекся сам. живет в уссурийске. учится в техникуме на повара. \n \n \n \n \n \n \n \n никита работает в технике wpap (wedha\u2019s pop art portrait) \u2014 художественный стиль, в котором изображение разбивается на геометрические фрагменты с яркими, насыщенными цветами. \n \n \n \n \n \n \n \n в отличие от «традиционного» поп-арта, такие изображения создаются в векторных редакторах, задача иллюстратора \u2014 создать узнаваемый образ, используя линии и сложные геометрические фигуры. но дальше никита продолжает работать с цветным картоном и создает объемные узнаваемые портреты известных личностей. вырезает и собирает работы вручную. никита технику изучил самостоятельно.","en":"plastic, coloured cardstock, wpap (wedha\u2019s pop art portrait). \n \n \n handcrafted. \n \n \n 42 × 30 cm. \n \n \n \n \n \n nikita evgenyevich grishchenko (born 2003) is a self-taught artist from ussuriysk. deaf since childhood, he independently discovered and mastered the artistic technique known as wpap (wedha\u2019s pop art portrait). \n \n \n \n \n \n wpap is a contemporary portrait style in which an image is broken down into geometric planes rendered in vivid, high-contrast colours. while traditionally created using vector-based digital tools, the technique requires exceptional skill in constructing a recognizable likeness through angular lines and complex geometric forms. \n \n \n \n \n \n grishchenko has developed a distinctive approach by translating this digital visual language into handcrafted three-dimensional artworks. using coloured cardstock and plastic, he carefully cuts and assembles each component by hand, creating layered portraits that combine graphic precision, sculptural relief, and striking colour relationships. \n \n \n \n \n \n currently residing in ussuriysk, he is pursuing studies in culinary arts while continuing to develop his artistic practice. entirely self-taught, grishchenko demonstrates remarkable dedication, technical ingenuity, and creative independence. \n \n \n \n \n \n this portrait of albert einstein highlights the artist\u2019s ability to reinterpret one of the most iconic figures of modern science through the dynamic geometry and vibrant chromatic language of wpap. the work combines intellectual clarity with visual energy, transforming a universally recognizable image into a compelling contemporary art object."},"lotNumber":"72","title":{"ru":"благотворительный лот. грищенко никита евгеньевич. альберт эйнштейн. 2023.","en":"charity lot. nikita evgenyevich grishchenko (b. 2003). albert einstein. 2023."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18532/view","directSalePrice":5000,"soldPrice":8500,"lastUpdate":"2026-06-25T09:20:33.236Z","textCase":"lower","currency":"RUB","id":18532,"category":{"ru":"ДПИ","en":"Decorative and applied arts"}},{"startPrice":55000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18517/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18517/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18517/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18517/006/006.jpg"],"available":false,"description":{"ru":"билет № 007258. \n багет, стекло. \n формат билета: 10 х 14 см \n размер в багете: 22 х 18 см представленный предмет является подлинным лотерейным билетом первого всероссийского беспроигрышного книгорозыгрыша «книга вместо водки» \u2013 одной из наиболее ярких и идеологически выразительных агитационно-просветительских кампаний позднего нэпа и раннего советского культурного строительства. лотерея была организована в 1929 году государственным издательством (гиз) совместно с всероссийским обществом борьбы с алкоголизмом и стала частью масштабной государственной программы по формированию «нового советского быта». \n \n тираж акции составил около 2 миллионов беспроигрышных билетов. их реализация осуществлялась через книжные магазины, газетные киоски и систему потребительской кооперации. стоимость билета составляла 30 копеек, а выигрыш выдавался не денежными средствами, а книгами, подписками на газеты и журналы, библиотечными сериями, энциклопедиями, учебниками и собраниями сочинений русских и зарубежных классиков. в зависимости от категории выигрыша обладатель билета мог получить издания стоимостью от 25 копеек до 20 рублей. допускалась также доплата за более дорогое издание. \n \n главной задачей кампании было противопоставление чтения и самообразования бытовому пьянству. на билете помещены лозунги и визуальные элементы, отражающие идеологию культурной модернизации конца 1920-х годов. в оформлении использованы характерные для советской полиграфии того времени конструктивистские приемы: лаконичная композиция, выразительная шрифтовая графика и агитационная символика. особое значение имеет размещенная на билете цитата в. и. ленина о вреде алкоголя как социального и политического препятствия на пути к построению коммунистического общества. \n \n подобные предметы представляют значительный интерес как памятники советской повседневной культуры, истории пропаганды, книжного дела и массовой агитации периода первых пятилеток. лотерея «книга вместо водки» сегодня рассматривается исследователями как уникальный пример соединения просветительской миссии, социальной инженерии и художественного языка советского графического дизайна конца 1920-х годов. \n \n билет оформлен в декоративный багет под стеклом, что подчеркивает его коллекционную и музейную ценность. предмет представляет интерес для коллекционеров советской агитационной графики, истории книжного дела, социальной рекламы и материальной культуры ссср межвоенного периода.","en":"lottery ticket no. 007258. \n frame, glass. \n \n ticket size: 10 × 14 cm \n \n \n framed size: 22 × 18 cm \n \n \n \n \n \n the present item is an authentic lottery ticket from the first all-russian non-losing book lottery \u201ca book instead of vodka\u201d \u2014 one of the most vivid and ideologically expressive propaganda and educational campaigns of the late nep period and the early soviet cultural transformation. the lottery was organized in 1929 by the state publishing house in collaboration with the all-russian society for the fight against alcoholism and became part of a large-scale state program aimed at creating a \u201cnew soviet way of life.\u201d \n \n \n \n \n \n the campaign\u2019s circulation amounted to approximately 2 million non-losing tickets. they were distributed through bookstores, newspaper kiosks, and the consumer cooperative system. the ticket price was 30 kopecks, while prizes were awarded not in cash but in books, subscriptions to newspapers and magazines, library series, encyclopedias, textbooks, and collected works of russian and foreign classics. depending on the winning category, the ticket holder could receive publications valued from 25 kopecks to 20 rubles. additional payment for more expensive editions was also permitted. \n \n \n \n \n \n the principal aim of the campaign was to promote reading and self-education as an alternative to everyday drunkenness. the ticket features slogans and visual elements reflecting the ideology of cultural modernization characteristic of the late 1920s. its design employs constructivist techniques typical of soviet graphic arts of the period: concise composition, expressive typography, and agitational symbolism. of particular significance is the quotation from vladimir lenin printed on the ticket, emphasizing the harmful effects of alcohol as a social and political obstacle to the construction of a communist society. \n \n \n \n \n \n such objects are of considerable historical and cultural interest as artifacts of soviet everyday life, propaganda history, publishing culture, and mass agitation during the first five-year plans. today, researchers regard the \u201ca book instead of vodka\u201d lottery as a unique example of the intersection between educational mission, social engineering, and the artistic language of late-1920s soviet graphic design. \n \n \n \n \n \n the ticket is presented in a decorative frame under glass, emphasizing its collectible and museum value. the piece is of interest to collectors of soviet propaganda graphics, publishing history, social advertising, and the material culture of the ussr during the interwar period."},"lotNumber":"73","title":{"ru":"\"книга вместо водки\". ссср 1929. всероссийское общество борьбы с алкоголизмом. лотерейный билет. книгорозыгрыш.","en":"\u201ca book instead of vodka.\u201d ussr, 1929.\n all-russian society for the fight against alcoholism. book lottery."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18517/view","tags":["postcards","posters"],"directSalePrice":55000,"lastUpdate":"2026-06-25T09:45:51.237Z","textCase":"lower","currency":"RUB","id":18517,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":5000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18520/012/012.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18520/011/011.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18520/007/007.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18520/008/008.png"],"soldDate":"2026-06-25","available":false,"description":{"ru":"металл, лак, сталь. \n клеймо \"ц 1 р.\" \n размер: 6 х 10 см \n \n небольшой бытовой штопор сувенирного типа, выполненный в форме стилизованной таксы. корпус собаки служит рукоятью, хвост трансформирован в спиральный стальной винт. фигура лаконичная, с обобщённой пластикой: вытянутый корпус, короткие лапы, крупные уши и заостренная морда подчёркивают узнаваемый силуэт породы. \n \n изделие относится к кругу советского бытового дизайна 1960\u20131970-х годов, когда утилитарные предметы часто получали игровую, зооморфную форму. такие вещи совмещали практическую функцию и декоративность: штопор мог использоваться по назначению, но одновременно воспринимался как настольный сувенир или элемент домашнего бара. \n \n интерьерная визуализация носит иллюстративный характер и создана с использованием технологий искусственного интеллекта. фотография предмета соответствует оригиналу.","en":"metal, lacquer, steel. \n \n marked: \u201cprice 1 rouble\u201d (ts. 1 r.). \n \n \n dimensions: 6 × 10 cm. \n \n \n \n \n \n a small souvenir corkscrew designed in the form of a stylized dachshund. the dog's body serves as the handle, while the tail is transformed into a spiral steel screw. the figure is rendered in a concise and simplified manner: the elongated body, short legs, prominent ears, and pointed muzzle emphasize the instantly recognizable silhouette of the breed. \n \n \n \n \n \n the object belongs to the tradition of soviet domestic design of the 1960s and 1970s, a period during which everyday utilitarian objects were frequently given playful zoomorphic forms. such designs combined practical functionality with decorative appeal, allowing ordinary household items to become expressive elements of interior décor. \n \n \n \n \n \n while fully functional as a corkscrew, the piece was equally intended as a decorative souvenir or accessory for a home bar, reflecting the characteristic blend of utility, humour, and design ingenuity found in soviet applied arts of the period. \n \n \n \n \n \n the interior visualization is for illustrative purposes only and was created using artificial intelligence technologies. the photograph of the object represents the original item."},"lotNumber":"74","title":{"ru":"штопор \"такса\". ссср, 1970-е гг.","en":"corkscrew \u201cdachshund\u201d. ussr, 1970s."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18520/view","directSalePrice":5000,"soldPrice":5000,"lastUpdate":"2026-06-25T09:24:27.784Z","textCase":"lower","currency":"RUB","id":18520,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":12000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18528/015/015.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18528/012/012.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18528/009/009.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18528/010/010.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18528/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18528/004/004.png"],"soldDate":"2026-06-25","available":false,"description":{"ru":"чугун, литье. \n размер: 17 х 26 см \n автор модели: константин евгеньевич глинтерник (1927\u20132007). \n \n каслинский завод отливает изделие с 1969 г. \n \n декоративный подсвечник выполнен в виде стилизованной фигуры лошади, несущей высокий вертикальный стоян, образованный зеркально расположенными спиралевидными завитками. стоян завершается круглой чашей со штырем для свечи. композиция отличается лаконичной и обобщённой пластикой, характерной для декоративно-прикладного искусства второй половины xx века. орнаментальные элементы корпуса и гривы подчёркивают связь произведения с традициями народного искусства и древнерусской декоративной пластики. \n \n модель создана в 1969 году ленинградским художником и скульптором-прикладником константином евгеньевичем глинтерником, автором ряда произведений для художественного литья. каслинский завод выпускал данную модель серийно начиная с 1969 года. \n \n образ коня занимает особое место в русской народной культуре и декоративном искусстве, где традиционно символизирует жизненную силу, движение, благополучие и защиту дома. в творчестве советских художников декоративно-прикладного искусства 1960\u20131970-х годов активно переосмыслялись мотивы народного творчества, что нашло отражение и в данной модели. \n \n интерьерная визуализация носит иллюстративный характер и создана с использованием технологий искусственного интеллекта. фотография предмета соответствует оригиналу.","en":"cast iron, casting. \n \n dimensions: 17 × 26 cm. \n \n \n model by konstantin evgenyevich glinternik (1927\u20132007). \n \n \n \n \n \n this decorative candlestick is designed in the form of a stylized horse supporting a tall vertical stem composed of mirrored spiral volutes. the stem culminates in a circular candle socket fitted with a central spike. the composition is distinguished by its concise and generalized plasticity, characteristic of soviet decorative and applied art of the second half of the twentieth century. ornamented details of the horse\u2019s body and mane emphasize the work\u2019s connection to the traditions of russian folk art and ancient decorative sculpture. \n \n \n \n \n \n the model was created in 1969 by the leningrad artist and designer konstantin evgenyevich glinternik, author of numerous works produced for artistic metal casting. the renowned kasli iron foundry began serial production of the model in 1969 and continued to manufacture it in subsequent decades. \n \n \n \n \n \n the image of the horse occupies a special place in russian folk culture and decorative art, where it traditionally symbolizes vitality, movement, prosperity, and protection of the home. during the 1960s and 1970s, soviet artists working in decorative and applied arts actively reinterpreted motifs derived from folk traditions, a tendency clearly reflected in this model. \n \n \n \n \n \n founded in the nineteenth century, the kasli foundry became internationally renowned for its artistic cast-iron sculpture and decorative objects, distinguished by exceptional craftsmanship and sculptural refinement. works produced by the factory remain highly regarded among collectors of russian decorative arts. \n \n \n \n \n \n the interior visualization is for illustrative purposes only and was created using artificial intelligence technologies. the photograph of the object represents the original item."},"lotNumber":"75","title":{"ru":"подсвечник \"конь\". каслинское чугунное литье. ссср 1978.","en":"candlestick \u201chorse\u201d. kasli cast iron foundry, ussr, 1978"},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18528/view","directSalePrice":12000,"soldPrice":12000,"lastUpdate":"2026-06-25T09:25:51.051Z","textCase":"lower","currency":"RUB","id":18528,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":5000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18530/007/007.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18530/005/005.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18530/004/004.png"],"available":false,"description":{"ru":"чугун. \n клейма: касли/1979 в рамке. \n высота: 9 см \n \n небольшая декоративная чаша выполнена в форме раскрытого цветка тюльпана, установленного на пластически трактованной ветке с листьями. поверхность лепестков проработана тонким рельефным жилкованием, что подчёркивает натуралистический характер модели и характерную для каслинского литья тщательность отделки. композиция соединяет утилитарную форму миниатюрной вазочки с мотивами растительного орнамента, близкими эстетике историзма второй половины xix века. \n \n каслинское художественное литье \u2013 одно из наиболее узнаваемых направлений уральского декоративно-прикладного искусства. в xix веке завод активно осваивал кабинетную пластику, ажурные предметы интерьера, вазы и мелкую декоративную скульптуру, часто обращаясь к европейским образцам и перерабатывая их в собственной технологической и художественной традиции. в советский период такие модели продолжали выпускаться как часть исторического ассортимента завода: предмет 1979 года является поздней советской отливкой по дореволюционной модели.","en":"cast iron. \n \n \n marks: kasli / 1979 within a rectangular cartouche. \n \n \n height: 9 cm. \n \n \n \n \n \n this small decorative vessel is modeled in the form of an open tulip blossom set upon a sculpturally rendered branch with leaves. the petals are finely detailed with delicate veining, emphasizing the naturalistic character of the design and the meticulous finish traditionally associated with kasli cast iron work. the composition combines the functional form of a miniature vase with ornamental botanical motifs closely related to the aesthetics of nineteenth-century historicism. \n \n \n \n \n \n kasli artistic cast iron is among the most celebrated traditions of ural decorative art. during the nineteenth century, the kasli foundry gained international recognition for its cabinet sculpture, intricate decorative objects, vases, and ornamental castings. drawing inspiration from european artistic models, kasli craftsmen developed a distinctive aesthetic language that combined technical virtuosity with sculptural refinement. \n \n \n \n \n \n during the soviet period, many of the factory\u2019s most successful historical models continued to be produced as part of its established repertoire. this example, cast in 1979, represents a late soviet edition of a pre-revolutionary design, preserving the artistic traditions and craftsmanship that made kasli cast iron internationally renowned. \n \n \n \n \n \n compact in scale yet rich in decorative detail, the vase exemplifies the enduring appeal of kasli iron casting, where utilitarian function and sculptural beauty are seamlessly united."},"lotNumber":"76","title":{"ru":"ваза «тюльпан на ветке». ссср 1979. каслинское чугунное литье.","en":"vase \u201ctulip on a branch\u201d. kasli cast iron foundry, ussr, 1979."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18530/view","directSalePrice":5000,"lastUpdate":"2026-06-25T09:45:51.239Z","textCase":"lower","currency":"RUB","id":18530,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":23000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18534/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18534/007/007.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18534/002/002.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18534/004/004.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18534/003/003.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18534/005/005.png"],"available":false,"description":{"ru":"автор эскиза: ф. шинкель \n высота 19,5 см \n диаметр верха 21 см \n \n модель начала 1820-х гг., по образцам прусского королевского литейного завода в берлине. \n \n ажурная декоративная ваза на круглом прорезном основании и высокой четырехгранной ножке, расширяющейся в нижней части. чаша выполнена в технике сквозного литья и украшена орнаментом из стилизованных вазонов с побегами аканта. в центре чаши расположена четырехлепестковая розетка, по краю проходит плетеный орнаментальный пояс. рельеф двусторонний, тонко проработанный, демонстрирующий высокий уровень мастерства формовщиков и литейщиков. \n \n интерьерная визуализация носит иллюстративный характер и создана с использованием технологий искусственного интеллекта. фотография предмета соответствует оригиналу.","en":"cast iron. \n \n designer: karl friedrich schinkel (1781\u20131841). \n \n \n height: 19.5 cm. \n \n \n diameter: 21 cm. \n \n \n \n \n \n this elegant decorative vase stands on a circular openwork base and a tall four-sided pedestal that broadens toward the bottom. the bowl is executed in the technically demanding technique of pierced cast iron and ornamented with a repeating pattern of stylized urns intertwined with acanthus shoots. at the centre of the bowl is a four-petalled rosette, while the rim is encircled by a woven ornamental band. the relief decoration is fully articulated on both sides and demonstrates the exceptional skill of the pattern-makers and foundry craftsmen. \n \n \n \n \n \n the model derives from designs produced in the early 1820s for the royal iron foundry in berlin, one of europe\u2019s most influential centres of artistic iron casting. its author, the renowned prussian architect and designer karl friedrich schinkel, played a decisive role in shaping nineteenth-century decorative arts and industrial design. schinkel\u2019s designs for cast iron objects became celebrated throughout europe for their refinement, clarity of form, and harmonious integration of classical and gothic motifs. \n \n \n \n \n \n the kasli foundry adopted a number of celebrated european models during the nineteenth century, adapting them to its own artistic and technological traditions. through the remarkable precision of kasli casting, these works acquired a distinctive place within russian decorative art while preserving the elegance of their original designs. \n \n \n \n \n \n this vase exemplifies the highest achievements of artistic cast iron production, combining architectural structure, ornamental sophistication, and extraordinary technical mastery. its intricate openwork construction and balanced proportions make it one of the classic forms associated with the enduring legacy of kasli iron casting. \n \n \n \n \n \n the interior visualization is for illustrative purposes only and was created using artificial intelligence technologies. the photograph of the object represents the original item."},"lotNumber":"77","title":{"ru":"ваза ажурная на ножке. каслинское чугунное литье. ссср.","en":"pierced pedestal vase. kasli cast iron foundry, ussr."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18534/view","directSalePrice":23000,"lastUpdate":"2026-06-25T09:45:51.241Z","textCase":"lower","currency":"RUB","id":18534,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":38000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18529/005/005.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18529/002/002.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18529/003/003.png"],"available":false,"description":{"ru":"дата создания модели около 1830 г. \n \n диаметр: 21,5 см. \n мастер-формовщик: а мочалин. \n \n модель начала 1820-х гг., по образцам прусского королевского литейного завода в берлине. \n \n круглая декоративная тарелка со сквозным ажурным орнаментом, выполненным в формах неоготики. в центре расположена шестилепестковая розетка, окружённая кольцевым поясом замкнутого орнамента из ромбов, заключенных в круги. широкий ажурный борт образован пересекающимися циркулярными дугами с прорезными трилистниками, четырехлистниками и стилизованными растительными мотивами. рельеф односторонний. \n \n изделие представляет характерный образец каслинского художественного литья первой половины xx века. тонкость ажурной проработки, сложность орнаментального рисунка и высокая культура исполнения демонстрируют мастерство каслинских формовщиков и литейщиков. \n \n \n \n \n \n клейма: кас.з на урале, две пятиконечные звезды. \n \n \n ниже в прямоугольнике а. мочалин.","en":"cast c. 1920s\u20131930s \n \n model designed c. 1830 \n \n \n cast iron. \n \n \n diameter: 21.5 cm. \n \n \n moulder: a. mochalin. \n \n \n \n \n \n marks: kas. z. na urale (\u201ckasli factory in the urals\u201d), two five-pointed stars; below, within a rectangular cartouche: a. mochalin. \n \n \n \n \n \n this circular decorative plate features an intricate openwork design executed in the neo-gothic style. at its centre is a six-petalled rosette surrounded by a concentric ornamental band composed of interlocking diamonds enclosed within circles. the wide pierced border is formed by intersecting circular arches incorporating trefoil and quatrefoil motifs, together with stylized vegetal ornament. the relief decoration is single-sided. \n \n \n \n \n \n the model originated in the early nineteenth century and was based on designs produced for the royal iron foundry in berlin, whose artistic cast iron works became renowned throughout europe for their elegance and technical sophistication. such designs exerted a significant influence on the development of artistic iron casting at the kasli foundry, where european ornamental traditions were reinterpreted through russian craftsmanship. \n \n \n \n \n \n this example represents a characteristic work of kasli artistic casting from the first half of the twentieth century. the delicacy of the pierced ornament, the complexity of the decorative pattern, and the exceptional quality of execution demonstrate the remarkable skill of kasli moulders and foundry craftsmen. \n \n \n \n \n \n founded in the eighteenth century, the kasli foundry became internationally celebrated for its artistic cast iron production, achieving particular distinction at the major international exhibitions of the nineteenth and early twentieth centuries. works such as this plate exemplify the fusion of industrial technique and artistic refinement that made kasli casting one of the most important traditions in russian decorative art."},"lotNumber":"78","title":{"ru":"тарелка декоративная \"ажур\". каслинское чугунное литье. период отливки ссср 1920-1930 гг.","en":"decorative pierced plate \u201cazhur\u201d. kasli cast iron foundry, ussr."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18529/view","directSalePrice":38000,"lastUpdate":"2026-06-25T09:45:51.244Z","textCase":"lower","currency":"RUB","id":18529,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":22000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18551/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18551/002/002.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18551/003/003.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18551/001/001.png"],"available":false,"description":{"ru":"дерево, латунь. \n длина: 71 см \n длина в складном виде: 19 см \n \n складной аршин \u2013 портативный измерительный инструмент, предназначенный для торговли, ремесленных и хозяйственных измерений. на предмете нанесены русские меры длины: аршин, четверти и вершки; полная длина соответствует одному аршину \u2013 около 71,12 см, то есть 28 английским дюймам. \n \n аршин был одной из основных мер длины в российской империи и широко применялся в торговле тканями, строительстве, портновском деле и бытовых измерениях. складной формат делал инструмент удобным для купцов, приказчиков, мастеров и ремесленников: его можно было носить при себе и быстро раскладывать при продаже или замере товара. подобные английские изделия демонстрируют активные торговые связи российской империи с великобританией и распространение импортных измерительных инструментов, адаптированных под местные меры. \n \n интерьерная визуализация носит иллюстративный характер и создана с использованием технологий искусственного интеллекта. фотография предмета соответствует оригиналу.","en":"wood, brass. \n \n \n \n \n \n length when extended: 71 cm. \n \n \n length when folded: 19 cm. \n \n \n \n \n \n this folding arshin rule is a portable measuring instrument intended for commercial, artisanal, and domestic use. the scale is marked in traditional russian units of measurement, including arshins, quarters, and vershoks. when fully extended, the rule measures one arshin\u2014approximately 71.12 cm, equivalent to 28 english inches. \n \n \n \n \n \n the arshin was one of the principal units of length in the russian empire and was widely employed in the textile trade, tailoring, construction, and everyday measurement. folding examples such as this were particularly valued by merchants, shopkeepers, craftsmen, and artisans, as their compact format allowed them to be carried easily and quickly unfolded when measuring goods. \n \n \n \n \n \n manufactured in london under the hocly abbey trademark specifically for the russian market, the rule is an interesting example of the commercial and industrial links between the russian empire and great britain in the late nineteenth and early twentieth centuries. imported measuring instruments were frequently adapted to russian standards and units, reflecting the practical requirements of international trade and the integration of foreign manufacturing into the russian marketplace. \n \n \n \n \n \n beyond its utilitarian function, the object serves as a tangible document of historical systems of measurement and the material culture of commerce in imperial russia. today, such folding arshin rules are valued as collectible examples of antique measuring instruments and as reminders of the everyday practices of trade and craftsmanship before the adoption of the metric system. \n \n \n \n \n \n the interior visualization is for illustrative purposes only and was created using artificial intelligence technologies. the photograph of the object represents the original item."},"lotNumber":"79","title":{"ru":"аршин складной. англия/london (trade mark hocly abbey) изготовлен для российской империи. конец xix - начало xx вв.","en":"folding arshin rule. england, london (hocly abbey trademark). made for the russian empire. late 19th \u2013 early 20th century."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18551/view","directSalePrice":22000,"lastUpdate":"2026-06-25T09:45:51.246Z","textCase":"lower","currency":"RUB","id":18551,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18518/008/008.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18518/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18518/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18518/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18518/004/004.jpg"],"soldDate":"2026-06-25","available":false,"description":{"ru":"изготовитель денежных знаков (типография): экспедиция заготовления государственных бумаг (эзгб, санкт-петербург) \n \n государственные кредитные билеты за подписью управляющего и.п. шипова выпускались последовательно императорским, временным и советским правительствами. \n \n различают их по подписям кассиров и нумерации. \n \n 1 рубль образца 1898 г. подпись управляющий шипов и.п. / кассир г де милло. государственный кредитный билет № на - 133. формат: 9 х 15 см. \n \n 3 рубля образца 1905 г. подпись управляющий шипов и.п. / овчинников. государственный кредитный билет № ъь 296865. формат: 10 х 15,5 см. \n \n 5 рублей образца 1909 г. подпись управляющий шипов и.п. / гаврилов. государственный кредитный билет № сэ 383138. \n формат: 16 х 10 см. \n \n 10 рублей образца 1909 г. подпись управляющий шипов и.п. / а. былинский. государственный кредитный билет № нл 204883. формат: 17,5 х 10,5 см. \n \n в начале xx века бумажные деньги в россии играли не только практическую, но и культурную роль. император николай ii считал, что купюры должны выглядеть красиво и презентабельно, демонстрируя всему миру благополучие страны. на тот период по темпам экономического роста россия превосходила подавляющее большинство стран европы, а к 1913 году достигла вершины своего могущества, в том числе и в финансовом плане. \n \n \n последние бумажные деньги российской империи превосходили любые другие банкноты по внешнему виду, стилистике, продуманности деталей и количеству защитных элементов. кроме того, прийти в банк и обменять эти деньги на золото мог любой человек. \n \n атрибуция на каждую банкноту прилагается.","en":"banknote manufacturer (printing house): expedition for the preparation of state papers (ezgb, saint petersburg). \n \n \n \n \n \n 1 ruble, 1898 issue \n \n \n signed by manager i.p. shipov / cashier g. de millo. \n \n \n state credit note no. ha-133. \n \n \n size: 9 × 15 cm. \n \n \n \n \n \n 3 rubles, 1905 issue \n \n \n signed by manager i.p. shipov / ovchinnikov. \n \n \n state credit note no. ъь 296865. \n \n \n size: 10 × 15.5 cm. \n \n \n \n \n \n 5 rubles, 1909 issue \n \n \n signed by manager i.p. shipov / gavrilov. \n \n \n state credit note no. сэ 383138. \n \n \n size: 16 × 10 cm. \n \n \n \n \n \n 10 rubles, 1909 issue \n \n \n signed by manager i.p. shipov / a. bylinsky. \n \n \n state credit note no. нл 204883. \n \n \n size: 17.5 × 10.5 cm. \n \n \n \n \n \n at the beginning of the 20th century, paper money in russia began to play not only a practical but also a cultural role. emperor nicholas ii believed that banknotes should appear elegant and representative, demonstrating the prosperity of the country to the world. he had every reason for this: in terms of economic growth, russia surpassed the vast majority of european countries and, by 1913, had reached the height of its power, including in the financial sphere. \n \n \n \n \n \n the last paper money of the russian empire surpassed most contemporary banknotes in artistic design, stylistic sophistication, attention to detail, and the number of security features. any holder could present these notes at a bank and exchange them for gold. \n \n \n \n \n \n state credit notes bearing the signature of manager i.p. shipov were successively issued by the imperial, provisional, and soviet governments."},"lotNumber":"80","title":{"ru":"набор «деньги российской империи - выпуски временного правительства» 4 оригинальные банкноты: 1, 3, 5, 10 рублей","en":"set \u201cthe money of the russian empire \u2014 issues of the provisional government\u201d\n4 banknotes: 1 ruble 1898, 3 rubles 1905, 5 rubles 1909, 10 rubles 1909."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18518/view","tags":["bonds"],"directSalePrice":2000,"soldPrice":2400,"lastUpdate":"2026-06-25T09:30:42.042Z","textCase":"lower","currency":"RUB","id":18518,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":8500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/021/021.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/020/020.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/018/018.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/019/019.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/011/011.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/004/004.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/005/005.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18505/003/003.jpg"],"available":false,"description":{"ru":"выпуск ежедневной газеты «дальний восток», выходившей во владивостоке в начале xx века. \n \n номер датирован пятницей, 22 сентября 1906 года, № 202. газета относится к периоду поздней российской империи, времени после революционных событий 1905 года, когда печать становилась важнейшей площадкой для обсуждения политических реформ, общественных настроений, городского управления, торговли и повседневной жизни дальневосточного региона. выпуск имеет ярко выраженный городской и региональный характер. в нем сочетаются политические телеграммы, материалы о положении в российской империи, сообщения о владивостоке и приморье, театральная хроника, коммерческие объявления, медицинская реклама, объявления о найме, продаже имущества, аукционах и услугах. номер дополнен отдельным бесплатным приложением с телеграммами «дальнего востока», что подчеркивает информационную оперативность издания. основные темы номера \n \n центральное место занимают общественно-политические материалы, связанные с последствиями революции 1905 года, вопросами государственного управления, реформ, общественного порядка и политической активности. в номере упоминаются действия правительства, университетские волнения, деятельность партий, борьба с террором, обсуждение рабочих и аграрных вопросов. газета передает атмосферу нестабильности и напряженного общественного ожидания, характерную для россии 1906 года. \n \n значительная часть публикаций посвящена владивостоку и дальнему востоку. в материалах затрагиваются городские вопросы, работа городской думы, порт-франко, торговые интересы края, необходимость развития инфраструктуры, значение владивостока как порта, военного и торгового центра. особенно важна тема сохранения и развития порто-франко: текст подчеркивает связь свободной торговли с экономическим ростом города и всего региона. \n \n в номере присутствует выразительный пласт местной хроники: сообщения о происшествиях, городских заседаниях, работе учреждений, военных частях, строительных и хозяйственных нуждах. это делает выпуск ценным источником по истории повседневной жизни владивостока начала xx века. \n \n отдельный интерес представляет театрально-зрелищная часть. на страницах размещены объявления о спектаклях, концертах, цирковых представлениях, гастролях артистов и музыкальных вечерах. это отражает активную культурную жизнь владивостока как международного портового города.","en":"this issue of the daily newspaper dalny vostok (\u201cthe far east\u201d) was published in vladivostok on 22 september 1906 during the final decades of the russian empire. appearing in the aftermath of the revolution of 1905, the newspaper reflects a pivotal moment in russian history, when the press became an important forum for public discussion of political reforms, social change, economic development, and regional affairs. \n \n \n \n \n \n the publication possesses a distinctly urban and regional character, combining political telegrams, reports on developments throughout the russian empire, local news from vladivostok and primorye, theatre announcements, commercial advertising, medical notices, employment opportunities, property sales, auctions, and various public services. the issue is accompanied by a complimentary supplement containing special telegram dispatches, underscoring the newspaper\u2019s commitment to delivering timely information. \n \n \n \n \n \n a substantial portion of the issue is devoted to the political climate following the revolution of 1905. articles address government policies, university unrest, political parties, anti-terrorist measures, and debates concerning labour and agrarian reforms. together, these reports convey the atmosphere of uncertainty, tension, and expectation that characterized russian society in 1906. \n \n \n \n \n \n particular attention is given to vladivostok and the russian far east. the newspaper discusses municipal administration, the activities of the city duma, trade policy, infrastructure development, and the strategic importance of vladivostok as both a commercial port and military centre. of special significance are articles concerning the preservation of the porto-franco (free port) regime, presented as a key factor in the economic prosperity of both the city and the wider region. \n \n \n \n \n \n the issue also contains a rich section of local news, including reports on civic affairs, government institutions, military units, public works, and everyday urban life. as such, it constitutes a valuable historical document for the study of vladivostok at the beginning of the twentieth century. \n \n \n \n \n \n equally noteworthy is the newspaper\u2019s cultural content. advertisements and notices announce theatrical performances, concerts, circus productions, touring artists, and musical evenings, reflecting the vibrant cultural life of vladivostok as an international port city at the crossroads of russia and the pacific world. \n \n \n \n \n \n today, this issue represents an important primary source for the political, economic, social, and cultural history of the russian far east during a transformative period of the late imperial era."},"lotNumber":"81","title":{"ru":"газета \"дальний восток\". № 202. пятница, 22 сентября 1906 года. владивосток. с приложением. 64 х 46 см","en":"newspaper dalny vostok (\u201cthe far east\u201d). no. 202, friday, 22 september 1906. vladivostok. with supplement. 64 × 46 cm."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18505/view","directSalePrice":8500,"lastUpdate":"2026-06-25T09:45:51.250Z","textCase":"lower","currency":"RUB","id":18505,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":110000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18504/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18504/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18504/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18504/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18504/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18504/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18504/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18504/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18504/003/003.jpg"],"available":false,"description":{"ru":"коллекционная подборка видовых почтовых открыток владивостока, размещенная в типовом альбоме для открытых писем. французская надпись на обложке «cartes postales» характерна для международной моды на открытки рубежа xix\u2013xx веков. подобные альбомы продавались как универсальные предметы для хранения памятных и коллекционных карточек. \n \n в альбом включены черно-белые видовые открытки владивостока с городскими панорамами, вокзальными и административными зданиями, улицами и общественными пространствами. подписи на двух языках подчеркивают статус владивостока как международного портового города и важной восточной окраины российской империи. \n \n обложка выполнена в декоративной манере начала xx века: тканевая основа, тиснение, растительный орнамент, стилизованный женский профиль в медальоне и цветочный мотив. это соответствует эстетике модерна / позднего ар-нуво. \n \n состояние альбома антикварное, с выраженными следами бытования: потертости, надрывы корешка, утраты по краям, ослабление переплета. при этом сама сохранность подборки и наличие штатных прорезей-держателей повышают коллекционную ценность. \n \n на форзацах размещены штампы от 2 июля 2010 г. \n к 150-летию владивостока. \n \n формат одной открытки: 9 х 14 см \n формат альбома: 15 х 19 см","en":"a collectible assemblage of panoramic postcards depicting vladivostok, housed in a period postcard album. the french inscription \n \u201ccartes postales\u201d on the cover is characteristic of the international postcard fashion of the late 19th and early 20th centuries. albums of this type were produced as universal storage items for commemorative and collectible cards. \n \n \n \n \n the album contains black-and-white topographical postcards of vladivostok featuring city panoramas, railway and administrative buildings, streets, and public spaces. bilingual captions emphasize vladivostok\u2019s status as an international port city and an important eastern outpost of the russian empire. \n \n \n \n \n \n the cover is executed in the decorative manner typical of the early 20th century: cloth binding, embossed decoration, floral ornamentation, a stylized female profile within a medallion, and floral motifs. the design corresponds to the aesthetics of art nouveau / late jugendstil. \n \n \n \n \n \n the album is preserved in authentic antique condition, showing evident signs of age and use: surface wear, tears to the spine, losses along the edges, and weakening of the binding. at the same time, the overall preservation of the collection and the presence of the original slit mounts for holding the postcards enhance its historical and collectible value. \n \n \n \n \n \n on the flyleaves there are stamps dated july 2, 2010. \n \n \n to the 150th anniversary of vladivostok."},"lotNumber":"82","title":{"ru":"альбом «владивосток». коллекция 48 оригинальных открыток с 1900 по 1924 гг. в старинном альбоме (24 листа). российская империя, начало xx века.","en":"\u201cvladivostok\u201d album. collection of 48 originals postcards dating from 1900 to 1924, presented in an anqtique album (24 pages). russian empire, early 20th century."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18504/view","tags":["postcards"],"directSalePrice":110000,"lastUpdate":"2026-06-25T09:45:51.252Z","textCase":"lower","currency":"RUB","id":18504,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18554/001/001.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18554/002/002.png"],"available":false,"description":{"ru":"1) владивосток. вокзал. архитектура вокзала в русском стиле. \n зеленая. \n \n формат: 14 х 9 см \n \n вид железнодорожного вокзала владивостока, выполненного в неорусском стиле. современный облик здания сформировался после реконструкции 1910\u20131912 гг.; вокзал был архитектурно связан с образом ярославского вокзала в москве, подчеркивая значение владивостока как восточной конечной точки транссибирской магистрали. \n \n \n 2) светланская ул. почтамт. \n зеленая. \n формат: 9 х 14 см \n \n городской вид центральной улицы владивостока с зданием почтамта. открытка фиксирует деловую и административную среду города начала xx века. \n \n \n 3) каток на бухте \"золотой рог\". каток общества спорта на льду \"золотого рога\", вдали след прошедшего ледокола. \n зеленая. \n формат: 14 х 9 см \n \n редкий сюжет городской повседневности: катание на льду в бухте золотой рог. в подписи указано: «каток общества спорта на льду \u201cзолотого рога\u201d, вдали след прошедшего ледокола». \n \n \n данный выпуск особенно интересен тем, что был издан не во владивостоке, а русским издателем николаем ивановым в нью-йорке в 1922 году. открытки имеют двойную русско-английскую подпись, что указывает на адресацию не только русскоязычной аудитории, но и зарубежным коллекционерам, эмигрантам и иностранцам, связанным с дальним востоком. комплект представляет ценность как памятник филокартии, визуальной истории владивостока и русской эмигрантской издательской культуры начала 1920-х годов. \n \n состояние: с проявленными следами бытования (на фото).","en":"colour-printed postcards. \n \n \n \n \n 1. vladivostok. railway station \n \n \n green-tinted postcard. \n \n \n 14 × 9 cm. \n \n \n \n \n \n view of the vladivostok railway station, designed in the neo-russian style. the building acquired its present appearance following the reconstruction of 1910\u20131912 and was intentionally conceived as an architectural counterpart to the yaroslavsky railway station in moscow, emphasizing vladivostok\u2019s role as the eastern terminus of the trans-siberian railway. \n \n \n \n \n \n 2. svetlanskaya street. post office \n \n \n green-tinted postcard. \n \n \n 9 × 14 cm. \n \n \n \n \n \n a city view of vladivostok\u2019s principal thoroughfare, featuring the post office building. the postcard documents the commercial and administrative heart of the city in the early twentieth century. \n \n \n \n \n \n 3. ice rink on golden horn bay \n \n \n green-tinted postcard. \n \n \n 14 × 9 cm. \n \n \n \n \n \n a rare depiction of everyday urban life in vladivostok. the caption identifies the scene as: \u201cice rink of the golden horn ice sports society; in the distance, the track of a passing icebreaker.\u201d the image records a little-known aspect of winter recreation on the frozen waters of golden horn bay. \n \n \n \n \n \n this series is of particular historical interest because it was published not in vladivostok, but in new york in 1922 by the russian émigré publisher nikolai n. ivanov. each postcard bears bilingual russian-english captions, indicating that the edition was intended not only for russian-speaking audiences but also for foreign collectors, émigrés, and international communities connected with the russian far east. \n \n \n \n \n \n the set is a valuable example of early twentieth-century philocarty, documenting the architectural, social, and cultural history of vladivostok during a transformative period. at the same time, it reflects the publishing activity of the russian émigré community abroad and the preservation of memory about the russian far east within the diaspora. \n \n \n \n \n \n today, such postcard sets are prized both as visual records of pre-revolutionary vladivostok and as artifacts of russian émigré publishing culture in the early 1920s."},"lotNumber":"83","title":{"ru":"открытки 3 шт. николай н. иванов. № 7. владивосток. изд. нью-йорк, сша 1922 г.","en":"set of three postcards. nikolai n. ivanov. no. 7. vladivostok. published in new york, usa, 1922."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18554/view","tags":["postcards"],"directSalePrice":3500,"lastUpdate":"2026-06-25T09:45:51.254Z","textCase":"lower","currency":"RUB","id":18554,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":6500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18512/006/006.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18512/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18512/005/005.jpg"],"available":false,"description":{"ru":"титр серо-голубой на двух языках: английском и японском \n ч/б. формат: 9 х 42 см тройная панорамная открытка с изображением владивостока, выполненная в формате соединенных почтовых карточек. титр серо-голубого цвета дан на двух языках, что подчеркивает международный характер издания и ориентированность на иностранную аудиторию дальнего востока и портовых городов тихоокеанского региона. печать черно-белая. на обороте стандартная разметка «post card». подобные панорамные открытки получили широкое распространение в начале xx века в связи с ростом международного туризма, развитием морского сообщения и интересом к городам дальнего востока. владивосток в этот период являлся важнейшим портом российской империи на тихом океане и крупным международным торговым центром, связанным с японией, китаем и странами европы. японские издательства активно выпускали видовые открытки русских дальневосточных городов, предназначенные как для путешественников, так и для коллекционеров. панорамный формат позволял передавать масштаб городской бухты, портовой инфраструктуры и динамично развивающегося городского пространства начала xx века. \n \n интерьерная визуализация носит иллюстративный характер и создана с использованием технологий искусственного интеллекта. фотография предмета соответствует оригиналу.","en":"published in japan. \n \n grey-blue caption in two languages: english and japanese. \n \n \n black-and-white print. format: 9 × 42 cm. \n \n \n \n \n \n a triple panoramic postcard depicting vladivostok, executed in the form of connected postal cards. the grey-blue caption is printed in two languages, emphasizing the international character of the edition and its orientation toward foreign audiences in the far east and the port cities of the pacific region. printed in black and white. the reverse features the standard \u201cpost card\u201d layout. \n \n \n \n \n \n such panoramic postcards became widely popular in the early 20th century due to the growth of international tourism, the development of maritime transportation, and increasing interest in the cities of the far east. during this period, vladivostok was the most important port of the russian empire on the pacific ocean and a major international торгово-commercial center connected with japan, china, and european countries. japanese publishers actively produced topographical postcards of russian far eastern cities intended both for travelers and collectors. the panoramic format made it possible to convey the scale of the city\u2019s bay, port infrastructure, and the rapidly developing urban landscape of the early 20th century."},"lotNumber":"84","title":{"ru":"панорама из 3 видовых открыток владивостока \"the panorama of vladivostock\". оригинал. изд. япония (до 1922 г.)","en":"\"the panorama of vladivostock\" composed of 3 postcards."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18512/view","tags":["postcards"],"directSalePrice":6500,"lastUpdate":"2026-06-25T09:45:51.257Z","textCase":"lower","currency":"RUB","id":18512,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18513/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18513/010/010.jpg"],"available":false,"description":{"ru":"цветная. зеленый/серый титр, подпись карандашом \n открытое письмо. № 9003. оригинал. \n формат: 8,8 х 14 см \n \n открытка «язык цветов» \n в конце xix в. в европе был чрезвычайно популярен так называемый «язык цветов». изначально язык цветов появился на востоке, где зародилась система, позволявшая с помощью одного слова воспроизвести поэтическую строчку, говорившую о чувствах. и в качестве ключевых слов часто выступали растения. система стала основой для появления в европейской культуре \"языка цветов\". к тому же в европе конца xix века господствовала викторианская эпоха (время правления королевы великобритании виктории (1837\u20141901) с присущей ей строгим моральным кодексом (джентльменство), закрепившим консервативные ценности и классовые различия, романтизм и мистицизм. язык цветов полюбился сначала англии, а после его знал весь высший свет европейских стран. \n \n \n во время викторианства язык цветов часто выручал, когда о чувствах нельзя было говорить открыто, а общество требовало тайного выражения. создавались цветочные композиции из растений, венки, букеты. в языке участвовали не только цветы, но и их расположение, даже наклон цветка имел значение. \n к слову символика цветов могла различаться в различных странах, например, флокс имел два толкования \u2013 он мог обозначать покорность и согласие, но в то же время был символом пламенной страсти. \n \n \n к нам дошли цветочные словари, подробно рассказывающие о значении многих растений, а также любопытные открытки «язык цветов». на обратной стороне подобных открыток могли написать письмо, записку или же вырезать из нее определенный цветок и подарить его.","en":"colour lithographic postcard. \n \n \n green-grey title panel; handwritten pencil inscription. \n \n \n open postcard. no. 9003. original. \n \n \n dimensions: 8.8 × 14 cm. \n \n \n \n \n \n this charming postcard belongs to the popular language of flowers series, a genre that enjoyed widespread popularity in europe during the late nineteenth and early twentieth centuries. \n \n \n \n \n \n the concept of the language of flowers originated in the east, where symbolic associations enabled emotions, sentiments, and poetic messages to be conveyed indirectly through references to plants and flowers. during the victorian era, this system was enthusiastically adopted in europe and developed into a sophisticated cultural code. in the socially restrained atmosphere of nineteenth-century society, flowers became a discreet means of expressing affection, admiration, friendship, longing, or devotion when such feelings could not be communicated openly. \n \n \n \n \n \n the phenomenon flourished first in britain during the reign of queen victoria (1837\u20131901) and soon spread throughout europe. entire floral dictionaries were published, explaining the symbolic meaning of individual flowers and plants. beyond the species themselves, details such as the arrangement of a bouquet or even the inclination of a flower could alter the intended message. \n \n \n \n \n \n symbolic meanings often varied between countries and traditions. for example, the phlox could represent both submission and agreement, while simultaneously serving as a symbol of passionate love. \n \n \n \n \n \n postcards devoted to the language of flowers became especially popular at the turn of the century. they combined decorative illustration with sentimental symbolism and often served as personal tokens of affection. owners could write messages on the reverse, send them as correspondence, or even cut out and present specific floral motifs as symbolic gifts. \n \n \n \n \n \n today, such postcards are valued as evocative examples of imperial russian ephemera, reflecting the romantic sensibilities, visual culture, and social customs of the late victorian and edwardian eras. they also represent an important chapter in the history of philocarty and the international fascination with floral symbolism at the beginning of the twentieth century."},"lotNumber":"85","title":{"ru":"антикварная открытка \"язык цветов\". российская империя, начало хх в.","en":"antique postcard \u201cthe language of flowers\u201d. russian empire, early 20th century."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18513/view","tags":["postcards"],"directSalePrice":3000,"lastUpdate":"2026-06-25T09:45:51.259Z","textCase":"lower","currency":"RUB","id":18513,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18514/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18514/011/011.jpg"],"available":false,"description":{"ru":"цветная. серый/зеленый титр, чистая \n открытое письмо. № 9002. оригинал. \n формат: 8,8 х 14 см \n \n открытка «язык цветов» \n в конце xix века в европе был чрезвычайно популярен так называемый «язык цветов». изначально язык цветов появился на востоке, где зародилась система, позволявшая с помощью одного слова воспроизвести поэтическую строчку, говорившую о чувствах. и в качестве ключевых слов часто выступали растения. система стала основой для появления в европейской культуре \"языка цветов\". к тому же в европе конца xix века господствовала викторианская эпоха (время правления королевы великобритании виктории (1837\u20141901)) с присущей ей строгим моральным кодексом (джентльменство), закрепившим консервативные ценности и классовые различия, романтизм и мистицизм. язык цветов полюбился сначала англии, а после его знал весь высший свет европейских стран. \n \n \n во время викторианства язык цветов часто выручал, когда о чувствах нельзя было говорить открыто, а общество требовало тайного выражения. создавались цветочные композиции из растений, венки, букеты. в языке участвовали не только цветы, но и их расположение, даже наклон цветка имел значение. \n к слову символика цветов могла различаться в различных странах, например, флокс имел два толкования \u2013 он мог обозначать покорность и согласие, но в то же время был символом пламенной страсти. \n \n \n к нам дошли цветочные словари, подробно рассказывающие о значении многих растений, а также любопытные открытки «язык цветов». на обратной стороне подобных открыток могли написать письмо, записку или же вырезать из нее определенный цветок и подарить его.","en":"colour lithographic postcard. \n \n \n grey-green title panel. unused. \n \n \n \n \n \n open postcard. no. 9002. original. \n \n \n \n \n \n dimensions: 8.8 × 14 cm. \n \n \n \n \n \n this postcard belongs to the celebrated language of flowers series, a popular cultural phenomenon that flourished throughout europe in the late nineteenth and early twentieth centuries. \n \n \n \n \n \n the tradition of the language of flowers originated in the east, where symbolic associations allowed emotions and poetic sentiments to be communicated through references to plants and flowers. this system later inspired the development of a sophisticated floral symbolism in european culture. during the victorian era, a period marked by strict social conventions, romanticism, and an appreciation for symbolism, flowers became an accepted means of expressing feelings that could not be openly spoken. \n \n \n \n \n \n initially embraced in britain during the reign of queen victoria (1837\u20131901), the language of flowers soon spread throughout europe and became familiar to fashionable society. floral dictionaries were published to explain the meanings associated with particular flowers, while bouquets and floral arrangements served as coded messages. not only the choice of flower but also its arrangement and even the angle at which it was presented could alter its meaning. \n \n \n \n \n \n interpretations often varied between countries and traditions. for example, the phlox could symbolize submission and agreement, while elsewhere it was understood as an emblem of ardent passion. \n \n \n \n \n \n illustrated postcards devoted to floral symbolism became especially popular during this period. combining decorative design with sentimental meaning, they were used as keepsakes, correspondence, and tokens of affection. owners could write personal messages on the reverse or, in some cases, cut out individual floral motifs and present them as symbolic gifts. \n \n \n \n \n \n today, these postcards are valued as charming examples of imperial russian ephemera and as documents of a broader international fascination with symbolic communication, romantic culture, and decorative arts at the turn of the twentieth century. they remain highly collectible among enthusiasts of philocarty, social history, and period graphic design."},"lotNumber":"86","title":{"ru":"антикварная открытка \"язык цветов\". российская империя, начало хх в.","en":"antique postcard \u201cthe language of flowers\u201d. russian empire, early 20th century."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18514/view","tags":["postcards"],"directSalePrice":3000,"lastUpdate":"2026-06-25T09:45:51.261Z","textCase":"lower","currency":"RUB","id":18514,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18519/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18519/006/006.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18519/007/007.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18519/005/005.png"],"available":false,"description":{"ru":"дерево, сталь. \n длина 13,5 см \n \n характерный образцей бытового винного аксессуара конца xix - начала xx века. изделие выполнено в традиционной т-образной форме: металлический стержень с винтовой спиралью закреплен в точеной деревянной рукояти симметричного профиля. конструкция отличается простотой, надежностью и функциональностью, что было типично для предметов повседневного обихода дореволюционного периода. \n \n рукоять изготовлена из древесины твердых пород и имеет плавно расширяющиеся окончания, обеспечивающие удобный захват при извлечении пробки. поверхность дерева приобрела характерную патину и следы естественного бытования, свидетельствующие о длительном использовании предмета. рабочая часть выполнена из кованой или машинно обработанной стали. спираль имеет глубокий шаг витков и заостренный наконечник, предназначенный для уверенного вхождения в натуральную пробку. \n \n штопор как специализированный инструмент получил широкое распространение в европе еще в xviii столетии, а к концу xix века стал обязательным предметом домашнего хозяйства обеспеченных слоев общества. в дореволюционной россии он встречался как в дворянских усадьбах и купеческих домах, так и в заведениях общественного питания. сегодня подобные штопоры представляют интерес не только как предметы винной культуры, но и как памятники повседневного быта российской империи, отражающие традиции домашнего хозяйства, гастрономии и материальной культуры рубежа xix-xx веков. \n \n интерьерная визуализация носит иллюстративный характер и создана с использованием технологий искусственного интеллекта. фотография предмета соответствует оригиналу.","en":"wood, steel. \n \n \n length: 13.5 cm. \n \n \n \n \n \n a characteristic example of a domestic wine accessory from the late nineteenth to early twentieth century. the corkscrew is executed in the traditional t-shaped form, consisting of a steel shaft with a spiral worm secured within a turned wooden handle of symmetrical profile. its design reflects the simplicity, durability, and practicality that typified everyday household objects of the pre-revolutionary period. \n \n \n \n \n \n the handle is crafted from hardwood and features gently flared ends that provide a comfortable grip when extracting a cork. over time, the wood has acquired a rich natural patina and signs of use, attesting to the object's long working life. the functional element is made of forged or machine-finished steel. the spiral worm is distinguished by its deep threading and pointed tip, designed for secure penetration of natural cork. \n \n \n \n \n \n as a specialized tool, the corkscrew became widespread in europe during the eighteenth century and, by the late nineteenth century, had become an essential household implement among the educated and affluent classes. in imperial russia, such objects were commonly found in aristocratic estates, merchant households, hotels, restaurants, and clubs. \n \n \n \n \n \n today, examples of this type are valued not only as artifacts of wine culture but also as tangible witnesses to the everyday life of the russian empire. they offer insight into domestic customs, dining traditions, and the material culture of the late nineteenth and early twentieth centuries, preserving the understated elegance and functionality of objects designed for daily use. \n \n \n \n \n \n the interior visualization is for illustrative purposes only and was created using artificial intelligence technologies. the photograph of the object represents the original item."},"lotNumber":"87","title":{"ru":"штопор в классическом стиле. российская империя до 1917.","en":"classic corkscrew. russian empire, before 1917."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18519/view","directSalePrice":12000,"lastUpdate":"2026-06-25T09:45:51.263Z","textCase":"lower","currency":"RUB","id":18519,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":10000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18516/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18516/002/002.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18516/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18516/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18516/004/004.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18516/005/005.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18516/006/006.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18516/007/007.png"],"available":false,"description":{"ru":"международный альманах, составленный п. сергиенко. второе издание. изд. \"книга\". при содействии литературно-художественного кружка. \n типография в.м. билина. москва 1909. \n твердый переплет, 431 стр. \n формат: 23 х 16 см \n \n в сборник включены воспоминания, выдержки из писем и статей зарубежных авторов: «толстой и генри джордж» б. холла, «гражданин мира» у. л. гаррисона, «толстой в японии» наоши като, «учитель» г. кроуфорда и др, а также в него вошли воспоминания, очерки, отрывки из писем соотечественников, знавших л. н. толстого и его друзей. \n \n г. кроуфорд пишет: «одна из главных красот произведений льва толстого \u2013 восхитительная простота. стиль, тон, который придает мощь великим мастерам и, подобно всякому совершенному искусству, освобождает трудную тему от неясностей, преподнося ее читателю чистой, как хрусталь. эта красота литературного вкуса и ставит произведения толстого выше творений его современников\u2026». японский корреспондент толстого м. кониси отмечает: «литературная слава гр. толстого не менее громка, чем нравственно-религиозная. многие из чисто-литературных и морально-религиозных произведений его давно были переведены на японский язык и читаются с великим интересом».","en":"printing house of v. m. bilin. moscow, 1909. \n \n hardcover. \n \n \n size: 23 × 16 cm. \n \n \n \n \n \n the collection includes memoirs, excerpts from letters, and articles by foreign authors, including \u201ctolstoy and henry george\u201d by b. hall, \u201ccitizen of the world\u201d by w. l. garrison, \u201ctolstoy in japan\u201d by naoshi kato, \u201cthe teacher\u201d by g. crawford, among others. it also contains memoirs, essays, and excerpts from letters by russian contemporaries who personally knew leo tolstoy and his circle. \n \n \n \n \n \n g. crawford writes: \u201cone of the greatest beauties of leo tolstoy\u2019s works is their admirable simplicity. the style, the tone that gives power to great masters and, like all perfect art, frees a difficult subject from obscurity, presenting it to the reader as pure as crystal. it is this beauty of literary taste that places tolstoy\u2019s works above those of his contemporaries...\u201d \n \n \n \n \n \n tolstoy\u2019s japanese correspondent m. konishi notes: \u201ccount tolstoy\u2019s literary fame is no less resounding than his moral and religious reputation. many of his purely literary as well as moral and religious works had long since been translated into japanese and are read with great interest.\u201d"},"lotNumber":"88","title":{"ru":"международный альманах \"о толстом\". изд. \"книга\". российская империя 1909.","en":"\u201cabout tolstoy.\u201d international almanac compiled by p. sergiyenko. second edition. published by \u201ckniga\u201d publishing house with the assistance of the literary and artistic circle. 1909."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18516/view","tags":["books"],"directSalePrice":10000,"lastUpdate":"2026-06-25T09:45:51.265Z","textCase":"lower","currency":"RUB","id":18516,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}},{"startPrice":9500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18515/014/014.png","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18515/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18515/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/raritet/cloned-images/18515/012/012.png"],"available":false,"description":{"ru":"предположительно, xviii - xix в. \n \n металл, две бородки \n длина: 18 см. \n \n крупный металлический ключ с двойной бородкой, выполненный в традиционной технике ручной ковки и последующей слесарной обработки. ключ имеет овальное кольцевидное навершие неординарной формы, гладкий стержень с декоративными кольцевыми перехватами и массивную двухстороннюю бородку симметричного типа. подобная конструкция характерна для сувальдных замков xix - начала xx века, применявшихся в жилых домах, доходных зданиях, хозяйственных помещениях, сундуках и дверях общественных учреждений. \n в культуре массивный ключ рубежа xix-xx веков ассоциируется с надежностью, защищенным пространством и традиционным семейным укладом. \n \n сегодня подобные предметы представляют интерес как образцы дореволюционного кузнечного и слесарного ремесла, а также как выразительные артефакты материальной культуры российской империи. предмет может быть оформлен для интерьерного экспонирования и использоваться как арт-объект. \n \n интерьерная визуализация носит иллюстративный характер и создана с использованием технологий искусственного интеллекта. фотография предмета соответствует оригиналу.","en":"probably 18th\u201319th century \n \n metal. \n \n \n length: 18 cm. \n \n \n \n \n \n a substantial iron key with a double-sided bit, executed using traditional forging techniques followed by hand finishing. the key features an unusually shaped oval bow, a smooth shaft articulated with decorative collar rings, and a large symmetrical double bit. this type of construction is characteristic of lever-lock mechanisms widely used during the nineteenth and early twentieth centuries in private residences, apartment buildings, commercial premises, storage chests, and public institutions. \n \n \n \n \n \n the object demonstrates the craftsmanship of pre-industrial and early industrial locksmithing, where functionality was often combined with restrained decorative detailing. its balanced proportions and carefully forged elements reflect the practical and aesthetic standards of the period. \n \n \n \n \n \n large keys of this type occupied a prominent place in everyday life within the russian empire. beyond their utilitarian purpose, they became enduring symbols of security, authority, stewardship, and the protection of the household. in both popular culture and historical memory, the image of the substantial iron key remains closely associated with reliability, private space, and traditional family life. \n \n \n \n \n \n today, such objects are valued as authentic examples of imperial russian metalworking and locksmith craftsmanship. they also serve as evocative artifacts of material culture, illustrating the technologies, domestic practices, and architectural traditions of the period. owing to their sculptural qualities and historical character, antique keys are increasingly appreciated as decorative interior objects and collectible works of functional design. \n \n \n \n \n \n the interior visualization is for illustrative purposes only and was created using artificial intelligence technologies. the photograph of the object represents the original item."},"lotNumber":"89","title":{"ru":"большой старинный ключ царских времен. 18 см. российская империя.","en":"large antique key from the imperial period. russian empire."},"url":"https://ru.bidspirit.com/ui/lotPage/raritet/source/catalog/auction/76979/lot/18515/view","directSalePrice":9500,"lastUpdate":"2026-06-25T09:45:51.268Z","textCase":"lower","currency":"RUB","id":18515,"category":{"ru":"Антиквариат, винтаж","en":"Antique & vintage"}}],"schema":"bidspirit-bots-feed/1","catalog":{"date":"2026-06-25","timedAuction":false,"liveAuctionDisabled":false,"postAuctionSaleEndTime":"2026-06-29T20:59:59Z","type":"auction","catalogOnly":false,"number":"VI","buyersPremiumPercent":15,"lotsCount":89,"currency":"RUB","state":"ENDED","contentType":"ART","key":76979,"feedUrl":"https://tools-bots.bidspirit.com/services/bots/catalogs/raritet/76979","address":{"ru":"Россия, г. Владивосток, ул. Посьетская, 28","en":"RARITET auction House"},"startPricesHidden":false,"aiDescriptionsCount":0,"unknownExactDate":false,"idInApp":234,"version":"2026-06-30_01-35-34","itemsPriceIncludesVat":false,"displayHours":{"ru":"Предаукционная выставка ДАЛЬАРТ VI начнет работу 17 июня в 17:00 в зале № 9 Приморской государственной картинной галереи. Экспозиция, объединяющая лоты аукциона, будет открыта для свободного посещения в часы работы галереи с 17 по 28 июня. После завершения торгов выставка продолжит работу в формате постаукционного показа.","en":"

The DALART VI Pre-Auction Exhibition will open on 17 June at 5:00 PM<\/b> in Hall No. 9 of the Primorye State Art Gallery.<\/p> \n


<\/p> \n

The exhibition, bringing together the lots featured in the upcoming auction, will be open to the public free of charge during the gallery\u2019s regular opening hours from 17 to 28 June.<\/p> \n


<\/p> \n

Following the conclusion of the auction, the exhibition will remain on view as a post-auction presentation, offering visitors an additional opportunity to explore the works and objects included in the sale.<\/p>"},"url":"https://ru.bidspirit.com/ui/catalog/auction/raritet/76979","aiDescriptions":"none","lastUpdate":"2026-06-30T01:35:34.827Z","name":{"ru":"ХУДОЖЕСТВЕННО-АНТИКВАРНЫЙ АУКЦИОН \"ДАЛЬАРТ\" 2026 (Владивосток)","en":"DALART VI - ART AND ANTIQUE AUCTION 2026 (Vladivostok)"},"soldPricesHidden":false,"time":"11:00","endTime":"2026-06-25T09:45:50.882Z","collectionHours":{"ru":"Режим работы Аукционного Дома «РАРИТЕТЪ»:
<\/b>ВТ - СБ: с 11:00 до 18:00.  \n
ВС, ПН \u2013 выходные дни. ","en":"

RARITET Auction House Opening Hours<\/b><\/p> \n

Tuesday - Saturday: 11:00 AM - 6:00 PM<\/p> \n

Sunday and Monday: Closed<\/p>"}},"house":{"country":"RU","feedUrl":"https://tools-bots.bidspirit.com/services/bots/houses/raritet","code":"raritet","address":{"ru":"Россия, г. Владивосток, ул. Посьетская, 28","en":"RARITET auction House"},"name":{"ru":"Аукционный Дом РАРИТЕТЪ","en":"Raritet"},"region":"RU","url":"https://ru.bidspirit.com/ui/houses/raritet"}}