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1695 \n \n santa bárbara \n óleo sobre lienzo \n firmado con anagrama \n medidas 84,5 x 61,5 cm"},"lotNumber":"53","title":{"es":": juan de sevilla - santa bárbara"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55953/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1900,"lastUpdate":"2026-07-01T16:04:51.712Z","textCase":"lower","currency":"EUR","id":55953},{"startPrice":1300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55954/001/001.jpg"],"available":false,"description":{"es":"escuela valenciana s. xviii \n \n escena de la santa faz con angelillos llorando \n óleo sobre lienzo \n medidas 87,5 x 93 cm"},"lotNumber":"54","title":{"es":"escuela valenciana s. xviii - escena de la santa faz con angelillos llorando"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55954/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1300,"lastUpdate":"2026-07-01T16:04:51.714Z","textCase":"lower","currency":"EUR","id":55954},{"startPrice":1500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55955/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"escuela sevillana s. xviii \n \n santos justo y pastor \n óleo sobre lienzo (dos) \n medidas 68,5 x 39,5 cm cada uno"},"lotNumber":"55","title":{"es":": escuela sevillana s. xviii - santos justo y pastor"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55955/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1500,"soldPrice":1500,"lastUpdate":"2026-07-01T16:04:51.716Z","textCase":"lower","currency":"EUR","id":55955},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55956/001/001.jpg"],"available":false,"description":{"es":"seguidor de klaes molenaer s. xvii \n \n paisaje nevado con patinadores \n óleo sobre lienzo \n medidas 48,5 x 67,5 cm \n \n al dorso antigua etiqueta de la venta de la colección de cuadros de don lorenzo pellerano, inventario judicial, agosto 1938. \n \n agradecemos a chris stolwijk, investigador de la rkd (instituto de historia del arte neerlandés) su ayuda para la catalogación de esta obra."},"lotNumber":"56","title":{"es":": seguidor de klaes molenaer s. xvii - paisaje nevado con patinadores"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55956/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:04:51.718Z","textCase":"lower","currency":"EUR","id":55956},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55957/001/001.jpg"],"available":false,"description":{"es":"escuela flamenca s. xviii-xix \n \n bodegón de frutas \n óleo sobre lienzo \n medidas 82 x 120 cm"},"lotNumber":"57","title":{"es":": escuela flamenca s. xviii-xix - bodegón de frutas"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55957/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:04:51.721Z","textCase":"lower","currency":"EUR","id":55957},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55958/001/001.jpg"],"available":false,"description":{"es":"seguidor de adriaen de grijef s. xvii \n \n bodegón de caza \n óleo sobre lienzo \n medidas 70 x 80 cm"},"lotNumber":"58","title":{"es":": seguidor de adriaen de grijef s. xvii - bodegón de caza"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55958/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:04:51.724Z","textCase":"lower","currency":"EUR","id":55958},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55959/001/001.jpg"],"available":false,"description":{"es":"escuela holandesa s. xvii \n \n paisaje con caminantes y mar al fondo \n óleo sobre lienzo \n medidas 38 x 48 cm"},"lotNumber":"59","title":{"es":": escuela holandesa s. xvii - paisaje con caminantes y mar al fondo"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55959/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:04:51.726Z","textCase":"lower","currency":"EUR","id":55959},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55960/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"escuela flamenca s. xvii \n \n santa cecilia con un ángel \n óleo sobre tabla \n medidas 64 x 47,8 cm"},"lotNumber":"60","title":{"es":": escuela flamenca s. xvii - santa cecilia con un ángel"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55960/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2000,"soldPrice":2000,"lastUpdate":"2026-07-01T16:04:51.729Z","textCase":"lower","currency":"EUR","id":55960},{"startPrice":2500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55961/001/001.jpg"],"available":false,"description":{"es":"escuela flamenca s. xvii \n \n cristo es trasladado al sepulcro \n óleo sobre tabla \n medidas 77,5 x 105 cm"},"lotNumber":"61","title":{"es":": escuela flamenca s. xvii - cristo es trasladado al sepulcro"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55961/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:04:53.163Z","textCase":"lower","currency":"EUR","id":55961},{"startPrice":250,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55962/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"escuela flamenca s. xvii \n \n flagelación \n óleo sobre cobre \n medidas 28,5 x 22 cm"},"lotNumber":"62","title":{"es":": escuela flamenca s. xvii - flagelación"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55962/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":250,"soldPrice":440,"lastUpdate":"2026-07-01T16:04:53.165Z","textCase":"lower","currency":"EUR","id":55962},{"startPrice":180,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55963/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"escuela sevillana s. xvii \n \n virgen de la anunciación \n óleo sobre tabla \n medidas 20 x 14 cm"},"lotNumber":"63","title":{"es":": escuela sevillana s. xvii - virgen de la anunciación"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55963/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":180,"soldPrice":180,"lastUpdate":"2026-07-01T16:04:53.168Z","textCase":"lower","currency":"EUR","id":55963},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55964/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"seguidor de hendrick van cleve iii s. xvi \n \n torre de babel \n óleo sobre tabla \n medidas 50,5 x 65 cm \n al dorso antigua inscripción: \"de witt\". \n \n agradecemos a suzanne laemers, investigadora de la rkd (instituto de historia del arte neerlandés) su ayuda para la catalogación de esta obra."},"lotNumber":"64","title":{"es":": seguidor de hendrick van cleve iii s. xvi - torre de babel"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55964/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":2000,"soldPrice":15000,"lastUpdate":"2026-07-01T16:04:53.171Z","textCase":"lower","currency":"EUR","id":55964},{"startPrice":1300,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55965/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"seguidor de daniel van heil s. xvii \n \n alegoría de la providencia sobre los países bajos españoles \n óleo sobre lienzo \n medidas 86 x 118 cm"},"lotNumber":"65","title":{"es":": seguidor de daniel van heil s. xvii - 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c.1659 \n \n frans francken ii \n amberes 1581 - 1642 \n \n interior de la catedral de amberes \n óleo sobre tabla \n firmado \n medidas 48 x 71 cm \n \n - adquirido en 1829 por charles talbot, xv conde de shrewsbury en roma de la colección de maría leticia ramolino, madre de napoleón bonaparte por intermediación de su hijo lucien bonaparte. \n - vendido en la subasta organizada por christie's en alton towers de los bienes del bertram arthur talbot, xvii conde de conde de shrewsbury el 6 de julio de 1857. \n \n el pintor de arquitecturas pieter neefs i ingresó en el gremio de san lucas de amberes en 1609. sus primeros trabajos muestran la influencia de hendrick van steenwijck el viejo y su hijo hendrick van steenwijck el joven, cuyas obras copió neefs (gemäldegalerie alte meister de dresde). el biógrafo cornelis de bie elogió a neefs por su precisa representación de interiores de iglesias, en particular su destreza para dibujar pilares, puertas, portales y altares (c. de bie, gabinete de oro del arte liberal de la pintura, amberes, 1661, p. 155). todos estos elementos se pueden encontrar en este bello interior de iglesia, que guarda un gran parecido con la catedral de amberes, pero, como la mayoría de las obras de neefs, contiene elementos de fantasía arquitectónica. como suele ser costumbre en estas pequeñas pinturas de gabinete, las pequeñas figuras que inundan la escena fueron realizadas en colaboración con frans francken el joven."},"lotNumber":"67","title":{"es":": pieter neefs i - interior de la catedral de amberes"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55967/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":18000,"soldPrice":34000,"lastUpdate":"2026-07-01T16:04:53.178Z","textCase":"lower","currency":"EUR","id":55967},{"startPrice":50000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55968/001/001.jpg"],"available":false,"description":{"es":"luis de morales \"el divino\" \n badajoz h. 1510 - 1586 \n \n jesús con la cruz a cuestas \n virgen dolorosa \n óleo sobre tabla \n medidas 38,6 x 29,5 cm \n 36,5 x 26,8 cm \n \n estas dos tablas que afloraron al mercado en época reciente fueron sometidas a una experta limpieza, eliminando la gruesa capa de suciedad que las afeaba, lo que permitió recuperar su primitivo esplendor y lo que es más importante, su segura atribución a luis de morales. \n en el rostro de la dolorosa pueden apreciarse sutiles lágrimas que se deslizan a lo largo de él. el dibujo de las manos, con uñas muy marcadas, y el cruzado o entrecruzado de sus dedos, nos evocan las de los penitentes pintados por morales, concretamente con las de san jerónimo. su figura fue ampliamente interpretada por el pintor pacense. unas veces de cuerpo entero, formando parte de un calvario y otras, de algo más de medio cuerpo, colocada en un tríptico con el ecce homo en el centro. pueden servir de ejemplo los trípticos del museo del prado o el ejemplar de la catedral de sevilla. \n por otro lado, el cristo con la cruz a cuestas en el que podemos apreciar el excelente dibujo en el tratamiento del cabello, en la boca entreabierta mostrando los diminutos dientes. este modelo es comparable al que pintó morales para el retablo de higuera la real (badajoz), documentado entre 1568-69. \n las tablas tienen el interés de formar una pareja que bien pudieron inspirarse en los dípticos flamencos como el del museo municipal de brujas de rogier van der weyden o la dolorosa y el ecce homo de tiziano, hoy en el museo del prado. \n no cabe duda de que ambas tablas cumplían el propósito de sus homólogas flamencas, esto es, acompañar al comitente en su piedad íntima durante sus viajes. \n entre los mecenas de morales sobresalen san juan de ribera, primer obispo de badajoz y luego arzobispo de valencia, fernando afán de ribera, virrey de nápoles y su gran amigo el gran escritor místico fray luis de granada quien en su obra la oración, describe y contagia el dolor pasionario de la muerte de cristo. \n \n se adjunta un extenso estudio realizado por doña isabel mateo (diciembre 2022)."},"lotNumber":"68","title":{"es":": luis de morales \"el divino\" - jesús con la cruz a cuestas virgen dolorosa"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55968/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":50000,"lastUpdate":"2026-07-01T16:04:53.180Z","textCase":"lower","currency":"EUR","id":55968},{"startPrice":15000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55969/001/001.jpg"],"available":false,"description":{"es":"antonio ponce \n valladolid c. 1608 - madrid c. 1677 \n \n bodegón con dulces, fruta, vasijas y cofre de ébano \n óleo sobre lienzo \n medidas 61 x 82,5 cm \n \n esta obra inédita de antonio ponce recuerda a una tipología de bodegón que también trabajaron otros reputados pintores españoles de la época como antonio pereda y tomás hiepes. aunque nacido en valladolid, ponce se traslada muy pronto con su familia a la villa y corte donde entra en el taller de juan van der hamen, el artista de bodegones más célebre del momento. una vez concluído su etapa de aprendizaje se casa en 1628 con francisca de alfaro, sobrina de su maestro. ponce debió producir en este período copias y variantes de modelos de van der hamen dada la popularidad de sus bodegones. \n encima del cofre de ébano, ponce muestra un conjunto de cerámicas y cristalerías que se empleaban en el siglo xvii. sobresalen los dos búcaros rojos de tonalá (méxico) situados entre una fina copa de cristal transparente. estos \u201cbarros\u201d procedentes de nueva españa proporcionaban agradables aromas sobre el agua fresca y su porosidad mantenía el enfriamiento del agua que contenía. en un primer plano, de derecha a izquierda, se sitúan una pera, un tarro de confitura o miel y una vistosa fuente de cerámica con bizcochos sobre la que reposa una delicada jarra de vidrio llena de agua. el mueble provisto de varios cajones para guardar documentos es fiel reflejo del mobiliario característico de una familia acomodada madrileña. \n sus primeras creaciones presentan los objetos de forma simétrica con un equilibrado juego de volúmenes en el que los objetos se presentan frente al espectador con los contornos bien definidos, otorgando gran importancia a la consecución de las calidades. la iluminación tenebrista y contrastada juega un papel importante resaltando los objetos sobre un fondo oscuro. aunque sus obras están íntimamente relacionadas con las de juan van der hamen se aprecia un modo seco de ejecutar las formas, sin sensación táctil con las características durezas de sus composiciones tempranas."},"lotNumber":"69","title":{"es":": antonio ponce - bodegón con dulces, fruta, vasijas y cofre de ébano"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55969/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":15000,"lastUpdate":"2026-07-01T16:04:53.183Z","textCase":"lower","currency":"EUR","id":55969},{"startPrice":20000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55970/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"atribuido a jan van kessel ii \n amberes 1654 - madrid?, h. 1708 \n \n retrato de maria luisa de orleans, reina de españa. c. 1685-1689 \n óleo sobre lienzo \n medidas 73 x 56 cm \n \n se trata de un retrato inédito de la reina maría luisa de orleans (1662-1689), primera esposa carlos ii (1661-1700), último monarca de la casa de austria en españa. la soberana aparece vestida y peinada a la francesa con un manto azul bordado con flores de lis, por lo que en un primer momento podría pensarse que se trata de una obra ejecutada en francia antes de su matrimonio en 1679. sin embargo, ni la edad que aparenta ni el peinado elevado, propio del final de la década de 1680, encajan con esa cronología. si bien la reina comenzó a vestir y a peinarse a la española desde su llegada a españa, se sabe que incorporó a su atuendo elementos franceses y, en ocasiones, siguió vistiendo a la francesa como se aprecia en su retrato del castillo de racconigi, pareja de otro de carlos ii (nº. inv. r 1385 y r 1386). \n el retrato es muy semejante estilísticamente a otro que representa a mariana de neoburgo, segunda esposa de carlos ii, y que ha sido atribuido jan van kessel ii (1654-1708) (gloria martínez leiva, \u201cjan van kessel ii versus jacques courtilleau: dos maneras de retratar a la reina mariana de neoburgo\u201d, p. 38, fig. 8). ambas obras ofrecen imágenes alejadas de la idealización propia de la pintura francesa de la época, tratándose, por el contrario, de retratos directos y de gran realismo que se recortan sobre un fondo oscuro en la más pura tradición del retrato cortesano español. \n jan van kessel ii, de origen flamenco pero afincado en madrid, fue pintor de la reina maría luisa con nombramiento ad honorem desde 1683, constando documentalmente que la retrató en numerosas ocasiones y a quien, por las razones expuestas, cabría atribuir esta singular tela. \n \n eduardo puerto mendoza \n \n \n bibliografía: \n \n - aterido fernández, ángel., \"pintores y pinturas en la corte de carlos ii\u201d en carlos ii, el rey y su entorno cortesano, luis ribot, ceeh: madrid, 2009, p. 210. \n - aterido fernández, ángel., el final del siglo de oro. la pintura en madrid en el cambio dinástico 1685-1726, csic: madrid, 2015, vol.i, pp. 80-83 y vol. ii, cronobiografías, pp. 166-168. \n - borgognoni, ezequiel., \u201cla construcción de la imagen regia de maría luisa de orleans\u201d, en studia histórica. historia moderna, vol. 41, n. 1, 2019, p. 366. \n - martínez leiva, gloria., \u201cjan van kessel ii versus jacques courtilleau: dos maneras de retratar a la reina mariana de neoburgo\u201d, en philostrato, revista de historia y arte, nº 6, año 2019, pp. 27 y 38. \n - palomino de castro y velasco, antonio acisclo., el museo pictórico y escala óptica iii. el parnaso español pintoresco laureado, madrid, 1724, p. 485."},"lotNumber":"70","title":{"es":": atribuido a jan van kessel ii - retrato de maria luisa de orleans, reina de españa"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55970/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":20000,"soldPrice":42000,"lastUpdate":"2026-07-01T16:04:53.185Z","textCase":"lower","currency":"EUR","id":55970},{"startPrice":3000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55971/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"isidoro tapia \n valencia 1712 - madrid 1778 \n \n san antonio con el niño \n óleo sobre lienzo \n firmado \n medidas 81 x 61 cm"},"lotNumber":"71","title":{"es":": isidoro tapia - san antonio con el niño"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55971/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":3000,"soldPrice":3000,"lastUpdate":"2026-07-01T16:04:55Z","textCase":"lower","currency":"EUR","id":55971},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55972/001/001.jpg"],"available":false,"description":{"es":"pedro de orrente \n murcia 1580 - valencia 1644 \n \n la bendición de jacob \n óleo sobre lienzo \n medidas 63 x 110 cm"},"lotNumber":"72","title":{"es":": pedro de orrente - la bendición de jacob"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55972/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:04:55.011Z","textCase":"lower","currency":"EUR","id":55972},{"startPrice":2500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55973/001/001.jpg"],"available":false,"description":{"es":"escuela madrileña s. xvii \n \n retrato de don gaspar de fuensalida \n óleo sobre lienzo \n medidas 56 x 44,5 cm"},"lotNumber":"73","title":{"es":": escuela madrileña s. xvii - retrato de don gaspar de fuensalida"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55973/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:04:55.014Z","textCase":"lower","currency":"EUR","id":55973},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55974/001/001.jpg"],"available":false,"description":{"es":"escuela flamenca s. xvii \n \n adoración de los reyes \n óleo sobre ágata \n medidas 54 x 41,5 cm"},"lotNumber":"74","title":{"es":": escuela flamenca s. xvii - adoración de los reyes"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55974/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":8000,"lastUpdate":"2026-07-01T16:04:55.016Z","textCase":"lower","currency":"EUR","id":55974},{"startPrice":9000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55975/001/001.jpg"],"available":false,"description":{"es":"seguidor de tommaso salini \n roma c. 1575 - roma 1625 \n \n pareja de alegorías \n óleo sobre lienzo \n medidas 79 x 95,5 cm"},"lotNumber":"75","title":{"es":": seguidor de tommaso salini - pareja de alegorías"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55975/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":9000,"lastUpdate":"2026-07-01T16:04:55.019Z","textCase":"lower","currency":"EUR","id":55975},{"startPrice":400,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55976/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"seguidor de paul de vos s. xix-xx \n \n perros cazando liebres \n óleo sobre lienzo \n medidas 130 x 212 cm"},"lotNumber":"76","title":{"es":": después de paul de de vos s. xviii-xix - perros cazando liebres"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55976/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":400,"soldPrice":1500,"lastUpdate":"2026-07-01T16:04:55.022Z","textCase":"lower","currency":"EUR","id":55976},{"startPrice":1500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55977/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"después de jacopo da ponte bassano s. xvii \n \n la partida de abraham a la tierra prometida \n óleo sobre lienzo \n medidas 76 x 110 cm \n se trata de una versión sobre el original del artista que se conserva en el kunsthistorisches museum de viena."},"lotNumber":"77","title":{"es":": después de jacopo da ponte bassano s. xvii - la partida de abraham a la tierra prometida"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55977/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1500,"soldPrice":3600,"lastUpdate":"2026-07-01T16:04:55.025Z","textCase":"lower","currency":"EUR","id":55977},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55978/001/001.jpg"],"available":false,"description":{"es":"seguidor de philips wouwerman s. xviii-xix \n \n alto en el camino \n óleo sobre tabla \n medidas 39 x 57 cm"},"lotNumber":"78","title":{"es":": seguidor de philips wouwerman s. xviii-xix - alto en el camino"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55978/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:04:55.027Z","textCase":"lower","currency":"EUR","id":55978},{"startPrice":3000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55979/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"philip peter roos, conocido como rosa da tivoli \n st. goar 1657 - roma 1706 \n \n escena pastoril \n óleo sobre lienzo \n medidas 110 x 56 cm"},"lotNumber":"79","title":{"es":": philip peter roos, conocido como rosa da tivoli - escena pastoril"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55979/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":3000,"soldPrice":3000,"lastUpdate":"2026-07-01T16:04:55.029Z","textCase":"lower","currency":"EUR","id":55979},{"startPrice":1200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55980/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"philip peter roos, rosa da tivoli \n sankt goar 1657- roma 1706 \n \n cabra montesa \n óleo sobre lienzo \n firmado \n medidas 50,5 x 40,3 cm"},"lotNumber":"80","title":{"es":": philip peter roos, rosa da tivoli - cabra montesa"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55980/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"soldPrice":1900,"lastUpdate":"2026-07-01T16:04:55.031Z","textCase":"lower","currency":"EUR","id":55980},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55981/001/001.jpg"],"available":false,"description":{"es":"jacques courtois, \"le bourgignon\" y taller \n saint-hippolyte, francia 1621 - roma 1676 \n \n escena de batalla \n óleo sobre tabla \n medidas 45 x 69 cm"},"lotNumber":"81","title":{"es":": jacques courtois, \"le bourgignon\" y taller - escena de batalla"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55981/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:04:50.850Z","textCase":"lower","currency":"EUR","id":55981},{"startPrice":30000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55982/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"maestro de torralba \n activo en aragón en la primera mitad del s. xv \n \n epifanía y huída a egipto \n temple sobre tabla y fondo de oro (dos) \n medidas 67 x 61,5 cm \n 68 x 61,8 cm \n \n al dorso antigua etiqueta de gudiol, restaurador de obras de arte de barcelona. \n \n procedencia: \n \n - adquiridas en greca antigüedades de barcelona en 1983. \n - colección particular, madrid. \n \n salida 30.000 \u20ac \n \n estas hermosas tablas con las escenas de la epifanía y la huída a egipto que figuraban desde antiguo en los registros fotográficos del institut amatler d'art hispànic de barcelona pueden adscribirse al maestro de torralba, uno de los pintores más importantes del gótico internacional en tierras aragonesas. su personalidad fue definida por chandler r. post en 1938 gracias a los dos retablos de san félix y san andrés conservados en la iglesia de torralba de ribota (zaragoza), localidad cercana a calatayud. un tercer retablo dedicado a san martín, obra autógrafa del pintor benito arnaldín abrió un interesante debate sentre los investigadores que ha perdurado hasta hoy. a estos dos retablos habría que sumar la crucifixión de la colección keck de nueva york, el descendimiento y el entierro de cristo de la nelson gallery of art (kansas city, eeuu), hoy en colección particular española, el retablo de san bartolomé del châteaux de castelnau-bretenoux, y la preleda hoy desmembrada que poseía el anticuario thomas harris de londres (museo de caracas, museo de pontevedra). en los años sucesivos post sumó otras obras pero 1971 josé gudiol realizó una drástica y discutible depuración del catálogo que auguran una próxima publicación que ponga en orden el corpus pictórico del artista. \n aunque nada sabemos sobre la procedencia primigenia de ambas tablas, podemos compararlas con otras escenas semejantes del pintor como las vistas en el retablo de la virgen del museo del prado. en efecto, ambas obras presentan algunas características que definen al pintor como los rostros de los personajes con los tipicos rizos de la cabellera, la forma de construir el fondo de montaña o el tratamiento del dorado del fondo que incluye idéntica decoración punzonada en la zona superior. \n \n bibliografía: \n \n - gudiol ricard, josep., pintura gótica (ars hispaniae, vol. ix), plus ultra: madrid, 1955. \n \n - gudiol ricard, josep., pintura medieval en aragón, institución \u201cfernando el católico\u201d: zaragoza, 1971. \n \n - lacarra, maría carmen., \u201cel retablo de la virgen con el niño del maestro de torralba, donación de los señores várez fisa al museo nacional del prado», en actas del ix encuentro de estudios bilbilitanos, calatayud, centro de estudios bilbilitanos, institución \u201cfernando el católico\u201d, 2016. \n \n - post, r. chandler., the hispano-flemish style in north-western spain (a history of spanish painting, vol. iv), harvard university press: cambridge, 1933. \n \n - post, r. chandler., the catalan school in the late middle ages (a history of spanish painting, vol. vii), harvard university press: cambridge, 1938. \n \n - post, r. chandler., the aragonese school in the late middle ages (a history of spanish painting, vol. viii), harvard university press: cambridge, 194 \n \n - velasco, albert., (27 de febrero de 2024), galerie caness., maestro de torralba. crocifissione. www.canesso.art/artworkdetail/866233/0/maestro-de-torralba"},"lotNumber":"82","title":{"es":": maestro de torralba - epifanía y huída a egipto"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55982/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":30000,"soldPrice":44000,"lastUpdate":"2026-07-01T16:04:50.852Z","textCase":"lower","currency":"EUR","id":55982},{"startPrice":90000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55983/001/001.jpg"],"available":false,"description":{"es":"tomás hiepes \n valencia 1610 - 1674 \n \n bodegón con cesta de barquillos, turrones y roscos sobre mesa con mantel bordado. c. 1640-1650 \n óleo sobre lienzo \n medidas 66 x 90 cm \n al dorso inscrito: hiepes=pinxit/valencia\". \n \n procedencia: \n \n - colección particular, madrid. \n \n tomás hiepes o yepes fue el pintor de bodegones más célebre de valencia durante el siglo xvii. al igual que otras regiones de españa, la pintura de naturalezas muertas en valencia no comenzó a despuntar hasta la década de 1640. sus composiciones se distinguen por un halo minimalista, y \u201cencanto arcaico\u201d. \n el 16 de octubre de 1616 lo encontramos inscrito en el colegio de pintores de valencia como \u201ctomás yepes, pintor\u201d. las escasas referencias documentales que han llegado hasta hoy nos detallan que estaba casado con ana heres o eres, hija de un adinerado carpintero y miembro de una familia de terratenientes dedicados al comercio del tinte. estos mismos documentos nos informan que la hermana de hiepes, vicenta, era la dueña de una confitería donde confeccionaba dulces y confituras, los mismos temas que luego predominarán en sus pinturas. uno de los datos más reseñables destaca que tuvo tratos con los banqueros y comerciantes de la feria de medina del campo donde pudo vender sus pinturas, y conocer los bodegones de otros afamados pintores que trabajaban en castilla, como juan van der hamen y alejandro de loarte. su célebre reputación como pintor de fruteros merecieron los elogios del cronista local marco antonio ortí. \n el testimonio documental más conocido sobre el artista procede de una relación descriptiva del historiador del arte local marcos antonio orellana (1731-1813) quien señaló que \u201csus flores son sutiles, traslúcidas y ligeras, sus frutos muy naturales y todo hecho con perfección admirable. sus pinturas... son estimadas y celebradas, y no se ven cestas con frutas, flores, etc., galletas, pasteles, quesos o pasteles... que estén tan bien ejecutados de conformidad con las cosas reales, sin pensar y estimar que sean obras de yepes\". \n esta importante e inédita pareja de bodegones de dulces y postres de tomás hiepes pueden relacionarse con algunas obras tempranas del pintor que conservan el mismo esquema compositivo, disposición frontal y claroscuro que definen buena parte de su producción temprana (pareja de bodegones, óleo sobre lienzo, 76,5 x 112 cm., colección plácido arango). \n el fino encaje que decora la cenefa del mantel blanco denominado \u201cpuntas de italia\u201d o \u201cencajes de milán\u201d se pueden encontrar en otras obras de hiepes que datan de principios de la década de 1640. ambos bodegones evidencian su maestría en describir con meticulosa precisión las delicadas puntillas de encaje, la transparencia de la cristalería y las complejas e intricadas formas de los dulces artesanales. la contenida simplicidad y aparente simetría de la composición han sido interrumpidas por algunos objetos dispuestos al azar. estas obras están directamente relacionadas con los lienzos que unos años antes había pintado en la corte juan van der hamen y león. curiosamente algunos elementos que aparecen en sus obras, como las cajas de madera para dulces y el tarro de cristal se asemejan mucho a las que figuran en cuadros del pintor madrileño. el artista ha empleado oro fino para resaltar algunos elementos como el búcaro rojo y otros dulces. \n \n bibliografía: \n \n - cherry, peter, el bodegón español en el siglo de oro, fundación de apoyo a la historia del arte hispánico, madrid, 1999, pp. 271-274. \n - lópez terrada, maría josé, la pintura de bodegones de tomás de hiepes (c. 1600-1674), ars longa (21), universidad de valencia, 2012, pp. 233-251. \n - de salas, xavier, biografía pictórica valenciana o vida de los pintores, arquitectos, escultores y grabadores valencianos, valencia, 1967, pp. 221-222."},"lotNumber":"83","title":{"es":": tomás hiepes - bodegón con cesta de barquillos, turrones y roscos sobre mesa con mantel bordado"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55983/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":90000,"lastUpdate":"2026-07-01T16:04:50.855Z","textCase":"lower","currency":"EUR","id":55983},{"startPrice":90000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55984/001/001.jpg"],"available":false,"description":{"es":"tomás hiepes \n valencia 1610 - 1674 \n \n bodegón con bandeja de pasteles, fruta confitada, peladillas y otros objetos sobre una mesa con mantel bordado. c. 1640-1650 \n óleo sobre lienzo \n medidas 68,5 x 90 cm \n \n procedencia: \n \n - colección particular, madrid."},"lotNumber":"84","title":{"es":": tomás hiepes - bodegón con bandeja de pasteles, fruta confitada, peladillas y otros objetos sobre una mesa con mantel bordado. c. 1640-1650"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55984/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":90000,"lastUpdate":"2026-07-01T16:04:50.857Z","textCase":"lower","currency":"EUR","id":55984},{"startPrice":80000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55985/001/001.jpg"],"available":false,"description":{"es":"francisco gutierrez \n madrid c. 1616 - 1670 \n \n toma e incendio de una ciudad \n óleo sobre lienzo \n firmado con anagrama \n medidas 107 x 165 cm \n al dorso antigua etiqueta de la junta de calificación (colección almazán, nº 8094) \n al dorso antigua etiqueta, nº 22. \n \n procedencia: \n \n - colección duques de almazán (ver etiqueta al dorso) \n - por descendencia viuda de medinaceli (ver etiqueta al dorso). \n - colección particular, madrid. \n \n obra publicada y reproducida en: \n \n - angulo íñiguez, diego, y pérez sánchez, alfonso e. pintura madrileña del segundo tercio del siglo xvii, 1983, madrid, nº 15, lám. 78, p. 74. \n \n francisco gutiérrez cabello se especializó en monumentales perspectivas de arquitecturas inspiradas en escenas bíblicas repletas de pequeñas figuras que derivan de las caprichosas estampas flamencas de hans vredeman de vries. \n desgraciadamente nos han llegado escasas noticias sobre su vida. la más interesante documenta su participación como testigo en favor de la limpieza de sangre de velázquez para la obtención del hábito de santiago en 1658. también declaraba conocer al genio sevillano desde hacía 28 años, cuando gutiérrez contaba con tan solo catorce años. \n aunque nada sabemos sobre su formación pictórica, sus arquitecturas fantásticas muestran su dependencia de los lienzos de juan de la corte (c. 1595 - 1660), por lo que no sería descabellado pensar que se formase en su taller. \n la presente obra sigue los mismos esquemas compositivos vistos en otros lienzos del pintor. en este caso observamos una turbamulta de militares sobre un fondo de caprichosas arquitecturas de templos clásicos y medievales donde sobresale una enorme humareda que resalta el carácter bélico de la escena. \n el cuadro encuentra un gran parecido con el incendio de troya y josé recibido en heliópolis del museo de bellas artes de sevilla (óleo sobre lienzo, firmado y fechado en 1657, 107 x 162 cm)."},"lotNumber":"85","title":{"es":": francisco gutierrez - toma e incendio de una ciudad"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55985/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":80000,"lastUpdate":"2026-07-01T16:04:50.859Z","textCase":"lower","currency":"EUR","id":55985},{"startPrice":15000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55986/001/001.jpg"],"available":false,"description":{"es":"ramón bayeu y subias \n zaragoza 1746 - aranjuez 1793 \n \n inmaculada concepción. h. 1778-80 \n óleo sobre lienzo \n medidas 165 x 114 cm \n \n \n esta inmaculada concepción es una feliz incorporación al catálogo de ramón bayeu. el asunto más interesante que demuestra esta inmaculada inédita es que subraya los estrechos lazos artísticos que mantuvieron a lo largo de su vida ambos hermanos. ansón navarro llega incluso a reflexionar cómo dicha circunstancia pudo perjudicar a ramón ya que su carrera siempre estuvo supeditada a la de su hermano mayor, llegando a confundirse en numerosas ocasiones las obras de uno y de otro. \n quizá la principal diferencia entre ambos hermanos estribaría en una cierta debilidad en el dibujo que ofrecen las pinturas de ramón frente la maestría en el dibujo, la firmeza y la seguridad de trazo en el caso de arte del francisco. \n en cuanto a la génesis de este cuadro está muy vinculada a la colección de grabados, que según ceán bermúdez, le fueron encargados en 1778 a ramón bayeu a partir de composiciones suyas, de su hermano francisco bayeu, así como de otros artistas. \n en la calcografía nacional se conservan catorce grabados al aguafuerte firmados por ramón bayeu, entre los que se encuentra esta misma inmaculada. en cuanto a la autoría no ofrece dudas: francisco bayeu lo dibujó (a la izquierda, en el borde inferior); ramón bayeu lo grabó (a la derecha, en el borde inferior). por tanto, la composición de nuestra inmaculada se basa en una obra original de francisco bayeu. \n se conservan al menos dos versiones de francisco bayeu de esta inmaculada concepción, en el convento de mm. jerónimas de la latina, el goloso, tres cantos y otra publicada por morales y marín que se encontraba en colección particular. nuestra inmaculada concepción se acerca más a la que aparece en el grabado puesto que ramón bayeu ha dado una mayor amplitud al espacio que rodea a la virgen, frente a las dos versiones de francisco, quien acerca más a ésta y reduce el espacio circundante. \n por lo que respecta al análisis formal las diferencias estilísticas son suficiente claras como para que podamos concluir que estamos ante una versión realizada por ramón, una de esas veces en las que ramón replicó composiciones y cuadros de su hermano, ya que hay diferencias notables entre los modelos que ambos usan para la virgen y para los ángeles. \n es el caso del rostro de la virgen de nuestra inmaculada. en el cuadro de las jerónimas el rostro remite a otras obras de francisco. si comparamos ese rostro con nuestra inmaculada se ve que francisco presenta un modelo personalizado, con el rostro ovalado, el cabello con más cuerpo y ligeramente ondulado, frente más amplia, ojos con párpados más grandes y unas carnaciones con sutiles gradaciones tonales para remarcar las mejillas sonrosadas o la punta de la nariz. en nuestro cuadro, ramón es un poco más impersonal. \n aquí se nota la fuerte influencia de anton rafael mengs ya que adopta un rostro que podríamos definir como más convencional dentro del estilo neoclásico de mengs. pero si lo comparamos con un dibujo preparatorio del propio ramón para la cara de una virgen vemos que es un modelo que adapta de su hermano mayor, pero al que le da su personalidad claramente neoclásica, sin reminiscencias de la pintura rococó anterior. \n en el dibujo que mostramos vemos el mismo rostro que en nuestro cuadro, con líneas más suaves y marcadas, el óvalo del rostro perfectamente trazado, los ojos más pequeños con párpados perfectamente redondeados, nariz muy perfilada y boca diminuta que esboza una media sonrisa. en los ángeles vemos un proceso muy semejante. los rollizos ángeles de francisco de pieles sonrosadas ceden a unos ángeles más esbeltos, delicados de piel nacarada y que siguen con más rigor el gusto neoclásico en el que ramón se había formado. \n en cuanto a la fecha de nuestra pintura creo que podemos afirmar que, si el grabado de ramón está fechado en 1778, las versiones de francisco ya estaban pintadas anteriormente. por tanto, serían obras cercanas a la fecha de 1778. por lo tanto, creo que nuestra versión pintada por ramón es una versión en torno a la fecha en que realizó los aguafuertes, es decir, de hacia 1778-80. \n \n josé maría quesada \n instituto de estudios histórico-artísticos \n \n \n bibliografía: \n \n - ansón navarro, arturo., francisco bayeu 1734-1795 (cat. exp. zaragoza), museo e instituto de humanidades camón aznar: zaragoza, 1996. \n - ansón navarro, arturo., francisco bayeu y sus discípulos, cajalón: zaragoza, 2007. \n - ansón navarro, arturo., los bayeu, una familia de artistas de la ilustración, caja inmaculada: zaragoza, 2012. \n - morales y marín, josé luis., los bayeu, instituto camón aznar: zaragoza, 1979. \n - morales y marín, josé luis., pintura en españa 1750-1808, madrid: cátedra, 1994."},"lotNumber":"86","title":{"es":": ramón bayeu y subias - inmaculada concepción"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55986/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":15000,"lastUpdate":"2026-07-01T16:04:50.861Z","textCase":"lower","currency":"EUR","id":55986},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55987/001/001.jpg"],"available":false,"description":{"es":"seguidor de claudio coello s. xvii \n \n retrato de fraile franciscano. h. 1690 \n óleo sobre lienzo \n medidas 73,5 x 60 cm \n \n procedencia: \n \n - colección particular, madrid. \n \n este interesante retrato de un fraile franciscano muestra evidentes relaciones con la pintura madrileña del último tercio del siglo xvii. su tipología, muy propia del gusto barroco, se hermana perfectamente con retratos similares de claudio coello, tal y como se advierte en el retrato del padre cabanillas del museo del prado. particular interés se advierte en la pincelada precisa y modeladora del rostro, de mirada chispeante, que recuerda a otros retratos más avanzados como el supuesto autorretrato de sebastián muñoz (1654 - 1690) del museo del prado."},"lotNumber":"87","title":{"es":": seguidor de claudio coello s. xvii - retrato de fraile franciscano"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55987/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T16:04:50.864Z","textCase":"lower","currency":"EUR","id":55987},{"startPrice":900,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55988/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"escuela francesa s. xviii \n \n retrato de niña \n óleo sobre lienzo \n medidas 31 x 21 cm"},"lotNumber":"88","title":{"es":": escuela francesa s. xviii - retrato de niña"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55988/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":900,"soldPrice":1000,"lastUpdate":"2026-07-01T16:04:50.867Z","textCase":"lower","currency":"EUR","id":55988},{"startPrice":1200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55989/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"escuela francesa s. xviii \n \n la siega \n óleo sobre lienzo \n medidas 51 x 83 cm"},"lotNumber":"89","title":{"es":": escuela francesa s. xviii - la siega"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55989/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"soldPrice":1200,"lastUpdate":"2026-07-01T16:04:50.869Z","textCase":"lower","currency":"EUR","id":55989},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55990/001/001.jpg"],"soldDate":"2024-05-21","available":false,"description":{"es":"escuela italiana s. xviii \n \n escena campestre \n óleo sobre lienzo \n medidas 81 x 65 cm \n con importante marco de época."},"lotNumber":"90","title":{"es":": escuela italiana s. xviii - escena campestre"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55990/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":2000,"soldPrice":2200,"lastUpdate":"2026-07-01T16:04:50.873Z","textCase":"lower","currency":"EUR","id":55990},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55991/001/001.jpg"],"available":false,"description":{"es":"escuela francesa s. xix \n \n retrato de niña de perfil. c. 1850 \n óleo sobre lienzo \n medidas 32 x 21 cm"},"lotNumber":"91","title":{"es":": escuela francesa s. xix - retrato de niña de perfil. c. 1850"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/55991/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:04:57.684Z","textCase":"lower","currency":"EUR","id":55991},{"startPrice":25000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/55992/001/001.jpg"],"available":false,"description":{"es":"jacques auguste volaire il cavalier \n tolón, francia 1726 - nápoles 1799 \n \n justa en el puerto de toulon celebrado con motivo de la coronación de luis xvi en junio de 1775 \n óleo sobre lienzo \n inscrito \n medidas 91 x 138 cm \n \n procedencia. \n \n - colección particular, madrid. \n \n pierre jacques volaire (1729-1799), más conocido como chevalier volaire, colaboró con joseph vernet en la creación de monumentales cuadros de los puertos de francia. al igual que su mentor, se especializó en vistas de nápoles, con las míticas representaciones de las erupciones del vesubio. \n jacques auguste se formó bajo la maestría de su progenitor, pintor especializado en la creación de escenografías decorativas y otros trabajos cartográficos para la ciudad. sus hermanos mayores, laurent-antoine y pierre françois, desarrollaron su carrera en tolón, mientras que jacques auguste se instala en nantes. \n en 1757 se convirtió en el primer director y único profesor del l\u2019école publique et gratuite de dessin, pero en 1772 entró al servicio del duque de aiguillon (1720-1788). en esta ocasión, o bien a partir de 1758, el duque adquiere los pasteles que ahora se conservan en el museo de bellas artes de agen que proceden del castillo ducal. \n durante su etapa como profesor, jacques auguste elaboró el plano de la ciudad de nantes y sus suburbios (1757) y la vista de la bolsa de nantes (1757-1758). \n los hermanos volaire afianzaron su relación con la comunidad artística de nantes entre los que destacaban el coleccionista y diplomático françois, el pintor pierre cacault, el pintor louis y el arquitecto mathurin crucy. \n en 1784, probablemente jacques auguste, el más talentoso de todos los hermanos, solicita por mediación de joseph vernet, una cátedra en la academia de pintura y escultura de ruan que le será denegada. \n años más tarde obtiene una plaza de asistente en la academia de marsella. en ell almanach historique de marseille, publicado de 1785 a 1789, indica primero, \u201cvolaire, pintor, en las allées de meilhan\u201d, y posteriormente \u201cvolaire, pintor en nápoles\u201d. \n en nápoles goza de una privilegiada posición donde abundan los encargos de viajeros extranjeros participantes en el grand tour. jacques auguste debió cubrir las necesidades de su hermano y tal vez emplearlo en el taller. sin embargo, ya no está documentado después de julio de 1785. \n es entonces entre la entrada en funciones de jacques auguste en marsella y su partida hacia nápoles que hay que situar la realización del cuadro que nos concierne. \n la pieza se ajusta completamente al espíritu de las producciones realizadas en el taller familiar tolonés, entre pinturas conmemorativas y decoraciones efímeras realizadas para diverdad festividades como las entradas del rey o de altos dignatarios de la ciudad de tolón. \n en esta justa en el puerto de tolón, se aprecian las características propias del artista: composiciones planas con puntos de fuga centrales, figuras con rostros redondos y una gama cromática rica, resaltando los azules, beige, rosados y ocres. \n jacques auguste volaire es el autor de una quincena de marinas, entre pinturas y pasteles, inspiradas en las costas del mediterráneo, de carácter agradable y decorativo. también es el autor de otras pinturas conmemorativas como los marineros partiendo hacia américa y los marineros regresando de américa (new york, christie´s, 24.01.2001, lote 130). \n además del museo de agen, el museo del ermitage de san petersburgo como el museo de la cartuja de san martino en nápoles conservan piezas del artista. \n \n émilie beck-saiello \n \n bibliografía: \n \n beck-saiello, émilie., pierre jacques volaire (1729-1799), dit le chevalier volaire, arthena: paris, 2010, p. 304, cat. pr.36, repr. coul. 27."},"lotNumber":"92","title":{"es":": jacques auguste volaire il cavalier - 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cuerpo de artilleria"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/56051/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T16:05:06.880Z","textCase":"lower","currency":"EUR","id":56051},{"startPrice":1100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/56052/001/001.jpg"],"available":false,"description":{"es":"enrique casanova \n zaragoza 1850 - madrid 1913 \n \n vista de madrid desde la paradera de san isidro \n óleo sobre lienzo \n firmado \n medidas 55 x 88,5 cm \n \n obra reproducida en: \n \n - la pintura moderna, segunda serie, la españa moderna, madrid, 1930, nº 267."},"lotNumber":"154","title":{"es":": enrique casanova - vista de madrid desde la paradera de san isidro"},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/56052/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1100,"lastUpdate":"2026-07-01T16:05:06.884Z","textCase":"lower","currency":"EUR","id":56052},{"startPrice":70000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/56053/001/001.jpg"],"available":false,"description":{"es":"ramón casas \n barcelona 1866 - 1932 \n \n claustro de sant benet de bages. c. 1920. \n óleo sobre lienzo \n firmado \n medidas 76,5 x 66 cm \n \n procedencia: \n \n -colección particular, madrid. \n \n en 1907 la hacendada madre del pintor catalán ramón casas, elisa carbó i ferrer adquiere el monasterio de sant benet de bages, cerca de manresa, para reconvertirlo en una residencia de recreo, encargando su rehabilitación al afamado arquitecto modernista josep puig i cadafalch. el cenobio románico se encontraba en estado ruinoso después de que los monjes benedictinos lo abandonaran como consecuencia de la desamortización de mendizábal. en 1912 tras el fallecimiento de elisa la propiedad recae en su hijo ramón quien pasa largas temporadas estivales junto a sus familiares y amigos. el enigmático claustro románico se convertirá en un improvisado estudio de pintura donde el artista abandonará momentáneamente los cuadros modernistas para adentrarse en el género del paisaje de manos de su gran amigo santiago rusiñol. \n \n obra reproducida en: \n \n - coll, isabell., ramón casas. una vida dedicada al arte. catalogo razonado, de la cierva editores: murcia, 2002, nº 635. \n \n - alcolea albero, alfonso., ramón casas, editorial ausa: sabadell, p. 316."},"lotNumber":"154-A","title":{"es":": ramón casas - claustro de sant benet de bages. c. 1920."},"url":"https://es.bidspirit.com/ui/lotPage/subastassegre/source/catalog/auction/44506/lot/56053/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":70000,"lastUpdate":"2026-07-01T16:05:06.902Z","textCase":"lower","currency":"EUR","id":56053},{"startPrice":100000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/subastassegre/cloned-images/56054/001/001.jpg"],"available":false,"description":{"es":"joaquín sorolla \n valencia 1863 - cercedilla, madrid 1923 \n \n duelo en una hostería. roma, 1887 \n óleo sobre lienzo \n firmado y fechado \n medidas 38,5 x 54,5 cm \n \n procedencia: \n \n - colección josé entrecanales ibarra. \n - colección josé varela feijoo. \n - 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