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xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24705/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":2250,"lastUpdate":"2026-07-01T16:54:26.521Z","textCase":"lower","estimate":"\u20ac4,000 - 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the passion, among them, we can see, the crown of thorns, the cross, the nails, the column, the ladder, the spear and the whip with which the roman legionaries humiliated him. at the base of the composition, the inscription: \"in laboribus a juventus 1..87?\", xvi century. board measurements: 56 x 48 cm, framed measurements: 114 x 98 cm","es":"bella composición sobre tabla, donde, el hijo de dios, de rodillas y con gesto misericorde, recibe de la divina providencia los instrumentos de la pasión, entre ellos, observamos, la corona de espinas, la cruz, los clavos, la columna, la escalera, la lanza y el látigo con el que los legionarios romanos lo humillaron. en la base de la composición, la inscripcción: \"in laboribus a juventus 1..87?\", siglo xvi. medidas tabla: 56 x 48 cm, medidas enmarcada: 114 x 98 cm"},"estimateMax":6500,"lotNumber":"5","title":{"en":"enfant jesus of the passion, italo-flemish school from the 16th century","es":"niño jesús de la pasión, escuela ítalo flamenca del 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painter and draftsman, a facet in which he can be counted among the most important painters of the spanish golden age. born in córdoba, he was the son of the painter agustín del castillo, about whom little is known but whom palomino calls an \"excellent painter\" and ana de guerra. initially trained in his father's workshop, he was orphaned at the age of fifteen; being the eldest of four brothers, on november 24, 1631 he appeared before a magistrate in córdoba asking for a guardian due to his minority. murillo's teachings would be manifested in his last works, according to palomino, singularly in a half-length saint francis that he painted for the merchant lorenzo mateo, which \"exceeds good taste, and sweetness in the head, and hands to everything that castillo did in his life, because the truth is that he lacked a certain grace, and good taste in color». he died on february 2, 1668, in the house on muñices street without issue. reference bibliography: navarrete prieto, benito. garcia de la torre, fuensanta (2008). antonio del castillo (1616-1668) drawings. santander: marcelino botín pedrueca foundation. isbn 978-84-96655-19-5; palomino, antonio (1986). lives. madrid: form alliance. isbn 84-206-7056-1; palomino, antonio (1988). antonio del castillo (1616-1668) drawings. santander: marcelino botín pedrueca foundation. isbn 978-84-96655-19-5; palomino, antonio (1986). lives. madrid: form alliance. isbn 84-206-7056-1; palomino, antonio (1988). antonio del castillo (1616-1668) drawings. santander: marcelino botín pedrueca foundation. isbn 978-84-96655-19-5; palomino, antonio (1986). lives. madrid: form alliance. isbn 84-206-7056-1; palomino, antonio (1988).","es":"óleo sobre lienzo, medidas lienzo: 83 x 63, medidas enmarcado: 100 x80 cm. antonio del castillo y saavedra, demás de destacar como paisajista y dibujante, faceta en la que puede ser contado entre los más importantes pintores del siglo de oro español. nacido en córdoba, fue hijo del pintor agustín del castillo, de quien apenas nada se conoce pero al que palomino llama «pintor excelente» y de ana de guerra. formado inicialmente en el taller paterno, quedó huérfano a los quince años; siendo el mayor de cuatro hermanos, el 24 de noviembre de 1631 se presentó ante un magistrado en córdoba pidiendo un tutor debido a su minoría de edad. las enseñanzas de murillo se manifestaría en sus últimas obras, según palomino, singularmente en un san francisco de medio cuerpo que pintó para el mercader lorenzo mateo, que «excede en el buen gusto, y dulzura en la cabeza, y manos a todo lo que hizo en su vida castillo, porque a la verdad le faltó una cierta gracia, y buen gusto en el colorido». falleció el 2 de febrero de 1668, en la vivienda de la calle muñices sin descendencia. bibliografía de referencia: navarrete prieto, benito. garcía de la torre, fuensanta (2008). antonio del castillo (1616-1668) dibujos. santander: fundación marcelino botín pedrueca. isbn 978-84-96655-19-5; palomino, antonio (1986). vidas. madrid: alianza forma. isbn 84-206-7056-1; palomino, antonio (1988)."},"estimateMax":5500,"lotNumber":"7","title":{"en":"sainte rufine in flower garland, andalusian school of the 17th century, in the manner of antonio de antonio del castillo y saavedra (córdoba 1616 \u2013 1668)","es":"santa rufina en óvalo de flores, escuela andaluza del siglo xvii, a la manera de antonio de antonio del castillo y saavedra (córdoba 1616 \u2013 1668)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24708/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:54:26.525Z","textCase":"lower","estimate":"\u20ac5,000 - 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montañés, focused on seville in the first decades of the 17th century. the model that we present shows the son of god, with a serene and merciful expression, and a gaze that shows the viewer the resignation with which the messiah accepts in his flesh the entire guilt of humanity. the undulation of his hair, his almond-shaped eyes and the slight inclination of his middle and index fingers make us think that it is a work closer to the cordovan master of mesa than to the universal sculptor montañés, conserving children very similar to the current model in the collegiate church of córdoba and the museum of fine arts of córdoba. reference bibliography: passolas jáuregui, jaime. twelve imagers of holy week in seville. isbn 84-607-3519-2. measurements baby jesus (base included): 76 x 30 x 26 cm","es":"la obra se enmarca dentro de la variada producción que, siguiendo las coordenadas estéticas en vigor influenciadas por la estela del escultor juan martínez montañés, focalizó sevilla en las primeras décadas del siglo xvii. el modelo que presentamos muestra al hijo de dios, con una expresión serena y misericorde, y una mirada que muestra al espectador la resignación con la que el mesías acepta en sus carnes la culpa entera de la humanidad. la ondulación de su cabellera, sus ojos almendrados y la leve inclinación de sus dedos medio e índice nos hacen pensar en que se trata de una obra más póxima al maestro cordobés de mesa que al escultor universal montañés, conservándose niños muy parecidos al modelo actual en la colegiata de córdoba y el museo de bellas artes de córdoba. bibliografía de referencia: passolas jáuregui, jaime. doce imagineros de la semana santa de sevilla. isbn 84-607-3519-2. medidas niño jesús (peana incluída): 76 x 30 x 26 cm"},"estimateMax":4500,"lotNumber":"27","title":{"en":"spectacular triumphant jesus christ, seville, circle or workshops of juan de mesa y velasco (1583-1627)","es":"espectacular niño jesús triunfante, sevilla, círculo o talleres de 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candelabros en bronce macizo, francia o españa, siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24730/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":350,"lastUpdate":"2026-07-01T16:54:24.350Z","textCase":"lower","estimate":"\u20ac500 - \u20ac600","currency":"EUR","id":24730,"estimateMin":500},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24731/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24731/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24731/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24731/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24731/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24731/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24731/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24731/008/008.jpg"],"available":false,"description":{"en":"ivory christ measures: 25 x 19 x 4.5 cm. crucifix measurements: 71 x 39 x 13","es":"medidas cristo marfil: 25 x 19 x 4,5 cm. medidas crucifijo: 71 x 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\u20ac950","currency":"EUR","id":24732,"estimateMin":750},{"startPrice":400,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24733/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24733/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24733/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24733/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24733/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24733/006/006.jpg"],"soldDate":"2022-10-27","available":false,"description":{"en":"measurements: 23 x 36 x 36 cm","es":"medidas: 23 x 36 x 36 cm"},"estimateMax":600,"lotNumber":"32","title":{"en":"pair of art deco ceiling lampshades in acid etched glass, signed, 20th century","es":"pareja de tulipas de techo árt déco en cristal grabado al ácido, firmados, siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24733/view","tags":["esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":400,"soldPrice":400,"lastUpdate":"2026-07-01T16:54:24.448Z","textCase":"lower","estimate":"\u20ac500 - \u20ac600","currency":"EUR","id":24733,"estimateMin":500},{"startPrice":150,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24734/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24734/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24734/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24734/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24734/005/005.jpg"],"soldDate":"2022-10-27","available":false,"description":{"en":"measures 9 x 18 x 9 cm","es":"medidas 9 x 18 x 9 cm"},"estimateMax":800,"lotNumber":"33","title":{"en":"ceramic inkwell from triana, 18th century","es":"tintero en cerámica de triana, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24734/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":150,"soldPrice":400,"lastUpdate":"2026-07-01T16:54:24.450Z","textCase":"lower","estimate":"\u20ac700 - \u20ac800","currency":"EUR","id":24734,"estimateMin":700},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24735/011/011.jpg"],"available":false,"description":{"en":"in silver, combined weight: 1962 g. measures 36 x 11 x 18 cm","es":"en plata, peso conjunto: 1962 g. medidas 36 x 11 x 18 cm"},"estimateMax":6500,"lotNumber":"34","title":{"en":"pair of colonial censers in silver, viceroyalty of peru, 18th century colonial school","es":"pareja de sahunadores o incensarios coloniales en plata, virreinato del perú, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24735/view","tags":["esdecorativearts_silver","esinternational_southamerican","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:54:24.451Z","textCase":"lower","estimate":"\u20ac4,500 - 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xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24736/view","tags":["esdecorativearts_silver","esinternational_southamerican","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:54:24.453Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,800","currency":"EUR","id":24736,"estimateMin":1500},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24737/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24737/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24737/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24737/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24737/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24737/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24737/007/007.jpg"],"available":false,"description":{"en":"in silver, joint weight: 624 g. jug measures: 8 x 8 x 12, plate: 2 x 19 x 19 cm","es":"en plata, peso conjunto: 624 g. medidas jarra: 8 x 8 x 12, plato: 2 x 19 x 19 cm"},"estimateMax":1500,"lotNumber":"36","title":{"en":"chocolate cup 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xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24738/view","tags":["esdecorativearts_silver","esinternational_southamerican","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":450,"lastUpdate":"2026-07-01T16:54:24.456Z","textCase":"lower","estimate":"\u20ac600 - \u20ac800","currency":"EUR","id":24738,"estimateMin":600},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24739/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24739/002/002.jpg"],"available":false,"description":{"en":"in embossed silver, with glass bases.","es":"en plata repujada, con peanas de cristal."},"estimateMax":1000,"lotNumber":"38","title":{"en":"collection of orthodox silver eggs, 20th century","es":"colección de huevos ortodoxos de plata, siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24739/view","tags":["esdecorativearts_silver","esdecorativearts_all","esdecorativearts"],"directSalePrice":500,"lastUpdate":"2026-07-01T16:54:24.457Z","textCase":"lower","estimate":"\u20ac800 - \u20ac1,000","currency":"EUR","id":24739,"estimateMin":800},{"startPrice":450,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24740/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24740/002/002.jpg"],"available":false,"description":{"en":"in silver, measures: 8.5 x 6 cm","es":"en plata, medidas: 8,5 x 6 cm"},"estimateMax":1000,"lotNumber":"39","title":{"en":"plateresque style cross in solid silver, castile, salamanca or madrid","es":"cruz de estilo plateresco en plata maciza, castilla, salamanca o 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\u20ac8,000","currency":"EUR","id":24760,"estimateMin":6000},{"startPrice":2750,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24761/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24761/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24761/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24761/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24761/005/005.jpg"],"available":false,"description":{"en":"in white gold of law, weight 7.4 g. for a finger of measures 16/56 and 1.45 ct in brilliant cut diamonds.","es":"en oro blancode ley, peso 7,4 g. para un dedo de medidas 16/56 y 1,45 ct en diamantes talla brillante."},"estimateMax":9000,"lotNumber":"60","title":{"en":"ring in white gold with central in the shape of a half round of brilliant cut diamonds set","es":"sortija en oro blanco con central en forma de media caña de diamantes talla brillante engastados"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24761/view","tags":["esjewelry_rings","esjewelry","esjewelry_all"],"directSalePrice":2750,"lastUpdate":"2026-07-01T16:54:17.982Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac9,000","currency":"EUR","id":24761,"estimateMin":8000},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24762/013/013.jpg"],"available":false,"description":{"en":"portable altar type wooden box, side doors characters representing six biblical scenes. box measures: 90 x 40 x 20, virgin measures: 58 x 22 x 16 cm, relief measures: 22 x 12 each","es":"caja en madera tipo tipo altar portátil, puertas laterales personajes representando seis escenas bíblicas. medidas caja: 90 x 40 x 20, medidas virgen: 58 x 22 x 16 cm, medidas relieves: 22 x 12 cada uno"},"estimateMax":15000,"lotNumber":"61","title":{"en":"large immaculate virgin in wood, polychrome and with head and limbs in ivory, attached cites, 20th century","es":"gran virgen inmaculada en madera, policromada y con cabeza extremidades en marfil, adjunta cites, siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24762/view","tags":["esdecorativearts_ivory","esdecorativearts_all","esdecorativearts"],"directSalePrice":8000,"lastUpdate":"2026-07-01T16:54:23.796Z","textCase":"lower","estimate":"\u20ac12,000 - 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important and extensive work is in portraits and still lifes. hermenegildo bustos was an artist who devoted himself to painting, developing himself through self-taught learning. he made works with a religious theme, however he stood out mainly for his work in portraiture. bustos' inclination for art and painting can be perceived from a very early age, since he began to paint when he was still very young. the first biographical record on bustos appeared in the catalog of the exhibition twenty centuries of mexican art, in 1940, at the museum of modern art in new york, by the institute of anthropology and history of mexico. in which he said: bustos, hermenegildo. painter. he was born in guanajuato at the end of the 18th century. he died in guanajuato. without having left his hometown, he was an excellent portrait painter. bibliography: tibol, raquel (1992). hermenegildo bustos. village painter. mexico, df: it was. pp. 38-39. isbn 9682935741.","es":"óleo sobre lienzo, medidas lienzo: 58 x 48 cm, medidas lienzo: 64 x 54 cm. bustos fue uno de los pintores más apreciados del arte mexicano del siglo xix. su obra se caracterizó por no seguir un método académico y por tener una gran fuerza psicológica. aunque realizó algunos cuadros religiosos, su trabajo más importante y extenso se encuentra en los retratos y de naturaleza muerta. hermenegildo bustos fue un artista que se dedicó a la pintura, desarrollándose con un aprendizaje autodidacta. efectuó obras con temática religiosa, sin embargo destacó principalmente por su trabajo en el retrato. la inclinación de bustos por el arte y la pintura se puede percibir desde muy pronto, debido a que comienza a pintar siendo aún muy joven. la primera ficha biográfica sobre bustos apareció en el catálogo de la exposición veinte siglos de arte mexicano, en 1940, en el museo de arte moderno de nueva york, por el instituto de antropología e historia de méxico. en el cual decía: bustos, hermenegildo. pintor. nació en guanajuato a fines del siglo xviii. murió en guanajuato. sin haber salido de su ciudad natal, fue un excelente retratista. bibliografía: tibol, raquel (1992). hermenegildo bustos. pintor de pueblo. méxico, d. f.: era. pp. 38-39. isbn 9682935741."},"estimateMax":1800,"lotNumber":"62","title":{"en":"portrait of a woman, in the manner of hermenegildo bustos (purísima del rincón, guanajuato; april 13, 1832 \u2014 june 28, 1907), mexican school of the 19th century","es":"retrato de mujer, a la manera hermenegildo bustos (purísima del rincón, guanajuato; 13 de abril de 1832 \u2014 28 de junio de 1907), escuela mexicana del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24763/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:54:23.798Z","textCase":"lower","estimate":"\u20ac1,500 - 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measurements: 76 x 52 cm","es":"en el plano central, el sagrado corazón de jesús, a su flanco izquerdo, un ángel sostiene un sahunador con mirra, mientras en el flanco derecho observamos a otro esparciendo incienso. óleo sobre lienzo, medidas lienzo: 64 x 39 cm, medidas enmarcado: 76 x 52 cm"},"estimateMax":1500,"lotNumber":"63","title":{"en":"sacred heart of jesus surrounded by angels, andalusian school of the 18th century","es":"sagrado corazón de jesús rodeado de ángeles, escuela andaluza del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24764/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:54:23.800Z","textCase":"lower","estimate":"\u20ac1,200 - 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xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24765/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:54:23.801Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":24765,"estimateMin":1200},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24766/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24766/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24766/003/003.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measurements: 21 x 18 cm, framed measurements: 45 x 39 cm","es":"óleo sobre lienzo, medidas lienzo: 21 x 18 cm, medidas enmarcado: 45 x 39 cm"},"estimateMax":1500,"lotNumber":"65","title":{"en":"adoration of the shepherds, 17th century flemish school","es":"adoración de pastores, escuela flamenca del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24766/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:54:23.803Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":24766,"estimateMin":1200},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24767/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24767/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24767/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24767/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24767/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measurements: 65 x 43 cm, framed measurements: 74 x 52 cm","es":"óleo sobre lienzo, medidas lienzo: 65 x 43 cm, medidas enmarcado: 74 x 52 cm"},"estimateMax":2000,"lotNumber":"66","title":{"en":"the death of cleopatra, italian school, 19th century, circa 1800","es":"la muerte de cleopatra, escuela italiana, siglo xix, circa 1800"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24767/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:54:23.805Z","textCase":"lower","estimate":"\u20ac1,800 - \u20ac2,000","currency":"EUR","id":24767,"estimateMin":1800},{"startPrice":2250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24768/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24768/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24768/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24768/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24768/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24768/006/006.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measurements: 89 x 62 cm, framed measurements: 101 x 74 cm. during the renaissance, the sleeping figures of the child jesus reclining on skulls became popular, referring to the beginning and end of life and its transience. \"tempus fugit\": of the awareness of being born to die and thus fulfill his redemptive purpose as savior of humanity, it also shows us the transience of the passage of time and a symbology about heroic character as a way to achieve victory. after the council of trent (1545-1563) christian art accentuates the childlike innocence of a humanized jesus, incorporating prefigurations of the future passion into the representations of childhood in which childish tenderness is combined with the tragic component of drama. passion flower also common during the baroque period are the representations of the sleeping jesus on the tree, a reference to death with the same symbolic character as in the representations in which he appears lying on a skull, sometimes with both elements present, as in the work in question. bibliography: marcos villán, miguel ángel. baby jesus asleep on the cross. in; urrea fernandez, jesus. national museum of sculpture vi: the reduced scale. valladolid, 2008, p. 24-25. urrea fernandez, jesus. national museum of sculpture vi: the reduced scale. valladolid, 2008, p. 24-25. urrea fernandez, jesus. national museum of sculpture vi: the reduced scale. valladolid, 2008, p. 24-25.","es":"óleo sobre lienzo, medidas lienzo: 89 x 62 cm, medidas enmarcado: 101 x 74 cm. durante el renacimiento se popularizaron las figuras durmientes del niño jesús recostado sobre calaveras, las cuales hacían referencia al comienzo y al fin de la vida y a su fugacidad. \"tempus fugit\": de la conciencia de nacer para morir y así cumplir su fin redentor como salvador de la humanidad, asimismo nos muestra la fugacidad del paso del tiempo y de una simbología sobre el carácter heroico como vía para conseguir el triunfo. tras el concilio de trento (1545-1563) el arte cristiano acentúa la inocencia infantil de un jesús humanizado, incorporando a las representaciones de la infancia prefiguraciones de la futura pasión en las que se combina la ternura infantil con el componente trágico que supone el drama pasionario. son comunes también comunes durante el barroco las representaciones del niño jesús durmiente sobre el madero, una referencia a la muerte con el mismo carácter simbólico que en las representaciones en que aparece recostado sobre una calavera, en ocasiones con ambos elementos presentes, como en la obra en cuestión. bibliografía: marcos villán, miguel ángel. niño jesús dormido sobre la cruz. en; urrea fernández, jesús. museo nacional de escultura vi: la escala reducida. valladolid, 2008, pp. 24-25."},"estimateMax":3500,"lotNumber":"67","title":{"en":"vanitas, northern italian school, 17th - 18th centuries","es":"vanitas, escuela del norte de italia, siglos xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24768/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2250,"lastUpdate":"2026-07-01T16:54:23.806Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac3,500","currency":"EUR","id":24768,"estimateMin":3000},{"startPrice":2750,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24769/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24769/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24769/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24769/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24769/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24769/006/006.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measures: 99 x 71 cm","es":"óleo sobre lienzo, medidas lienzo: 99 x 71 cm"},"estimateMax":4500,"lotNumber":"68","title":{"en":"mater dolorosa, possibly novohispanic school, mexico, 18th century, signed josé de polanco, 18th century mexican colonial school","es":"mater dolorosa, escuela posiblemente novohispana, méxico, siglo xviii, firmado de josé de polanco, escuela mexicana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24769/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2750,"lastUpdate":"2026-07-01T16:54:23.808Z","textCase":"lower","estimate":"\u20ac3,500 - \u20ac4,500","currency":"EUR","id":24769,"estimateMin":3500},{"startPrice":900,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24770/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24770/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24770/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24770/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24770/005/005.jpg"],"soldDate":"2022-10-27","available":false,"description":{"en":"oil on canvas, canvas measurements: 57 x 41 cm, framed measurements: 65 x 49 cm","es":"óleo sobre lienzo, medidas lienzo: 57 x 41 cm, medidas enmarcado: 65 x 49 cm"},"estimateMax":2500,"lotNumber":"69","title":{"en":"saint dominic de guzmán, italian school of the 18th century","es":"santo domingo de guzmán, escuela italiana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24770/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":900,"soldPrice":900,"lastUpdate":"2026-07-01T16:54:23.813Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,500","currency":"EUR","id":24770,"estimateMin":1500},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24771/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24771/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24771/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24771/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24771/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measurements: 49 x 37 cm, framed measurements: 56 x 45 cm","es":"óleo sobre lienzo, medidas lienzo: 49 x 37 cm, medidas enmarcado: 56 x 45 cm"},"estimateMax":2500,"lotNumber":"70","title":{"en":"saint catherine of siena being beheaded, 18th century italian school","es":"santa catalina de siena siendo decapitada, escuela italiana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24771/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:54:23.814Z","textCase":"lower","estimate":"\u20ac1,800 - \u20ac2,500","currency":"EUR","id":24771,"estimateMin":1800},{"startPrice":16000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24772/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24772/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24772/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24772/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24772/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24772/006/006.jpg"],"available":false,"description":{"en":"with original base in carved, gilt and polychrome wood. child measures: 70.5 x 29 x 22.5 cm. total measurements: 86 x 34 x 30.5 cm. reference bibliography: villar movellán, alberto (ed.), juan de mesa (1627-2002): visiones y revisiones, córdoba, 2002.","es":"con peana original en madera tallada, dorada y policromada. medidas niño: 70,5 x 29 x 22,5 cm. medidas totales: 86 x 34 x 30,5 cm. bibliografía de referencia: hernández díaz, josé, comentarios en torno a la figura de juan de mesa (1583-1627), sevilla, 1933.; villar movellán, alberto (ed.), juan de mesa (1627-2002): visiones y revisiones, córdoba, 2002."},"estimateMax":25000,"lotNumber":"71","title":{"en":"\"enfant jesus salvator mundi\". sculpture in carved and polychrome wood, seville school of juan de mesa, first third of the 16th 17th century","es":"niño jesús salvator mundi, escuela sevillana del siglo xvi xvii, escuela de juan de mesa y velasco (córdoba, 26 de junio de 1583 - sevilla, 26 de noviembre de 1627)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24772/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":16000,"lastUpdate":"2026-07-01T16:54:27.267Z","textCase":"lower","estimate":"\u20ac20,000 - \u20ac25,000","currency":"EUR","id":24772,"estimateMin":20000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24773/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24773/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24773/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24773/004/004.jpg"],"available":false,"description":{"en":"acrylic on canvas, measures 105 x 103 cm. the renowned artist born in león (spain) in 1979 and currently lives in logroño. in 2008 i studied interior architecture at esne, a higher design school, which exhibits my collection entitled \"la mujer\". throughout my artistic career i have had several national and international exhibitions in which places such as italy, castilla y león, navarra, the basque country, andalusia, galicia and la rioja should be highlighted. my works carry influences that cover different styles such as the oriental, african, impressionist, and great painters such as modigliani, jackson pollock, picasso. my style is abstract expressionism, and action painting, although i also make works with a surrealist style, contemporary art and realism understood in a very personal way. the very act of painting became a large part of the content of the works, spontaneously and directly transmitting the spirit with which i face when it comes to harmonizing my art. through terms such as chance, originality or vitality, together with a fervent interest in finding oneself in the same artistic act, they become the starting point for action painting, using only a loom spread out on the ground and cans of paint that were being unloaded or brushes loaded with color, it achieves its exceptional brand image. on the floor i feel more comfortable. i feel closer, part of the painting, as this way i can walk around it, work from the sides and literally find myself inside the frame. this method is similar to that of the west indian sand painters. i'm not afraid to make changes, destroy the image, because the painting has a life of its own. i try to let it express itself. i use different techniques: watercolor, acrylic, pastel, oil, indian ink, mixed media..., the one i use the most is acrylic, since i am quick when it comes to painting with different finishes.\"","es":"acrílico sobre lienzo, medidas 105 x 103 cm. la reconocida artista nacida en león (españa) en 1979 y afincada en logroño en la actualidad.en 2008 estudié arquitectura interior, en esne, una escuela superior de diseño, la cual expone mi colección titulada \u201cla mujer\u201d. a lo largo de mi carrera artística llevo varias exposiciones a nivel nacional e internacional en las que cabe destacar lugares como italia, castilla y león, navarra, país vasco, andalucía, galicia y la rioja.mis obras llevan influencias que abarcan diferentes estilos como son el oriental, africano, impresionista, y grandes pintores como modigliani, jackson pollock, picasso.mi estilo es expresionismo abstracto, y action painting aunque también realizo obras con un estilo surrealista, arte contemporáneo y un realismo entendido de una manera muy personal. el mismo acto de pintar pasaba a convertirse en gran parte del contenido de las obras, transmitir de forma espontánea y directa el ánimo con el que me enfrento a la hora de armonizar mi arte. a través de términos como el azar, la originalidad o la vitalidad, unido a un ferviente interés por encontrarse en el mismo acto artístico, se convierten en el punto de partida del action painting, haciendo uso tansolo de un telar extendido en el suelo y latas de pintura que iban siendo descargadas o pinceles cargados de colorido, consigue su excepcional imagen de marca.en el suelo me siento más cómoda. me siento más cerca, formando parte de la pintura, ya que de esta forma puedo andar alrededor de ella, trabajar desde los lados y encontrarme literalmente dentro de cuadro. este método es parecido al de los pintores indios con arena del oeste.no tengo miedo de hacer cambios, destruir la imagen, porque el cuadro tiene vida propia. intento dejar que se exprese. uso diferentes técnicas: acuarela, acrílico, pastel, óleo, tinta china, técnicas mixtas..., la que más utilizo es acrílico, ya que soy rápida a la hora de pintar con diferentes acabados.\""},"estimateMax":4000,"lotNumber":"72","title":{"en":"elena greece \"coco chanel\", 2004","es":"elena grecia \"coco chanel\", 2004"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24773/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:54:27.269Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":24773,"estimateMin":3000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24774/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24774/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24774/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24774/004/004.jpg"],"available":false,"description":{"en":"mixed technique on canvas, measures 110 x 98 cm. she was born in león (spain) in 1979 and currently lives in logroño. in 2008 she studied interior architecture, at esne, a superior design school, which exhibits my collection entitled \"la mujer\". throughout my artistic career i have had several national and international exhibitions in which places such as italy, castilla y león, navarra, the basque country, andalusia, galicia and la rioja. my works have influences that cover different styles such as oriental, african, impressionist, and great painters such as modigliani, jackson pollock, picasso. my style is abstract expressionism, and action painting although i also make works with a surrealist style, contemporary art and a realism understood in a very personal way. the very act of painting became a large part of the content of the works, spontaneously and directly transmitting the spirit with which i face when it comes to harmonizing my art. through terms such as chance, originality or vitality, together with a fervent interest in finding oneself in the same artistic act, they become the starting point for action painting, using only a loom spread out on the ground and cans of paint that were being unloaded or brushes loaded with color, it achieves its exceptional brand image. on the floor i feel more comfortable. i feel closer, part of the painting, as this way i can walk around it, work from the sides and literally find myself inside the frame. this method is similar to that of the west indian sand painters. i'm not afraid to make changes, destroy the image, because the painting has a life of its own. i try to let it express itself. i use different techniques: watercolor, acrylic, pastel, oil, chinese ink, mixed media..., the one i use the most is acrylic, since i am quick when it comes to painting with different finishes.","es":"técnica mixta sobre lienzo, medidas 110 x 98 cm. nacida en león (españa) en 1979 y afincada en logroño en la actualidad. en 2008 estudió arquitectura interior, en esne, una escuela superior de diseño, la cual expone mi colección titulada \u201cla mujer\u201d.a lo largo de mi carrera artística llevo varias exposiciones a nivel nacional e internacional en las que cabe destacar lugares como italia, castilla y león, navarra, país vasco, andalucía, galicia y la rioja.mis obras llevan influencias que abarcan diferentes estilos como son el oriental, africano, impresionista, y grandes pintores como modigliani, jackson pollock, picasso.mi estilo es expresionismo abstracto, y action painting aunque también realizo obras con un estilo surrealista, arte contemporáneo y un realismo entendido de una manera muy personal. el mismo acto de pintar pasaba a convertirse en gran parte del contenido de las obras, transmitir de forma espontánea y directa el ánimo con el que me enfrento a la hora de armonizar mi arte. a través de términos como el azar, la originalidad o la vitalidad, unido a un ferviente interés por encontrarse en el mismo acto artístico, se convierten en el punto de partida del action painting, haciendo uso tansolo de un telar extendido en el suelo y latas de pintura que iban siendo descargadas o pinceles cargados de colorido, consigue su excepcional imagen de marca.en el suelo me siento más cómoda. me siento más cerca, formando parte de la pintura, ya que de esta forma puedo andar alrededor de ella, trabajar desde los lados y encontrarme literalmente dentro de cuadro. este método es parecido al de los pintores indios con arena del oeste.no tengo miedo de hacer cambios, destruir la imagen, porque el cuadro tiene vida propia. intento dejar que se exprese. uso diferentes técnicas: acuarela, acrílico, pastel, óleo, tinta china, técnicas mixtas..., la que más utilizo es acrílico, ya que soy rápida a la hora de pintar con diferentes acabados."},"estimateMax":4000,"lotNumber":"73","title":{"en":"elena greece \"pablo picasso\", 2014","es":"elena grecia \"pablo picasso\", 2014"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24774/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:54:27.271Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":24774,"estimateMin":3000},{"startPrice":800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24775/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24775/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24775/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24775/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24775/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 44 x 36, canvas measurements: 35 x 27 cm","es":"óleo sobre lienzo, medidas enmarcado: 44 x 36, medidas lienzo: 35 x 27 cm"},"estimateMax":2000,"lotNumber":"74","title":{"en":"lying woman, agustín úbeda (inheritance, december 1, 1925-madrid, november 27, 2007), spanish school of the 20th century","es":"mujer tumbada, agustín úbeda (herencia, 1 de diciembre de 1925-madrid, 27 de noviembre de 2007), escuela española del siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24775/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":800,"lastUpdate":"2026-07-01T16:54:27.273Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,000","currency":"EUR","id":24775,"estimateMin":1500},{"startPrice":12000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24776/015/015.jpg"],"soldDate":"2023-03-22","available":false,"description":{"en":"beautiful pair of oil paintings on canvas, framed measurements: 82 x 67, each canvas measures: 78 x 62 cm. we find ourselves before a magnificent representation of the mastery of gold leaf by the cuzco masters in upper peru. these compositions derive from pairs of portraits of niño de la espina and virgen hilandera, very popular in spain during the 17th century and taken to the new world, which are directly related to the pair that is preserved in the prado museum, whose layout is the same. differing only in the garlands of flowers since, instead, a series of heads of small angels are arranged framing the figures as borders. the historian fernando quiles says that many sevillian painters, including juan simón gutiérrez, sent many works of this type to america, constituting an authentic pictorial market. reference bibliography: lavalle, josé antonio and werner lang. art and treasures of peru. lima: santiago valverde sa, 1978. provenance: spanish private collection.","es":"bella pareja de óleos sobre lienzo, medidas enmarcados: 82 x 67, medidas cada lienzo: 78 x 62 cm. nos encontramos ante una magnífica representación del dominio del pan de oro por los maestros cuzqueños en el alto perú. dichas composiciones derivan de parejas de retratos de niño de la espina y virgen hilandera muy populares en españa durante el siglo xvii y llevadas al nuevo mundo, las cuales se relacionan directamente con la pareja que se conserva en el museo del prado cuya disposición es la misma diferenciándose, únicamente, en las guirnaldas de flores ya que, en vez de ello, se disponen una serie de cabezas de pequeños ángeles enmarcando las figuras a modo de orlas. el historiador fernando quiles dice que muchos pintores sevillanos, entre ellos juan simón gutiérrez, enviaron muchas obras de este tipo a américa, constituyéndose un auténtico mercado pictórico. bibliografía de referencia: lavalle, josé antonio y werner lang. arte y tesoros del perú. lima: santiago valverde s.a, 1978. procedencia: colección particular española."},"estimateMax":35000,"lotNumber":"75","title":{"en":"exceptional couple of enfant jesus of the thorn and mary, viceroyalty of peru, cuzco colonial school of the 17th - 18th centuries","es":"excepcional pareja de niño de la espina y virgen del huso, virreinato del perú, escuela colonial cuzqueña de los siglos xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24776/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":12000,"soldPrice":10000,"lastUpdate":"2026-07-01T16:54:27.275Z","textCase":"lower","estimate":"\u20ac25,000 - \u20ac35,000","currency":"EUR","id":24776,"estimateMin":25000},{"startPrice":1400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24777/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24777/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24777/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24777/004/004.jpg"],"available":false,"description":{"en":"oil on canvas, year 2021, signed in dordo. measurements: 60 x 60 cm. born in langreo, asturias (spain) in 1971. i have always felt a great attraction and passion for nature. perhaps this, along with other concerns, led me to study teaching and work for a while as an environmental educator. the need to approach the landscape in another way was already beginning to arise in me, so i began to combine gardening work with painting. painting has become my profession for almost two decades now. i mainly consider myself a landscaper. being the coastal landscapes and the forests my main source of inspiration. throughout my career, these motifs have been appearing with different interpretations. stages in which i have been investigating up to the present moment, in which a part of my work focuses on the decomposition of the landscape, and where color and stain take on a special role. the series \"fragmentation of a landscape\" corresponds to this moment. a series in which the motif is lost and sometimes is reduced only to the horizon. it is this fragmentation of the first or middle shots, and how these colors interact with each other and with us, which guides my research. \"essences\" is another current concern, a series in which elements such as light, shadow, depth or calm, among others, emerge from the close-ups to give meaning to the work. a series in which the motif is lost and sometimes is reduced only to the horizon. it is this fragmentation of the first or middle shots, and how these colors interact with each other and with us, which guides my research. \"essences\" is another current concern, a series in which elements such as light, shadow, depth or calm, among others, emerge from the close-ups to give meaning to the work. a series in which the motif is lost and sometimes is reduced only to the horizon. it is this fragmentation of the first or middle shots, and how these colors interact with each other and with us, which guides my research. \"essences\" is another current concern, a series in which elements such as light, shadow, depth or calm, among others, emerge from the close-ups to give meaning to the work.","es":"óleo sobre lienzo, año 2021, firmado al dordo. medidas: 60 x 60 cm. nace en langreo, asturias (españa) en 1971.siempre he sentido una gran atracción y pasión por la naturaleza. quizás esto, junto con otras inquietudes, me llevó a estudiar magisterio y a trabajar durante un tiempo como educador ambiental. ya empezaba a brotar en mí la necesidad de acercarme al paisaje de otra manera, por lo que empecé a compaginar trabajos en jardinería con la pintura.convirtiéndose la pintura en mi profesión desde hace ya casi dos décadas. principalmente me considero paisajista. siendo los paisajes costeros y los bosques mi principal fuente de inspiración. a lo largo de mi trayectoria, estos motivos han ido apareciendo con diferentes interpretaciones. etapas en las que he ido investigando hasta llegar al momento actual, en la que una parte de mi obra se centra en la descomposición del paisaje, y en donde el color y la mancha cobran un especial protagonismo.a este momento, corresponde la serie \"fragmentación de un paisaje\". una serie en la que el motivo se pierde y a veces, se reduce tan solo al horizonte. es esta fragmentación de los primeros o medios planos, y como interactúan esos colores en entre ellos y en nosotros, lo que encauza mi investigación.\"esencias\" es otra inquietud actual, una serie en donde elementos como la luz, la sombra, la profundidad o la calma, entreotros, se desprenden de los primeros planos para dar sentido a la obra."},"estimateMax":3000,"lotNumber":"76","title":{"en":"miguel redondo \"field 2\"","es":"miguel redondo \"campo 2\""},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24777/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1400,"lastUpdate":"2026-07-01T16:54:27.278Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":24777,"estimateMin":2000},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24778/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24778/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24778/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24778/004/004.jpg"],"available":false,"description":{"en":"oil on canvas, year 2021, signed in dordo. measurements: 81 x 100 cm. born in langreo, asturias (spain) in 1971.\ri have always felt a great attraction and passion for nature. perhaps this, along with other concerns, led me to study teaching and work for a while as an environmental educator. the need to approach the landscape in another way was already beginning to arise in me, so i began to combine gardening work with painting.\r painting has become my profession for almost two decades now. i mainly consider myself a landscaper. being the coastal landscapes and the forests my main source of inspiration.\rthroughout my career, these motifs have been appearing with different interpretations. stages in which i have been investigating up to the present moment, in which a part of my work focuses on the decomposition of the landscape, and where color and stain take on a special role.\rthe series \"fragmentation of a landscape\" corresponds to this moment. a series in which the motif is lost and sometimes is reduced only to the horizon. it is this fragmentation of the first or middle shots, and how those colors interact with each other and with us, which guides my research.\r\"essences\" is another current concern, a series in which elements such as light, shadow, depth or calm, among\rothers, emerge from the close-ups to give meaning to the work.","es":"óleo sobre lienzo, año 2021, firmado al dordo. medidas: 81 x 100 cm. nace en langreo, asturias (españa) en 1971.\rsiempre he sentido una gran atracción y pasión por la naturaleza. quizás esto, junto con otras inquietudes, me llevó a estudiar magisterio y a trabajar durante un tiempo como educador ambiental. ya empezaba a brotar en mí la necesidad de acercarme al paisaje de otra manera, por lo que empecé a compaginar trabajos en jardinería con la pintura.\r convirtiéndose la pintura en mi profesión desde hace ya casi dos décadas. principalmente me considero paisajista. siendo los paisajes costeros y los bosques mi principal fuente de inspiración.\ra lo largo de mi trayectoria, estos motivos han ido apareciendo con diferentes interpretaciones. etapas en las que he ido investigando hasta llegar al momento actual, en la que una parte de mi obra se centra en la descomposición del paisaje, y en donde el color y la mancha cobran un especial protagonismo.\ra este momento, corresponde la serie \"fragmentación de un paisaje\". una serie en la que el motivo se pierde y a veces, se reduce tan solo al horizonte. es esta fragmentación de los primeros o medios planos, y como interactúan esos colores en entre ellos y en nosotros, lo que encauza mi investigación.\r\"esencias\" es otra inquietud actual, una serie en donde elementos como la luz, la sombra, la profundidad o la calma, entre\rotros, se desprenden de los primeros planos para dar sentido a la obra."},"estimateMax":3500,"lotNumber":"77","title":{"en":"miguel redondo \"aljaraque marshes 4\"","es":"miguel redondo \"marismas aljaraque 4\""},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24778/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:54:27.279Z","textCase":"lower","estimate":"\u20ac2,500 - 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escuchando la trompeta del juicio final junto a donante, escuela virreinal colonial cuzqueña de la segunda mitad del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24800/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:54:23.814Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,000","currency":"EUR","id":24800,"estimateMin":2500},{"startPrice":1100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24801/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24801/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24801/003/003.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 49 x 34.5 cm, canvas measurements: 43 x 29 cm","es":"óleo sobre lienzo, medidas enmarcado: 49 x 34,5 cm, medidas lienzo: 43 x 29 cm"},"estimateMax":3000,"lotNumber":"100","title":{"en":"immaculate conception surrounded by angels, 18th century granada school","es":"inmaculada rodeada de ángeles, escuela granadina del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24801/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1100,"lastUpdate":"2026-07-01T16:54:23.816Z","textCase":"lower","estimate":"\u20ac2,000 - 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xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24802/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:54:34.159Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac2,500","currency":"EUR","id":24802,"estimateMin":2000},{"startPrice":15000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24803/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24803/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24803/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24803/004/004.jpg"],"soldDate":"2022-10-29","available":false,"description":{"en":"oil on canvas, measures 151 x 100. raimundo de madrazo y garreta (rome, july 24, 1841 - versailles, september 15, 1920) was a spanish realist painter of the 19th century. he was the son and disciple of the famous portrait painter federico madrazo, brother-in-law of the no less famous mariano fortuny, brother of ricardo madrazo and grandson of the notable painter josé madrazo. today, some of his works are exhibited in the best museums in europe, such as the prado museum. his first teachers were his father and his grandfather. he studied at the san fernando royal academy of fine arts, where he had carlos luis de ribera and carlos de haes as teachers. installed in madrid, he completed his training by traveling to paris, where he went in 1860, being a disciple of the painter léon cogniet. he participated for the first time in the universal exhibition that same year. he lived in paris for much of his life, where he married his cousin eugenia de ochoa, who died after the birth of her only son federico, known as cocó, who was also an outstanding painter. he also became a leading figure of the school of spanish painters in paris there. there he obtained the first medal and nomination for the legion of honor for his participation in the universal exhibition in paris in 1889. in 1869 he obtained some cartoons for tapestries by francisco de goya, including dogs and hunting tools, which he donated in 1894 to the museum del prado, its current location. he was related to mariano fortuny, married to his sister cecilia, martín rico and eduardo rosales. provenance: spanish private collection. reference bibliography: assier, mathilde, raimundo de madrazo (1841-1920), aux confins de la modernité, 2012; raymond of madrazo (1842-1920), cat. exp., zaragoza, proedi editorial promotions, 1996. isbn 84-89640-02-5. provenance: spanish private collection.","es":"óleo sobre lienzo, medidas 151 x 100. raimundo de madrazo y garreta (roma, 24 de julio de 1841 - versalles, 15 de septiembre de 1920) fue un pintor español realista del siglo xix. era hijo y discípulo del famoso retratista federico madrazo, cuñado del no menos famoso mariano fortuny, hermano de ricardo madrazo y nieto del notable pintor josé madrazo. hoy, algunas de sus obras se encuentran expuestas en los mejores museos de europa, como en el museo del prado. sus primeros maestros fueron su padre y su abuelo. estudió en la real academia de bellas artes de san fernando, donde tuvo como maestros a carlos luis de ribera y carlos de haes. instalado en madrid, completó su formación mediante viajes a parís, a donde marchó en 1860, siendo discípulo del pintor léon cogniet. participó por primera vez en la exposición universal de ese mismo año. residió en parís gran parte de su vida, donde se casó con su prima eugenia de ochoa, fallecida tras el nacimiento de su único hijo federico, conocido como cocó, quién también destacó como pintor. además se convirtió allí en una figura destacada de la escuela de pintores españoles en parís. allí obtuvo la primera medalla y nombramiento para la legión de honor por su participación en la exposición universal de parís de 1889. en 1869 obtuvo algunos cartones para tapices de francisco de goya, entre ellos perros y útiles de caza, que donó en 1894 al museo del prado, su emplazamiento actual. se relacionó con mariano fortuny, casado con su hermana cecilia, martín rico y eduardo rosales. procedencia: colección particular española. bibliografía de referencia: assier, mathilde, raimundo de madrazo (1841-1920), aux confins de la modernité, 2012; raimundo de madrazo (1842-1920), cat. exp., zaragoza, proedi promociones editoriales, 1996. isbn 84-89640-02-5. procedencia: colección particular española."},"estimateMax":60000,"lotNumber":"102","title":{"en":"\"lady with umbrella\", raimundo de madrazo y garreta (rome, july 24, 1841 - versailles, september 15, 1920), spanish school of the 19th century","es":"\"dama con paraguas\", raimundo de madrazo y garreta (roma, 24 de julio de 1841 - versalles, 15 de septiembre de 1920), escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24803/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":15000,"soldPrice":13000,"lastUpdate":"2026-07-01T16:54:34.161Z","textCase":"lower","estimate":"\u20ac40,000 - 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cm"},"estimateMax":6000,"lotNumber":"104","title":{"en":"homer, model of a terracotta bust, italian school, possibly 15th century","es":"homero, modelo de busto en terracota, escuela italiana, posiblemente siglo xv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24805/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:54:34.166Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac6,000","currency":"EUR","id":24805,"estimateMin":5000},{"startPrice":3500,"removedFromAuction":true,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24806/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24806/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24806/003/003.jpg"],"soldDate":"2026-01-12","available":false,"description":{"en":"oil on canvas, framed measurements: 155 x 121, canvas 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- valladolid 1629)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24807/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:54:34.169Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac5,000","currency":"EUR","id":24807,"estimateMin":4000},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24808/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24808/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24808/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24808/004/004.jpg"],"available":false,"description":{"en":"oil on board, measurements: 181 x 130 cm","es":"óleo sobre tabla, medidas: 181 x 130 cm"},"estimateMax":7000,"lotNumber":"107","title":{"en":"large oil on panel representing saint anne and saint joachim receiving the virgin mary, tuscan school from the 16th - 17th centuries","es":"gran óleo sobre tabla representando a santa ana y san joaquín recibiendo a la virgen maría, escuela toscana de los siglos xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24808/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:54:34.172Z","textCase":"lower","estimate":"\u20ac6,000 - \u20ac7,000","currency":"EUR","id":24808,"estimateMin":6000},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24809/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24809/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24809/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24809/004/004.jpg"],"available":false,"description":{"en":"with frame, dimensions: 29 x 20 cm","es":"con marco, medidas: 29 x 20 cm"},"estimateMax":1800,"lotNumber":"108","title":{"en":"exceptional oil on vellum, italy 17th century","es":"excepcional óleo sobre vitela, italia siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24809/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:54:34.173Z","textCase":"lower","estimate":"\u20ac1,500 - 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xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24810/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:54:34.175Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,000","currency":"EUR","id":24810,"estimateMin":1500},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24811/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24811/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24811/003/003.jpg"],"available":false,"description":{"en":"oil on copper. measurements: 29 x 20 cm.","es":"óleo sobre cobre. medidas: 29 x 20 cm."},"estimateMax":3000,"lotNumber":"110","title":{"en":"saint joseph with enfant jesus, 18th century mexican colonial school","es":"san josé con el niño, escuela colonial mexicana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24811/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:54:34.177Z","textCase":"lower","estimate":"\u20ac2,000 - 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on canvas. measurements: 135 x 166 cm. provenance: important private collection, north of spain. gaspar peeter verbruggen (i) (antwerp, 1635-1681) was one of the most outstanding flemish baroque painters specializing in the painting of flower garlands and vases. baptized in antwerp on september 8, 1635, he was a disciple of cornelis mahu, in whose workshop he is recorded as early as 1644-1645, when he was only ten years old. married to catharina de zeverdonck, who died in 1674, and secondly to sara catharina raeps, at her death he left behind six living minor children, the eldest, anna, aged 23. a member of the saint luke guild since 1650, he may have collaborated on occasion with frans ykens. his floral still lifes, dated from 1654 to 1680, like those of his son and his disciple gaspar peeter verbruggen the younger (1664-1730), they represent an italianate current within antwerp flower painting, in the baroque manner of abraham brueghel. likewise, cornelis schut (antwerp, may 13, 1597 - april 29, 1655) was a flemish painter, draftsman and engraver.","es":"óleo sobre lienzo. medidas: 135 x 166 cm. procedencia: importante colección particular, norte de españa. gaspar peeter verbruggen (i) (amberes, 1635-1681) fue uno de los más destacados pintores barrocos flamencos especializados en la pintura de guirnaldas y jarrones de flores. bautizado en amberes el 8 de septiembre de 1635, fue discípulo de cornelis mahu, en cuyo taller aparece registrado ya en 1644-1645, con solo diez años. casado con catharina de zeverdonck, fallecida en 1674, y en segundas nupcias con sara catharina raeps, a su muerte dejaba seis hijos vivos menores de edad, la mayor, anna, de 23 años. miembro del gremio de san lucas desde 1650, podría haber colaborado en alguna ocasión con frans ykens. sus bodegones florales, datados de 1654 a 1680, como los de su hijo y discípulo gaspar peeter verbruggen el joven (1664-1730), representan una corriente italianizante dentro de la pintura de flores antuerpiense, a la manera barroca de abraham brueghel. asimismo, cornelis schut (amberes, 13 de mayo de 1597- 29 de abril de 1655) fue un pintor flamenco, dibujante y grabador."},"estimateMax":25000,"lotNumber":"111","title":{"en":"exceptional flower garland with holy family, attributed to gaspar pieter verbruggen and possibly cornelius schut, 17th century flemish school","es":"excepcional orla de flores con sagrada familia, atribuída a gaspar pieter verbruggen y, posiblemente cornelius schut, escuela flamenca del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24812/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T16:54:44.029Z","textCase":"lower","estimate":"\u20ac20,000 - \u20ac25,000","currency":"EUR","id":24812,"estimateMin":20000},{"startPrice":16000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24813/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24813/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24813/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24813/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24813/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24813/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24813/007/007.jpg"],"available":false,"description":{"en":"exceptional illumination in tempera and gold on vellum, measurements: 25 x 18 cm. giovanni battista castello was born in genoa into a family of artists. older brother of the painter bernardo castello (1557-1629), he was nicknamed \u201cel genovés\u201d to distinguish him from giovanni battista castello \u201cel bergamesco\u201d (ca.1509-1569). he trained in the studio of luca cambiaso (1527-1585), considered the most prolific genoese artist of the time. giovanni battista castello distanced himself from the other apprentices. and soon rose to prominence as a freelance artist with a reputation as one of the city's leading illustrators. castello specialized in miniatures and illuminations in tempera on parchment, a field in which he fully showed his technical mastery, as is evident in this beautiful work. so great was the artist's fame that he caught the attention of philip ii of spain who hired castello in 1584 as an illuminator for the royal choir books at el escorial. documentary evidence reveals that castello had returned to his hometown in 1590 and it was there that in 1599 he received a commission from margaret of austria, wife of philip iii, to copy an icon for the church of san bartolomeo degli armeni. the years around the turn of the century mark the most prolific period in castello's career, a time when he had already acquired enormous prestige, as is clear from raffaello soprani's description of him in his vite dei pittori, scultori et architetti genovesi (1674), praising castello's \u201ccolorita with meravigliosa exquisiteness\u201d. soprani describes him as one of the best miniaturists of his time and comparable to giulio clovio (1498-1578), who according to his biographer vasari was considered the \u201cpiccolo e nuovo michelangelo\u201d. regarding the present work, the expert elena de laurentiis has written: \u201cthis unpublished miniature is one of the earliest known works by the artist and is characterized by meticulous and exquisite attention to detail. the model derives from a free interpretation of giulio romano's painting of the same theme found in the church of santo stefano in genoa\u201d. castello's brilliant and refined use of color is evident in this work, which can be compared to the adoration of the magi, signed and dated 1588, in the städel museum in frankfurt. literature: de laurentiis, elena. il pio genovese. giovanni battista castello\u201d in alumina, page miniate, no. 37, april-june 2012, p. 26-35, rep. p. 26.","es":"excepcional iluminación en temple y oro sobre vitela, medidas: 25 x 18 cm. giovanni battista castello nació en génova en el seno de una familia de artistas. hermano mayor del pintor bernardo castello (1557-1629), fue apodado \u201cel genovés\u201d para distinguirlo de giovanni battista castello \u201cel bergamesco\u201d (ca.1509-1569). se formó en el estudio de luca cambiaso (1527-1585), considerado el artista genovés más prolífico de la época. giovanni battista castello se distanció de los demás aprendices. y pronto se destacó como artista independiente con reputación de ser uno de los principales ilustradores de la ciudad. castello se especializó en miniaturas e iluminaciones al temple sobre pergamino, campo en el que mostró plenamente su dominio técnico, como queda patente en la presente bella obra. tan grande fue la fama del artista que llamó la atención de felipe ii de españa quien contrató a castello en 1584 como iluminador de los libros de coro reales de el escorial. la evidencia documental revela que castello había regresado a su ciudad natal en 1590 y fue allí donde en 1599 recibió el encargo de margarita de austria, esposa de felipe iii, de copiar un icono para la iglesia de san bartolomeo degli armeni. los años cercanos al cambio de siglo marcan el período más prolífico de la carrera de castello, momento en el que ya había adquirido un enorme prestigio, como queda patente en la descripción que de él hace raffaello soprani en su vite dei pittori, scultori et architetti genovesi (1674), alabando la \u201ccolorita con esquisitezza meravigliosa\u201d de castello. soprani lo describe como uno de los mejores miniaturistas de su época y comparable a giulio clovio (1498-1578), quien según su biógrafo vasari era considerado el \u201cpiccolo e nuovo michelangelo\u201d. respecto a la presente obra, la experta elena de laurentiis ha escrito: \u201cesta miniatura inédita es una de las primeras obras conocidas del artista y se caracteriza por una minuciosa y exquisita atención al detalle. el modelo deriva de una interpretación libre del cuadro de giulio romano del mismo tema que se encuentra en la iglesia de santo stefano en génova\u201d. el uso brillante y refinado del color por parte de castello es evidente en esta obra, que puede compararse con la adoración de los magos, firmada y fechada en 1588, en el museo städel de frankfurt. literatura: de laurentiis, elena. \u201cil pio genovese. giovanni battista castello\u201d en alumina, pagine miniate, núm. 37, abril-junio de 2012, pp. 26-35, repr. pags. 26."},"estimateMax":30000,"lotNumber":"112","title":{"en":"giovanni battista castello, \u201cthe genovese\u201d (genoa, 1549 - ca. 1639), the martyrdom of saint stephen, dated 1580","es":"giovanni battista castello, \u201cel genovés\u201d (génova, 1549 - ca. 1639), el martirio de san esteban, datado en 1580"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24813/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":16000,"lastUpdate":"2026-07-01T16:54:44.031Z","textCase":"lower","estimate":"\u20ac20,000 - \u20ac30,000","currency":"EUR","id":24813,"estimateMin":20000},{"startPrice":7000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24814/013/013.jpg"],"available":false,"description":{"en":"oil on copper, measures: 45 x 34. with an important spanish period frame.","es":"óleo sobre cobre, medidas: 45 x 34. con importante marco español de época."},"estimateMax":12000,"lotNumber":"113","title":{"en":"the adoration of the shepherds, an italian mannerist school from the late 19th century. xvi","es":"la adoración de los pastores, escuela manierista italiana de finales del s. xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24814/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":7000,"lastUpdate":"2026-07-01T16:54:44.033Z","textCase":"lower","estimate":"\u20ac10,000 - \u20ac12,000","currency":"EUR","id":24814,"estimateMin":10000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24815/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24815/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24815/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24815/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24815/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24815/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24815/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24815/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24815/009/009.jpg"],"available":false,"description":{"en":"in polychrome wood, boy measures: 55 x 26, base: 20 x 25 x 25 cm","es":"en madera policromada, medidas niño: 55 x 26, peana: 20 x 25 x 25 cm"},"estimateMax":3500,"lotNumber":"114","title":{"en":"very important enfant jesus salvator mundi, sevillian school of the 17th century. circle of juan de mesa","es":"muy importante niño jesús de la bola, escuela sevillana de los siglos xvii. círculo de juan de mesa"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24815/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:54:44.034Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac3,500","currency":"EUR","id":24815,"estimateMin":3000},{"startPrice":25000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/018/018.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/019/019.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/020/020.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24816/021/021.jpg"],"soldDate":"2022-11-14","available":false,"description":{"en":"we thank doctor nicola spinosa for his help in the attribution to the maltese master of this magnificent pair. helmet canvas measures: 107 x 161 cm (117 x 171 framed) and guitar canvas measures: 118 x 163 (128 x 173 framed). where we observe, a carpet covering a table in the left corner where rest, respectively, a globe, an oval portrait, a sculpture, various books, a planetarium, a table clock and a world map, and another in which the viewer you can see the armor of a complete knight resting on the same table covered with a carpet, and, next to it, a jug, both inside separate caprices. work typically associated with the artistic canons of the italian baroque that directly connects with similar models of the famous painter of the roman school francesco noletti, called il maltese and born in valletta, malta (valletta? c. 1611-rome, 1654) noletti was an italian baroque painter, born as his nickname indicates, in malta and specialized in still life painting. noletti's still lifes have been attributed to the so-called francesco fieravino or fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the foundation for international studies of la valletta, in the building of the old university. called il maltese and born in valletta, malta (valletta? c. 1611-rome, 1654) noletti was an italian baroque painter, born as his nickname indicates, in malta and specialized in still life painting. noletti's still lifes have been attributed to the so-called francesco fieravino or fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the foundation for international studies of la valletta, in the building of the old university. called il maltese and born in valletta, malta (valletta? c. 1611-rome, 1654) noletti was an italian baroque painter, born as his nickname indicates, in malta and specialized in still life painting. noletti's still lifes have been attributed to the so-called francesco fieravino or fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the foundation for international studies of la valletta, in the building of the old university.","es":"agradecemos al doctor nicola spinosa por su atribución al maestro maltés de esta excepcional pareja. medidas bodegón de la armadura: 107 x 161 cm (117 x 171 enmarcado), medidas bodegón de la guitarra: 118 x 163 (128 x 173 enmarcado). donde observamos, una alfombra cubriendo una mesa en el ángulo izquierdo donde descansan, respectivamente, un globo terráqueo, un retrato en óvalo, una escultura, varios libros, un planetario, un reloj de sobremesa y un mapamundi, y otro en el que el espectador puede observar la armadura de un caballero completa reposando sobre la misma mesa cubierta con una alfombra, y, a su lado una jarra, ambos dentro de sendos caprichos. obra típicamente asociada con lo cánones artísticos del barroco italiano que entronca directamente con modelos similares del famoso pintor de la escuela romana francesco noletti, llamado il maltese y nacido en la valeta, malta (la valeta? c. 1611-roma, 1654) noletti fue un pintor barroco italiano, nacido como indica su sobrenombre, en malta y especializado en la pintura de bodegones. los bodegones de noletti han estado atribuidos al llamado francesco fieravino o fioravanti, confusa creación del siglo xviii, hasta que, a comienzos de los años 2000, se descubrió su verdadera identidad a partir de un retrato anónimo conservado en la fundación de estudios internacionales de la valeta, en el edificio de la antigua universidad."},"estimateMax":45000,"lotNumber":"115","title":{"en":"exceptional pair of still lifes, francesco noletti, known as il fieravino or il maltese (valletta c. 1611 - rome, 1654), large pair of still lifes with trophies and armor, 17th century italian school","es":"excepcional pareja de bodegones, francesco noletti, conocido como il fieravino o il maltese (la valeta c. 1611 - roma, 1654), gran pareja de bodegones con trofeos y armaduras, escuela italiana del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24816/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":25000,"soldPrice":21000,"lastUpdate":"2026-07-01T16:54:44.036Z","textCase":"lower","estimate":"\u20ac35,000 - \u20ac45,000","currency":"EUR","id":24816,"estimateMin":35000},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24817/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24817/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24817/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24817/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24817/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24817/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24817/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24817/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24817/009/009.jpg"],"available":false,"description":{"en":"in gilded bronze, a couple of similar size and carrying torcheros in the \"pantheon of kings of the escorial\". measurements: 41 x 18 each. origin: old noble collection, palma de mallorca.","es":"en bronce dorado, una pareja de similar tamaño y portando torcheros en el \"panteón de reyes del escorial\". medidas: 41 x 18 cada uno. procedencia: antigua colección nobiliaria, palma de mallorca."},"estimateMax":6000,"lotNumber":"116","title":{"en":"exceptional pair of cherubs in gilt bronze, hispanic-italian school of the second half of the 17th century, school of domenico guidi (carrara, 1625 - rome, 1701)","es":"excepcional pareja de querubines en bronce dorado, escuela hispano - italiana de la segunda mitad del siglo xvii, escuela de doménico guidi (carrara, 1625 - roma, 1701)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24817/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:54:44.037Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac6,000","currency":"EUR","id":24817,"estimateMin":5000},{"startPrice":7000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24819/017/017.jpg"],"available":false,"description":{"en":"splendid and delicate cabinet. composed of a top cover. that hides a single drawer. the inner part of said lid presents marquetry decoration forming geometric designs. the lower body closes with two doors that present architectural decoration on the outside, and on the inside two central medallions, in which the portraits of an indigenous character representing moctezuma xocoyotzin and that of a conqueror, representing moctezuma xocoyotzin, appear in carving. hernan cortes. the interior hides five drawers and a false drawer in the upper part, fully decorated with a very delicate plateresque carved decoration. representing dragons and garlands \"a candelieri\", in contrasting woods. these same motifs are reproduced on the inside of the doors. around the aforementioned portraits. the handles of the drawers and the two doors are in gilt bronze and have the shape of a vase. hinges and handles in wrought iron with traces of gilding. keep your original key. it is evident that the destiny was that of an important family, since the quality of the cabinetry and the gilded ironwork is extremely high. provenance: collection of josé de aragón pignatelli cortés (1818-1859). duke of terranova and monteleone and marquis of the valley of oxaca from the sale of his properties between 1835 and 1837 by his representative lucas alemán. 31 x 54 x 29 cm. since the quality of the cabinetry work and the golden fittings is very high. provenance: collection of josé de aragón pignatelli cortés (1818-1859). duke of terranova and monteleone and marquis of the valley of oxaca from the sale of his properties between 1835 and 1837 by his representative lucas alemán. 31 x 54 x 29 cm. since the quality of the cabinetry work and the golden fittings is very high. provenance: collection of josé de aragón pignatelli cortés (1818-1859). duke of terranova and monteleone and marquis of the valley of oxaca from the sale of his properties between 1835 and 1837 by his representative lucas alemán. 31 x 54 x 29 cm.","es":"esplendido y delicado cabinet. compuesto por una tapa superior. que esconde un único cajón. la parte interior de dicha tapa presenta decoración de marqueteria formando diseños geométricos. el cuerpo inferior, cierra con dos puertas que presentan decoración arquitectónica en el exterior, y en el interior sendos medallones centrales, en los que aparece en talla los retratos de un indigena con caracter representativo a moctezuma xocoyotzin y el de un conquistador, que representa a hernán cortés. el interior esconde cinco cajones y un falso cajón en la parte superior, decorados completamente por una muy delicada decoración tallada plateresca. representando dragones y guirnaldas \"a candelieri\", en maderas contrastadas. estos mismos motivos se reproducen en el interior de las puertas. alrededor de los retratos antes mencionados. los tiradores de los cajoncitos y las dos puertas son en bronce dorado y tiene forma de jarrón. bisagras y asas en hierro forjado con restos de dorado. 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fine art auctions is pleased to present an exquisite selection of 11 malines enfant jesus sculptures from the collection of an important spanish collector. the flemish masters started from the late gothic, a \"flemish gothic\" that in painting is part of the international gothic, and was characterized by the detail of the miniatures. its evolution, which can be expected as \"pre-renaissance\", continued throughout the fifteenth and sixteenth centuries with a certain independence from the italian renaissance, although they ended up noticing its influence. within european renaissance painting, the flemish school is part of what is called the \"nordic renaissance\" (the one that occurs north of the alps, that is, outside of italy). the great relationship that the flemish nucleus had with spain (especially with the crown of castile) in the fifteenth century allows us to speak of a hispano-flemish style. the main peculiarity of the flemish masters of the fifteenth century consists in their ability to realistically reflect man and nature, exposing their interest in the inner world of the person. the 16th century is the period of a new flourishing of flemish-dutch painting. the theme is enriched, the painting of the landscape genre and ordinary life appears. largest size measurements: 44 x 15 x 9 (with base), child measurements: 37 x 13 cm. measurements of the smallest figure (with the base included): 18 x 7 x 4 cm","es":"presentamos a continuación una exquisita selección de 11 niños de la bola de malinas procedentes la la colección de un importante coleccionista. los maestros flamencos partieron del gótico tardío, un «gótico flamenco» que en pintura forma parte del gótico internacional, y se caracterizó por el detallismo de las miniaturas. su evolución, que puede considerarse como «prerrenacentista», continuó a lo largo de los siglos xv y xvi con cierta independencia del renacimiento italiano aunque terminaron notando su influencia. dentro de la pintura renacentista europea, la escuela flamenca se inscribe dentro de lo que se denomina «renacimiento nórdico» (el que se da al norte de los alpes, es decir, fuera de italia). la gran relación que tuvo el núcleo flamenco con españa (especialmente con la corona de castilla) en el siglo xv permite hablar de un estilo hispano-flamenco. la principal particularidad de los maestros flamencos del siglo xv consiste en su capacidad de reflejar con realismo al hombre y a la naturaleza, exponiendo su interés por el mundo interior de la persona. el siglo xvi es el periodo de un nuevo florecimiento de la pintura flamenco-holandesa. se enriquece la temática, aparece la pintura del género paisajista y de la vida corriente. medidas talla más grande: 44 x 15 x 9 (con peana), medidas niño: 37 x 13 cm. medidas figura más pequeña (con la peana incorporada): 18 x 7 x 4 cm"},"estimateMax":80000,"lotNumber":"125","title":{"en":"exceptional collection of 11 enfant jesus of malines from an important private collection, part i, southern netherlandish school of the 16th century, malines, circa 1500-1550","es":"excepcional colección de 11 niños de malinas procedente de una importante colección privada, parte ii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24826/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":40000,"lastUpdate":"2026-07-01T16:54:39.243Z","textCase":"lower","estimate":"\u20ac60,000 - 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gilding and punching. measures 26 cm height (figure). base 7 cm high.","es":"de finos detalles y minucioso dorado y punzonado. medidas 26 cm altura (figura). peana 7 cm de altura."},"estimateMax":2000,"lotNumber":"126","title":{"en":"important colonial saint joachim carving, quito or guatemala, 18th century colonial school","es":"importante talla de san joaquín colonial, quito o guatemala, escuela colonial del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24827/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":950,"soldPrice":950,"lastUpdate":"2026-07-01T16:54:39.245Z","textCase":"lower","estimate":"\u20ac1,500 - 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fine art auctions is pleased to present an exquisite selection of 11 malines enfant jesus sculptures from the collection of an important spanish collector. the flemish masters started from the late gothic, a \"flemish gothic\" that in painting is part of the international gothic, and was characterized by the detail of the miniatures. its evolution, which can be expected as \"pre-renaissance\", continued throughout the fifteenth and sixteenth centuries with a certain independence from the italian renaissance, although they ended up noticing its influence. within european renaissance painting, the flemish school is part of what is called the \"nordic renaissance\" (the one that occurs north of the alps, that is, outside of italy). the great relationship that the flemish nucleus had with spain (especially with the crown of castile) in the fifteenth century allows us to speak of a hispano-flemish style. the main peculiarity of the flemish masters of the fifteenth century consists in their ability to realistically reflect man and nature, exposing their interest in the inner world of the person. the 16th century is the period of a new flourishing of flemish-dutch painting. the theme is enriched, the painting of the landscape genre and ordinary life appears. largest size measurements: 41 x 18 x 15 (with base), child measurements: 32 x 13 cm. measurements of the smallest figure (with the base included): 20 x 4 x 5 cm","es":"presentamos a continuación una exquisita selección de 11 niños de la bola de malinas procedentes la la colección de un importante coleccionista. los maestros flamencos partieron del gótico tardío, un «gótico flamenco» que en pintura forma parte del gótico internacional, y se caracterizó por el detallismo de las miniaturas. su evolución, que puede considerarse como «prerrenacentista», continuó a lo largo de los siglos xv y xvi con cierta independencia del renacimiento italiano aunque terminaron notando su influencia. dentro de la pintura renacentista europea, la escuela flamenca se inscribe dentro de lo que se denomina «renacimiento nórdico» (el que se da al norte de los alpes, es decir, fuera de italia). la gran relación que tuvo el núcleo flamenco con españa (especialmente con la corona de castilla) en el siglo xv permite hablar de un estilo hispano-flamenco. la principal particularidad de los maestros flamencos del siglo xv consiste en su capacidad de reflejar con realismo al hombre y a la naturaleza, exponiendo su interés por el mundo interior de la persona. el siglo xvi es el periodo de un nuevo florecimiento de la pintura flamenco-holandesa. se enriquece la temática, aparece la pintura del género paisajista y de la vida corriente. medidas talla más grande: 41 x 18 x 15 (con peana), medidas niño: 32 x 13 cm. medidas figura más pequeña (con la peana incorporada): 20 x 4 x 5 cm"},"estimateMax":80000,"lotNumber":"131","title":{"en":"exceptional collection of 11 enfant jesus of malines from an important private collection, part ii, southern netherlandish school of the 16th century, malines, circa 1500-1550","es":"excepcional colección de 11 niños de malinas procedente de una importante colección privada, parte ii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24832/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":40000,"lastUpdate":"2026-07-01T16:54:45.012Z","textCase":"lower","estimate":"\u20ac60,000 - \u20ac80,000","currency":"EUR","id":24832,"estimateMin":60000},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24833/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24833/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24833/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24833/004/004.jpg"],"available":false,"description":{"en":"oil on board, measurements: 41 x 23 cm","es":"óleo sobre tabla, medidas: 41 x 23 cm"},"estimateMax":1800,"lotNumber":"132","title":{"en":"extraordinary child jesus salvator mundi, aragonese school from the end of the 18th century","es":"extraordinario niño jesús salvator mundi, escuela aragonesa de finales del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24833/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:54:45.014Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,800","currency":"EUR","id":24833,"estimateMin":1500},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24834/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24834/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24834/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24834/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24834/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measures: 47 x 32, framed measures: 58 x 43 cm","es":"óleo sobre lienzo, medidas lienzo: 47 x 32, medidas enmarcado: 58 x 43 cm"},"estimateMax":1000,"lotNumber":"133","title":{"en":"portrait of fraile, signed frade, 19th century spanish school","es":"retrato de fraile, firmado frade, escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24834/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T16:54:45.016Z","textCase":"lower","estimate":"\u20ac750 - \u20ac1,000","currency":"EUR","id":24834,"estimateMin":750},{"startPrice":600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24835/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24835/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24835/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24835/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24835/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24835/006/006.jpg"],"available":false,"description":{"en":"oil on board, board measurements: 34 x 26, framed measurements: 46 x 37 cm. (zarzalejo, madrid, 1834-madrid, 1896). spanish painter and director of the prado museum from 1894 to 1896. the son of an italian lithographer, the painter from madrid trained at the escuela superior de bellas artes de la academia de san fernando from 1848. from then on, married and already established at court, without much success, he made some history paintings, such as the battle of tetuán (army museum, madrid) or the executions of the third of may on the mountain of príncipe pío (madrid city hall) of an imposted drama, with the who gets his third first class medal, and the following year, in 1872, he is appointed academician of san fernando. since 1873 palmaroli settles in paris, and there he developed his facet as a painter of tableautins to a great extent for ten years, at the end of which he was called to rome as director of the spanish academy. in the eternal city he continues with the same genre of anecdotal inspiration, of which some of the works preserved in the prado museum are an exceptional example, such as the concert or confession. he held the post of director of the prado museum from 1894 (by royal order of june 22) until his death. bibliography: puente, joaquín de la, prado museum. house of the good retreat. nineteenth-century painting, madrid, 1985. like the concert or confession. he held the post of director of the prado museum from 1894 (by royal order of june 22) until his death. bibliography: puente, joaquín de la, prado museum. house of the good retreat. nineteenth-century painting, madrid, 1985. like the concert or confession. he held the post of director of the prado museum from 1894 (by royal order of june 22) until his death. bibliography: puente, joaquín de la, prado museum. house of the good retreat. nineteenth-century painting, madrid, 1985.","es":"óleo sobre tabla, medidas tabla: 34 x 26, medidas enmarcado: 46 x 37 cm. (zarzalejo, madrid, 1834-madrid, 1896). pintor españoly director del museo del prado de 1894 a 1896. hijo de un litógrafo italiano, el pintor madrileño se formó en la escuela superior de bellas artes de la academia de san fernando a partir de 1848. a partir de entonces, casado y establecido ya en la corte, realiza sin mucha fortuna algunas pinturas de historia, como la batalla de tetuán (museo del ejército, madrid) o los fusilamientos del tres de mayo en la montaña del príncipe pío (ayuntamiento de madrid) de un impostado dramatismo, con la que consigue su tercera medalla de primera clase, y el año siguiente, en 1872, es nombrado académico de san fernando. desde 1873 palmaroli se instala en parís, y allí desarrolla amplísimamente su faceta como pintor de tableautins durante diez años, al término de los cuales es llamado a roma como director de la academia de españa. en la ciudad eterna continúa con el mismo género de inspiración anecdótica, del que son muestra excepcional algunas de las obras que conserva el museo del prado, como el concierto o confesión. ocupa desde 1894 (por real orden de 22 de junio) hasta su muerte el puesto de director del museo del prado. bibliografía: puente, joaquín de la, museo del prado. casón del buen retiro. pintura del siglo xix, madrid, 1985."},"estimateMax":1500,"lotNumber":"134","title":{"en":"the lamentations of may 3, school of vicente palmaroli (zarzalejo, madrid, 1834-madrid, 1896), spanish school of the xix","es":"las lamentaciones del 3 de mayo, escuela de vicente palmaroli (zarzalejo, madrid, 1834-madrid, 1896), escuela española del xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24835/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":600,"lastUpdate":"2026-07-01T16:54:45.018Z","textCase":"lower","estimate":"\u20ac900 - 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\u20ac1,200","currency":"EUR","id":24887,"estimateMin":1000},{"startPrice":6000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/020/020.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/022/022.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/026/026.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24889/027/027.jpg"],"soldDate":"2023-06-28","available":false,"description":{"en":"exceptional piece finely carved in ivory for the portuguese market by chinese artisans in the portuguese colonies of macao at the end of the 17th century, where we observe the mother of god, crowned, with hands in prayer position, at her feet, two guardian angels they hold a floral offering that supports the virgin under a crescent. meanwhile, in the upper right corner we see christ in blessing position with the cross and the eternal father on the upper left side. crowning the composition, the holy spirit together with the sun and the moon, in reference to the passage from genesis 1:14-19 of day four of creation; in which god said: \u201clet lights appear in the sky to separate the day from the night; let them be signs to mark the seasons, the days and the years. let those lights in the sky shine on the earth\u201d; and that's what happened. god made two great lights: the larger one to rule the day, and the smaller one to rule the night. he also made the stars. god put those lights in the sky to illuminate the earth, to rule the day and the night, and to separate light from darkness. and god saw that this was good. and the evening passed and the morning came, thus the fourth day was fulfilled. reference literature: gavin bailey, jean michel massing and nuno vassalo e silva, \"marfins no império português\", p. 277. measurements: 16 x 8.5 cm. certificate of antiquity of the ivory is attached. to rule the day and the night, and to separate the light from the darkness. and god saw that this was good. and the evening passed and the morning came, thus the fourth day was fulfilled. reference literature: gavin bailey, jean michel massing and nuno vassalo e silva, \"marfins no império português\", p. 277. measurements: 16 x 8.5 cm. certificate of antiquity of the ivory is attached. to rule the day and the night, and to separate the light from the darkness. and god saw that this was good. and the evening passed and the morning came, thus the fourth day was fulfilled. reference literature: gavin bailey, jean michel massing and nuno vassalo e silva, \"marfins no império português\", p. 277. measurements: 16 x 8.5 cm. certificate of antiquity of the ivory is attached.","es":"excepcional pieza finamente tallada en marfil para el mercado portugués por artesanos chinos en las colonias portuguesas de macao a finales del siglo xvii, donde observamos a la madre de dios, coronada, con las manos en posisción de oración, a sus pies, dos ángles custodios sostienen una ofrenda floral que sostiene a la virgen bajo una media luna. mientras, en el ángulo superior derecho vemos a cristo en posición de bendición con la cruz y al padre eterno en el lateral superior izquierdo. coronando la composición, el espíritu santo junto al sol y la luna, en referencia al pasaje del génesis 1:14-19 del día cuatro de la creación; en el que dios dijo: «que aparezcan luces en el cielo para separar el día de la noche; que sean señales para que marquen las estaciones, los días y los años. que esas luces en el cielo brillen sobre la tierra»; y eso fue lo que sucedió. dios hizo dos grandes luces: la más grande para que gobernara el día, y la más pequeña para que gobernara la noche. también hizo las estrellas. dios puso esas luces en el cielo para iluminar la tierra, para que gobernaran el día y la noche, y para separar la luz de la oscuridad. y dios vio que esto era bueno. y pasó la tarde y llegó la mañana, así se cumplió el cuarto día. literatura de referencia: gavin bailey, jean michel massing e nuno vassalo e silva, \"marfins no império português\", p. 277. medidas: 16 x 8,5 cm. se adjunta certificado de antigüedad del marfil."},"estimateMax":40000,"lotNumber":"188","title":{"en":"exceptional sino portuguese colonial ivory carving with immaculate virgin, portuguese colonies of macao, xvii - xviii century","es":"excepcional relieve sino portugués con virgen inmaculada, colonias portuguesas de macao, siglo xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24889/view","tags":["esdecorativearts_ivory","esinternational_chinese","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":6000,"soldPrice":8000,"lastUpdate":"2026-07-01T16:54:59.140Z","textCase":"lower","estimate":"\u20ac30,000 - \u20ac40,000","currency":"EUR","id":24889,"estimateMin":30000},{"startPrice":6500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24890/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24890/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24890/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24890/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24890/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24890/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24890/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24890/008/008.jpg"],"available":false,"description":{"en":"oil on canvas, with inscription: \"tocada a la original de méxico\". the virgin represented in the center of the composition surrounded by rays of light, on a crescent moon, is dressed in a pink tunic and a blue mantle, which covers her head, decorated with stars. she leans on the crescent moon, supported by an angel with blue, yellow and red wings. her head slightly tilted to the right is in a prayerful attitude. it is surrounded by the four apparitions on the tepeyac hill -mexico city- to the indian juan diego, who is accompanied by two angels, attends the divine apparition that asks him to go to bishop zumárraga, tell him what he has seen and tell him that build a temple on that very spot. the indifference of the prelate and his desire to receive evidence more palpable than the mere word of the indian motivates a third appearance, represented in the lower left corner, with the consequent mandate to pick up some roses that, hidden in his tilma or blanket, he had to show to zumárraga, which gives rise to the fourth and last appearance in the presence of the bishop and his companions, who can see how, instead of the flowers, it is the sacred image itself that appears printed on juan diego's blanket. these scenes follow the engravings that matías de arteaga made in 1685 to recount the prodigy, as part of that year's edition of the book happiness of mexico, by luis becerra tanco. the authorship of the painting of the virgin is attributed to the indigenous artist marcos cipac de aquino, who is presumed, he made the painting commissioned by the second archbishop of mexico, alonso de montúfar. the \u201cguadalupana\u201d belongs to a german flemish iconographic model called mulier amicta sole (the woman surrounded by the sun) that dates back to the middle ages. the conceptual background of this model is saint john's description of the heavenly woman in the new testament apocalypse: \"a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head\" . among the known works in which there is a greater resemblance to the painting of the virgin, the virgin in glory stands out, from 1490, a german flemish print, which coincides in its main lines with the guadalupe and which could have been a source of inspiration. for mark. the variations that exist between both images were probably due to the adaptation required by the emitters and receivers of the image. the representation of the virgin of guadalupe shares common features with many marian images made after 1530. this is because the model was kept current through the reprinting of old plates, as well as through the creation of new works, including the of the virgin as the immaculate conception, which was normalized in the 17th century. the latter has motivated many novohispanic clerics of the 17th and 18th centuries to consider the virgin of guadalupe as an immaculate conception. canvas measures: 104.5 x 83.5 cm the representation of the virgin of guadalupe shares common features with many marian images made after 1530. this is because the model was kept current through the reprinting of old plates, as well as through the creation of new works, including the of the virgin as the immaculate conception, which was normalized in the 17th century. the latter has motivated many novohispanic clerics of the 17th and 18th centuries to consider the virgin of guadalupe as an immaculate conception. canvas measures: 104.5 x 83.5 cm the representation of the virgin of guadalupe shares common features with many marian images made after 1530. this is because the model was kept current through the reprinting of old plates, as well as through the creation of new works, including the of the virgin as the immaculate conception, which was normalized in the 17th century. the latter has motivated many novohispanic clerics of the 17th and 18th centuries to consider the virgin of guadalupe as an immaculate conception. canvas measures: 104.5 x 83.5 cm the latter has motivated many novohispanic clerics of the 17th and 18th centuries to consider the virgin of guadalupe as an immaculate conception. canvas measures: 104.5 x 83.5 cm the latter has motivated many novohispanic clerics of the 17th and 18th centuries to consider the virgin of guadalupe as an immaculate conception. canvas measures: 104.5 x 83.5 cm","es":"óleo sobre lienzo, con inscripción: \"tocada a la original de méxico\". la virgen representada en el centro de la composición rodeada de rayos de luz, sobre una luna creciente, está vestida con una túnica rosa y un manto azul, que le cubre la cabeza, decorado con estrellas. se apoya sobre la luna en cuarto creciente, sostenida por un ángel con las alas de color azul, amarillo y rojo. la cabeza ligeramente inclinada hacia la derecha se encuentra en actitud orante. está rodeada de las cuatro apariciones en el cerro de tepeyac -ciudad de méxico- al indio juan diego, este acompañado de dos ángeles, asiste a la aparición divina que le pide acuda al obispo zumárraga, le cuente lo que ha visto y le indique que construya un templo en aquel mismo lugar. la indiferencia del prelado y su deseo de recibir pruebas más palpables que la mera palabra del indio motiva una tercera aparición, representada en el ángulo inferior izquierdo, con el consiguiente mandato de recoger unas rosas que, ocultas en su tilma o manta, debía mostrar a zumárraga, lo que da lugar a la cuarta y última aparición en presencia del obispo y sus acompañantes, que pueden comprobar cómo, en lugar de las flores, es la propia imagen sagrada la que aparece impresa en la manta de juan diego. estas escenas siguen los grabados que matías de arteaga realizó en 1685 para contar el prodigio, como parte de la edición de ese año del libro felicidad de méxico, de luis becerra tanco. la autoría de la pintura de la virgen se atribuye al artista indígena marcos cipac de aquino, quien se presume, hizo la pintura por encargo del segundo arzobispo de méxico, alonso de montúfar. la \u201cguadalupana\u201d pertenece a un modelo iconográfico flamenco alemán denominado mulier amicta sole (la mujer rodeada de sol) que data de la edad media. el antecedente conceptual de este modelo es la descripción de que hace san juan de la mujer celestial en el apocalipsis del nuevo testamento: \u201cuna mujer vestida de sol, con la luna bajo sus pies y una corona de doce estrellas sobre su cabeza\u201d. entre las obras conocidas en las que existe una mayor semejanza con la pintura de la virgen destaca la virgen en la gloria, de 1490, una estampa flamenca alemana, que coincide en sus trazos principales con la guadalupana y que podría haber sido una fuente de inspiración para marcos. las variaciones que existen entre ambas imágenes probablemente se debieron a la adaptación que requirieron los emisores y receptores de la imagen. la representación de la virgen de guadalupe comparte rasgos comunes con muchas imágenes marianas realizadas después de 1530. esto se debe a que el modelo se mantuvo vigente mediante la reimpresión de placas antiguas, así como por medio de la creación de nuevas obras, entre ellas la de la virgen como inmaculada concepción, misma que se normalizó en el siglo xvii. esto último ha motivado a que muchos clérigos novohispanos de los siglos xvii y xviii hayan considerado a la virgen de guadalupe como una inmaculada concepción. medidas lienzo: 104,5 x 83,5 cm"},"estimateMax":20000,"lotNumber":"189","title":{"en":"our lady of guadalupe novohispanic colonial school, mexico, 17th century","es":"virgen de nuestra señora de guadalupe escuela colonial novohispana, méxico, siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24890/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":6500,"lastUpdate":"2026-07-01T16:54:59.142Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac20,000","currency":"EUR","id":24890,"estimateMin":15000},{"startPrice":7000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24891/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24891/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24891/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24891/004/004.jpg"],"available":false,"description":{"en":"\"ecce homo, follower of luis de morales, oil on canvas attached to panel. measurements: 70 x 51.3 cm, 84 x 66 cm (frame). provenance: spanish private collection","es":"\"ecce homo, seguidor de luis de morales, óleo sobre lienzo adherido a tabla. medidas: 70 x 51,3 cm, 84 x 66 cm (marco). procedencia: colección particular española"},"estimateMax":15000,"lotNumber":"190","title":{"en":"ecce homo, follower of luis de morales, 17th century spanish school","es":"ecce homo, seguidor de luis de morales, escuela española del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24891/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":7000,"lastUpdate":"2026-07-01T16:54:59.144Z","textCase":"lower","estimate":"\u20ac12,000 - \u20ac15,000","currency":"EUR","id":24891,"estimateMin":12000},{"startPrice":800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24892/011/011.jpg"],"available":false,"description":{"en":"oil on canvas, with period frame measures: 96 x 91, framed measures: 110 x 105 cm","es":"óleo sobre lienzo, con marco de epoca medidas: 96 x 91, medidas enmarcado: 110 x 105 cm"},"estimateMax":3000,"lotNumber":"191","title":{"en":"immaculate virgin, cuzco school of the 17th century","es":"virgen inmaculada, escuela cuzqueña del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24892/view","tags":["esart_oldmasters","esinternational_southamerican","esart","esinternational","esinternational_all","esart_all"],"directSalePrice":800,"lastUpdate":"2026-07-01T16:54:46.438Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":24892,"estimateMin":2000},{"startPrice":700,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24893/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24893/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24893/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24893/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24893/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24893/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24893/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, with period frame measures: 50 x 40, framed measures: 54 x 44 cm","es":"óleo sobre lienzo, con marco de epoca medidas: 50 x 40, medidas enmarcado: 54 x 44 cm"},"estimateMax":2000,"lotNumber":"192","title":{"en":"virgin mary with the child and saint john, italian school of the xvii","es":"virgen maría con el niño y san juanito, escuela italiana del xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24893/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":700,"lastUpdate":"2026-07-01T16:54:46.441Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,000","currency":"EUR","id":24893,"estimateMin":1500},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24894/013/013.jpg"],"available":false,"description":{"en":"with paws in the form of lions. combined weight of both: 500 g approx. in silver, measures: 6.5 x 8 cm","es":"con patas en forma de leones. peso combinado de ambos: 500 g aprox. en plata, medidas: 6,5 x 8 cm"},"estimateMax":3000,"lotNumber":"193","title":{"en":"pair of silver salt cellars, 19th - 20th century, odiot à paris hallmarks","es":"pareja de saleras en plata, siglo xix - xx, punzones odiot à parís"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24894/view","tags":["esdecorativearts_silver","esdecorativearts_flatwareservingpieces","esdecorativearts_all","esdecorativearts"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:54:46.443Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":24894,"estimateMin":2000},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24895/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24895/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24895/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24895/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24895/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24895/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24895/007/007.jpg"],"available":false,"description":{"en":"with jellyfish motifs, in silver, weight without the glass of both: 166 g, measurements: 5 x 7.8 cm","es":"con motivos de medusas, en plata, peso sin el cristal de ambos: 166 g, medidas: 5 x 7,8 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confirmation, he started taking ornamental painting classes at the royal danish academy of fine arts. he continued to take advanced classes at the academy and, in 1827, established himself as a decorative painter. he married that same year ida gindrup (1802\u20131880). in 1830, he returned to the academy for further training and received several prize money for landscape painting. in 1837 the academy was prepared to recommend him for funding from the \"fonden ad usus publicos\", but he decided to wait. the fund had been created by king frederick v of denmark in 1765 to promote the arts and sciences. from 1865, he was the supervisor (curator) of the moltkeske painting collection and from 1867 he was painter-in-residence at charlottenborg palace. in 1874, he was made a knight of the order of the dannebrog. always in excellent health, he died suddenly in copenhagen at the age of eighty-six. his son, hjalmar kiærskou, was a noted botanist. bibliography: nørgaard larsen, peter. \"fc 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kiærskou\" (in danish). kunstindeks danmark & \u200b\u200bweilbach kunstnerleksikon. provenance: private collection, madrid. weilbach kunstnerleksikon. provenance: private collection, madrid. weilbach kunstnerleksikon. provenance: private collection, madrid.","es":"óleo sobre lienzo, firmado, medidas lienzo: 75 x 107 cm, medidas enmarcado: 93 x 124 cm. su padre era empleado del juzgado de policía (politiret). perdió a ambos padres a la edad de nueve años y lo colocaron en un orfanato (det kongelige vajsenhus), que también brindaba educación primaria. después de su confirmación, comenzó a tomar clases de pintura ornamental en la real academia danesa de bellas artes. continuó tomando clases avanzadas en la academia y, en 1827, se estableció como pintor decorativo. se casó ese mismo año con ida gindrup (1802\u20131880). en 1830, regresó a la academia para recibir más formación y recibió varios premios en metálico por la pintura de paisajes. en 1837, la academia estaba dispuesta a 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blas and whose measurements are: 93 by 143 centimeters. the piece was made in the third quarter of the fifteenth century by an aragonese artist, almost certainly a disciple of the master martín de soria. this painter was one of the greatest exponents of gothic painting in aragon. his style, very close to that of the work in this study, is included within the naturalist current that, as we say, fits between the decades of 1450 and 1480. oil on panel, framed measurements: 183 x 149 cm","es":"se adjunta informa de don jorge gutiérrez garcía y martínez de marañón. la siguiente obra es una tabla pintada al temple y dorada que representa a san blas y cuyas medidas son: 93 por 143 centímetros. la pieza fue realizada en el tercer cuarto del siglo xv por un artista aragonés siendo con casi toda seguridad un discípulo del maestro martín de soria. este pintor fue uno de los máximos exponentes de la pintura del gótica en aragón. su estilo muy cercano al de la obra de este estudio se incluye dentro la corriente naturalista que como decimos se ajusta entre las décadas de 1450 y 1480. óleo sobre tabla, medidas enmarcado: 183 x 149 cm"},"estimateMax":25000,"lotNumber":"274","title":{"en":"saint blah, 15th century, circle of master martín de soria, castilian school of the 15th - 16th centuries","es":"tabla de san blas, siglo xv, círculo del maestro martín de soria, escuela castellana de los siglos xv - xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24975/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T16:55:04.866Z","textCase":"lower","estimate":"\u20ac20,000 - 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painting is from 1580, when the then duke of gandia, the future san francisco de borja, is received at the gates of the casa profesa in rome by san ignacio de loyola with the intention of being welcomed into the jesuit order. report of d. enrique valdivieso is attached. canvas measures: 134 x 170. framed measures: 213 x 148 cm","es":"el recibimiento de san francisco de borja en la compañía de jesús de roma. óleo sobre lienzo. firmado. realizado hacia 1700-1710. el episodio de esta pintura, es de 1580, cuando el entonces duque de gandía, futuro san francisco de borja es recibido a las puertas de la casa profesa de roma por san ignacio de loyola con la intención de ser acogido en la orden jesuítica. se ajdunta informe de d. enrique valdivieso. medidas lienzo: 134 x 170. medidas enmarcado: 213 x 148 cm"},"estimateMax":55000,"lotNumber":"275","title":{"en":"the reception of san francisco de borja in the society of jesus of rome, juan simón gutiérrez (medina sidonia, cádiz, 1643-seville, 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measurements: 113 x 91 cm","es":"óleo sobre lienzo, medidas lienzo: 93 x 73 cm, medidas enmarcado: 113 x 91 cm"},"estimateMax":3000,"lotNumber":"278","title":{"en":"saint steven, hispano-flemish school of the xvi xvii century","es":"san esteban, escuela hispano flamenca del siglo xvi xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24979/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:55:04.873Z","textCase":"lower","estimate":"\u20ac2,500 - 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siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24980/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:55:04.874Z","textCase":"lower","estimate":"\u20ac5,500 - \u20ac6,500","currency":"EUR","id":24980,"estimateMin":5500},{"startPrice":1400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24981/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24981/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24981/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24981/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24981/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24981/006/006.jpg"],"available":false,"description":{"en":"watercolor on paper, watercolor measurements: 55 x 44 cm, framed measurements: 73 x 63 cm. germán álvarez de algeciras y jiménez (jerez de la frontera, 1848 -ibid., 1912), was a spanish costumbrist painter. he was the nephew and heir of the famous minister of finance of the queen regent maría cristina, juan álvarez mendizábal. he was born in 1848 in jerez de la frontera and studied in cádiz, in jerez and in the italian capital, rome. in 1879 he centers his life in jerez, dedicating himself to teaching and creating the best of his work; concurring to the national exhibition of 1874 with the picture the return of gólgota and in 1877 to that of seville with after the desserts and the last rehearsal of a drama also known as \"the king's jester\". alfonso xii (under whose reign jimena was granted the title of city) acquired this painting,","es":"acuarela sobre papel, medidas acuarela: 55 x 44 cm, medidas enmarcado: 73 x 63 cm. germán álvarez de algeciras y jiménez (jerez de la frontera, 1848 -íb., 1912), fue un pintor costumbrista español. fue sobrino y heredero del famoso ministro de hacienda de la reina regente maría cristina, juan álvarez mendizábal. nació en 1848 en jerez de la frontera y estudió en cádiz, en jerez y en la capital italiana, roma. en 1879 centra su vida en jerez, dedicándose a la enseñanza y a la creación de lo mejor de su obra; concurriendo a la exposición nacional de 1874 con el cuadro el regreso del gólgota y en 1877 a la de sevilla con después de los postres y el último ensayo de un drama también conocido como \"el bufón del rey\". alfonso xii (bajo cuyo reinado se concedió a jimena el título de ciudad) adquirió este cuadro, actualmente propiedad del patrimonio nacional (se encuentra en el salón de los recuerdos del palacio de ríofrío (segovia)."},"estimateMax":2000,"lotNumber":"280","title":{"en":"gallant scene on paper, germán álvarez de algeciras y jiménez (jerez de la frontera, 1848 -ibid., 1912), andalusian school of the 19th century","es":"escena galante sobre papel, germán álvarez de algeciras y jiménez (jerez de la frontera, 1848 -íb., 1912), escuela andaluza del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24981/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1400,"lastUpdate":"2026-07-01T16:55:04.876Z","textCase":"lower","estimate":"\u20ac1,800 - \u20ac2,000","currency":"EUR","id":24981,"estimateMin":1800},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24982/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24982/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24982/003/003.jpg"],"available":false,"description":{"en":"oil on copper, copper measurements: 17 x 11 cm, framed measurements: 34 x 26 cm","es":"óleo sobre cobre, medidas cobre: 17 x 11 cm, medidas enmarcado: 34 x 26 cm"},"estimateMax":1800,"lotNumber":"281","title":{"en":"saint gregory the great, hispano-flemish school of the 17th century","es":"san gregorio magno, escuela hispano flamenca del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24982/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:55:08.218Z","textCase":"lower","estimate":"\u20ac1,500 - 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xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24984/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:55:08.221Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac2,250","currency":"EUR","id":24984,"estimateMin":2000},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24985/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24985/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24985/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24985/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24985/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24985/006/006.jpg"],"available":false,"description":{"en":"oil on board, board measurements: 74 x 50 cm, framed measurements: 94 x 70 cm","es":"óleo sobre tabla, medidas tabla: 74 x 50 cm, medidas enmarcado: 94 x 70 cm"},"estimateMax":2500,"lotNumber":"284","title":{"en":"saint gerome listening to the trumpet of the last judgment, spanish mannerist school of the xvi - xvii","es":"san gerónimo escuchando la trompeta del juicio final, escuela manierista española del xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24985/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:55:08.223Z","textCase":"lower","estimate":"\u20ac2,000 - 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the famous flower painter juan de arellano. josé de arellano was born in madrid in 1653 and died in this city shortly after 1714. like his father, he also practiced flower painting, although on other occasions, such as this virgin of bethlehem, he painted religious themes.on the other hand, it is this painting that we are reporting on, one of the few known works by this artist in which we can note that he had a good professional training that allowed him to have a wide clientele and achieve a decent standard of living. this work is executed with careful and precise brushwork, through which he captured friendly and intimate forms in the figures of mary and the child jesus, both of whom are crowned and present on their faces and hands a remarkable quality of expression destined to arouse devotion. and piety on the part of the faithful. in this sense, it should be noted that the paintings, with this format and characteristics, were intended for private devotion in chapels and oratories of private homes. the virgin of bethlehem had an intense cult in spain in the 17th century, and for this reason there were many images that, both in painting and sculpture, were made with this theme. in this version, the appearance on the heads of mary and the child of ostentatious and splendid crowns that identify her spiritual greatness stands out. very remarkable is the loving gesture with which the mother gathers her little son to her chest, who takes refuge in it, showing her gratitude for the immense affection she receives. this work undoubtedly contains an exaltation of the human and divine greatness of the mother of god. the style presented by this canvas allows it to be dated to the final years of the 17th century, so its execution can be placed between 1695 and 1700\". with an old signature on the back \"arellano\". oil on canvas, canvas measurements: 60 x 46 cm, framed measurements: 85 x 70 cm","es":"se adjunta informe de don enrique valdivieso gonzález, catedrático emérito de la universidad de sevilla, el lienzo que presentamos, que está firmado al dorso joseph de arellano f. según reza el informe \"esta firma, que es completamente original, pertenece al artista madrileño josé de arellano, que fue hijo del célebre pintor de flores juan de arellano. josé de arellano nació en madrid en 1653 y en esta ciudad murió poco despuésde 1714. al igual que su padre, también practicó la pintura de flores, aunque en otras ocasiones como esta virgen de belén realizó temas religiosos. por otra parte, es esta pintura de la que informamos una de las escasas obras conocidas de este artista en la que podemos advertir que poseyó una buena formación profesional que le permitió tener una amplia clientela y alcanzar un digno nivel de vida. esta obra está ejecutada con pincelada cuidada y precisa, a través de la cual plasmó formas amables e intimas en las figuras de maría y del niño jesús, ambos van coronados y presentan en sus rostros y manos una notable calidad de expresión destinada a suscitar la devoción y la piedad por parte de los fieles. en este sentido, hay que señalar que las pinturas, con este formato y características, estaban destinadas a la devoción privada en capillas y oratorios de domicilios particulares. la virgen de belén tuvo un intenso culto en españa en el siglo xvii, y por ello fueron muy numerosas las imágenes que tanto en pintura como en escultura se hicieron con este tema. en esta versión destaca la aparición sobre las cabezas de maría y el niño de aparatosas y espléndidas coronas que identifican su grandeza espiritual. muy notable es el gesto amoroso con que la madre recoge hacia su pecho a su pequeño hijo, el cual se refugia en él, mostrando su agradecimiento por el inmenso cariño que recibe. contiene esta obra sin duda una exaltación de la grandeza humana y divina de la madre de dios. el estilo que presenta este lienzo permite fecharlo en los años finales del siglo xvii, por lo que su ejecución puede situarse entre 1695 y 1700\". con antigua firma al dorso \"arellano\". óleo sobre lienzo, medidas lienzo: 60 x 46 cm, medidas enmarcado: 85 x 70 cm"},"estimateMax":15000,"lotNumber":"285","title":{"en":"virgin of bethlehem, attributed to josé de arellano, spanish school of the 17th century","es":"virgen de belén, atribuída a josé de arellano, escuela española del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24986/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":9000,"lastUpdate":"2026-07-01T16:55:08.226Z","textCase":"lower","estimate":"\u20ac12,000 - 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campestre, escuela inglesa del siglo xix - xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24987/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:55:08.228Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,800","currency":"EUR","id":24987,"estimateMin":1500},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24988/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24988/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24988/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24988/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24988/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measurements: 87 x 63 cm, framed measurements: 98 x 74 cm","es":"óleo 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on canvas, canvas measurements: 94 x 70 cm, framed measurements: 100 x 76 cm","es":"óleos sobre lienzo, medidas lienzos: 94 x 70 cm, medidas enmarcado: 100 x 76 cm"},"estimateMax":3000,"lotNumber":"288","title":{"en":"pair of still life still lifes, 18th century tuscan school","es":"pareja de bodegones de naturalezas muertas, escuela toscana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24989/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:55:08.231Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,000","currency":"EUR","id":24989,"estimateMin":2500},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24990/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24990/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24990/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24990/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24990/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24990/006/006.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measurements: 75 x 57 cm, framed measurements: 93 x 74 cm","es":"óleo sobre lienzo, medidas lienzo: 75 x 57 cm, medidas enmarcado: 93 x 74 cm"},"estimateMax":1800,"lotNumber":"289","title":{"en":"infantry battle scene, 19th century central european school","es":"escena de batalla de infantería, escuela centroeuropea del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24990/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:55:08.233Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,800","currency":"EUR","id":24990,"estimateMin":1500},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24991/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24991/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24991/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24991/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24991/005/005.jpg"],"available":false,"description":{"en":"the report of don enrique valdivieso is attached. oil on canvas, canvas measurements: 102 x 72 cm, framed measurements: 112 x 84 cm","es":"se adjunta informe de don enrique valdivieso. óleo sobre lienzo, medidas lienzo: 102 x 72 cm, medidas enmarcado: 112 x 84 cm"},"estimateMax":18000,"lotNumber":"290","title":{"en":"magdalena penitente, 17th century spanish school, attributed to sebastián de los llanos valdés, signed and dated 1666","es":"magdalena penitente, escuela española del siglo xvii, atribuída a sebastián de los llanos valdés, firmada y fechada en 1666"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24991/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T16:55:08.235Z","textCase":"lower","estimate":"\u20ac15,000 - 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in a lake, french or dutch school of the 18th century","es":"personajes en un lago, escuela francesa o holandesa del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24992/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:55:21.123Z","textCase":"lower","estimate":"\u20ac2,500 - 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xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24993/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":700,"lastUpdate":"2026-07-01T16:55:21.125Z","textCase":"lower","estimate":"\u20ac1,000 - \u20ac1,200","currency":"EUR","id":24993,"estimateMin":1000},{"startPrice":700,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24994/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24994/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24994/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24994/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24994/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measurements: 69 x 45 cm, framed measurements: 86 x 63 cm","es":"óleo sobre lienzo, medidas lienzo: 69 x 45 cm, medidas enmarcado: 86 x 63 cm"},"estimateMax":1200,"lotNumber":"293","title":{"en":"the music lesson, 19th century european school","es":"la lección de música, escuela europea del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24994/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":700,"lastUpdate":"2026-07-01T16:55:21.128Z","textCase":"lower","estimate":"\u20ac1,000 - 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la taberna, escuela española del siglo xix, firmado"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/24995/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:55:21.130Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":24995,"estimateMin":1200},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24996/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24996/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24996/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24996/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24996/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24996/006/006.jpg"],"available":false,"description":{"en":"oil on 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en un puerto, escuela inglesa del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25028/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:55:17.757Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac2,750","currency":"EUR","id":25028,"estimateMin":2500},{"startPrice":1250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25029/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25029/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25029/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25029/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25029/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25029/006/006.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measurements: 104 x 83 cm, framed measurements: 113 x 92 cm","es":"óleo sobre lienzo, medidas lienzo: 104 x 83 cm, medidas enmarcado: 113 x 92 cm"},"estimateMax":2500,"lotNumber":"328","title":{"en":"the card players, spanish school of the 19th century","es":"los jugadores de cartas, escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25029/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1250,"lastUpdate":"2026-07-01T16:55:17.759Z","textCase":"lower","estimate":"\u20ac2,000 - 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european school of the 19th century","es":"las lavanderas, escuela europea del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25030/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:55:17.761Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac2,250","currency":"EUR","id":25030,"estimateMin":2000},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25031/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25031/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25031/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25031/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25031/005/005.jpg"],"available":false,"description":{"en":"oil on canvas","es":"óleo sobre lienzo"},"estimateMax":3000,"lotNumber":"330","title":{"en":"prayer at the garden of olives, north italian school of the 17th century","es":"la oración en el huerto, escuela del norte de italia del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25031/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:55:17.762Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,000","currency":"EUR","id":25031,"estimateMin":2500},{"startPrice":15000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25032/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25032/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25032/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25032/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25032/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25032/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25032/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25032/008/008.jpg"],"soldDate":"2022-10-27","available":false,"description":{"en":"oil on canvas glued to board. measurements: 23 x 28.5 cm, framed measurements: 38.5 x 44 cm. signed and dated 1909 in the lower left corner. provenance: private collection of don jorge mañach, cuba, before 1950, private spanish collection, a photograph from the time of the cuban intellectual is provided along with the painting we present. albert marquet (march 27, 1875 \u2013 june 14, 1947) was a french painter associated with fauvism. after a difficult childhood, 6 his studies at various parisian art schools brought him closer to the post-impressionist effervescence and to those who would be his closest friends. life was not easy for a young artist without resources. with a temperament more secret than solitary, marquet as a child seems to have found in drawing a way out of \"his intimate suffering of him\" of him. at the end of 1907 he remained in paris and devoted himself, together with henri matisse, to a series of urban views. the fundamental difference between the two is that while matisse used strong colors, marquet preferred dull yellows, muted violets, or blues. black is normally used as a violent contrast to light colors for forms such as bare tree trunks or calligraphically drawn people in contrast to often very light yellow or orange streets and sidewalks. another difference is that marquet used a traditional perspective approach, although his colors and compositions constantly referred to the rectangle and intersected its plane with his calligraphy. in moreau's studio, he and matisse bonded with henri manguin and especially charles camoin with whom they would remain united until the end of their lives. 5 less will the camaraderie with others last (jules flandrin, louis valtat, henri evenepoel, simon bussy or georges rouault), even if they have spent their afternoons fixing the world at the café procope. after a brief passage through the course of fernand cormon and then the celebrated académie julian, marquet and matisse attended the camillo private academy, rue de rennes, where they received advice from eugène carrière, one of the thinkers of social art, who sought to popularize art education; there they meet andré derain, pierre laprade, jean puy and maurice de vlaminck. from then on, marquet never stopped touring the city drawing and painting in small format views of the seine, the quays, the bridges6. he begins to take revenge on life,","es":"óleo sobre lienzo pegado a tabla. medidas: 23 x 28,5 cm, medidas enmarcado: 38,5 x 44 cm. firmado y fechado en 1909 en el ángulo inferior izquierdo. procedencia: colección particular de don jorge mañach, cuba, antes de 1950, colección particular española, se aporta fotografía de la época del intelectual cubano junto al cuadro que presentamos. albert marquet (27 de marzo de 1875 \u2013 14 de junio de 1947) fue un pintor francés, relacionado con el fauvismo. tras una infancia difícil, 6 sus estudios en diversas escuelas de arte parisinas le acercaron a la efervescencia posimpresionista y a quienes serían sus más entrañables amigos. la vida no fue fácil para un joven artista sin recursos. de temperamento más secreto que solitario, marquet de niño parece haber encontrado en dibujar una salida a \u201csu sufrimiento íntimo\u201d. a finales de 1907 permaneció en parís y se dedicó, junto a henri matisse, a una serie de vistas urbanas. la diferencia fundamental entre los dos es que, mientras matisse usó colores fuertes, marquet prefería amarillos mates, violetas apagados o azules. el negro lo usa normalmente como un contraste violento a los colores claros para formas como troncos de árboles desnudos o gente dibujada de forma caligráfica en contraste con calles y aceras a menudo amarillas o naranjas, muy claras. otra diferencia es que marquet usó una aproximación a la perspectiva tradicional, aunque sus colores y composiciones constantemente se referían al rectángulo y cortaban su plano con su caligrafía. en el estudio de moreau, él y matisse se vinculan con henri manguin y especialmente con charles camoin con el que permanecerán unidos hasta el final de sus vidas.5\u200b menos durará la camaradería con los demás (jules flandrin, louis valtat, henri evenepoel, simon bussy o georges rouault), \u200b aunque hayan pasado las tardes arreglando el mundo en el café procope.\u200b después de un breve paso por el curso de fernand cormon y luego por la célebre académie julian, marquet y matisse asistieron a la academia privada camillo, en la rue de rennes, \u200b donde recibieron consejos de eugène carrière, uno de los pensadores del arte social, que buscaba popularizar la educación artística;\u200b allí conocen a andré derain, pierre laprade, jean puy y maurice de vlaminck. a partir de entonces marquet nunca dejó de recorrer la ciudad dibujando y pintando en pequeño formato vistas del sena, los muelles, los puentes6\u200b. empieza a vengarse de la vida, analiza françoise garcia en un artículo en el que vincula sus elecciones estéticas a su rabia reprimida, y que titula tomando prestada esta afirmación de él: «a los 20 años estaba dispuesto a hacerlo explotar todo»."},"estimateMax":35000,"lotNumber":"331","title":{"en":"boulevard view, signed and dated albert marquet, 1909, 19th - 20th century french impressionist school","es":"vista de boulevard, firmado y fechado albert marquet, 1909, escuela impresionista francesa de los siglos xix - xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25032/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":15000,"soldPrice":15000,"lastUpdate":"2026-07-01T16:55:21.761Z","textCase":"lower","estimate":"\u20ac25,000 - 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gilded wood in the gothic style, measures: 170 x 130 cm","es":"óleo sobre tabla, con importante marco en madera tallada y dorada de estilo gótico, medidas: 170 x 130 cm"},"estimateMax":25000,"lotNumber":"332","title":{"en":"pietà, spanish school, 15th - 16th century","es":"\"piedad\", escuela vallisoletana, siglo xv - xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25033/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":15000,"lastUpdate":"2026-07-01T16:55:21.764Z","textCase":"lower","estimate":"\u20ac20,000 - 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italian-flemish mannerist master active during the 16th century, measures: 92 x 174","es":"excepcional óleo sobre tabla, enmarcado, posiblemente maestro maniersista italo-flamenco activo durante el siglo xvi, medidas: 92 x 174"},"estimateMax":30000,"lotNumber":"333","title":{"en":"wedding at cana, italian school, 16th century","es":"las bodas de canaán, escuela italiana del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25034/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":22000,"lastUpdate":"2026-07-01T16:55:21.766Z","textCase":"lower","estimate":"\u20ac25,000 - 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of oil paintings on canvas, with important spanish period frames, measures each: 116 x 93 cm (with frame)","es":"pareja de óleos sobre lienzo, con importantes marcos españoles de época, medidas c/u: 116 x 93 cm (con marco)"},"estimateMax":25000,"lotNumber":"334","title":{"en":"saint bartolomé and \"santiago mayor\", school of toledo, circle of luis tristán, 16 - 17th c.","es":"san bartolomé y \"santiago el mayor\", escuela de luis tristán, toledo, s. xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25035/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":20000,"lastUpdate":"2026-07-01T16:55:21.769Z","textCase":"lower","estimate":"\u20ac22,000 - \u20ac25,000","currency":"EUR","id":25035,"estimateMin":22000},{"startPrice":18000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25036/011/011.jpg"],"available":false,"description":{"en":"pair of oil paintings on canvas, with important spanish period frames. measurements (with frame) 115 x 82 cm. juan de arellano (santorcaz, madrid, 1614-madrid, 1676). spanish painter. he was an artist specialized primarily in flower paintings, with which he achieved great success, both artistic and financial. after a first stage dedicated to religious painting, he decided to abandon the figure to specialize in the floral genre. in this sense, it is necessary to transcribe the answer that the biographer and theorist palomino put in his mouth when asked about his almost exclusive dedication to flower painting: \"because in this i work less and earn more.\" palomino also reports on his possible visit to alcalá de henares before arriving in madrid to work in juan de solís's workshop. arellano must have sensed the success that flower painting could have at court, where the market for fans of this genre was largely nourished through imports. in his works we can intuit the overcoming of the tradition of juan van der hamen -continued by his student antonio ponce, in a more formal and rigid way-, transmuted in a more complicated baroque direction. his first influences came from flemish examples, especially daniel seghers, thanks to which he was able to give his works a meticulous and precious technique that he always preserved. in addition, he copied abundantly the works of the roman mario nuzzi, known as mario dei fiori, one of the best definers of the genre and well known in spain. from him he took a more moving formulation in the strokes that led him in the profuse and exuberant direction already commented. we know that he opened a store in the center of madrid: as early as 1646 he had one on calle de atocha. it became one of the most important in the capital, where its works were known and acquired by a large number of nobles, as is stated in the abundant conserved inventories. in his workshop, in addition to flower paintings, there was room for other genres such as still lifes, portraits, landscapes, allegorical and religious subjects. related literature: latest vases. juan de arellano 1614-1676, cat. exp., bilbao, museum of fine arts, 1997. juan de arellano, 1614-1676, cat. exp., madrid, fundación caja madrid, 1998. spanish flowers of the golden age. flower painting in 17th century spain, cat. exp., madrid,","es":"pareja de óleos sobre lienzo, con importantes marcos españoles de época. medidas (con marco) 115 x 82 cm. juan de arellano (santorcaz, madrid, 1614-madrid, 1676). pintor español. fue un artista especializado fundamentalmente en los cuadros de flores, con los cuales consiguió un gran éxito, tanto artístico como financiero. tras una primera etapa dedicado a la pintura religiosa, decide abandonar la figura para especializarse en el género floral. en este sentido, es necesario transcribir la respuesta que el biógrafo y teórico"},"estimateMax":30000,"lotNumber":"335","title":{"en":"exceptional pair of still lifes, spanish school of the 17th century, school of juan de arellano","es":"escepcional pareja de bodegones, escuela española del s. xvii, círculo de juan de arellano"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25036/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T16:55:21.770Z","textCase":"lower","estimate":"\u20ac25,000 - 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on canvas. measurements: 228 x 164 (framed), 205 x 145 (canvas). provenance: important private collection, spain. acisclo palomino y velasco (bujalance, córdoba, 1655-madrid), 1726 cordovan painter and initially trained in córdoba under the direction of juan de valdés leal while studying humanities. with the help of juan de alfaro, a disciple of velázquez, who was working at the madrid court, in 1678 he traveled to madrid. there he was introduced to the circle of juan carreño de miranda and claudio coello, who facilitated contact with the royal collections and gave him the opportunity to collaborate on some works, such as the decoration of the room of queen maría luisa de orleans, first wife of carlos ii, and the gallery of the cierzo, both of the real alcázar. these works allowed him to obtain the title of painter to the king in 1688. the arrival of luca giordano in madrid in 1692 made him interested in learning the technique of fresco, becoming one of the most important spanish fresco artists of the second half 17th century. he collaborated in the preparation of the vaults of el escorial and those of the old oratory of the madrid city council. between 1697 and 1701 he worked in valencia, painting the vaults of the church of santos juanes and the basilica of nuestra señora de los desamparados. in 1705, he traveled to salamanca where he executed the triunfo de la iglesia for the choir of the church of san esteban (in situ). between 1712 and 1713, he painted eight canvases with scenes and saints related to the history of the city of córdoba for the chapel of cardinal salazar and for the main altar of the cathedral, both in that city. between 1723 and 1725, he worked on his last work before his death, the decoration of the sacrarium of the carthusian monastery of el paular in granada. ordained a priest when he became a widower in 1725, he is known more for his facet as a writer and theoretician than for that of a painter, due to the publication of three volumes 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madrileña, en 1678 viajó a madrid. allí fue introducido en el círculo de juan carreño de miranda y claudio coello, quienes le facilitaron el contacto con las colecciones reales y le dieron la oportunidad de colaborar en algunas obras, como la decoración del cuarto de la reina maría luisa de orleans, primera esposa de carlos ii, y la galería del cierzo, ambas del real alcázar. estos trabajos le permitieron obtener el título de pintor del rey en 1688. la llegada de luca giordano a madrid en 1692 le hizo interesarse en el aprendizaje de la técnica del fresco, llegando a convertirse en uno de los más importantes fresquistas españoles de la segunda mitad del siglo xvii. colaboró en la preparación de las bóvedas de el escorial y las del antiguo oratorio del ayuntamiento de madrid. entre 1697 y 1701 trabajó en valencia, pintando las bóvedas de la iglesia de los santos juanes y de la basílica de nuestra señora de los desamparados. en 1705, viajó a salamanca donde ejecutó el triunfo de la iglesia para el coro de la iglesia de san esteban (in situ). entre 1712 y 1713, pintó ocho lienzos con escenas y santos relacionados con la historia de la ciudad de cór­doba para la capilla del cardenal ­salazar y para el altar mayor de la ­catedral, ambos en dicha ciudad. entre 1723 y 1725, trabajó en su última obra antes de su muerte, la decoración del sacrarium de la cartuja de el paular de granada. ordenado sacerdote al quedar viudo en 1725, se le conoce más por su faceta de escritor y teórico que por la de pintor, debido a la publicación de tres volúmenes que, agrupados bajo el título de el museo pictórico y escala óptica, tratan sobre la teórica de la pintura (1715), la práctica de la pintura (1724) y el parnaso español pintoresco laureado (1724). este último consta de doscientas veintiséis biografías de pintores y escultores que trabajaron en españa y constituye una fuente literaria fundamental para el estudio de la historia del arte español de ese periodo. bibliografía de referencia: palomino de castro y velasco, antonio, el museo pictórico y escala óptica [1715-1724], madrid, aguilar, 1988."},"estimateMax":15000,"lotNumber":"349","title":{"en":"immaculate virgin, in the manner of acisclo palomino y velasco (córdoba, 1655 - madrid, 1726), cordoba school of the 17th century","es":"virgen inmaculada, a la manera de acisclo palomino y velasco (córdoba, 1655 - madrid, 1726), escuela cordobesa del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25050/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":8000,"lastUpdate":"2026-07-01T16:55:23.832Z","textCase":"lower","estimate":"\u20ac12,000 - 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xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25057/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:55:24.585Z","textCase":"lower","estimate":"\u20ac6,000 - 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thank professor nicola spinosa for his collaboration on the attribution of these artworks. very important pair of large oil paintings on canvas, together with 18th c italian giltwood period frames. framed measurements: 165 x 243, canvas measurements: 143 x 219 cm (each). where we see, a carpet covering a table in the left corner where rest, respectively, a globe, an oval portrait, a sculpture, various books, a planetarium, a table clock and a world map, and another in which the viewer you can see the armor of a complete knight resting on the same table covered with a carpet, and, next to it, a jug, both inside separate caprices. work typically associated with the artistic canons of the italian baroque that directly connects with similar models of the famous painter of the roman school francesco noletti, called il maltese and born in valletta, malta (valletta? c. 1611-rome, 1654) noletti was an italian baroque painter, born as his nickname indicates, in malta and specialized in still life painting. noletti's still lifes have been attributed to the so-called francesco fieravino or fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the foundation for international studies of la valletta, in the building of the old university. his biography shows that around 1640 or something before he settled in rome, where he married and collaborated with andrea sacchi, and died there on december 4, 1654. the death certificate he called him a \"famous painter\". although his last name was soon forgotten, he was praised, always by his nickname, by cornelis de bie and joachim von sandrart and later also by joshua reynolds, among several others. in the absence of signed works, two engravings published in 1703 by jacobus coelemans on paintings by the maltese, entitled omnis salus in ferro est and quaedam sensum instrumenta, have served as the basis for establishing his style, in which some elements are repeated.5 his rich still lifes are always characterized by the presence of turkish rugs, tapestries and curtains covering the tables and shelves on which rest pieces of crockery, flowers and fruit arranged next to some precious object, musical instruments and framed paintings or mirrors. three still lifes by the maltese master are preserved in the bilbao fine arts museum, where they entered in the 1920s with attributions to antonio de pereda and pieter boel. provenance: important spanish private collection.","es":"agradecemos al profesor nicola spinosa por su colaboración en la atribución de estas obras de arte. muy importante pareja de grandes óleos sobre lienzo, junto con marcos de época de madera dorada italiana del siglo xviii. medidas enmarcado: 165 x 243, medidas lienzo: 143 x 219 cm (cada uno). donde vemos, una alfombra que cubre una mesa en la esquina izquierda donde descansan, respectivamente, un globo terráqueo, un retrato ovalado, una escultura, varios libros, un planetario, un reloj de mesa y un mapamundi, y otro en el que el espectador puede ver la armadura de un caballero completo reposando sobre la misma mesa cubierta con una alfombra, y, junto a ella, un cántaro, ambos dentro de caprichos separados. obra típicamente asociada a los cánones artísticos del barroco italiano que entronca directamente con modelos similares del célebre pintor de la escuela romana francesco noletti, llamado il maltese y nacido en la valeta, malta (¿la valeta? c. 1611-roma, 1654) noletti fue pintor barroco italiano, nacido como su apodo indica, en malta y especializado en la pintura de bodegones. las naturalezas muertas de noletti se han atribuido al llamado francesco fieravino o fioravanti, una confusa creación del siglo xviii, hasta que, a principios de la década de 2000, se descubrió su verdadera identidad a partir de un retrato anónimo conservado en la fundación de estudios internacionales de la valeta. , en el edificio de la antigua universidad. su biografía muestra que alrededor de 1640 o algo antes se instaló en roma, donde se casó y colaboró \u200b\u200b\u200b\u200bcon andrea sacchi, y allí murió el 4 de diciembre de 1654. el certificado de defunción lo llamó \"pintor famoso\". aunque pronto se olvidó su apellido, fue elogiado, siempre por su apodo, por cornelis de bie y joachim von sandrart y más tarde también por joshua reynolds, entre varios otros. a falta de obras firmadas, dos grabados publicados en 1703 por jacobus coelemans sobre pinturas de los malteses, titulados omnis salus in ferro est y quaedam sensum instrumenta, han servido de base para asentar su estilo, en el que se repiten algunos elementos.5 sus ricas naturalezas muertas se caracterizan siempre por la presencia de alfombras turcas, tapices y cortinas que cubren las mesas y estanterías sobre las que reposan vajillas, flores y frutas dispuestas junto a algún objeto preciado, instrumentos musicales y cuadros o espejos enmarcados. tres bodegones del maestro maltés se conservan en el museo de bellas artes de bilbao, donde ingresaron en la década de 1920 con atribuciones a antonio de pereda y pieter boel. procedencia: importante colección privada española."},"estimateMax":120000,"lotNumber":"357","title":{"en":"francesco noletti, called il maltese (valletta c. 1611 - rome, 1654), large pair of still lifes with rugs and trophies, 17th century italian - maltese school","es":"francesco noletti, llamado il maltese (valletta c. 1611 - roma, 1654), gran par de bodegones con alfombras, escuela italiana - maltesa del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25058/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":65000,"lastUpdate":"2026-07-01T16:55:24.587Z","textCase":"lower","estimate":"\u20ac95,000 - \u20ac120,000","currency":"EUR","id":25058,"estimateMin":95000},{"startPrice":1200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25059/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25059/002/002.jpg"],"soldDate":"2022-10-27","available":false,"description":{"en":"in marble, measurements: 27 x 17 x 15 cm","es":"en mármol, medidas: 27 x 17 x 15 cm"},"estimateMax":1800,"lotNumber":"358","title":{"en":"marble head of mithras, italian school, possibly 17th - 18th centuries","es":"cabeza de mármol de mitra, escuela italiana, posibles siglos xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25059/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1200,"soldPrice":1200,"lastUpdate":"2026-07-01T16:55:24.589Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,800","currency":"EUR","id":25059,"estimateMin":1500},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25060/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25060/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25060/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25060/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25060/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25060/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25060/007/007.jpg"],"available":false,"description":{"en":"joint weight: 18.3g","es":"peso conjunto: 18,3 g"},"estimateMax":3000,"lotNumber":"359","title":{"en":"ring and slave set in 18k yellow gold, diamonds and emerald","es":"conjunto de anillo y esclava en oro amarilo de 18 k, diamantes y esmeralda"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25060/view","tags":["esjewelry_rings","esjewelry_braceletsbangles","esjewelry","esjewelry_all"],"directSalePrice":2000,"lastUpdate":"2026-08-25T11:28:17.413Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,000","currency":"EUR","id":25060,"estimateMin":2500},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25061/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25061/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25061/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25061/004/004.jpg"],"available":false,"description":{"en":"with central sapphire, total weight, 16.3 g","es":"con zafiro central, peso total, 16,3 g"},"estimateMax":2500,"lotNumber":"360","title":{"en":"18k yellow gold, sapphire and diamond bangle","es":"esclava en oro amarillo de 18 k, zafiros y diamantes"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25061/view","tags":["esjewelry_braceletsbangles","esjewelry","esjewelry_all"],"directSalePrice":1800,"lastUpdate":"2026-08-25T11:28:16.884Z","textCase":"lower","estimate":"\u20ac2,200 - \u20ac2,500","currency":"EUR","id":25061,"estimateMin":2200},{"startPrice":4500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25062/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25062/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25062/003/003.jpg"],"available":false,"description":{"en":"weight: 31.2g","es":"peso: 31,2 g"},"estimateMax":5500,"lotNumber":"361","title":{"en":"bracelet in 18k white gold and brilliant cut diamonds","es":"pulsera en oro blanco de 18 k y diamantes talla brillante"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25062/view","tags":["esjewelry_braceletsbangles","esjewelry","esjewelry_all"],"directSalePrice":4500,"lastUpdate":"2026-08-25T11:28:16.496Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac5,500","currency":"EUR","id":25062,"estimateMin":5000},{"startPrice":750,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25063/001/001.jpg"],"available":false,"description":{"en":"pair weight: 10g","es":"peso conjunto: 10 g"},"estimateMax":1200,"lotNumber":"362","title":{"en":"18k yellow gold and red coral ring and earrings set","es":"conjunto de anillo y pendientes en oro amarillo de 18k y coral rojo"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25063/view","tags":["esjewelry_rings","esjewelry_earrings","esjewelry","esjewelry_all"],"directSalePrice":750,"lastUpdate":"2026-08-25T11:28:16.290Z","textCase":"lower","estimate":"\u20ac1,000 - \u20ac1,200","currency":"EUR","id":25063,"estimateMin":1000},{"startPrice":4250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25064/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25064/002/002.jpg"],"available":false,"description":{"en":"pair weight: 22.14 g","es":"peso pareja: 22,14 g"},"estimateMax":5000,"lotNumber":"363","title":{"en":"important pair of earrings in 18k white gold and brilliant cut diamonds","es":"importante pareja de pendientes en oro blanco de 18k y diamantes talla brillante"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25064/view","tags":["esjewelry_earrings","esjewelry","esjewelry_all"],"directSalePrice":4250,"lastUpdate":"2026-08-25T11:28:15.973Z","textCase":"lower","estimate":"\u20ac4,500 - \u20ac5,000","currency":"EUR","id":25064,"estimateMin":4500},{"startPrice":1400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25065/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25065/002/002.jpg"],"available":false,"description":{"en":"pair weight: 14.26 g","es":"peso pareja: 14,26 g"},"estimateMax":1800,"lotNumber":"364","title":{"en":"pair of damiani earrings in 18k white gold and diamonds","es":"pareja de pendientes damiani en oro blanco de 18k y diamantes"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25065/view","tags":["esjewelry_earrings","esjewelry","esjewelry_all"],"directSalePrice":1400,"lastUpdate":"2026-08-25T11:28:15.631Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,800","currency":"EUR","id":25065,"estimateMin":1500},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25066/001/001.jpg"],"available":false,"description":{"en":"pair weight: 12.45 g","es":"peso pareja: 12,45 g"},"estimateMax":4200,"lotNumber":"365","title":{"en":"exceptional pair of oval earrings in 18k white gold and baguette-cut and brilliant-cut diamonds","es":"excepcional pareja de pendientes ovalados en oro blanco de 18k y diamantes talla baguette y talla brillante"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25066/view","tags":["esjewelry_earrings","esjewelry","esjewelry_all"],"directSalePrice":3500,"lastUpdate":"2026-08-25T11:28:15.414Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac4,200","currency":"EUR","id":25066,"estimateMin":4000},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25067/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25067/002/002.jpg"],"available":false,"description":{"en":"pair weight: 8.63 g","es":"peso pareja: 8,63 g"},"estimateMax":2200,"lotNumber":"366","title":{"en":"elegant pair of earrings in 18k white gold with diamonds and central sapphire","es":"elegante pareja de pendientes en oro blanco de 18k de diamantes y zafiro central"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25067/view","tags":["esjewelry_earrings","esjewelry","esjewelry_all"],"directSalePrice":1800,"lastUpdate":"2026-08-25T11:28:15.115Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac2,200","currency":"EUR","id":25067,"estimateMin":2000},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25068/001/001.jpg"],"available":false,"description":{"en":"pair weight: 14.80 g","es":"peso pareja: 14,80 g"},"estimateMax":3500,"lotNumber":"367","title":{"en":"pair of \"you and me\" rings in sterling white gold and brilliant cut diamonds","es":"pareja de anillos \"tú y yo\" en oro blanco de ley y diamantes talla brillante"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25068/view","tags":["esjewelry_rings","esjewelry","esjewelry_all"],"directSalePrice":3000,"lastUpdate":"2026-08-25T11:28:14.892Z","textCase":"lower","estimate":"\u20ac3,200 - \u20ac3,500","currency":"EUR","id":25068,"estimateMin":3200},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25069/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25069/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25069/003/003.jpg"],"available":false,"description":{"en":"pair weight: 21.25 g","es":"peso pareja: 21,25 g"},"estimateMax":1500,"lotNumber":"368","title":{"en":"large pair of 18k gold mounted red coral cameo and bead earrings, late 19th century","es":"gran pareja de pendientes de camafeo y cuentas de coral rojo montados en oro de 18 k, finales del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25069/view","tags":["esjewelry_earrings","esjewelry","esjewelry_all"],"directSalePrice":1000,"lastUpdate":"2026-08-25T11:28:14.529Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":25069,"estimateMin":1200},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25070/001/001.jpg"],"available":false,"description":{"en":"pair weight: 15.35 g","es":"peso pareja: 15,35 g"},"estimateMax":2200,"lotNumber":"369","title":{"en":"elegant pair of earrings with three red coral balls mounted in 18k yellow gold","es":"elegante pareja de pendientes de tres bolas de coral rojo montados en oro amarillo de 18k"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25070/view","tags":["esjewelry_earrings","esjewelry","esjewelry_all"],"directSalePrice":1800,"lastUpdate":"2026-08-25T11:28:14.288Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac2,200","currency":"EUR","id":25070,"estimateMin":2000},{"startPrice":950,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25071/001/001.jpg"],"available":false,"description":{"en":"mounted in 18k gold, both weight: 15.93","es":"montados en oro de 18k, peso ambos: 15,93"},"estimateMax":1300,"lotNumber":"370","title":{"en":"pair of earrings with an important pair of cameos in red coral representing caryatids","es":"pareja de pendientes con importante pareja de camafeos en coral rojo representando cariátides"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25071/view","tags":["esjewelry_earrings","esjewelry","esjewelry_all"],"directSalePrice":950,"lastUpdate":"2026-08-25T11:28:14.062Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,300","currency":"EUR","id":25071,"estimateMin":1200},{"startPrice":1400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25072/001/001.jpg"],"available":false,"description":{"en":"pair weight: 14.80 g","es":"peso pareja: 14,80 g"},"estimateMax":1700,"lotNumber":"371","title":{"en":"pair of teardrop-shaped earrings in 18k gold and red coral","es":"pareja de pendientes en forma de lágrima en oro de 18k y coral rojo"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25072/view","tags":["esjewelry_earrings","esjewelry","esjewelry_all"],"directSalePrice":1400,"lastUpdate":"2026-08-25T11:28:13.844Z","textCase":"lower","estimate":"\u20ac1,600 - \u20ac1,700","currency":"EUR","id":25072,"estimateMin":1600},{"startPrice":550,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25073/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25073/002/002.jpg"],"available":false,"description":{"en":"pair weight: 67 g","es":"peso pareja: 67 g"},"estimateMax":700,"lotNumber":"372","title":{"en":"pair of elegant red coral beaded necklaces, with sterling gold clasp","es":"pareja de elegantes collares de cuentas en coral rojo, con cierre en oro de ley"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25073/view","tags":["esjewelry_necklacespendants","esjewelry","esjewelry_all"],"directSalePrice":550,"lastUpdate":"2026-08-25T11:28:13.516Z","textCase":"lower","estimate":"\u20ac600 - \u20ac700","currency":"EUR","id":25073,"estimateMin":600},{"startPrice":2250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25074/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25074/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25074/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25074/004/004.jpg"],"available":false,"description":{"en":"bead diameter: 1 cm approx. total weight: 95.05g","es":"grosor cuentas: 1 cm aprox. peso total: 95,05 g"},"estimateMax":3000,"lotNumber":"373","title":{"en":"australian cultured pearl necklace with white gold and diamond clasp","es":"collar de perlas australianas cultivadas con cierre en oro blanco y diamantes"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25074/view","tags":["esjewelry_necklacespendants","esjewelry","esjewelry_all"],"directSalePrice":2250,"lastUpdate":"2026-08-25T11:28:13.059Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,000","currency":"EUR","id":25074,"estimateMin":2500},{"startPrice":1100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25075/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25075/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25075/003/003.jpg"],"available":false,"description":{"en":"bead thickness: 0.6 - 0.75 cm approx. total weight: 56.62g","es":"grosor cuentas: 0,6 - 0,75 cm aprox. peso total: 56,62 g"},"estimateMax":1600,"lotNumber":"374","title":{"en":"japanese cultured pearl necklace with 18k yellow gold clasp","es":"collar de perlas japonesas cultivadas con cierre en oro amarillo de 18k"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25075/view","tags":["esjewelry_necklacespendants","esjewelry","esjewelry_all"],"directSalePrice":1100,"lastUpdate":"2026-08-25T11:28:12.695Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,600","currency":"EUR","id":25075,"estimateMin":1500},{"startPrice":750,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25076/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25076/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25076/003/003.jpg"],"available":false,"description":{"en":"bead thickness: 0.6 cm approx. total weight: 32.20g","es":"grosor cuentas: 0,6 cm aprox. peso total: 32,20 g"},"estimateMax":1300,"lotNumber":"375","title":{"en":"japanese round cultured pearl necklace with 18k yellow gold clasp","es":"collar de perlas japonesas redondas cultivadas con cierre en oro amarillo de 18k"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25076/view","tags":["esjewelry_necklacespendants","esjewelry","esjewelry_all"],"directSalePrice":750,"lastUpdate":"2026-08-25T11:28:12.252Z","textCase":"lower","estimate":"\u20ac1,200 - 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cloth of veronica is one of the most repeated iconographies in zurbarán's production. the theme reached a special devotion that was very widespread in 17th century spain for showing the proximity of a moment of the passion, a motif and an ideal size for oratories and chapels that brought the face of christ closer to the faithful. in the center the head of christ with a crown of thorns is represented, alluding to the face of jesus when on his way to calvary, a woman wiped her face with the veil that covered her head. this episode, despite representing one of the stations of the via crucis, is not found in the canonical gospels. the oldest quotation dates from the second century, in the apocryphal gospel of nicodemus. according to professor enrique valdivieso \"we are facing one of the different versions that zurbarán made on the iconography of the holy face\" there are currently a dozen cataloged copies of this work. valdivieso insists on the dating between 1630-1640 especially because of the identical repetition of the cloths. \"very important are also the games of light and shadow that create the folds of the cloth and that originate an effect of powerful relief and volumetry at the same time as the sensation of contemplating something real\". this work is the most similar to the one kept in the national museum in stockholm. the composition of the painting is overwhelming both for its realism and for its strong drama. as the specialist in the work of the extremaduran painter odile delenda points out \"the pleasure in representing veronica's veil with this accentuated realistic character, like a trompe l'oeil, is resolved in these paintings by the extremaduran master through the illusion of the frame, being the only link with the outside world fine double cords from which a knotted cloth hangs in a neutral and undefined space. a long shiny pin gathers the cloth in the center, creating a totally illusionistic \"frame in frame\". the presentation of the canvas is a painter's own invention, of which we do not know other examples in seventeenth-century painting. \" we owe to the great zurbaranista maría luisa caturla the interesting and perfect definition of the holy face of zurbarán as «trompe-l'œil a lo divino». caturla studied this theme in the extremadura's work, considering it, with good reason, a kind of religious trompe l'oeil. this painting will be included by delenda in the supplement to the reasoned and critical catalog of francisco de zurbarán, currently in preparation. reference bibliography: maría luisa caturla \"the holy face of zurbarán: trompe-l'oeil a lo divino\". goya, madrid, nº 64-65, pp. 202-205. madrid, january-april 1965. odile delenda \"francisco de zurbarán, 1598-1664\". 2 vols. madrid: foundation.","es":"francisco de zurbarán (fuente de cantos, badajoz, 1598-madrid, 1664). the holy face. oil on canvas. signed and dated 1639. certificate from enrique valdivieso is attached. relining. 100 x 82 cm. the theme of the holy face or the cloth of veronica is one of the most repeated iconographies in zurbarán's production. the theme reached a special devotion that was very widespread in 17th century spain for showing the proximity of a moment of the passion, a motif and an ideal size for oratories and chapels that brought the face of christ closer to the faithful. in the center the head of christ with a crown of thorns is represented, alluding to the face of jesus when on his way to calvary, a woman wiped her face with the veil that covered her head. this episode, despite representing one of the stations of the via crucis, is not found in the canonical gospels. the oldest quotation dates from the second century, in the apocryphal gospel of nicodemus. according to professor enrique valdivieso \"we are facing one of the different versions that zurbarán made on the iconography of the holy face\" there are currently a dozen cataloged copies of this work. valdivieso insists on the dating between 1630-1640 especially because of the identical repetition of the cloths. \"very important are also the games of light and shadow that create the folds of the cloth and that originate an effect of powerful relief and volumetry at the same time as the sensation of contemplating something real\". this work is the most similar to the one kept in the national museum in stockholm. the composition of the painting is overwhelming both for its realism and for its strong drama. as the specialist in the work of the extremaduran painter odile delenda points out \"the pleasure in representing veronica's veil with this accentuated realistic character, like a trompe l'oeil, is resolved in these paintings by the extremaduran master through the illusion of the frame, being the only link with the outside world fine double cords from which a knotted cloth hangs in a neutral and undefined space. a long shiny pin gathers the cloth in the center, creating a totally illusionistic \"frame in frame\". the presentation of the canvas is a painter's own invention, of which we do not know other examples in seventeenth-century painting. \" we owe to the great zurbaranista maría luisa caturla the interesting and perfect definition of the holy face of zurbarán as «trompe-l'œil a lo divino». caturla studied this theme in the extremadura's work, considering it, with good reason, a kind of religious trompe l'oeil. this painting will be included by delenda in the supplement to the reasoned and critical catalog of francisco de zurbarán, currently in preparation. reference bibliography: maría luisa caturla \"the holy face of zurbarán: trompe-l'oeil a lo divino\". goya, madrid, nº 64-65, pp. 202-205. madrid, january-april 1965. odile delenda \"francisco de zurbarán, 1598-1664\". 2 vols. madrid: foundation."},"estimateMax":180000,"lotNumber":"376","title":{"en":"la santa verónica, francisco de zurbarán (fuente de cantos, badajoz, 7 de noviembre de 1598 \u2013 madrid, 27 de agosto de 1664)","es":"la santa verónica, francisco de zurbarán (fuente de cantos, badajoz, 7 de noviembre de 1598 \u2013 madrid, 27 de agosto de 1664)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25077/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":130000,"lastUpdate":"2026-07-01T16:55:21.471Z","textCase":"lower","estimate":"\u20ac150,000 - 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surname cleef is repeated among antwerp painters, is little what is known about his life and his artistic career. he could have been born in cleves (cleve in german, kleef in dutch), now a german city but in the 16th century in the duchy of cleves, which is part of the netherlands. he devoted his career to portraiture and religious painting, at times repeating his compositions of motley figures, backgrounds of renaissance architecture, and easy sale. the death of the virgin of the wallraf-richartz museum in cologne, dated in its frame in 1515 and signed with a monogram, it served as a starting point for recognizing his initial style and thus attributing to him the works that until then had been assigned to the master of the death of the virgin. from 1524, with the lamentation of the städelsches kunstinstitut in frankfurt, there is a noticeable shift in his painting towards italianate models, although there is no documentary evidence of any trip to that country. it is possible, instead, that he went to france, where according to guicciardini he was called by francis i to work as a court portraitist. between 1528 and 1535 joos van cleve does not appear in the records of the guild of san lucas, a period that could have effectively passed in france, from where he may have traveled to england to portray henry viii, attributing numerous portraits to him at this time, always of a sober nature. . in spain he is represented in the thyssen-bornemisza museum in madrid, which houses two of his works: a self-portrait painted around 1519, and a child of the passion on the globe of the world, from around 1530. in the prado museum a portrait of old man from the royal collection, which was attributed to hans holbein the younger, whose work cleve was able to see in england, and a savior of the world of dubious attribution, which repeats a model from the louvre museum. in gran canaria, specifically in the hermitage of our lady of the snows, the triptych of the snows is attributed to him. reference bibliography: pita andrade, josé manuel and borobia guerrero, maría del mar, old masters of the thyssen-bornemisza museum, madrid, 1992, pp. 246-247, isbn 84-88474-02-4 in his image. art, culture and religion, exhibition catalogue, madrid, 2014-2015,","es":"óleo sobre tabla, medidas: 37 x 29. joos van cleve (¿cléveris?, c. 1485-amberes, 1540 o 1541), miembro de una familia de artistas, pues el apellido cleef se repite entre los pintores de amberes, es poco lo que se conoce de su vida y de su carrera artística. podría haber nacido en cléveris (cleve en alemán, kleef en neerlandés), actualmente ciudad alemana pero en el siglo xvi en el ducado de cleves, el cual forma parte de los países bajos. dedicó su carrera al retrato y la pintura religiosa, en ocasiones repitiendo sus composiciones de figuras abigarradas, fondos de arquitecturas renacentistas y venta fácil. la muerte de la virgen del wallraf-richartz museum de colonia, fechada en su marco en 1515 y firmada con monograma, sirvió de punto de partida para el reconocimiento de su estilo inicial y atribuirle así las obras que hasta entonces se habían venido asignando al maestro de la muerte de la virgen. desde 1524, con la lamentación del städelsches kunstinstitut de fráncfort, se advierte un giro en su pintura hacia modelos italianantes, aunque no existe constancia documental de ningún viaje a aquel país. es posible, en cambio, que lo hiciese a francia, a donde según guicciardini fue llamado por francisco i para trabajar como retratista en la corte. entre 1528 y 1535 joos van cleve no figura en los registros del gremio de san lucas, periodo que pudo haber pasado efectivamente en francia, desde donde quizá viajase a inglaterra para retratar a enrique viii, atribuyéndosele en este momento numerosos retratos, siempre de carácter sobrio. en españa está representado en el museo thyssen-bornemisza de madrid, que guarda dos de sus obras: un autorretrato pintado hacia 1519, y un niño de la pasión sobre la bola del mundo, de hacia 1530. en el museo del prado un retrato de anciano procedente de la colección real, que estuvo atribuido hans holbein el joven, cuya obra pudo conocer cleve en inglaterra, y un salvador del mundo de atribución dudosa, que repite un modelo del museo del louvre. en gran canaria, específicamente en la ermita de nuestra señora de las nieves se le atribuye el tríptico de las nieves. bibliografía de referencia: pita andrade, josé manuel y borobia guerrero, maría del mar, maestros antiguos del museo thyssen-bornemisza, madrid, 1992, págs. 246-247, isbn 84-88474-02-4 a su imagen. arte, cultura y religión, catálogo de la exposición, madrid, 2014-2015, isbn 978-84-15931-14-0"},"estimateMax":22000,"lotNumber":"377","title":{"en":"virgin of the milk, circle or workshop of joos van cleeve (cleveris, c. 1485 - antwerp, 1540 or 1541), flemish school of the 16th century","es":"virgen de la leche, círculo o taller de joos van cleeve (cléveris, c. 1485 - amberes, 1540 o 1541), 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total measurements: 38 x 12 x 20 cm. christ bust measurements: 30 x 15 x 10 cm","es":"en terracota policromada, con peana en madera dorada. medidas totales: 38 x 12 x 20 cm. medidas busto cristo: 30 x 15 x 10 cm"},"estimateMax":7000,"lotNumber":"378","title":{"en":"exceptional ecce homo in terracotta, circle of nicola fumo (1647 - 1725), neapolitan school of the 18th century","es":"excepcional ecce homo en terracota, nicola fumo (1647 - 1725), escuela napolitana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25079/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4750,"lastUpdate":"2026-07-01T16:55:21.479Z","textCase":"lower","estimate":"\u20ac6,000 - 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painting produced in the mid-16th century in spanish workshops, probably in the castilian ones due to the berruguetesca influence (by alonso berruguete (h.1486-1561), not his father) that is perceived when conceiving the figures, both in the faces and in the unstable and nervous postures. despite its quality, it is a painting produced in a local workshop, which indicates that it was commissioned by a businessman, clergyman, lawyer or religious community with the intention of presiding over their private oratory or a convent chapel. origin: spanish private collection.","es":"excepcional óleo sobre tabla en media luna. óleo sobre tabla. con marco de la época en madera tallada y dorada. medidas tabla: 215 x 227 cm. medidas marco: 240 x 250 cm. esta tabla de la asunción de la virgen es un claro ejemplo de la pintura producida a mediados del siglo xvi en los talleres españoles, probablemente en los castellanos debido a la influencia berruguetesca (de alonso berruguete (h.1486-1561), no de su padre) que se percibe a la hora de concebir las figuras, tanto en los rostros como en las posturas inestables y nerviosas. a pesar de su calidad se trata de una pintura elaborada en un taller local, lo que nos indica que su encargo partiría de algún hombre de negocios, clérigo, letrado o comunidad religiosa con la intención de que presidiera su oratorio particular o una capilla conventual. procedencia: colección partticular española."},"estimateMax":45000,"lotNumber":"425","title":{"en":"the ascension of mary, spanish mannerist school of the 16th century","es":"la ascensión de maría, escuela manierista española del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25126/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T16:55:38.598Z","textCase":"lower","estimate":"\u20ac35,000 - \u20ac45,000","currency":"EUR","id":25126,"estimateMin":35000},{"startPrice":5500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25127/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25127/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25127/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25127/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25127/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25127/006/006.jpg"],"soldDate":"2022-10-27","available":false,"description":{"en":"ambrosius benson (¿,1519-bruges, 1550)\"vanitas\". oil on board. legend in latin that reminds the viewer of the ephemeral and vain nature of physical beauty: \"in front of the mirror you look beautiful, but turn around to see what's behind it, that which shows that beauty is nothing.\" certificates from georges marlier and paul antonini are attached. 81 x 70 cm. in 1518 he worked for a time in the workshop of gérard david. in 1519 he was already registered in the guild of painters as an independent master. from 1520 there is a growth in the production of benson's workshop, and he rents, between 1522 and 1530, from one to three stalls in the annual market to sell his paintings. benson held high posts in the painters guild. ambrosius benson died between january 12 and 19, 1550, and was buried in the church of our lady in bruges. benson's workshop had an important production, but of irregular quality, generally destined for the spanish market where his painting was highly appreciated and had a large number of followers, despite never having been to this country. together with adriaen isenbrandt and jan provost he was part of the last generation of bruges painters characterized by breaking with the gothic tradition and introducing the innovations of the italian renaissance into their style. this influence can be seen in the plastic arts and in the monumental effects, since the themes and the composition continue to be inscribed in the flemish tradition. his production is characterized by the variety of themes (religious, secular scenes and portraits) and fo oil on panel. legend in latin that reminds the viewer of the ephemeral and vain nature of physical beauty: \"","es":"ambrosius benson (¿,1519-brujas, 1550)\"vanitas\". óleo sobre tabla. leyenda en latín que recuerda al espectador lo efímero y vano de la belleza física: \"frente al espejo te ves bella pero girate a ver que hay detrás, aquello que muestra que la belleza no es nada\". se adjuntan certificados de georges marlier y paul antonini. 81 x 70 cm. en 1518 trabajó una temporada en el taller de gérard david. en 1519 ya aparecía inscrito en el gremio de pintores ­como maestro independiente. a partir de 1520 se aprecia un crecimiento de la producción del taller de benson, y alquila, entre 1522 y 1530, de uno a tres puestos en el mercado anual para vender sus cuadros. benson ocupó altos puestos en el gremio de pintores. ambrosius benson murió entre el 12 y el 19 de enero de 1550 y fue enterrado en la iglesia de nuestra señora de brujas. el taller de benson tuvo una producción importante, pero de calidad irregular, en general destinada al mercado español donde su pintura gozó de gran aprecio y tuvo un gran número de seguidores, a pesar de no haber estado nunca en este país. junto con adriaen isenbrandt y jan provost formó parte de la última generación de pintores de brujas caracterizados por romper con la tradición gótica e introducir en su estilo las innovaciones del renacimiento italiano. esta influencia se aprecia en la plástica y en los efectos monumentales, ya que los temas y la composición siguen inscritos en la tradición flamenca. su producción se caracteriza por la variedad de temas (escenas religiosas, profanas y retratos) y de fo óleo sobre tabla. leyenda en latín que recuerda al espectador lo efímero y vano de la belleza física: \"frente al espejo te ves bella pero girate a ver que hay detrás, aquello que muestra que la belleza no es nada\". se adjuntan certificados de georges marlier y paul antonini. 81 x 70 cm."},"estimateMax":18000,"lotNumber":"426","title":{"en":"\"vanitas\", ambrosius benson (?,1519-bruges, 1550), flemish school of the 16th century","es":"ambrosius benson (¿,1519-brujas, 1550) \"vanitas\""},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25127/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":5500,"soldPrice":27500,"lastUpdate":"2026-07-01T16:55:38.600Z","textCase":"lower","estimate":"\u20ac12,000 - \u20ac18,000","currency":"EUR","id":25127,"estimateMin":12000},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25128/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25128/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25128/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25128/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25128/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25128/006/006.jpg"],"available":false,"description":{"en":"measurements: 40 x 60 cm (canvas). born on march 12, 1842, he began his artistic training at the san carlos school of fine arts in his native valencia, having as teacher rafael montesinos y ramiro, a miniaturist and great admirer of ribera whose painting the young artist copied with great intensity. . in 1864, he moved to madrid to continue his training at the royal academy of san fernando, he was awarded the rome prize in 1867, an award that pensioned the winner in this city for the culmination of his training, thus traveling in 1868 to the eternal city. in 1875 in paris he continued with fortuny's business, working on small works in a detailed and colorful style, feeling a certain influence of french impressionism. in his mature stage he will come to undo the pictorial material to be especially interested in color. in 1914, at the beginning of the first world war, he returned to madrid, settling with his son roberto (1883-1956), also an artist; widely known for his paintings of bullfights. three years later, he entered the royal academy of san fernando. in 1918, his work was the subject of a retrospective and homage in his native valencia. he also received the \"gran cruz de alfonso xii\" (now known as the \"civil order of alfonso x el sabio\"). he died in madrid, at the age of seventy-eight. his first works, not in vain, were influenced by the sober and restricted palette of eduardo rosales (which is, in part, by velázquez and goya). enters the royal academy of san fernando. in 1918, his work was the subject of a retrospective and homage in his native valencia. he also received the \"gran cruz de alfonso xii\" (now known as the \"civil order of alfonso x el sabio\"). he died in madrid, at the age of seventy-eight. his first works, not in vain, were influenced by the sober and restricted palette of eduardo rosales (which is, in part, by velázquez and goya). enters the royal academy of san fernando. in 1918, his work was the subject of a retrospective and homage in his native valencia. he also received the \"gran cruz de alfonso xii\" (now known as the \"civil order of alfonso x el sabio\"). he died in madrid, at the age of seventy-eight. his first works, not in vain, were influenced by the sober and restricted palette of eduardo rosales (which is, in part, by velázquez and goya).","es":"medidas: 40 x 60 cm (lienzo). nacido el 12 de marzo de 1842, inició su formación artística en la escuela de bellas artes de san carlos de su valencia natal, teniendo como maestro a rafael montesinos y ramiro, miniaturista y gran admirador de ribera cuya pintura copiará con gran intensidad el joven artista. en 1864, se trasladó a madrid para continuar su formación en la real academia de san fernando, fue premio de roma en 1867, galardón que pensionaba al ganador en esta ciudad para la culminación de su formación, viajando así en 1868 a la ciudad eterna. en 1875 en parís continuará con el negocio de fortuny, trabajando en pequeñas obras de estilo minucioso y colorista, sintiendo cierta influencia del impresionismo francés. en su etapa madura llegará a deshacer la materia pictórica para interesarse especialmente por el color. en 1914, al comienzo de la primera guerra mundial, regresó a madrid, instalándose con su hijo roberto (1883-1956), también artista; ampliamente conocido por sus pinturas de corridas de toros. tres años después, ingresa en la real academia de san fernando. en 1918, su obra fue objeto de una retrospectiva y homenaje en su valencia natal. también recibió la \"gran cruz de alfonso xii\" (ahora conocida como la \"orden civil de alfonso x el sabio\"). murió en madrid, a los setenta y ocho años de edad. sus primeras obras, no en vano, se vieron influidas por la paleta sobria y restringida de eduardo rosales (lo que es, en parte, de velázquez y goya)."},"estimateMax":2500,"lotNumber":"427","title":{"en":"allegory of the music, francisco domingo y marqués (valencia, march 12, 1842-madrid, july 22, 1920), spanish school of the 19th century","es":"alegoría de la música, francisco domingo y marqués (valencia, 12 de marzo de 1842-madrid, 22 de julio de 1920), escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25128/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:55:38.601Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac2,500","currency":"EUR","id":25128,"estimateMin":2000},{"startPrice":1200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25129/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25129/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25129/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25129/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25129/005/005.jpg"],"soldDate":"2022-11-01","available":false,"description":{"en":"oil on canvas, canvas measurements: 43 x 34 cm, framed measurements: 52 x 44 cm. the holy image that we present below is venerated in the cathedral-basilica of cusco in peru, where it receives the deep and testimonial reverence of all social classes. she is famous in peru and abroad, as it is believed that she mitigated the ravages of a great earthquake that destroyed the andean city. it is the \"sworn patron of cusco\" and one of the images of the country with the greatest predicament of creed and providence. the christ is carefully adorned. the nails on his hands and feet are made of pure gold inlaid with precious stones, he had a crown of pure gold with stones that weighed 1.3 kg, a gift from viceroy francisco de borja y aragón, who in the 1980s was stolen. the one he now uses is also golden, but it is lighter. over time, the images of our lady of sorrows and saint john the evangelist were added to the altar. historically, the work dates from around 1570, during the government of philip ii, who heard reports from the architect of el escorial, saying that the \"indians of peru continued to worship the sun and that in their festivals they remembered the deities of their gentility\" . hearing such a thing, he ordered the carving in seville of the image of a holy christ of great size and beauty, but different from those venerated in spain; this should have a coppery color and fractions that would allow the indians to recognize themselves in the image itself. in october 2012, the congress of the republic awarded him the medal of honor in the degree of \"knight\", in a ceremony held at the cathedral-basilica of cuzco, thus confirming the respect and honor deserved by the upper echelons of the peruvian government. reference bibliography: «history of the lord of the tremors». dna cusco. june 16, 2013. provenance: old spanish family collection, in the family since 1850.","es":"óleo sobre lienzo. medidas lienzo: 43 x 34 cm, medidas enmarcado: 52 x 44 cm. la santa imagen que presentamos a continuación es venerada en la catedral-basílica del cusco en el perú, donde acoge la profunda y testimonial reverencia de todas las clases sociales. es célebre en el perú y fuera del país, pues se cree que amainó los estragos de un gran terremoto que destrozó la urbe andina. es el \"patrón jurado del cusco\" y una de las imágenes del país con mayor predicamento de credo y providencia. el cristo está cuidadosamente adornado. los clavos de sus manos y de sus pies son de oro puro con incrustaciones de piedras preciosas, tenía una corona de oro puro con piedras que pesaba 1,3 kg, obsequio del virrey francisco de borja y aragón, que en la década de 1980 fue robada. la que ahora usa es áurea también, pero es más liviana. con el paso del tiempo se le añadieron en el altar las imágenes de la virgen de los dolores y san juan evangelista. históricamente la obra data de alrededor de 1570, durante el gobierno de felipe ii, quien escuchó los informes del arquitecto de el escorial, diciendo que los \u201cindios del perú seguían adorando al sol y que en sus fiestas recordaban a las deidades de su gentilidad\u201d. al oír tal cosa, mandó esculpir en sevilla la imagen de un santo cristo de gran talla y belleza, pero distinto a los que veneraban en españa; este debía tener color cobrizo y fracciones que les permitieran a los indios reconocerse en la propia imagen. en octubre de 2012, el congreso de la república le otorgó la medalla de honor en el grado de \"caballero\", en una ceremonia realizada en la catedral-basílica de cuzco, confirmando así el respeto y honor merecido por parte de las altas esferas del gobierno peruano. bibliografía de referencia: «historia del señor de los temblores». adn cuzco. 16 de junio de 2013. procedencia: antigua colección familiar española, en la familia desde 1850."},"estimateMax":3000,"lotNumber":"428","title":{"en":"important portrait of the \"christ of the tremors\", also called \"taytacha\" of the tremors, colonial school of cuzco, viceroyalty of peru, 18th century","es":"importante retrato del \"cristo de los temblores\", llamado también \"taytacha\" de los temblores, escuela colonial de cuzco, virreinato del perú, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25129/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"soldPrice":1200,"lastUpdate":"2026-07-01T16:55:38.603Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":25129,"estimateMin":2000},{"startPrice":300,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25130/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25130/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25130/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25130/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25130/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25130/006/006.jpg"],"soldDate":"2022-10-27","available":false,"description":{"en":"in richly polychrome alabaster and with bright colors. measurements: 9 x 5.5 x 1.5 cm. provenance: spanish private collection.","es":"en alabastro ricamente policromado y con vivos colores. medidas: 9 x 5,5 x 1,5 cm. procedencia: colección particular española."},"estimateMax":600,"lotNumber":"429","title":{"en":"extraordinary alabaster plaque representing saint michael the archangel subduing the devil, viceroyalty of peru, peruvian colonial school of the 17th - 18th century","es":"extraordinaria placa en alabastro representando a san miguel arcángel sometiendo al demonio, virreinato del perú, escuela colonial peruana del siglo xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25130/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":300,"soldPrice":300,"lastUpdate":"2026-07-01T16:55:38.605Z","textCase":"lower","estimate":"\u20ac500 - \u20ac600","currency":"EUR","id":25130,"estimateMin":500},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25131/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25131/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25131/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25131/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25131/004/004.jpg"],"available":false,"description":{"en":"oil on board, framed measurements: 86 x 83, board measurements: 70 x 66 cm","es":"óleo sobre tabla, medidas enmarcada: 86 x 83, medidas tabla: 70 x 66 cm"},"estimateMax":12000,"lotNumber":"430","title":{"en":"large oil on table representing the calvary of christ with mary and saint john, hispano-flemish school of the 16th century","es":"gran tabla representando el calvario de cristo junto a maría y san juan, escuela hispano flamenca del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25131/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:55:38.607Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":25131,"estimateMin":8000},{"startPrice":2500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25132/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25132/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25132/003/003.jpg"],"available":false,"description":{"en":"oil on board, board measurements: 91 x 70 cm","es":"óleo sobre tabla, medidas tabla: 91 x 70 cm"},"estimateMax":6500,"lotNumber":"431","title":{"en":"the virgin mary with the child next to sainte anne and st. john, venetian school of the 16th century","es":"la virgen maría con el niño junto a santa ana y san juanito, escuela veneciana del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25132/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:55:34.207Z","textCase":"lower","estimate":"\u20ac4,500 - \u20ac6,500","currency":"EUR","id":25132,"estimateMin":4500},{"startPrice":4500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25133/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25133/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25133/002/002.jpg"],"available":false,"description":{"en":"white gold ring with a central colombian emerald of 5.16ct vivid green surrounded by 14 diamonds 1.50ct color h","es":"sortija oro blanco con esmeralda colombiana central de 5,16ct vivid green rodeada por 14 brillantes 1.50ct color h"},"estimateMax":10000,"lotNumber":"432","title":{"en":"white gold ring with a central colombian emerald of 5.16ct","es":"sortija oro blanco con esmeralda colombiana central de 5,16ct"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25133/view","tags":["esjewelry_rings","esjewelry","esjewelry_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:55:34.209Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac10,000","currency":"EUR","id":25133,"estimateMin":8000},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25134/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25134/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/25134/002/002.jpg"],"available":false,"description":{"en":"white gold ring with a central natural sapphire of 5.09ct intense color aaa vivid-blue cushion cut surrounded by diamonds of 1.30ct approx color hi","es":"sortija oro blanco con zafiro natural central de 5,09ct color intenso aaa vivid-blue talla cushion rodeado de brillantes de 1.30ct aprox color h-i"},"estimateMax":8000,"lotNumber":"433","title":{"en":"white gold ring with a central natural sapphire of 5.09ct intense color aaa","es":"sortija oro blanco con zafiro natural central de 5,09ct color intenso aaa"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/27237/lot/25134/view","tags":["esjewelry_rings","esjewelry","esjewelry_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:55:34.210Z","textCase":"lower","estimate":"\u20ac6,000 - 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