{"lots":[{"startPrice":1100,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17202/011/011.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: ptah-sokar-osiris figure inscribed \n \n material: wooden \n \n culture: egyptian \n \n period: ptolemaic period, 305 - 30 b.c \n \n dimensions: 335 mm x 60 mm x 158 mm \n \n condition: good condition \n \n provenance: ex dutch private collection, maastricht, ex venduhuis dickhaut, maastricht (1996) \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the ptah-sokar-osiris is a composite deity from ancient egyptian religion, representing the fusion of three gods: ptah, sokar, and osiris. ptah was the god of creation and craftsmanship, sokar was associated with the memphite necropolis and funerary rites, and osiris was the god of the afterlife and resurrection. this syncretic deity emerged around the middle kingdom period (c. 2055-1650 bce) and became particularly prominent during the late period (c. 664-332 bce). the integration of these gods highlights the egyptians' evolving religious beliefs and the importance of combining different aspects of divinity to address the complex nature of life, death, and the afterlife. \n \n statues of ptah-sokar-osiris were commonly placed in tombs and burial sites, symbolizing protection and the promise of rebirth for the deceased. these statues typically depicted a mummified figure, often with the combined attributes of the three gods: the mummy form from osiris, the feathered crown from sokar, and the skullcap and beard from ptah. some statues also included inscriptions or were hollow to contain small papyrus scrolls with spells from the book of the dead, enhancing their magical and protective functions. \n \n the worship of ptah-sokar-osiris reflects the ancient egyptians' deep concern with death and the afterlife, underscoring their belief in resurrection and eternal life. the fusion of these deities allowed worshippers to appeal to the combined powers of creation, protection, and rebirth, ensuring a safe journey to the afterlife."},"estimateMax":1900,"lotNumber":"1","title":{"es":"egyptian ptah-sokar-osiris figure inscribed"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17202/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1100,"soldPrice":1100,"lastUpdate":"2026-07-01T18:52:27.099Z","textCase":"lower","estimate":"\u20ac1,600 - \u20ac1,900","currency":"EUR","id":17202,"dimensions":{"depth":15.8},"estimateMin":1600},{"startPrice":400,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17203/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17203/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17203/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17203/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17203/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17203/006/006.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: bell krater \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 185 mm x 200 mm diameter \n \n condition: good condition, repaired \n \n provenance: ex dutch private collection, acquired in 1970s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n a greek bell krater is a type of ancient pottery used primarily for mixing wine with water during symposia, which were social gatherings and drinking parties. originating in the 5th century bce, bell kraters are characterized by their distinctive shape: a wide, flaring mouth that curves inward, resembling an inverted bell, hence the name. they typically have a broad, rounded body, two horizontal handles just below the rim, and a short foot. the form of the bell krater allowed for easy mixing and serving of wine, making it a central piece in the ritual of communal drinking and social interaction in ancient greek culture. \n \n bell kraters are notable for their elaborate painted decorations, which provide valuable insights into greek art and mythology. the scenes depicted on these vessels often include mythological narratives, daily life, athletic competitions, and revelry. the red-figure technique, which became prominent in the late 6th century bce, was commonly used for these kraters. this method involved painting the figures in a red slip against a black background, allowing for greater detail and realism in the depiction of human figures and activities. the images on bell kraters not only served an aesthetic purpose but also conveyed cultural values and stories to those who used them. \n \n the social significance of the bell krater extends beyond its practical use. in the context of a symposium, the krater was a symbol of hospitality and intellectual exchange. mixing wine with water was a crucial aspect of greek etiquette, as drinking undiluted wine was considered barbaric and impolite. the shared use of the krater emphasized equality and camaraderie among participants, fostering a sense of community and mutual respect."},"estimateMax":800,"lotNumber":"2","title":{"es":"greek bell krater"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17203/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":400,"soldPrice":400,"lastUpdate":"2026-07-23T01:04:21.183Z","textCase":"lower","estimate":"\u20ac600 - \u20ac800","currency":"EUR","id":17203,"dimensions":{"depth":20},"estimateMin":600},{"startPrice":360,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17204/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17204/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17204/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17204/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17204/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: kylix \n \n material: pottery, xenon ware \n \n culture: greek, south italian \n \n period: 4th century b.c \n \n dimensions: 40 mm x 190 mm x 132 mm \n \n condition: good condition, repaired \n \n provenance: ex swiss private collection, since at least 1978 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek kylix is a type of shallow drinking cup that was popular during the archaic and classical periods of ancient greece, from the 6th to the 4th centuries bce. kylikes were typically made from clay and featured a wide, shallow bowl with two horizontal handles known as \"\"ear\"\" handles. these handles allowed the cup to be easily lifted and shared among drinkers during symposia, social gatherings where men would drink wine, converse, and engage in intellectual and recreational activities. \n \n one of the distinctive features of the kylix is its artistic decoration, often found on the interior surface of the bowl. red-figure and black-figure painting techniques were commonly used to adorn kylikes with scenes from mythology, daily life, athletics, or symposium scenes. these intricate designs not only served an aesthetic purpose but also provided a focal point for conversation and entertainment during the symposium. the exterior of the kylix was usually left plain or decorated with simple geometric patterns. \n \n the shape and function of the kylix were closely tied to the culture of ancient greece, particularly its emphasis on communal drinking and social interaction. the shallow bowl allowed for easy access to the wine, while the handles facilitated sharing among participants. the symposium, where kylikes were prominently featured, played a significant role in greek social life, serving as a space for intellectual exchange, philosophical discourse, and the forging of social bonds."},"estimateMax":700,"lotNumber":"3","title":{"es":"greek kylix"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17204/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":360,"soldPrice":360,"lastUpdate":"2026-07-23T01:04:21.187Z","textCase":"lower","estimate":"\u20ac600 - \u20ac700","currency":"EUR","id":17204,"dimensions":{"depth":13.2},"estimateMin":600},{"startPrice":130,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17205/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17205/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17205/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17205/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17205/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: scarab with kheper-beetle flanked by two maat-feathers \n \n material: steatite \n \n culture: egyptian \n \n period: new kingdom, 1550 - 1070 b.c \n \n dimensions: 7 mm x 11 mm \n \n condition: good condition \n \n provenance: ex american egyptologist collection, active in the early part of the 20th century, brought to the us with the family in 1954. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the egyptians saw the egyptian scarab (scarabaeus sacer) as a symbol of renewal and rebirth. the beetle was associated closely with the sun god because scarabs roll large balls of dung in which to lay their eggs, a behavior that the egyptians thought resembled the progression of the sun through the sky from east to west. its young were hatched from this ball, and this event was seen as an act of spontaneous self-creation, giving the beetle an even stronger association with the sun god\u2019s creative force. the connection between the beetle and the sun was so close that the young sun god was thought to be reborn in the form of a winged scarab beetle every morning at sunrise. as this young sun god, known as khepri, rose in the sky, he brought light and life to the land. \n \n scarab amulets were used for their magical rejuvenating properties by both the living and the dead. scarabs were used by living individuals as seals from the start of the middle kingdom (ca. 2055 bce) onwards. the most common inscription for these scarabs was the owner\u2019s name. the incised design was often a schematic combination of hieroglyphs and geometric patterning. patterns could often denote the specific administrative office held by the wearer. \n \n scarabs were also often rendered naturalistically in the round. the regenerative powers of scarabs of this nature could be used by either the living or the dead for healing and protection during quotidian activities or during a deceased person\u2019s passage into the afterlife. the striking red/orange color of this amulet\u2019s carnelian strengthens its solar associations."},"estimateMax":220,"lotNumber":"4","title":{"es":"egyptian scarab with kheper-beetle flanked by two maat-feathers"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17205/view","tags":["esinternational_african","esinternational","esinternational_all"],"directSalePrice":130,"soldPrice":130,"lastUpdate":"2026-07-30T22:15:32.574Z","textCase":"lower","estimate":"\u20ac200 - \u20ac220","currency":"EUR","id":17205,"estimateMin":200},{"startPrice":4900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17206/013/013.jpg"],"available":false,"description":{"es":"item: head of a woman / portrait of a princess or an empress, type hanovre-palazzo corsini \n \n material: marble \n \n culture: roman \n \n period: severan period, 193 - 235 a.d \n \n dimensions: 350 mm x 210 mm x 230 mm, around 15kg \n \n condition: good condition, professionally cleaned. includes report. the restored nose was removed, as well as the neck mortar to fit a bust. \n \n provenance: ex english private collection, acquired between 1960s - 1970s, from an inheritance and sold by his heirs \n \n parallel: collections des musées de france (joconde), référence : 05630030365, toulouse, musée saint-raymond \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the severan period, spanning from 193 to 235 ce, marked a significant era in the roman empire characterized by the rule of the severan dynasty. this period began with the ascension of septimius severus, who secured his position after a year of civil war following the assassination of commodus. the dynasty included his sons caracalla and geta, as well as later emperors such as elagabalus and alexander severus. the severan period is noted for its military expansion, legal reforms, and architectural achievements. it also witnessed increasing cultural syncretism, with the blending of roman and eastern influences, as the severan emperors had strong ties to the provinces, particularly in north africa and the middle east. \n \n art and portraiture from the severan period reflect the political and social changes of the time. one of the distinctive features of severan portraiture is its realistic and often idealized depiction of imperial family members. portraits were used as a means of propaganda to convey the authority, divinity, and continuity of the ruling dynasty. these portraits were disseminated throughout the empire in various forms, including marble busts, coins, and reliefs. they emphasized the emperor's military prowess, divine favor, and the continuity of roman traditions. \n \n marble portrait heads of women from the severan period exhibit a blend of idealism and realism, capturing both the physical likeness and the social status of the subject. these portraits often feature elaborate hairstyles, which were a significant aspect of roman fashion and could indicate the individual's wealth, status, and adherence to contemporary trends. the intricate hairstyles of severan women, such as those seen in portraits of julia domna, the wife of septimius severus, are particularly notable. julia domna's portraits often show her with a distinctive coiffure of waves and curls, reflecting her influential status and the period's aesthetic preferences. \n \n in terms of artistic technique, severan marble portraits are characterized by their meticulous attention to detail and the use of drilling to create deep shadows and intricate textures, especially in the hair and eyes. this technique allowed for a greater contrast between light and shadow, enhancing the lifelike quality of the sculptures. the eyes of the portraits were often inlaid with colored stones or painted, adding to the realism and intensity of the expression. the high level of craftsmanship in these portraits demonstrates the skill of roman sculptors and the importance placed on accurate and expressive representations. \n \n the severan period also saw the continuation and expansion of public works and monuments, which served to reinforce the power and legacy of the ruling family. portraits of women, often placed in public and private spaces, were part of this broader program of visual propaganda. these images not only celebrated the beauty and virtue of the imperial family but also served to legitimize their rule by associating them with traditional roman values and divine favor."},"estimateMax":9000,"lotNumber":"5","title":{"es":"roman head of a woman / portrait of a princess or an empress, type hanovre-palazzo corsini"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17206/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4900,"lastUpdate":"2026-07-01T18:52:27.101Z","textCase":"lower","estimate":"\u20ac7,000 - \u20ac9,000","currency":"EUR","id":17206,"dimensions":{"depth":23},"estimateMin":7000},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17207/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17207/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17207/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17207/004/004.jpg"],"available":false,"description":{"es":"item: statuette of a boar \n \n material: pottery \n \n culture: greek \n \n period: hellenistic period, 3rd - 2nd century b.c \n \n dimensions: 70 mm x 56 mm x 102 mm \n \n condition: good condition \n \n provenance: ex english private collection, o.s., suffolk, acquired in the 1960s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n statuettes of boars from the greek and hellenistic periods reflect the cultural and symbolic significance of the animal in ancient societies. in greek mythology, the boar was often associated with wildness, strength, and danger, featuring prominently in several myths such as the calydonian boar hunt and the myth of the erymanthian boar, which was one of the twelve labors of heracles. these stories underscored the boar's reputation as a formidable and challenging beast, embodying the untamed forces of nature that heroes needed to conquer. \n \n during the hellenistic period (c. 323-31 bce), the production of small-scale art, including animal statuettes, flourished as part of the broader trend toward personal and domestic art. the hellenistic era is characterized by its increased attention to realism, detail, and the depiction of a wide range of subjects, including everyday life and the natural world. boar statuettes from this period would often be made from bronze, terracotta, or other materials, showcasing the hellenistic artists' skill in capturing the physical characteristics and dynamic poses of animals. these statuettes might have served decorative purposes, been used in domestic religious practices, or symbolized the owner's values or interests, such as hunting prowess. \n \n the stylistic approach to boar statuettes in the hellenistic period reflects the era's artistic innovations and cultural exchanges. hellenistic artists were known for their ability to convey movement and lifelike qualities in their works, and boar statuettes would often depict the animal in mid-action, emphasizing its muscular build and fierce nature. this period also saw the spread of greek culture across the mediterranean and into asia due to the conquests of alexander the great, leading to a fusion of artistic traditions."},"estimateMax":280,"lotNumber":"6","title":{"es":"greek statuette of a boar"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17207/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":180,"lastUpdate":"2026-07-01T18:52:27.103Z","textCase":"lower","estimate":"\u20ac220 - \u20ac280","currency":"EUR","id":17207,"dimensions":{"depth":10.2},"estimateMin":220},{"startPrice":380,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17208/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17208/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17208/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17208/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17208/005/005.jpg"],"available":false,"description":{"es":"item: fragment of cuirass (lorica musculata) with gorgon \n \n material: marble \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 110 mm x 130 mm x 83 mm \n \n condition: good condition \n \n provenance: ex collection of a belgian gentlewoman, since 1960s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n a remarkable piece of roman military equipment and artistic expression. the lorica musculata, or muscle cuirass, was a type of body armor commonly worn by roman soldiers during the imperial period. this particular fragment showcases the intricacies of roman craftsmanship, with finely sculpted details that depict the muscular contours of the wearer's torso, giving the impression of strength and power. \n \n the inclusion of a gorgon, a mythical creature from greek mythology typically depicted as a fearsome female with snakes for hair, adds a distinctive touch to this fragment. the gorgon's presence on the cuirass served both practical and symbolic purposes. on a practical level, it may have been intended to intimidate enemies on the battlefield, invoking the gorgon's mythological association with petrifying gaze and supernatural powers. symbolically, the depiction of the gorgon could also have served as a form of protection, invoking the apotropaic properties believed to ward off evil or harm. \n \n furthermore, the use of marble for this fragment of the lorica musculata elevates its status from purely functional armor to a work of art. marble was a material associated with prestige and luxury in ancient rome, often reserved for monuments, sculptures, and architectural elements. by incorporating marble into the design of military equipment like the lorica musculata, the romans demonstrated their appreciation for aesthetics even in the realm of warfare."},"estimateMax":900,"lotNumber":"7","title":{"es":"roman fragment of cuirass (lorica musculata) with gorgon"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17208/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":380,"lastUpdate":"2026-07-01T18:52:27.104Z","textCase":"lower","estimate":"\u20ac700 - \u20ac900","currency":"EUR","id":17208,"dimensions":{"depth":8.3},"estimateMin":700},{"startPrice":3800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17209/015/015.jpg"],"available":false,"description":{"es":"item: statuette of a horse \n \n material: pottery \n \n culture: chinese, tang dynasty \n \n period: 618 - 907 a.d \n \n dimensions: 560 mm x 530 mm x 200 mm \n \n condition: good condition. includes thermoluminescence test by laboratory kotalla (reference 02pr101220) \n \n provenance: ex belgian private collection (2022), ex english art gallery, ex english private collection, d.r, acquired in 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n \n due to the fragility of this piece, it can only be shipped within the european union, united kingdom and neighbouring countries that can be transported by road by private courier (door to door) and costs 350 euros, 100 euros for spain. \n \n the tang dynasty, which ruled china from 618 to 907 ad, is often regarded as one of the most glorious periods in chinese history, characterized by political stability, economic prosperity, and remarkable cultural achievements. established by the li family, the dynasty saw significant advancements in various fields, including poetry, painting, calligraphy, and technology. the tang dynasty was renowned for its cosmopolitanism, with influences from central asia, india, and the middle east contributing to its vibrant cultural landscape. under tang rule, china experienced a golden age of literature and art, with figures like li bai and du fu flourishing in poetry and artists such as wu daozi making significant contributions to painting. \n \n during the tang dynasty, the tradition of producing horse statuettes continued, reflecting the enduring significance of horses in chinese society. these horse statuettes, often referred to as minqi horse sculptures, maintained the artistic excellence established in earlier periods and further developed under tang patronage. crafted from various materials such as ceramic, metal, and stone, these sculptures depicted horses in various poses, showcasing their strength, elegance, and vitality. some statuettes also featured intricate details such as ornamental trappings and saddlery, highlighting the craftsmanship of tang artisans. \n \n the tang dynasty\u2019s minqi horse statuettes not only served as decorative items but also held symbolic and cultural significance. horses were not only essential for transportation and warfare but also symbolized wealth, power, and prestige. therefore, these sculptures often adorned the tombs of the elite as burial goods, reflecting beliefs in the afterlife and serving as expressions of social status."},"estimateMax":6000,"lotNumber":"8","title":{"es":"chinese statuette of a horse"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17209/view","tags":["esinternational_chinese","esart_ancientsculpture","esart","esinternational","esinternational_all","esart_all"],"directSalePrice":3800,"lastUpdate":"2026-07-01T18:52:27.106Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac6,000","currency":"EUR","id":17209,"dimensions":{"depth":20},"estimateMin":5000},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17210/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17210/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17210/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17210/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: textile fragment depicting an anchor \n \n material: linen \n \n culture: egyptian, coptic \n \n period: 4th - 9th century a.d \n \n dimensions: 55 mm x 52 mm (without stand) \n \n condition: good condition. includes stand \n \n provenance: ex english private collection, acquired from an american private collection between 1970s-1996 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n coptic textiles from the 4th to the 9th century are significant artifacts of late antiquity and early christianity. these textiles, woven in egypt, are known for their intricate weaving and vibrant colors. they feature a blend of indigenous egyptian traditions and early christian iconography, with motifs including christian symbols, biblical scenes, and saints. these textiles offer insights into daily life, religious practices, and burial customs in the region. their preservation in the arid egyptian climate has made them invaluable for understanding the transition from the classical world to the medieval era and the spread of christianity in egypt and the wider mediterranean. \n \n coptic textiles are culturally and historically significant, reflecting the fusion of artistic traditions and religious influences during a transformative period."},"estimateMax":200,"lotNumber":"9","title":{"es":"egyptian, coptic textile fragment depicting an anchor"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17210/view","tags":["esinternational_african","esinternational","esinternational_all"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-30T22:15:32.578Z","textCase":"lower","estimate":"\u20ac150 - \u20ac200","currency":"EUR","id":17210,"estimateMin":150},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17211/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17211/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17211/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17211/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17211/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17211/006/006.jpg"],"available":false,"description":{"es":"item: squat lekythos with palmette \n \n material: pottery \n \n culture: greek \n \n period: 5th \u2013 4th century b.c \n \n dimensions: 91 mm x 42 mm \n \n condition: good condition \n \n provenance: ex french private collection, acquired between 1980s \n parallel: british museum collection, accession number 11.46019 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n lekythoi are a specific type of oil flask used in ancient greece, particularly during the archaic and classical periods, spanning from the 7th to the 4th century bce. their design was intended for holding perfumed oil or ointments used in funerary and beauty rituals. \n \n greek lekythoi were often adorned with artistic scenes, such as human, mythological, or geometric figures, which were frequently related to the funerary theme. many of them were used as offerings in tombs or commemorative monuments, and their presence in burials provides valuable insights into the cultural beliefs and practices of ancient greece concerning death and the veneration of the deceased. \n \n these objects are highly regarded by archaeologists and art historians due to their connection to religion, mythology, and the everyday life of ancient greece. lekythoi serve as a window into the culture and beliefs of this civilization, and their archaeological study and artistic analysis contribute to a deeper understanding of ancient greek society."},"estimateMax":400,"lotNumber":"10","title":{"es":"greek squat lekythos with palmette"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17211/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":180,"lastUpdate":"2026-07-23T01:04:21.189Z","textCase":"lower","estimate":"\u20ac350 - \u20ac400","currency":"EUR","id":17211,"estimateMin":350},{"startPrice":160,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17212/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17212/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17212/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17212/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17212/005/005.jpg"],"available":false,"description":{"es":"item: fragment of a finger \n \n material: bronze \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 55 mm x 22 mm, life-size \n \n condition: good condition \n \n provenance: ex american private collection, acquired before 2000 in european art market \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the roman period, fragments of fingers from bronze statuettes are significant archaeological finds that offer insights into ancient artistic practices, religious beliefs, and daily life. these fragments often come from larger bronze statues or figurines that were crafted with remarkable skill and attention to detail. while the complete statues may have been lost or damaged over time, the surviving fragments, including fingers, provide valuable clues about the craftsmanship and aesthetics of ancient roman bronze sculpture. \n \n bronze statuettes were popular in ancient rome and served various purposes, including religious worship, decorative adornment, and commemoration of individuals or events. the depiction of hands and fingers in these statuettes was particularly important, as gestures and hand positions conveyed specific meanings and symbolism. for example, a raised hand with extended fingers might represent a gesture of greeting, blessing, or authority, while a clenched fist could symbolize power or determination. \n \n the discovery of fragments of fingers from bronze statuettes in archaeological contexts sheds light on the artistic techniques employed by ancient roman sculptors. the intricate detailing of individual fingers demonstrates the skill and precision of these craftsmen, who were able to capture the nuances of human anatomy in metal."},"estimateMax":300,"lotNumber":"11","title":{"es":"roman fragment of a finger, life-size"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17212/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":160,"lastUpdate":"2026-07-01T18:52:27.683Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17212,"estimateMin":250},{"startPrice":480,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17213/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17213/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17213/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17213/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17213/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17213/006/006.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: globular two-handled olla \n \n material: pottery \n \n culture: etruscan \n \n period: 7th century b.c \n \n dimensions: 340 mm x 400 mm x 310 mm \n \n condition: good condition \n \n provenance: ex german private collection, k.f., from and old family estate, acquired before 1980s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n etruscan pottery from the 7th century b.c. offers a fascinating glimpse into the artistic and cultural developments of the etruscan civilization in ancient italy. during this period, etruscan pottery was characterized by its distinctive shapes, such as the bucchero ware, which was crafted using a unique black ceramic technique. bucchero pottery was wheel-thrown and then fired in an oxygen-restricted environment to produce its dark, shiny surface. these vessels often featured intricate incised or molded designs, depicting various motifs, including human and animal figures, mythical creatures, and geometric patterns. the 7th century b.c. also marked the transition from orientalizing influences, which were prevalent in earlier etruscan pottery, to a more indigenous etruscan style, with an emphasis on the depiction of daily life, rituals, and religious themes. \n \n etruscan pottery from this period was not only utilitarian but also served a symbolic and artistic purpose. it reflected the etruscans' engagement with neighboring civilizations, such as the greeks and the phoenicians, while also preserving their unique cultural identity. the pottery was used for a variety of functions, including storage, serving, and religious offerings."},"estimateMax":1100,"lotNumber":"12","title":{"es":"etruscan globular two-handled olla"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17213/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":480,"soldPrice":480,"lastUpdate":"2026-07-01T18:52:27.684Z","textCase":"lower","estimate":"\u20ac1,000 - \u20ac1,100","currency":"EUR","id":17213,"dimensions":{"depth":31},"estimateMin":1000},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17214/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17214/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17214/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17214/004/004.jpg"],"available":false,"description":{"es":"item: lion applique \n \n material: bronze \n \n culture: roman \n \n period: 1st \u2013 3rd century a.d \n \n dimensions: 52 mm diameter \n \n condition: good condition \n \n provenance: ex jerusalem private collection, r.j., with israeli export licence number 57470 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman lion appliqués in bronze were ornamental decorations commonly used in various contexts during the roman empire. these appliqués, typically crafted from bronze or other metals, depicted stylized representations of lions and were often attached to a variety of objects, including furniture, architectural elements, military equipment, and personal adornments. the lion held symbolic significance in roman culture, representing strength, power, and courage, and its image was frequently employed to convey these attributes in both secular and religious contexts. \n \n one of the most notable uses of roman lion appliqués was in furniture decoration. bronze lion appliqués adorned items such as chests, tables, chairs, and thrones, adding a touch of elegance and prestige to household furnishings. these appliqués were often intricately detailed, with finely rendered features and muscular forms, showcasing the skill and artistry of roman metalworkers. lion appliqués on furniture not only served a decorative purpose but also conveyed social status and wealth, as owning such elaborately adorned pieces was a sign of affluence and refinement. \n \n in addition to furniture decoration, roman lion appliqués were also utilized in architectural ornamentation. they adorned buildings, temples, and public structures, adding embellishments to facades, friezes, and doorways. these appliqués contributed to the grandeur and magnificence of roman architecture, reflecting the empire's penchant for opulence and ostentation. furthermore, the presence of lion motifs in architectural contexts may have held symbolic connotations related to protection, guardianship, and the imperial authority of rome."},"estimateMax":350,"lotNumber":"13","title":{"es":"roman lion applique"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17214/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-30T22:15:32.579Z","textCase":"lower","estimate":"\u20ac300 - \u20ac350","currency":"EUR","id":17214,"estimateMin":300},{"startPrice":1700,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17215/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17215/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17215/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17215/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17215/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17215/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17215/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17215/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17215/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17215/010/010.jpg"],"available":false,"description":{"es":"item: cartonnage mummy mask depicting a female head \n \n material: linen and gesso \n \n culture: egyptian, roman period \n \n period: 1st century b.c \u2013 1st century a.d \n \n dimensions: 208 mm x 200 mm x 200 mm (without stand) \n \n condition: good condition. includes stand \n \n provenance: ex english private collection, ex christie\u2019s, london, april 2000, lot 59 (part lot), ex belgian private collection, ex bonhams \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the roman period in egypt, which spanned from the 1st century bce to the 4th century ce, a unique blend of egyptian and greco-roman artistic influences emerged. this period saw the production of cartonnage mummy masks that often depicted female heads, showcasing a fusion of traditional egyptian religious beliefs with the cultural impact of the roman empire. cartonnage was a material made from layers of linen or papyrus soaked in plaster, creating a rigid surface suitable for painting and decoration. \n \n the female heads depicted on these mummy masks during the roman period often reflected the idealized beauty standards of the time. these masks were not just functional elements for preserving the deceased\u2019s features, but also served a ritualistic and symbolic purpose. the depictions frequently incorporated roman hairstyles and fashion trends, showcasing the blending of cultural elements. the intricate details of the masks, including carefully painted eyes, adorned jewelry, and headdresses, offered a glimpse into the social and aesthetic preferences of the roman-influenced egyptian society. \n \n the choice of a female representation on these mummy masks may suggest a connection to the goddesses of the egyptian pantheon, such as isis or hathor, who were revered during both the native egyptian and roman periods."},"estimateMax":3500,"lotNumber":"14","title":{"es":"romano-egyptian cartonnage mummy mask depicting a female head"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17215/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1700,"lastUpdate":"2026-07-01T18:52:27.686Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac3,500","currency":"EUR","id":17215,"dimensions":{"depth":20},"estimateMin":3000},{"startPrice":650,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17216/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17216/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17216/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17216/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17216/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17216/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17216/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17216/008/008.jpg"],"available":false,"description":{"es":"item: aryballos depicting a horse head \n \n material: pottery \n \n culture: greek, corinthian \n \n period: 7th century b.c \n \n dimensions: 62 mm x 55 mm diameter \n \n condition: good condition \n \n provenance: ex swiss private collection, m. h. d., acquired between since 1919 \n parallel: staatliche antikensammlungen, munich, accession number inv. 7637 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek aryballos, particularly during the corinthian period, stands as a testament to the skill and artistry of ancient greek ceramic craftsmanship. an aryballos is a small, globular vessel designed for holding oil or perfumes, characterized by its narrow neck and rounded body. in the corinthian period, spanning from the 7th to the mid-6th century bce, corinth emerged as a prominent center for pottery production, and the aryballos became a popular form of artistic expression within this context. \n \n corinthian aryballoi are renowned for their distinctive black-figure technique, wherein the figures and decorative elements are painted in black slip against the natural red clay background. the scenes depicted on these vessels often revolve around mythological narratives, such as battles, athletic competitions, or religious rituals. the intricate details and fine craftsmanship of corinthian aryballoi reflect the technical mastery achieved by the potters of this era. \n \n in the broader context of ancient greek pottery, aryballoi served practical purposes, being used for storing and transporting oils for personal grooming or religious ceremonies. the vessels were often adorned with intricate patterns and intricate figural designs, showcasing the greek artisans\u2019 ability to seamlessly merge functionality with artistic expression."},"estimateMax":1300,"lotNumber":"15","title":{"es":"greek aryballos depicting a horse head"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17216/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":650,"lastUpdate":"2026-07-01T18:52:27.688Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,300","currency":"EUR","id":17216,"dimensions":{"depth":5.5},"estimateMin":1200},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17217/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17217/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17217/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17217/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: cosmetic palette \n \n material: stone \n \n culture: roman \n \n period: 1st \u2013 3rd century a.d \n \n dimensions: 6 mm x 72 mm x 45 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, a.k., with israeli export licence number 57470 \n parallel: the british museum collection online, accession number 1982,0729.437 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman stone cosmetic palettes represent an important aspect of ancient grooming practices and material culture. these palettes were used for grinding and mixing cosmetic substances such as kohl, a dark pigment used for eyeliner, and various ointments and pigments for body adornment. unlike the smaller, portable cosmetic palettes made of materials like bronze or alabaster, stone cosmetic palettes were typically larger and more stationary, often featuring flat surfaces for grinding and mixing cosmetics. \n \n stone cosmetic palettes were crafted from a variety of materials, including limestone, schist, and alabaster, chosen for their durability and smooth texture. these palettes were often rectangular or oval-shaped, with shallow depressions or grooves carved into the surface to hold the cosmetic substances. some palettes featured intricate engravings or relief carvings, depicting decorative motifs such as floral patterns, geometric designs, or mythological scenes. these embellishments not only added aesthetic appeal to the palettes but also reflected the artistic tastes and cultural influences of the time. \n \n in addition to their practical function, stone cosmetic palettes held symbolic significance in ancient roman society. the use of cosmetics was not only a means of enhancing one's appearance but also carried religious and social connotations. cosmetic preparation and application were often associated with rituals of purification, beautification, and self-care, reflecting cultural ideals of hygiene and personal grooming. stone cosmetic palettes were sometimes buried as grave goods alongside the deceased, suggesting beliefs in the importance of personal adornment and grooming in the afterlife."},"estimateMax":200,"lotNumber":"16","title":{"es":"roman cosmetic palette"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17217/view","tags":["esfashion_vanityitems","esfashion_all","esfashion"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-01T18:52:27.689Z","textCase":"lower","estimate":"\u20ac180 - \u20ac200","currency":"EUR","id":17217,"dimensions":{"depth":4.5},"estimateMin":180},{"startPrice":280,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17218/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17218/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17218/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17218/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17218/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17218/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17218/007/007.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: cylinder seal fragment \n \n material: stone \n \n culture: egyptian \n \n period: middle kingdom, 1850 b.c \n \n dimensions: 17 mm x 7 mm \n \n condition: good condition \n \n provenance: ex museum exhibiton of the arbeitsgruppe für biblische archäologie, germany (deaccession) \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n senworset iii, also known as senusret iii, was one of the most significant pharaohs of the middle kingdom period of ancient egypt. he ruled during the 12th dynasty, approximately from 1878 to 1839 bc, and is often regarded as one of the most powerful and successful monarchs in egyptian history. senworset iii's reign marked a period of stability, prosperity, and military expansion for egypt, characterized by ambitious building projects, administrative reforms, and military campaigns. \n \n one of senworset iii's most notable achievements was his military campaigns, which expanded egypt's territorial control and secured its borders. he launched several military expeditions into nubia (modern-day sudan) and the levant (modern-day israel, palestine, and syria), conquering new territories and establishing egyptian dominance over neighboring regions. these campaigns helped to secure egypt's access to valuable resources such as gold, copper, and timber while also asserting its military prowess and imperial authority. \n \n senworset iii is also renowned for his architectural accomplishments, including the construction of monumental structures and infrastructure projects throughout egypt. he commissioned the construction of fortresses, temples, and administrative centers, strengthening egypt's defense capabilities and centralizing political control. one of his most famous architectural projects is the \"white chapel, \" a small shrine built at karnak temple in thebes, which features intricate reliefs depicting senworset iii's military victories and religious rituals."},"estimateMax":500,"lotNumber":"17","title":{"es":"egyptian cylinder seal fragment, ex museum"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17218/view","tags":["esinternational_african","esinternational","esinternational_all"],"directSalePrice":280,"soldPrice":280,"lastUpdate":"2026-07-30T22:15:32.582Z","textCase":"lower","estimate":"\u20ac400 - \u20ac500","currency":"EUR","id":17218,"estimateMin":400},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17219/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17219/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17219/003/003.jpg"],"available":false,"description":{"es":"item: 'frog' oil lamp, type shier a 5.2 \n \n material: pottery \n \n culture: egyptian, roman period \n \n period: 2nd - 4th century a.d \n \n dimensions: 27 mm x 74 mm x 84 mm \n \n condition: good condition \n \n provenance: ex american private collection, a.s., acquired in 1980s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n egyptian oil lamps have a long history, evolving from simple open bowls to more intricate and enclosed designs over millennia. these lamps were typically made from clay or bronze and were essential for providing light in homes, temples, and tombs. the basic design of an oil lamp consisted of a reservoir to hold the oil and a spout where a wick could be placed to control the flame. the lamps were often decorated with various motifs and symbols that held religious or cultural significance. \n \n one interesting type of oil lamp from ancient egypt is the \"frog oil lamp, \" named for its distinctive frog-shaped decoration. these lamps, often made of clay, featured a frog motif either molded into the surface or as a three-dimensional figure on the lamp's body. the frog was a symbol of fertility and rebirth in egyptian culture, associated with the goddess heqet, who was often depicted as a frog or a woman with a frog's head. heqet was the goddess of childbirth and assisted in the resurrection of the dead, making the frog an auspicious symbol for an object providing light, which could be seen as a metaphor for life and illumination in both the literal and spiritual sense. \n \n the use of frog oil lamps was widespread during the new kingdom (c. 1550-1070 bce) and into the later periods of egyptian history. these lamps were not only functional but also held a symbolic and protective role, especially in contexts related to childbirth and the afterlife. in tombs, they might have been placed to ensure that the deceased had light in the afterlife, aligning with the frog's associations with rebirth and regeneration."},"estimateMax":180,"lotNumber":"18","title":{"es":"romano-egyptian 'frog' oil lamp, type shier a 5.2"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17219/view","tags":["esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"lastUpdate":"2026-07-01T18:52:27.690Z","textCase":"lower","estimate":"\u20ac140 - \u20ac180","currency":"EUR","id":17219,"dimensions":{"depth":8.4},"estimateMin":140},{"startPrice":190,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17220/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17220/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17220/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17220/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: amphoriskos \n \n material: pottery \n \n culture: roman, north africa \n \n period: 2nd - 3rd century a.d \n \n dimensions: 203 mm x 120 mm \n \n condition: good condition \n \n provenance: ex swedish private collection, bought in the 1970s and inherited there by the present owner \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the roman north african amphoriskos is a type of small amphora, typically used for storing and transporting liquids such as oils, perfumes, and wines. amphoriskoi, the diminutive form of amphorae, were common in the roman empire and are distinguished by their smaller size, usually ranging from 10 to 20 centimeters in height. these vessels were often made from glass or pottery and featured two handles for easy carrying. north africa, particularly the regions that are part of modern-day tunisia, algeria, and libya, was a significant production center for these containers during the roman period, contributing to the widespread distribution of amphoriskoi across the mediterranean. \n \n the design and decoration of roman north african amphoriskoi reflect the artistic and cultural influences of the region. these vessels often featured intricate patterns, such as geometric designs, floral motifs, or mythological scenes, created using techniques like mold-blowing or free-blowing for glass amphoriskoi, and painting or relief work for pottery. the craftsmanship of north african artisans was highly regarded, and their products were traded extensively, indicating both the aesthetic appeal and practical utility of these containers. the amphoriskos's design typically included a narrow neck, a bulbous body, and a small foot, optimizing it for pouring and preserving the contents. \n \n in the context of daily life, roman north african amphoriskoi were essential for storing precious liquids, which were integral to various aspects of roman culture, including cooking, cosmetics, and religious rituals. the small size of the amphoriskos made it particularly suitable for personal use, such as holding perfumes or medicinal oils. in archaeological sites, these vessels are often found in domestic settings, tombs, and temples, underscoring their versatility and importance."},"estimateMax":360,"lotNumber":"19","title":{"es":"roman amphoriskos"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17220/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":190,"soldPrice":190,"lastUpdate":"2026-07-01T18:52:27.692Z","textCase":"lower","estimate":"\u20ac300 - \u20ac360","currency":"EUR","id":17220,"estimateMin":300},{"startPrice":240,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17221/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17221/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17221/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17221/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17221/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17221/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17221/007/007.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: plate with vegetal decoration \n \n material: pottery \n \n culture: roman, north africa \n \n period: 3rd - 5th century a.d \n \n dimensions: 37 mm x 253 mm diameter \n \n condition: good condition \n \n provenance: ex french private collection, acqcuired between 1980s - 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman plates with vegetal decoration from the north african region during the 3rd to 5th centuries ad reflect the cultural and artistic exchange that characterized the roman empire's diverse provinces. north africa, particularly regions such as modern-day tunisia and algeria, was known for its fertile lands and agricultural abundance, which influenced the motifs and themes depicted on pottery and other artifacts. these plates often featured intricate vegetal designs, including leaves, vines, flowers, and fruit, which were skillfully rendered by artisans using techniques such as relief molding, incising, and painting. \n \n the vegetal decoration found on these roman plates served both aesthetic and symbolic purposes. the motifs were inspired by the natural world and reflected the agricultural practices and botanical diversity of north africa. depictions of lush foliage and bountiful harvests symbolized prosperity, fertility, and abundance, conveying messages of wealth and well-being to those who used or admired these plates. additionally, the vegetal motifs may have held religious significance, representing connections to fertility deities or seasonal rituals associated with agricultural cycles and the changing of the seasons. \n \n roman plates with vegetal decoration from north africa were not only functional vessels for serving and consuming food but also objects of cultural exchange and artistic expression. these plates were produced for local consumption as well as for export to other regions within the roman empire, showcasing the craftsmanship and creativity of north african artisans to a wider audience."},"estimateMax":360,"lotNumber":"20","title":{"es":"roman plate with vegetal decoration"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17221/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":240,"soldPrice":280,"lastUpdate":"2026-07-01T18:52:27.694Z","textCase":"lower","estimate":"\u20ac300 - \u20ac360","currency":"EUR","id":17221,"dimensions":{"depth":25.3},"estimateMin":300},{"startPrice":160,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17222/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17222/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17222/003/003.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: plate with vegetal decoration \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 23 mm x 162 mm diameter \n \n condition: good condition \n \n provenance: ex dutch private collection, acquired in the 1970's \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek plates with vegetal decoration from the 4th century bce represent a significant aspect of ancient greek pottery, reflecting both artistic trends and cultural values of the period. these plates were typically made from terracotta and were often used in domestic settings for serving food or in ritual contexts. the 4th century bce was a period of great innovation in greek pottery, marked by the development of new techniques and styles, as well as a diversification of decorative themes. \n \n the vegetal decorations on these plates often included intricate patterns of leaves, vines, flowers, and other botanical elements. these motifs were usually rendered in the red-figure technique, where the background of the plate was painted black, leaving the decorative elements in the natural red color of the clay. this allowed for greater detail and complexity in the designs compared to the earlier black-figure technique. the vegetal motifs were not only aesthetically pleasing but also symbolically significant, often associated with themes of fertility, nature, and the cycles of life and death. \n \n the popularity of vegetal decoration on greek plates during this period can be attributed to the increased influence of naturalistic and decorative art in greek culture. this trend was part of the broader movement towards realism and detailed representation in greek art, influenced by advances in philosophy and the natural sciences."},"estimateMax":240,"lotNumber":"21","title":{"es":"greek plate with vegetal decoration"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17222/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":160,"soldPrice":160,"lastUpdate":"2026-07-01T18:52:24.973Z","textCase":"lower","estimate":"\u20ac200 - \u20ac240","currency":"EUR","id":17222,"dimensions":{"depth":16.2},"estimateMin":200},{"startPrice":280,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17223/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17223/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17223/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17223/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17223/005/005.jpg"],"available":false,"description":{"es":"item: seal with ptah, anubis and vulture \n \n material: stone \n \n culture: egyptian \n \n period: middle kingdom, 2040 \u2013 1782 b.c \n \n dimensions: 39 mm x 45 mm x 32 mm \n \n condition: good condition \n \n provenance: ex museum exhibiton of the arbeitsgruppe für biblische archäologie, germany (deaccession) \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n lahun, ptah, and anubis are three significant figures from ancient egyptian civilization, each with its unique role and importance. \n \n lahun (or senusret ii's pyramid at lahun): lahun is an archaeological site in egypt known for its historical significance, most notably for senusret ii's pyramid complex built during the middle kingdom period. this pyramid served as the final resting place for the pharaoh and included a mortuary temple and a causeway. the site provides valuable insights into the architectural and funerary practices of the time, showcasing the egyptians' mastery in constructing grand burial monuments. \n \n ptah: ptah is an important deity in egyptian mythology, revered as the creator god of memphis. he was associated with craftsmanship, creation, and the arts. ptah was often depicted as a mummified figure holding a staff, symbolizing his creative powers. he was a significant patron deity for artisans and craftsmen in ancient egypt and was believed to have played a vital role in shaping the world. \n \n anubis: anubis is one of the most recognizable figures in egyptian mythology, often depicted as a jackal-headed god. he was the god of mummification and the afterlife, guiding souls to the realm of the dead. anubis played a crucial role in the funeral rites and judgment of the deceased, overseeing the weighing of the heart against the feather of ma'at to determine one's fate in the afterlife. his presence in egyptian funerary practices highlights the cultural significance placed on proper burial and the belief in an afterlife. \n \n these three elements - the archaeological site of lahun, the deity ptah, and the god anubis - offer a glimpse into the multifaceted nature of ancient egyptian civilization, spanning both the earthly realm and the spiritual world."},"estimateMax":700,"lotNumber":"22","title":{"es":"egyptian seal with ptah, anubis and vulture, ex museum"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17223/view","tags":["esinternational_african","esinternational","esinternational_all"],"directSalePrice":280,"lastUpdate":"2026-07-30T22:15:32.583Z","textCase":"lower","estimate":"\u20ac500 - \u20ac700","currency":"EUR","id":17223,"dimensions":{"depth":3.2},"estimateMin":500},{"startPrice":2450,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17224/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17224/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17224/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17224/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17224/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17224/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17224/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17224/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17224/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17224/010/010.jpg"],"available":false,"description":{"es":"item: statuette of a horse with rider \n \n material: pottery \n \n culture: chinese, tang dynasty \n \n period: 618 - 907 a.d \n \n dimensions: 520 mm x 420 mm x 180 mm \n \n condition: good condition. includes thermoluminescence test by laboratory kotalla (reference 51pr210621) \n \n provenance: ex belgian private collection (2022), ex english art gallery, ex english private collection, acquired from hong kong art market in 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n \n due to the fragility of this piece, it can only be shipped within the european union, united kingdom and neighbouring countries that can be transported by road by private courier (door to door) and costs 350 euros, 100 euros for spain. \n \n the tang dynasty (618-907 ad) in china was renowned for its vibrant cultural scene and artistic achievements, and one of the notable facets of its artistic expression was the production of minqi figures. minqi, which translates to \u201cfolk art, \u201d encompassed a wide range of artistic forms created for everyday use and enjoyment. these figures were crafted by skilled artisans and represented various aspects of daily life, including depictions of people from different social classes, occupations, and activities. \n \n minqi figures from the tang dynasty provide valuable insights into the cultural and social life of the time. they depict scenes from daily life, such as musicians playing instruments, dancers performing, scholars reading, merchants conducting business, and farmers tending to their fields. these figurines capture the diversity and dynamism of tang society, illustrating the mingling of different social strata and the vibrancy of urban and rural life during this period. \n \n crafted from materials such as ceramic, pottery, and occasionally metal, tang dynasty minqi figures were meticulously detailed and displayed a high level of craftsmanship. artisans paid close attention to facial expressions, clothing, and accessories, infusing these figures with a sense of realism and vitality."},"estimateMax":4500,"lotNumber":"23","title":{"es":"chinese statuette of a horse with rider"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17224/view","tags":["esinternational_chinese","esdecorativearts_figurines","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":2450,"lastUpdate":"2026-07-01T18:52:24.976Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac4,500","currency":"EUR","id":17224,"dimensions":{"depth":18},"estimateMin":4000},{"startPrice":90,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17225/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17225/002/002.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: sling bullet with inscription 'imp / cn mag', gnaeus pompeius \n \n material: lead \n \n culture: roman \n \n period: 45 b.c \n \n dimensions: 23 mm x 44 mm \n \n condition: good condition \n \n provenance: ex german private collection, r.n. draskowski \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n sling, implement for propelling missiles, one of the first missile weapons used in warfare. it consisted of a small strap or socket of leather to which two cords were attached. the warrior, or slinger, held the ends of the cords in one hand, placed the missile snugly in the strap, and whirled the socket and missile rapidly around his head; by letting go of one cord at the right moment, the slinger could let the missile fly out of the socket at a high speed. \n \n in the roman army of the time of the punic wars (3rd\u20132nd century bc), the slingers were auxiliaries from greece, syria, and africa. the balearic islanders who constituted a part of hannibal\u2019s carthaginian army fighting the romans were renowned as slingers. \n \n thanks to its inscription \u2018cn mag / imp\u2019, we can identify that it comes from the famous battle of munda that on march 17, 45 b.c. decided in favour of caesar the war against the sons of pompey the great, gnaeus and sextus \n \n the legend cn mag reads as cn(aeus) mag(nus), and refers with certainty to gnaeus pompeius magnus, i.e. pompey\u2019s eldest son, of the same name as his father. we know that, during his stay in hispania, he minted coins on which he was mentioned as cnaeus magnus imperator."},"estimateMax":180,"lotNumber":"24","title":{"es":"roman sling bullet with inscription 'imp / cn mag', gnaeus pompeius"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17225/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":90,"soldPrice":120,"lastUpdate":"2026-07-01T18:52:24.978Z","textCase":"lower","estimate":"\u20ac140 - \u20ac180","currency":"EUR","id":17225,"estimateMin":140},{"startPrice":120,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17226/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17226/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17226/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17226/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: thutmose iii scarab mould \n \n material: pottery \n \n culture: egyptian \n \n period: new kingdom, 1200 - 1000 b.c \n \n dimensions: 12 mm x 30 mm x 27 mm \n \n condition: good condition \n \n provenance: ex american private collection, a.s., acquired in the 1980s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the egyptians saw the egyptian scarab (scarabaeus sacer) as a symbol of renewal and rebirth. the beetle was associated closely with the sun god because scarabs roll large balls of dung in which to lay their eggs, a behavior that the egyptians thought resembled the progression of the sun through the sky from east to west. its young were hatched from this ball, and this event was seen as an act of spontaneous self-creation, giving the beetle an even stronger association with the sun god\u2019s creative force. the connection between the beetle and the sun was so close that the young sun god was thought to be reborn in the form of a winged scarab beetle every morning at sunrise. as this young sun god, known as khepri, rose in the sky, he brought light and life to the land. \n \n scarab amulets were used for their magical rejuvenating properties by both the living and the dead. scarabs were used by living individuals as seals from the start of the middle kingdom (ca. 2055 bce) onwards. the most common inscription for these scarabs was the owner\u2019s name. the incised design was often a schematic combination of hieroglyphs and geometric patterning. patterns could often denote the specific administrative office held by the wearer. \n \n scarabs were also often rendered naturalistically in the round. the regenerative powers of scarabs of this nature could be used by either the living or the dead for healing and protection during quotidian activities or during a deceased person\u2019s passage into the afterlife. the striking red/orange color of this amulet\u2019s carnelian strengthens its solar associations. \n \n thutmose iii (ca. 1479-1425 bc), son of thutmose ii and his secondary wife isis, was one of the most important kings in egyptian history. his father died prematurely when he was a child and this led to a regency led by hatshepsut, the deceased pharaoh\u2019s half-sister and principal wife. years later, the regent proclaimed herself \u201cking\u201d and would rule egypt for a long period of time. little is known about the young prince at the time, although some inscriptions indicate that he was commanding troops to suppress rebels at the end of the period. \n \n thutmose iii had two wives: satiah and merytre hatshepsut, the mother of his successor, prince amenophis. his building activity was favoured by his longevity and the amount of wealth egypt accumulated under his reign. she erected temples all over the country. politics, ancestors, botany and zoology were his great passions. \n \n after hatshepsut\u2019s demise, and with little time for the coronation, the young king led the army to crush a coalition of asian cities and territories at the strategic city of megiddo. there he achieved a great triumph and designed an ambitious programme of conquest, divided into four phases that included up to sixteen campaigns: occupation of the coasts of palestine, lebanon and part of syria, with the consequent consolidation of positions; attack on the city of qadesh, whose ruler had been one of the driving forces behind the hostility against egypt; offensive against the powerful kingdom of the mitannians, even crossing the euphrates; and defence of the imperial possessions against uprisings by local rulers and hostile acts by the mitannians."},"estimateMax":260,"lotNumber":"25","title":{"es":"egyptian thutmose iii scarab mould"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17226/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":120,"soldPrice":120,"lastUpdate":"2026-07-01T18:52:24.980Z","textCase":"lower","estimate":"\u20ac200 - \u20ac260","currency":"EUR","id":17226,"dimensions":{"depth":2.7},"estimateMin":200},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17227/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17227/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17227/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17227/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17227/005/005.jpg"],"available":false,"description":{"es":"item: pyxis with lid \n \n material: pottery \n \n culture: greek \n \n period: 4th - 2nd century b.c \n \n dimensions: 70 mm x 82 mm \n \n condition: good condition \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of a major university. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n in ancient greek culture, a pyxis with a lid was a small cylindrical container used primarily by women to store cosmetics, jewelry, perfumes, or other valuable personal items. these vessels were typically made from various materials such as clay, metal, or even precious materials like ivory or gold, depending on the owner's wealth and social status. the term \"\"pyxis\"\" derives from the greek word for box or receptacle, emphasizing its function as a storage container. \n \n pyxides with lids were often decorated with intricate designs and motifs, showcasing the artistic skills of greek craftsmen. common decorative elements included scenes from mythology, geometric patterns, floral motifs, and figural representations. the lids of these containers were usually fitted with a knob or handle, facilitating easy opening and closure. some pyxides also featured inscriptions or dedications, providing insights into their use and significance in ancient greek society. \n \n beyond their practical function as containers for personal belongings, pyxides with lids also held symbolic importance in greek culture. as objects associated with femininity and the private sphere, they were often given as gifts during rites of passage such as weddings or coming-of-age ceremonies. the elaborate decorations adorning these vessels served not only to beautify them but also to convey messages about the owner's taste, status, and cultural identity."},"estimateMax":220,"lotNumber":"26","title":{"es":"greek pyxis with lid"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17227/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":140,"lastUpdate":"2026-07-01T18:52:24.982Z","textCase":"lower","estimate":"\u20ac200 - \u20ac220","currency":"EUR","id":17227,"dimensions":{"depth":8.2},"estimateMin":200},{"startPrice":220,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17228/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17228/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17228/003/003.jpg"],"available":false,"description":{"es":"item: relief fragment \n \n material: marble \n \n culture: roman \n \n period: 1st - 2nd century a.d \n \n dimensions: 110 mm x 125 mm x 68 mm \n \n condition: good condition \n \n provenance: ex portuguese private collection, acquired between 1980 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman reliefs are an essential aspect of roman art and architecture, known for their detailed and dynamic depictions of historical events, mythology, daily life, and portraits. these reliefs were commonly carved into marble, limestone, or other durable materials and adorned various structures such as altars, triumphal arches, sarcophagi, and public buildings. the use of relief sculpture allowed roman artists to create intricate narratives and convey complex messages, serving both decorative and propagandistic purposes. \n \n one of the most famous examples of roman reliefs is the frieze on the ara pacis, the altar of peace, dedicated in 9 bce to commemorate emperor augustus's return from his campaigns in gaul and hispania. the reliefs on the ara pacis depict a procession of the imperial family, priests, and senators, capturing a moment of civic and religious harmony. the high level of detail, naturalistic figures, and dynamic composition reflect the roman emphasis on realism and the importance of political propaganda. by illustrating augustus's achievements and the prosperity of his reign, the reliefs reinforced the emperor's legitimacy and the ideals of peace and stability. \n \n another significant example is the reliefs on the column of trajan, completed in 113 ce, which celebrate emperor trajan's victory in the dacian wars. the column's spiral relief narrates the entire campaign, from the army's departure to the final victory, with over 2,500 figures depicted in meticulous detail. these reliefs not only serve as a visual record of the military conquest but also emphasize the emperor's role as a strong and capable leader."},"estimateMax":400,"lotNumber":"27","title":{"es":"roman relief fragment"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17228/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":220,"lastUpdate":"2026-07-01T18:52:24.983Z","textCase":"lower","estimate":"\u20ac300 - \u20ac400","currency":"EUR","id":17228,"dimensions":{"depth":6.8},"estimateMin":300},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17229/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17229/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17229/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17229/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17229/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17229/006/006.jpg"],"available":false,"description":{"es":"item: ring depicting a cornucopia \n \n material: bronze \n \n culture: greek, hellenistic period \n \n period: 3rd - 1st century b.c \n \n dimensions: 25 mm x 22 mm \n \n condition: good condition \n \n provenance: ex austrian private collection, acquired between 1980 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek cornucopia, also known as the \"horn of plenty, \" is a symbol of abundance and nourishment, originating from ancient greek mythology. the cornucopia is typically depicted as a large, curved goat's horn overflowing with fruits, flowers, grains, and other bountiful produce, representing the prosperity and wealth of nature. according to myth, the cornucopia is associated with the nymph amalthea, who nourished the infant zeus with milk from her horn. in gratitude, zeus endowed the horn with the magical ability to provide an endless supply of food and drink, transforming it into a symbol of unending abundance. \n \n in greek art and culture, the cornucopia appears frequently in various contexts, symbolizing fertility, prosperity, and the blessings of the gods. it is commonly found in depictions of deities associated with agriculture, harvest, and abundance, such as demeter, the goddess of the harvest, and dionysus, the god of wine and festivity. the cornucopia also appears in representations of tyche, the goddess of fortune, emphasizing her role in bestowing prosperity and good fortune upon individuals and cities. in these artistic depictions, the cornucopia serves as a visual shorthand for the themes of wealth, nourishment, and divine favor. \n \n during the hellenistic period (c. 323-31 bce), the cornucopia became a prevalent motif in both public and private art, reflecting the era's emphasis on wealth and opulence. it was commonly featured in mosaics, frescoes, coins, and sculptures, often as part of decorative schemes in homes and public buildings. the cornucopia's symbolism extended beyond its agricultural roots to encompass general themes of wealth and abundance in various aspects of life."},"estimateMax":220,"lotNumber":"28","title":{"es":"greek ring depicting a cornucopia"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17229/view","directSalePrice":120,"lastUpdate":"2024-06-29T18:54:11.763Z","textCase":"lower","estimate":"\u20ac180 - \u20ac220","currency":"EUR","id":17229,"estimateMin":180},{"startPrice":450,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17230/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17230/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17230/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17230/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17230/005/005.jpg"],"available":false,"description":{"es":"item: bowl depicting a musical instrument \n \n material: pottery \n \n culture: greek, south italian colonies \n \n period: 4th century b.c \n \n dimensions: 64 mm x 150 mm diameter \n \n condition: good condition \n \n provenance: ex american private collection, colorado, acquired before 2000s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek bowls made by the south italian colonies, known as magna graecia, represent a unique fusion of greek and indigenous italic artistic traditions. during the 8th to 4th centuries bce, greek settlers established colonies in southern italy, including regions such as campania, apulia, and calabria. these colonies became vibrant cultural centers where greek artisans produced pottery that combined traditional greek forms and motifs with local styles and influences. the bowls crafted in these colonies often featured distinctive shapes and decorative elements that set them apart from mainland greek pottery. \n \n one of the most notable types of pottery from this region is the red-figure ware, which became particularly prominent in south italian colonies during the 4th century bce. this technique involved painting figures in a red slip against a black background, allowing for greater detail and complexity in the depiction of human figures and scenes. south italian artisans, such as those from apulia and campania, often decorated bowls with intricate mythological scenes, theatrical masks, and elaborate floral patterns. these decorations not only reflected greek mythology and daily life but also incorporated local italic elements, resulting in a distinctive and richly decorated pottery style. \n \n the bowls from the south italian colonies were not merely utilitarian objects but also played important roles in social and religious contexts. they were used in domestic settings for dining and drinking, often as part of symposia, which were social gatherings where philosophical discussions, entertainment, and communal drinking took place. additionally, these bowls were frequently placed in tombs as grave goods, signifying their importance in funerary practices and beliefs about the afterlife."},"estimateMax":900,"lotNumber":"29","title":{"es":"greek bowl depicting a musical instrument"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17230/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":450,"lastUpdate":"2026-07-01T18:52:24.984Z","textCase":"lower","estimate":"\u20ac800 - \u20ac900","currency":"EUR","id":17230,"dimensions":{"depth":15},"estimateMin":800},{"startPrice":80,"buyoutPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17231/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17231/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17231/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17231/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17231/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17231/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17231/007/007.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: factory oil lamp, type bussière b iv 3, depicting bust of mercury, front, wearing a winged petasus, framed by a caduceus and a purse and makers mark lmadiec \n \n material: pottery \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 47 mm x 71 mm x 112 mm \n \n condition: good condition, repaired \n \n provenance: ex french private collection, acquired from toulouse and montpellier auction houses and antique dealers before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n mercury, the messenger of the gods and the god of commerce, was a popular figure depicted in various forms of art and daily objects, including oil lamps. oil lamps were essential sources of light in roman households, temples, and public spaces, and they were often adorned with imagery related to roman mythology and religion. mercury was frequently featured on oil lamps due to his significance in roman society as a patron deity of merchants, travelers, and communication. \n \n mercury's portrayal on roman oil lamps typically showcased him in his distinctive attributes, such as wearing a winged hat (petasos) and sandals (talaria), holding a caduceus (a herald's staff entwined with serpents), and sometimes accompanied by a purse or money bag, symbolizing commerce and trade. these depictions served not only to illuminate spaces but also to invoke mercury's protection and blessings upon the household or establishment where the lamp was used. \n \n the presence of mercury on oil lamps also had symbolic meanings beyond practical illumination. his association with communication and travel conveyed themes of guidance, safe passage, and prosperity, aligning with the desires of those using the lamps in their daily lives."},"estimateMax":300,"lotNumber":"30","title":{"es":"roman factory oil lamp, type bussière b iv 3, depicting bust of mercury, front, wearing a winged petasus, framed by a caduceus and a purse and makers mark lmadiec"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17231/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":80,"soldPrice":140,"lastUpdate":"2026-07-01T18:52:24.985Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17231,"dimensions":{"depth":11.2},"estimateMin":250},{"startPrice":460,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17232/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17232/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17232/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17232/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17232/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17232/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17232/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17232/008/008.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: kylix \n \n material: pottery \n \n culture: greek, apulian \n \n period: 4th century b.c \n \n dimensions: 56 mm x 165 mm x 115 mm \n \n condition: good condition \n \n provenance: ex belgian private collection, acquired from christophe varosi gallery, brussels in 2001 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the kylix is a distinctive ancient greek drinking cup that gained popularity from the 6th to the 4th centuries bce. characterized by a shallow, broad bowl and horizontal handles on either side, the kylix was a staple in symposia, social gatherings where men reclined on couches, enjoying wine, conversation, and entertainment. the form of the kylix allowed for easy handling and sipping while reclining. often decorated with red-figure or black-figure scenes on the interior, these depictions ranged from everyday life to mythological narratives, providing visual interest and topics for discussion during the symposium. the kylix was not only a functional vessel but also a canvas for artistic expression and cultural representation in ancient greece. \n \n apulian pottery, specifically the apulian red-figure style, emerged in the southern italian region of apulia during the 4th century bce. this distinctive style of pottery became prominent due to the flourishing workshops in cities such as taras (modern taranto). apulian red-figure pottery is characterized by the use of red clay, with figures and scenes left in the natural red color against a black-glazed background. the vessels produced in apulian workshops included a wide range of shapes, from kraters and amphorae to lekythoi and pelikai. the scenes depicted on apulian red-figure pottery often encompassed a diverse array of subjects, such as mythological narratives, daily life, and theatrical performances. \n \n the combination of kylix and apulian pottery reflects the interconnectedness of greek and italic cultures during this period. while the kylix represents a quintessential greek drinking vessel used in social and cultural contexts, apulian pottery showcases the distinctive artistic and stylistic contributions of the apulian region, emphasizing the dynamic exchange and fusion of artistic traditions in the ancient mediterranean world."},"estimateMax":900,"lotNumber":"31","title":{"es":"greek kylix"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17232/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":460,"soldPrice":460,"lastUpdate":"2026-07-01T18:52:23.965Z","textCase":"lower","estimate":"\u20ac700 - \u20ac900","currency":"EUR","id":17232,"dimensions":{"depth":11.5},"estimateMin":700},{"startPrice":160,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17233/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17233/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17233/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17233/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17233/005/005.jpg"],"available":false,"description":{"es":"item: cylindrical beaker \n \n material: pottery \n \n culture: greek, hellenistic period \n \n period: 3rd \u2013 1st century b.c \n \n dimensions: 75 mm x 76 mm \n \n condition: good condition \n \n provenance: ex german private collection, b. k., in germany since before 1950. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the hellenistic period, which lasted from the death of alexander the great in 323 bce to the establishment of the roman empire in 31 bce, greek pottery underwent significant changes in style, technique, and function. hellenistic pottery was influenced by the artistic trends of the time, which were characterized by a greater emphasis on realism, theatricality, and individual expression. this period saw the rise of regional styles as greek culture spread throughout the mediterranean world, leading to a diverse array of pottery traditions. \n \n one notable development in hellenistic pottery was the increased popularity of utilitarian wares, such as cooking vessels, storage jars, and tableware. these objects were often decorated with simple, functional designs and served practical purposes in everyday life. at the same time, there was a continued demand for luxury pottery, including finely crafted vessels adorned with elaborate scenes and motifs. hellenistic potters experimented with new forms and techniques, producing innovative shapes and decorative patterns that reflected the eclectic tastes of the period. \n \n hellenistic pottery also played a significant role in the dissemination of greek art and culture beyond the borders of the greek world. as greek colonies spread throughout the mediterranean and beyond, so too did the influence of greek pottery. hellenistic pottery found its way into the hands of traders, diplomats, and settlers, serving as both a commodity for trade and a means of cultural exchange."},"estimateMax":350,"lotNumber":"32","title":{"es":"greek cylindrical beaker"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17233/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":160,"lastUpdate":"2026-07-01T18:52:23.969Z","textCase":"lower","estimate":"\u20ac275 - \u20ac350","currency":"EUR","id":17233,"estimateMin":275},{"startPrice":360,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17234/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17234/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17234/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17234/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: funerary stele, fragment \n \n material: marble \n \n culture: roman \n \n period: 2nd - 3rd century a.d \n \n dimensions: 130 mm x 160 mm \n \n condition: good condition \n \n provenance: ex english private collection, abought before 2000s \n published: epigraphische datenbank clauss - slaby, edcs-75400183 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman funerary steles in marble are significant artifacts that provide valuable insights into roman burial practices, social customs, and religious beliefs. these steles, also known as tombstones, were commonly used by the ancient romans to commemorate the deceased and mark their final resting places. typically crafted from marble, a material associated with wealth and prestige, these steles often featured intricate carvings, inscriptions, and sometimes even portraits of the deceased. \n \n one of the striking features of roman funerary steles is their diversity in design and decoration, reflecting the multicultural influences prevalent in the roman empire. depending on the region and time period, these steles could exhibit a wide range of artistic styles, from the classical motifs of greece to the intricate relief work of the near east. this diversity highlights the assimilative nature of roman culture, which absorbed and adapted elements from various civilizations within its vast empire. \n \n furthermore, the inscriptions found on roman funerary steles provide valuable information about the individuals they commemorate, including their names, occupations, familial relationships, and sometimes even details about their lives and personalities. these inscriptions serve as important historical records, shedding light on the social structures, familial bonds, and religious beliefs of ancient roman society."},"estimateMax":700,"lotNumber":"33","title":{"es":"roman funerary stele, published"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17234/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":360,"soldPrice":360,"lastUpdate":"2026-07-01T18:52:23.970Z","textCase":"lower","estimate":"\u20ac500 - \u20ac700","currency":"EUR","id":17234,"estimateMin":500},{"startPrice":130,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17235/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17235/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17235/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17235/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17235/005/005.jpg"],"available":false,"description":{"es":"item: scarab with falcon, uraeus, men-sign (amun-re) \n \n material: steatite \n \n culture: egyptian \n \n period: new kingdom, 1550 - 1070 b.c \n \n dimensions: 12 mm x 8 mm \n \n condition: good condition \n \n provenance: ex american egyptologist collection, active in the early part of the 20th century, brought to the us with the family in 1954. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the egyptians saw the egyptian scarab (scarabaeus sacer) as a symbol of renewal and rebirth. the beetle was associated closely with the sun god because scarabs roll large balls of dung in which to lay their eggs, a behavior that the egyptians thought resembled the progression of the sun through the sky from east to west. its young were hatched from this ball, and this event was seen as an act of spontaneous self-creation, giving the beetle an even stronger association with the sun god\u2019s creative force. the connection between the beetle and the sun was so close that the young sun god was thought to be reborn in the form of a winged scarab beetle every morning at sunrise. as this young sun god, known as khepri, rose in the sky, he brought light and life to the land. \n \n scarab amulets were used for their magical rejuvenating properties by both the living and the dead. scarabs were used by living individuals as seals from the start of the middle kingdom (ca. 2055 bce) onwards. the most common inscription for these scarabs was the owner\u2019s name. the incised design was often a schematic combination of hieroglyphs and geometric patterning. patterns could often denote the specific administrative office held by the wearer. \n \n scarabs were also often rendered naturalistically in the round. the regenerative powers of scarabs of this nature could be used by either the living or the dead for healing and protection during quotidian activities or during a deceased person\u2019s passage into the afterlife. the striking red/orange color of this amulet\u2019s carnelian strengthens its solar associations."},"estimateMax":250,"lotNumber":"34","title":{"es":"egyptian scarab with falcon, uraeus, men-sign (amun-re)"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17235/view","tags":["esinternational_african","esinternational","esinternational_all"],"directSalePrice":130,"lastUpdate":"2026-07-30T22:15:32.586Z","textCase":"lower","estimate":"\u20ac200 - \u20ac250","currency":"EUR","id":17235,"estimateMin":200},{"startPrice":50,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17236/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17236/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17236/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17236/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: ring \n \n material: bronze \n \n culture: iron age, amlash \n \n period: 1st millenium b.c \n \n dimensions: 22 mm x 26 mm diameter \n \n condition: good condition \n \n provenance: ex english private collection, acquired from london gallery (1970s - 2000s) \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the amlash culture thrived in the coastal region of the caspian sea, in what is now iran, during the first millennium bce and particularly flourished between the 9th and 6th centuries bce. while relatively little is known about this culture compared to some of the more prominent ancient civilizations, archaeologists have unearthed significant archaeological remnants in the amlash region that shed light on its history and cultural characteristics. \n \n the amlash culture was characterized by its decorative pottery, which often featured intricate geometric designs and zoomorphic motifs, such as birds and animals. bronze objects, tools, and jewelry have also been discovered, reflecting a notable level of craftsmanship. the economy of the amlash culture was based on agriculture, fishing, and trade. its coastal location allowed for interaction with nearby civilizations, such as the assyrians and the medes. although the amlash culture eventually merged with other cultures over time, its archaeological legacy remains an important testament to cultural diversity in the ancient caspian sea region."},"estimateMax":120,"lotNumber":"35","title":{"es":"iron age, amlash ring"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17236/view","tags":["esinternational_middleeastern","esinternational","esinternational_all"],"directSalePrice":50,"soldPrice":60,"lastUpdate":"2026-07-30T22:15:32.588Z","textCase":"lower","estimate":"\u20ac100 - \u20ac120","currency":"EUR","id":17236,"estimateMin":100},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17237/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17237/002/002.jpg"],"available":false,"description":{"es":"item: sling bullet with triskeles \n \n material: lead \n \n culture: greek, thracia \n \n period: 4th century b.c \n \n dimensions: 15 mm x 27 mm \n \n condition: good condition \n \n provenance: ex german private collection, acquired before 2000s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"glandes\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"sphendonetes.\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"take that\" or \"catch this.\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":140,"lotNumber":"36","title":{"es":"greek sling bullet with triskeles"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17237/view","directSalePrice":80,"lastUpdate":"2024-06-29T18:54:11.770Z","textCase":"lower","estimate":"\u20ac120 - \u20ac140","currency":"EUR","id":17237,"estimateMin":120},{"startPrice":560,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17238/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17238/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17238/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17238/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17238/005/005.jpg"],"available":false,"description":{"es":"item: pilgrims badge / plaque with incised cross and inscription with original suspension chain \n \n material: bronze \n \n culture: byzantine \n \n period: 5th - 8th century a.d \n \n dimensions: 95 mm x 80 mm (without chain), 140 mm x 80 mm (with chain) \n \n condition: good condition \n \n provenance: ex american private collection, acquired before 2000s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the pilgrims' badge, also known as a pilgrims' plaque, typically refers to a small, portable devotional object that was popular among pilgrims during the medieval period. these badges were often made of materials like lead alloy or pewter and were adorned with various religious symbols, including incised crosses and inscriptions. pilgrims would acquire these badges as souvenirs during their journeys to holy sites or shrines. the badges served both as tangible mementos of the pilgrimage experience and as symbols of religious devotion. the incised cross on the plaque likely held significant religious meaning, representing the pilgrim's commitment to their faith, while inscriptions could include prayers, names of saints, or details about the pilgrimage destination. \n \n these pilgrims' badges were an essential aspect of medieval christian pilgrimage culture, reflecting the widespread practice of journeying to sacred sites as an act of religious devotion. pilgrims would attach these badges to their clothing or belongings, displaying them proudly as a testament to their spiritual journey. the badges played a role in fostering a sense of community among pilgrims, as they could also serve as a form of identification among fellow travelers who shared similar religious pursuits."},"estimateMax":1000,"lotNumber":"37","title":{"es":"byzantine badge / plaque with incised cross and inscription"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17238/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":560,"lastUpdate":"2026-07-30T22:15:32.589Z","textCase":"lower","estimate":"\u20ac800 - \u20ac1,000","currency":"EUR","id":17238,"estimateMin":800},{"startPrice":380,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17239/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17239/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17239/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17239/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17239/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17239/006/006.jpg"],"available":false,"description":{"es":"item: decorated ovoid pot \n \n material: pottery \n \n culture: chinese, neolithic \n \n period: majiayao, machang period, 2300 - 1800 b.c \n \n dimensions: 355 mm x 290 mm x 255 mm \n \n condition: good condition \n \n provenance: ex english private collection, acquired between 1980 \u2013 2000, previous from hong kong art market \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n majiayao phase (3300\u20132500 bc) sites are mostly found on terraces along: the upper wei river valley; upper bailong river valley; middle and lower tao river and daxia river valleys; upper yellow river valley; the huangshui river; and lower datong river. \n \n the most distinctive artifacts of the majiayao culture are the painted pottery. during the majiayao phase, potters decorated their wares with designs in black pigment featuring sweeping parallel lines and dots. pottery of the banshan phase is distinguished by curvilinear designs using both black and red paints. machang-phase pottery is similar, but often not as carefully finished. its development is associated with interaction between hunter-gatherers in the qinghai region and the westward expansion of agricultural yangshao people. \n \n in contrast to plain pottery, the majiayao painted pottery was produced at large, centralised workshops. the largest neolithic workshop found in china is at baidaogouping, gansu. the manufacture of large amounts of painted pottery means there were professional craftspeople to produce it, which is taken to indicate increasing social complexity. control over the production process and quality declined by the banshan phase, potentially due to greater demand for pottery to use in funeral rituals, similar to what hung ling-yu calls the \u201cmodern wal-mart syndrome\u201d."},"estimateMax":600,"lotNumber":"38","title":{"es":"chinese decorated ovoid pot"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17239/view","tags":["esinternational_chinese","esinternational","esinternational_all"],"directSalePrice":380,"lastUpdate":"2026-07-01T18:52:23.972Z","textCase":"lower","estimate":"\u20ac500 - \u20ac600","currency":"EUR","id":17239,"dimensions":{"depth":25.5},"estimateMin":500},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17240/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17240/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17240/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17240/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: vessel with decoration \n \n material: pottery \n \n culture: indus valley \n \n period: 2nd millenium b.c \n \n dimensions: 80 mm x 105 mm diameter \n \n condition: good condition \n \n provenance: ex english private collection, a., acquired between 1980 - 2015 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the indus valley culture was a bronze age civilization that developed from around 3300 bc to 1300 bc along the indus river valley in afghanistan, pakistan and northwest india. it encompassed about a hundred settlements and two major cities: harappa and mohenjo-daro, both in pakistan. together, it comprised the largest area of all ancient civilisations, over a million square kilometres, and spanned several periods, with its peak between 2600 and 1900 bc. \n \n like the civilisations of mesopotamia and egypt, it was dependent on its river. like the nile, the indus overflowed every year, flooding vast areas and depositing fertile sediments. this immense agricultural potential was the basis on which urbanism developed around the indus river.with the prehistoric cultures of the indus valley, the first chapter in the history of india is being prepared. it is a long prehistoric period, proven by lithic testimonies. on the other hand, prehistoric remains can be found up to the first millennium bc, that is, up to a time when the peninsula had already entered history. strictly speaking, the cultures of the indus belong to prehistory as they have only left archaeological remains without literary documents, but to appreciate indian history it is necessary to take into consideration these prehistoric urban cultures."},"estimateMax":160,"lotNumber":"39","title":{"es":"indus valley vessel with decoration"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17240/view","tags":["esinternational_southasian","esinternational","esinternational_all"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-01T18:52:23.974Z","textCase":"lower","estimate":"\u20ac120 - \u20ac160","currency":"EUR","id":17240,"dimensions":{"depth":10.5},"estimateMin":120},{"startPrice":90,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17241/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17241/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17241/003/003.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: mirror \n \n material: bronze \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 5 mm x 82 mm diameter \n \n condition: good condition \n \n provenance: ex american private collection, new jersey, acquired before 2000s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman bronze mirrors were essential personal items in ancient roman society, serving both practical and symbolic purposes. these mirrors were typically made from bronze, a durable alloy that could be polished to a reflective surface. roman mirrors were often small and handheld, with a circular or oval-shaped mirror plate set into a decorative bronze frame. the reverse side of the mirror often featured intricate engravings or relief decorations depicting mythological scenes, deities, or ornamental motifs. \n \n the use of bronze mirrors in ancient rome was not limited to personal grooming but extended to various social and cultural contexts. mirrors played a role in religious rituals, where they were used for divination, scrying, and other forms of magic and prophecy. in roman funerary practices, mirrors were sometimes placed in tombs as grave goods, believed to assist the deceased in the afterlife or to symbolize the transition from life to death. additionally, mirrors were prized as luxury items and status symbols, with finely crafted examples often given as gifts or heirlooms among the elite. \n \n bronze mirrors also served as important artifacts in roman art and material culture, providing valuable insights into ancient roman aesthetics, craftsmanship, and social customs. the decorative elements found on roman mirrors, such as mythological scenes, portraits, and floral motifs, reflect the artistic tastes and cultural values of the time."},"estimateMax":160,"lotNumber":"40","title":{"es":"roman mirror"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17241/view","tags":["esdecorativearts_mirrors","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"soldPrice":100,"lastUpdate":"2026-07-01T18:52:23.975Z","textCase":"lower","estimate":"\u20ac140 - \u20ac160","currency":"EUR","id":17241,"dimensions":{"depth":8.2},"estimateMin":140},{"startPrice":1400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17242/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17242/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17242/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17242/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17242/005/005.jpg"],"available":false,"description":{"es":"item: male torso \n \n material: marble \n \n culture: roman \n \n period: 1st - 2nd century a.d \n \n dimensions: 150 mm x 195 mm x 115 mm (without stand) \n \n condition: good condition. includes stand \n \n provenance: ex english private collection, acquired late 20th century \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman torsos in marble are an important facet of roman sculpture, showcasing the artistic skill and cultural values of the roman empire. these marble sculptures, often representing deities, emperors, or notable individuals, emphasize the human form's idealized beauty and power. the romans inherited the practice of creating marble statues from the greeks, but they adapted and expanded upon this tradition, focusing not only on aesthetic beauty but also on realism and individualism. roman marble torsos often depict finely detailed musculature and anatomical precision, reflecting the romans' appreciation for the human body's physical perfection and their ability to capture it in stone. \n \n many roman marble torsos were originally part of complete statues that have since been damaged or fragmented over time. despite their incomplete state, these torsos still offer significant insights into roman art and society. the torsos often exhibit a high level of craftsmanship, with attention to the texture of the skin, the definition of muscles, and the naturalistic portrayal of the human anatomy. some torsos are remnants of statues of gods and goddesses, portraying divine attributes through idealized forms. others depict historical figures or emperors, blending realism with idealism to convey both the individual likeness and the symbolic power of the subject. \n \n roman marble torsos also reflect the cultural and political values of the roman empire. statues of emperors and leaders were used as propaganda tools, emphasizing their divine right to rule, military prowess, and virtuous character. the depiction of athletic and heroic figures in these torsos also mirrors the roman admiration for physical strength, heroism, and the virtues associated with the greco-roman ideal."},"estimateMax":3000,"lotNumber":"41","title":{"es":"roman male torso"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17242/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1400,"lastUpdate":"2026-07-01T18:52:25.479Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,000","currency":"EUR","id":17242,"dimensions":{"depth":11.5},"estimateMin":2500},{"startPrice":280,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17243/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17243/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17243/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17243/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17243/005/005.jpg"],"available":false,"description":{"es":"item: scarab as a commemorative of ramesses ii or prenomen of shoshenq iii \n \n material: black steatite \n \n culture: egyptian \n \n period: new kingdom to third intermediate period, 1279 \u2013 664 b.c \n \n dimensions: 15 mm x 10 mm \n \n condition: good condition \n \n provenance: ex american egyptologist collection, active in the early part of the 20th century, brought to the us with the family in 1954. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n scarabs served as important commemorative artifacts during the reign of ramesses ii, often produced to celebrate significant events or achievements of the pharaoh. these scarabs typically featured inscriptions and iconography glorifying ramesses ii\u2019s military victories, monumental building projects, or religious devotion. for example, scarabs commemorating ramesses ii\u2019s victory at the battle of kadesh against the hittites in 1274 bce depicted scenes of the battle and praised the pharaoh\u2019s courage and prowess in overcoming his enemies. other scarabs celebrated ramesses ii\u2019s construction of massive temples and monuments, such as the great temple of abu simbel, portraying the pharaoh as a divine ruler favored by the gods. \n \n similarly, scarabs bearing the prenomen of shoshenq iii, a pharaoh of the 22nd dynasty who ruled egypt during the third intermediate period (circa 8th century bce), served as commemorative artifacts reflecting the political and religious climate of the time. shoshenq iii\u2019s prenomen, usermaatre setepenamun, emphasized his divine mandate to rule and his connection to the god amun, the chief deity of the egyptian pantheon. scarabs featuring shoshenq iii\u2019s prenomen often depicted the pharaoh in traditional regalia, wearing the double crown of upper and lower egypt, and offering homage to the gods, symbolizing his role as a pious ruler devoted to maintaining maat, the cosmic order. \n \n these commemorative scarabs played a vital role in promoting the legitimacy and authority of egyptian rulers, both domestically and abroad. they were distributed as gifts to loyal subjects, foreign allies, and members of the royal court, serving as tangible symbols of royal favor and patronage. additionally, scarabs bearing the names and titles of pharaohs like ramesses ii and shoshenq iii were buried with the deceased as part of funerary offerings, believed to provide protection and assistance in the afterlife."},"estimateMax":600,"lotNumber":"42","title":{"es":"egyptian scarab as a commemorative of ramesses ii"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17243/view","tags":["esdecorativearts_figurines","esdecorativearts_all","esdecorativearts"],"directSalePrice":280,"lastUpdate":"2026-07-30T22:15:35.495Z","textCase":"lower","estimate":"\u20ac500 - \u20ac600","currency":"EUR","id":17243,"estimateMin":500},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17244/012/012.jpg"],"available":false,"description":{"es":"item: statuette of a fat lady \n \n material: pottery \n \n culture: chinese, tang dynasty \n \n period: 618 \u2013 907 a.d \n \n dimensions: 655 mm x 265 mm x 210 mm \n \n condition: good condition. includes thermoluminescence test by laboratory kotalla (reference 05b101123). includes certificate of authenticity from dutch gallery \n \n provenance: ex belgian private collection, acquired from dutch art gallery \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n \n due to the fragility and size of this piece, it can only be shipped within the european union, united kingdom and neighbouring countries that can be transported by road by private courier (door to door) and costs 350 euros, 100 euros for spain. \n \n this beautifully-finished ceramic attendant was made during what many consider to be china\u2019s golden age, the tang dynasty. it was at this point that china\u2019s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. the tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of china\u2019s best- known painters and artists. \n \n the tang dynasty was created on the 18th of june, 618 ad, when the li family seized power from the last crumbling remnants of the preceding sui dynasty. this political and regal regime was long-lived, and lasted for almost 300 years. the imperial aspirations of the preceding periods and early tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for china\u2019s exploding population (estimated at around 50 million people in the 8th century ad). the tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period \u2013 their authority undermined by localised rebellions and regional governors known as jiedushi \u2013the systems were so well- established that they continued to operate regardless. \n \n the artworks created during this era are among china\u2019s greatest cultural achievements. it was the greatest age for chinese poetry and painting, and sculpture also developed (although there was a notable decline in buddhist sculptures following repression of the faith by pro-taoism administrations later in the regime). it is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of june 907, hardly affected the great artistic turnover. \n \n during the tang dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual\u2019s social rank. in spite of the limitations, a striking variety of tomb furnishings \u2013 known as mingqi \u2013 have been excavated. entire retinues of ceramic figures \u2013 representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant \u2013 were buried with the dead in order to provide for the afterlife. warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known \u2013 rather unfairly \u2013 as \u201cfat ladies\u201d. these wonderfully expressionistic sculptures represent the idealised beauty of tang dynasty china, while also demonstrating sculptural mastery in exaggerating characteristics for effect, and for sheer elegance of execution. \n \n it is likely that the original purpose of the figure was that of a mingqi, terracotta figures designed to be included in a burial in order to accompany the deceased in the afterlife for protection, service and companionship. \n \n they included daily utensils, musical instruments, weapons, armor, and intimate objects such as the deceased\u2019s cap, can and bamboo mat. mingqi also could include figurines, spiritual representations rather than real people, of soldiers, servants, musicians, polo riders, houses, and horses. extensive use of mingqi during certain periods may either have been an attempt to preserve the image of ritual propriety by cutting costs, or it may have a new idea separating the realm of the dead from that of the living. \n \n though these were particularly popular during the tang dynasty (618-906 ad), mingqi from a broad range of historical periods have been found, with this piece acting as a particularly early example of the practice."},"estimateMax":5500,"lotNumber":"43","title":{"es":"chinese statuette of a fat lady"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17244/view","tags":["esinternational_chinese","esart_ancientsculpture","esart","esinternational","esinternational_all","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T18:52:25.484Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac5,500","currency":"EUR","id":17244,"dimensions":{"depth":21},"estimateMin":5000},{"startPrice":260,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17245/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17245/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17245/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17245/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17245/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17245/006/006.jpg"],"available":false,"description":{"es":"item: bowl \n \n material: bronze \n \n culture: greek, hellenistic period \n \n period: 3rd - 1st century b.c \n \n dimensions: 55 mm x 132 mm \n \n condition: good condition \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of a major university. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the hellenistic period, which lasted from the death of alexander the great in 323 bce to the emergence of the roman empire in the 1st century bce, was a time of cultural flourishing and artistic innovation throughout the mediterranean world. hellenistic bronze vessels, including bowls, exemplify the exceptional craftsmanship and aesthetic sophistication of this era. these vessels were crafted using the lost-wax technique, allowing for intricate detailing and refined forms that were highly prized by patrons and collectors. \n \n bronze bowls from the hellenistic period often showcased a blend of artistic styles and influences from various regions within the vast hellenistic world. they were typically decorated with elaborate relief designs, including mythological scenes, floral motifs, and intricate geometric patterns. these decorations served not only aesthetic purposes but also conveyed symbolic and cultural meanings, reflecting the values, beliefs, and narratives of hellenistic society. \n \n in addition to their artistic significance, hellenistic bronze bowls played practical roles in daily life, serving as vessels for mixing, serving, and storing food and drink. their elegant forms and decorative embellishments made them desirable items for both domestic use and ceremonial occasions."},"estimateMax":600,"lotNumber":"44","title":{"es":"greek bowl"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17245/view","tags":["esdecorativearts_flatwareservingpieces","esdecorativearts_all","esdecorativearts"],"directSalePrice":260,"lastUpdate":"2026-07-30T22:15:35.498Z","textCase":"lower","estimate":"\u20ac500 - \u20ac600","currency":"EUR","id":17245,"estimateMin":500},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17246/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17246/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17246/003/003.jpg"],"available":false,"description":{"es":"item: olpe \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 66 mm x 65 mm \n \n condition: good condition \n \n provenance: ex dutch private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek olpe is a type of pottery vessel used primarily for pouring liquids, such as wine or water, and is characterized by its distinctive shape. typically, an olpe has a tall, cylindrical body that tapers slightly towards the top, a high, narrow neck, and a trefoil mouth, which is designed with three spouts or lobes to facilitate controlled pouring. the vessel usually has a single handle attached vertically from the top of the neck to the body, allowing for easy handling. originating in the geometric period (c. 900-700 bce), the olpe became particularly popular during the archaic (c. 700-480 bce) and classical (c. 480-323 bce) periods of ancient greece. \n \n the decoration of olpai (plural for olpe) reflects the artistic styles and motifs prevalent in their respective periods. in the geometric period, olpai were often adorned with linear patterns, meanders, and geometric shapes. as greek pottery evolved, so did the decoration on these vessels. during the archaic period, black-figure technique became prominent, featuring silhouetted figures painted in black slip on the natural red clay background. scenes depicted on olpai from this period often included mythological narratives, daily life activities, and animal friezes. in the later classical period, the red-figure technique, where the background was painted black and the figures left in red, allowed for greater detail and realism in the depiction of human figures and complex scenes. \n \n the greek olpe was not only a functional object but also held social and ceremonial significance. in domestic settings, it was used during symposia, which were social gatherings where wine played a central role in fostering intellectual discussions and entertainment. the olpe\u2019s elegant shape and intricate decoration made it a suitable vessel for such occasions, symbolizing the host\u2019s wealth and cultural refinement. additionally, olpai were used in religious and funerary contexts, often as offerings to gods or as grave goods."},"estimateMax":240,"lotNumber":"45","title":{"es":"greek olpe"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17246/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":140,"lastUpdate":"2026-07-23T01:04:28.883Z","textCase":"lower","estimate":"\u20ac200 - \u20ac240","currency":"EUR","id":17246,"estimateMin":200},{"startPrice":480,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17247/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17247/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17247/003/003.jpg"],"available":false,"description":{"es":"item: ring depicting a palm branch \n \n material: gold \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 17 mm diameter, 1,7 gr \n \n condition: good condition \n \n provenance: ex dutch private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman gold rings depicting a palm branch are fascinating artifacts that provide insight into the symbolism and craftsmanship of ancient roman jewelry. the palm branch, or \"palma, \" was a potent symbol in roman culture, often associated with victory, triumph, and eternal life. rings featuring this motif were likely worn by individuals who wanted to display their achievements, aspirations, or to seek divine favor. these rings were crafted from gold, highlighting the wealth and status of the wearer, as gold was a precious and highly valued material in the roman empire. \n \n the design of these rings typically includes a detailed engraving or relief of a palm branch on the bezel, the flat or slightly convex part of the ring that rests on the finger. the level of detail in these depictions can vary, with some rings featuring simple, stylized representations and others showcasing intricate, naturalistic carvings. the craftsmanship required to create such fine details on a small surface demonstrates the skill of roman goldsmiths. these rings not only served as personal adornments but also as statements of identity and social standing, often indicating the wearer's connection to military victories or public games, where the palm branch was a common award for champions. \n \n in addition to their symbolic and decorative functions, roman gold rings depicting a palm branch also had practical uses. they could serve as signet rings, used to stamp a personal seal onto documents or wax, thereby authenticating correspondence and securing property. the presence of a palm branch on such a ring would add a layer of meaning to the seal, perhaps invoking the qualities of victory and protection. the rings have been found in various archaeological contexts, including burials, hoards, and personal possessions, underscoring their widespread appeal and significance in roman society."},"estimateMax":800,"lotNumber":"46","title":{"es":"roman ring depicting a palm branch"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17247/view","tags":["esjewelry_rings","esjewelry","esjewelry_all"],"directSalePrice":480,"lastUpdate":"2026-07-01T18:52:25.486Z","textCase":"lower","estimate":"\u20ac600 - \u20ac800","currency":"EUR","id":17247,"dimensions":{"depth":1.7},"estimateMin":600},{"startPrice":50,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17248/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17248/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17248/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17248/004/004.jpg"],"available":false,"description":{"es":"item: ibex figurine \n \n material: bronze \n \n culture: bronze age, luristan \n \n period: 1600 - 1000 b.c \n \n dimensions: 38 mm x 26 mm \n \n condition: good condition \n \n provenance: ex dutch private collection, collected before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n luristan bronze, luristan also spelled lorestān, any of the horse trappings, utensils, weapons, jewelry, belt buckles, and ritual and votive objects of bronze probably dating from roughly 1500\u2013500 bce that have been excavated since the late 1920s in the harsin, khorramābād, and alishtar valleys of the zagros mountains in the lorestān region of western iran. their precise origin is unknown. scholars believe that they were created either by the cimmerians, a nomadic people from southern russia who may have invaded iran in the 8th century bce, or by such related indo-european peoples as the early medes and persians."},"estimateMax":120,"lotNumber":"47","title":{"es":"bronze age, luristan ibex figurine"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17248/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":50,"lastUpdate":"2026-07-01T18:52:25.487Z","textCase":"lower","estimate":"\u20ac100 - \u20ac120","currency":"EUR","id":17248,"estimateMin":100},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17249/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17249/002/002.jpg"],"available":false,"description":{"es":"item: sling bullet with coiled snake and inscription 'paroida' \n \n material: lead \n \n culture: greek, thrace and turkey \n \n period: 4th century b.c \n \n dimensions: 15 mm x 31 mm \n \n condition: good condition \n \n provenance: ex english private collection, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"glandes\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"sphendonetes.\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"take that\" or \"catch this.\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":160,"lotNumber":"48","title":{"es":"greek sling bullet with coiled snake and inscription 'paroida'"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17249/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":80,"lastUpdate":"2026-07-30T22:15:35.499Z","textCase":"lower","estimate":"\u20ac140 - \u20ac160","currency":"EUR","id":17249,"estimateMin":140},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17250/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17250/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17250/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17250/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: large stamp seal depicting a warrior wearing a helmet and chain mail \n \n material: hard fired clay \n \n culture: medieval, crusaders \n \n period: 11th - 12th century a.d \n \n dimensions: 72 mm x 55 mm \n \n condition: good condition \n \n provenance: ex private collection of a prominent egyptologist by descent assembled in the early part of the 20th century and brought to the us in 1954 with the family \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n medieval stamp seals made from clay were commonly used throughout the middle ages for various administrative, commercial, and personal purposes. these seals served as a form of authentication and were typically impressed onto documents, letters, or packages to indicate ownership, approval, or authorization. the use of clay for stamp seals was practical and accessible, as it was a readily available material that could be easily molded and inscribed with intricate designs or symbols. \n \n among the motifs depicted on medieval stamp seals, representations of warriors adorned in chainmail were not uncommon. chainmail was a type of armor made from interlinked metal rings, which provided protection to medieval warriors during battle. depicting a warrior wearing chainmail on a stamp seal conveyed a sense of strength, valor, and martial prowess. these seals were often associated with individuals of noble or knightly status, as well as military leaders or officials involved in warfare or defense."},"estimateMax":250,"lotNumber":"49","title":{"es":"medieval stamp seal depicting a warrior"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17250/view","tags":["esdecorativearts_porcelainceramicsglass","escollectibles_militaria","escollectibles_all","esdecorativearts_all","esdecorativearts","escollectibles"],"directSalePrice":80,"soldPrice":85,"lastUpdate":"2026-07-30T22:15:35.501Z","textCase":"lower","estimate":"\u20ac200 - \u20ac250","currency":"EUR","id":17250,"estimateMin":200},{"startPrice":100,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17251/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17251/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17251/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17251/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: cymbal \n \n material: bronze \n \n culture: roman \n \n period: 1st \u2013 3rd century a.d \n \n dimensions: 7 mm x 56 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, a.k., with israeli export licence number 57470 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the roman cymbal, crafted from bronze, played a significant role in the musical and religious practices of ancient rome. these percussion instruments were crucial components of roman music, adding rhythm and texture to various musical compositions and performances. cymbals consisted of two circular plates made of bronze alloyed with tin, which were struck together or against other surfaces to produce a sharp, metallic sound. the size and thickness of the cymbals varied, allowing for a range of tones and timbres to be produced. \n \n in roman society, cymbals were not only used for secular music but also held religious significance. they were commonly employed in religious ceremonies, processions, and rituals dedicated to various deities, including those associated with fertility, harvest, and war. the rhythmic clashing of cymbals was believed to invoke divine favor, drive away malevolent spirits, and enhance the spiritual atmosphere of religious gatherings. as such, cymbals were integral to the performance of sacred music and played a role in connecting worshippers with the divine. \n \n the craftsmanship of roman bronze cymbals reflected the advanced metallurgical techniques of the time. skilled artisans carefully shaped and tuned the bronze plates to achieve the desired sound quality and resonance. some cymbals were decorated with intricate designs, engravings, or inscriptions, further highlighting their cultural and aesthetic significance."},"estimateMax":300,"lotNumber":"50","title":{"es":"roman cymbal"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17251/view","tags":["escollectibles_musicalinstruments","escollectibles_all","escollectibles"],"directSalePrice":100,"soldPrice":100,"lastUpdate":"2026-07-01T18:52:25.489Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17251,"estimateMin":250},{"startPrice":280,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17252/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17252/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17252/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17252/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17252/005/005.jpg"],"available":false,"description":{"es":"item: piriform aryballos \n \n material: pottery \n \n culture: greek, proto-corinthian \n \n period: 7th \u2013 6th century b.c \n \n dimensions: 65 mm x 40 mm \n \n condition: good condition \n \n provenance: ex swiss private collection, h. d., acquired between 1919 - 2019 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the aryballos (pl. aryballoi) has a small round or ovoid body and a narrow neck. the typically broad and flat lip prevents spillage. the use of the greek term aryballos for this particular shape is a modern convention. it may well have been used in antiquity, but we know that other names, such as lekythos, were also applied. \n \n aryballoi are common in corinthian ware, some being tiny and meticulously decorated. examples are less widespread in athenian, although the shape is depicted on vases or funerary stelai, either hanging up, often with a strigil or sponge in an athletic setting, or being used by the athletes themselves. \n \n in corinth and east greece, warrior\u2019s heads, animals, and other mould-made figures could serve as the body of aryballoi. athenian potters sustain the habit, and there are examples in the form of female heads, shells, even genitals."},"estimateMax":600,"lotNumber":"51","title":{"es":"greek piriform aryballos"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17252/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":280,"lastUpdate":"2026-07-23T01:04:28.887Z","textCase":"lower","estimate":"\u20ac500 - \u20ac600","currency":"EUR","id":17252,"estimateMin":500},{"startPrice":130,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17253/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17253/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17253/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17253/004/004.jpg"],"available":false,"description":{"es":"item: cosmetic bowl / palette \n \n material: stone \n \n culture: iron age \n \n period: 8th \u2013 6th century b.c \n \n dimensions: 30 mm x 78 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, a.k., with israeli export licence number 57470 \n bibliography: the israel museum, jerusalem, accession number 1936-929 and 1980-1161 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the iron age period, cosmetic palettes and bowls held significant cultural and social importance in various ancient civilizations, particularly in regions such as the near east and egypt. these artifacts served as both functional tools for cosmetic preparation and as symbols of status and identity within society. cosmetic palettes from this period typically consisted of flat, circular or oval-shaped pieces of stone or other materials, often adorned with intricate engravings or relief carvings depicting religious, mythological, or symbolic motifs. \n \n in ancient egypt, cosmetic palettes were widely used for grinding and mixing cosmetics, such as kohl for eyeliner or various ointments and pigments for body adornment. these palettes were crafted from materials like schist, slate, or limestone and were often decorated with elaborate designs that reflected the artistic styles and religious beliefs of the time. many palettes featured animal motifs, geometric patterns, or scenes from mythology and everyday life, serving as artistic expressions of the cultural milieu in which they were created. \n \n beyond their utilitarian function, cosmetic palettes also held symbolic significance in ancient societies. in addition to being practical objects for cosmetic preparation, they were often associated with rituals, ceremonies, and beliefs surrounding beauty, health, and spiritual protection. in some cultures, cosmetic palettes were buried as grave goods alongside the deceased, reflecting beliefs in the afterlife and the importance of personal adornment and grooming even in death."},"estimateMax":300,"lotNumber":"52","title":{"es":"iron age cosmetic bowl / palette"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17253/view","directSalePrice":130,"lastUpdate":"2024-06-29T18:54:11.791Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17253,"estimateMin":250},{"startPrice":160,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17254/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17254/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17254/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17254/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17254/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: amphoriskos \n \n material: pottery \n \n culture: bronze age \n \n period: 2400 \u2013 2000 b.c \n \n dimensions: 140 mm x 145 mm \n \n condition: good condition \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of a major university. \n parallel: hendrix, e., drey, p. and storfjell, j., ancient pottery of transjordan, p. 133, fig. 128 \n british museum collection, accession number 1984,0611.24 and 1984,0611.23 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n ceramic amphoriskos are archaeological artifacts of great significance dating back to the bronze age, a period that spans approximately from 3300 to 1200 bc. these small vessels were primarily used for storing and transporting liquids such as oil, wine, or perfumes, and they are characterized by their distinctive amphora-like shape with two handles and a narrow neck. amphoriskos were often adorned with intricate geometric patterns or symbolic figures that reflected the artistic and cultural aesthetics of the bronze age civilization to which they belonged. \n \n these objects are crucial for archaeologists and historians as they provide valuable insights into daily life, trade, and technology of the era. furthermore, ceramics, particularly amphoriskos, are frequently discovered in archaeological excavations, allowing researchers to trace trade routes and cultural diffusion throughout the bronze age, thereby contributing to our understanding of ancient civilizations that inhabited that period."},"estimateMax":350,"lotNumber":"53","title":{"es":"bronze age amphoriskos"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17254/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":160,"soldPrice":160,"lastUpdate":"2026-07-30T22:15:35.502Z","textCase":"lower","estimate":"\u20ac300 - \u20ac350","currency":"EUR","id":17254,"estimateMin":300},{"startPrice":380,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17255/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17255/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17255/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17255/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17255/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17255/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17255/007/007.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: statuette of eros-harpocrates \n \n material: bronze \n \n culture: romano-egyptian \n \n period: 1st century b.c - 1st century a.d \n \n dimensions: 82 mm x 31 mm \n \n condition: good condition \n \n provenance: ex american private collection, collected between 1980 \u2013 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n eros, in greek religion, god of love. in the theogony of hesiod (fl. 700 bce), eros was a primeval god, son of chaos, the original primeval emptiness of the universe, but later tradition made him the son of aphrodite, goddess of sexual love and beauty, by either zeus (the king of the gods), ares (god of war and of battle), or hermes (divine messenger of the gods). \n \n eros was a god not simply of passion but also of fertility. his brother was anteros, the god of mutual love, who was sometimes described as his opponent. the chief associates of eros were pothos and himeros (longing and desire). later writers assumed the existence of a number of erotes (like the several versions of the roman amor). \n \n in alexandrian poetry he degenerated into a mischievous child. in archaic art he was represented as a beautiful winged youth but tended to be made younger and younger until, by the hellenistic period, he was an infant. his chief cult centre was at thespiae in boeotia, where the erotidia were celebrated. he also shared a sanctuary with aphrodite on the north wall of the acropolis at athens."},"estimateMax":900,"lotNumber":"54","title":{"es":"romano-egyptian statuette of eros-harpocrates"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17255/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":380,"soldPrice":380,"lastUpdate":"2026-07-01T18:52:29.233Z","textCase":"lower","estimate":"\u20ac700 - \u20ac900","currency":"EUR","id":17255,"estimateMin":700},{"startPrice":480,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17256/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17256/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17256/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17256/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17256/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17256/006/006.jpg"],"available":false,"description":{"es":"item: figurine of a little eros riding on a dolphin, holding a lyre with remains of polychromy \n \n material: terracotta \n \n culture: greek \n \n period: 4th - 3rd century b.c \n \n dimensions: 145 mm x 140 mm x 65 mm \n \n condition: good condition \n \n provenance: ex american private collection, acquired before 2000s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the depiction of eros riding on a dolphin while holding a lyre is a classical motif from ancient greek art that symbolizes the association of love, music, and the sea. eros, the greek god of love and desire, is often portrayed in various forms, and the image of him riding a dolphin is a representation of his playful and mischievous nature. the dolphin, a creature associated with the sea, was considered sacred to the goddess aphrodite, who is closely linked to eros in greek mythology. this imagery not only emphasizes eros's connection to the watery realms but also underscores the harmonious and poetic aspects of love. \n \n the inclusion of the lyre in eros's hands adds another layer of meaning to the composition. the lyre, a stringed musical instrument, was associated with apollo, the god of music and arts. the combination of eros with the lyre suggests a fusion of love and artistic expression, highlighting the transformative and inspiring power of love in the realm of creativity. this motif can be found in various forms of greek art, including sculptures, pottery, and frescoes, reflecting the cultural significance of these themes in the classical period and their enduring influence on western artistic traditions."},"estimateMax":1100,"lotNumber":"55","title":{"es":"greek statuette of eros riding on a dolphin"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17256/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":480,"lastUpdate":"2026-07-01T18:52:29.234Z","textCase":"lower","estimate":"\u20ac800 - \u20ac1,100","currency":"EUR","id":17256,"dimensions":{"depth":6.5},"estimateMin":800},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17257/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17257/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17257/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17257/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17257/005/005.jpg"],"available":false,"description":{"es":"item: figurine of idol \n \n material: pottery \n \n culture: indus valley \n \n period: 3000 - 2000 b.c \n \n dimensions: 165 mm x 80 mm \n \n condition: good condition \n \n provenance: ex american private collection, acquired before 2000s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the indus valley civilization was rediscovered in 1920-21 when engraved seals were unearthed in the punjab province of pakistan at a site called harappa, a name which is often used to describe the civilization as a whole. subsequent excavations at harappa revealed the size and complexity of this ancient city. other sites were unearthed as well along the banks of the indus river, including the equally large city of mohenjodaro. through archaeological and historical research, we can now say for certain that a highly developed urban civilization flourished in the indian subcontinent over five thousand years ago. though the indus valley script remains undeciphered, the numerous seals, statuary, and pottery discovered during excavations, not to mention the urban ruins, have enabled scholars to construct a reasonably plausible account of the indus valley civilization. \n \n some kind of centralized state, and certainly fairly extensive town planning, is suggested by the layout of the great cities of harappa and mohenjodaro. the same kind of burnt brick appears to have been used in the construction of buildings in cities that were several hundred miles apart. the weights and measures also show a very considerable regularity, suggesting that these disparate cities spread out across a vast desert shared a common culture. the indus valley people domesticated animals, and harvested various crops, such as cotton, sesame, peas, barley, and cotton. indus valley seals have been excavated in far away cities such as sumer, suggesting that a wealthy merchant class existed, engaged in extensive trading throughout the subcontinent and the near east. \n \n other than the archaeological ruins of harappa and mohenjodaro, these seals provide the most detailed clues about the character of the indus valley people. bulls and elephants appear on these seals, but the horned bull, most scholars agree, should not be taken to be congruent with nandi, for the horned bull appears in numerous central asian figures as well. the women portrayed on the seals are shown with elaborate coiffures, sporting heavy jewelry, suggesting that the indus valley people were an urbane people with cultivated tastes and a refined aesthetic sensibility. a few thousand seals have been discovered in indus valley cities, showing some 400 pictographs: too few in number for the language to have been ideographic, and too many for the language to have been phonetic."},"estimateMax":900,"lotNumber":"56","title":{"es":"indus valley figurine of idol"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17257/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T18:52:29.236Z","textCase":"lower","estimate":"\u20ac700 - \u20ac900","currency":"EUR","id":17257,"estimateMin":700},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17258/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17258/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17258/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17258/004/004.jpg"],"available":false,"description":{"es":"item: oil lamp, type deneauve vii - 3 \n \n material: pottery \n \n culture: roman \n \n period: 4th - 5th century a.d \n \n dimensions: 40 mm x 67 mm x 91 mm \n \n condition: good condition \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of a major university. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n oil lamps were integral to daily life in both ancient greek and roman civilizations, providing illumination in various settings such as homes, public spaces, and religious sanctuaries. during the greek period, especially in the classical and hellenistic eras (5th to 1st centuries bce), clay lamps dominated the scene. these lamps were typically wheel-made and featured various shapes, including discus lamps, which had a circular reservoir for oil, and the more intricate mold-made lamps adorned with mythological and decorative motifs. the designs often reflected the artistic styles and cultural themes of the time, showcasing scenes from greek mythology or depictions of daily life. \n \n in the roman period, which succeeded the hellenistic era and extended from the 1st century bce to the 5th century ce, oil lamps continued to be widely used, and their designs evolved. roman lamps became more standardized and practical, featuring shapes like the \"roman discus\" lamp, characterized by a flat, circular body and a small central filling hole for oil. some roman lamps displayed intricate relief decorations and symbols, often connected to roman religious beliefs or household themes. the spread of roman influence throughout the mediterranean facilitated the dissemination of standardized lamp designs, leading to a broader cultural continuity in lamp production. \n \n the use of oil lamps extended beyond mere practicality; they played a role in religious rituals as well. in both greek and roman cultures, oil lamps were utilized in religious ceremonies and were often placed in sanctuaries or tombs as offerings to the gods or for the deceased."},"estimateMax":170,"lotNumber":"57","title":{"es":"roman oil lamp, type deneauve vii - 3"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17258/view","tags":["esdecorativearts_lamps","esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"lastUpdate":"2026-07-30T22:15:35.505Z","textCase":"lower","estimate":"\u20ac150 - \u20ac170","currency":"EUR","id":17258,"dimensions":{"depth":9.1},"estimateMin":150},{"startPrice":160,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17259/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17259/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17259/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17259/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17259/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17259/006/006.jpg"],"available":false,"description":{"es":"item: oil lamp depicting a erotic scene, type bussière b iii 1b \n \n material: pottery \n \n culture: roman \n \n period: 14 - 117 a.d \n \n dimensions: 24 mm x 82 mm x 117 mm \n \n condition: good condition, repaired \n \n provenance: ex french private collection, montauban, acquired between 1980 \u2013 1990. \n parallel: oziol, t., salamine de chypre. vii. les lampes du musée de chypre, pl. 21, fig. 395 and 396 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman oil lamps are fascinating artifacts that provide valuable insights into the daily life, customs, and artistic tastes of ancient rome. these lamps were commonly used for illumination in households, public spaces, and religious settings during the roman empire, which spanned from approximately 27 bce to 476 ce. while many roman oil lamps featured traditional decorative motifs such as geometric patterns, floral designs, or mythological scenes, some lamps depicted erotic imagery, reflecting the romans' fascination with sexuality and sensuality. \n \n the depiction of erotic scenes on roman oil lamps was not uncommon, and such imagery served various purposes. in some cases, these lamps were used as decorative items in private residences, where they could be displayed as conversation pieces or objects of curiosity. the presence of erotic imagery on oil lamps may have also served a practical function, as the lighting of lamps during intimate gatherings or romantic encounters could create a mood of intimacy and sensuality. \n \n the artistic portrayal of erotic scenes on roman oil lamps reveals the broader cultural attitudes towards sexuality and desire in ancient rome. while roman society was generally more permissive regarding sexual matters compared to some other ancient cultures, attitudes towards sexuality varied depending on social class, gender, and religious beliefs."},"estimateMax":600,"lotNumber":"58","title":{"es":"roman oil lamp depicting a erotic scene, type bussière b iii 1b"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17259/view","tags":["esdecorativearts_lamps","esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":160,"lastUpdate":"2026-07-30T22:15:35.507Z","textCase":"lower","estimate":"\u20ac400 - \u20ac600","currency":"EUR","id":17259,"dimensions":{"depth":11.7},"estimateMin":400},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17260/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17260/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17260/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17260/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oil lamp, type cahn-klaiber 3.1.6 \n \n material: pottery \n \n culture: egyptian, hellenistic period \n \n period: 2nd - 1st century b.c \n \n dimensions: 24 mm x 49 mm x 83 mm \n \n condition: good condition \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of a major university. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n lamps were used by ancient people in a variety of ways, both indoors and outdoors. they served utilitarian, ritualistic, and symbolic purposes. business owners, such as innkeepers and barkeepers, used oil lamps to light their businesses as well as the streets nearby. noblemen used lamps to light their paths when they or their guests were out after dark. soldiers used them to light forts and military encampments. fishermen are believed to have used lamps on their boats when going on nighttime fishing excursions, and when out to sea, galleys likely had oil lamps hanging at the stern to indicate their positions to one another. \n \n in the entertainment sector, lamps were used to light venues for after-dark sporting events such as gladiator shows. they were also used for \u201cspecial effects\u201d at the theater to indicate when a scene was supposed to be set at night. \n \n in religious contexts, oil lamps served the simple utilitarian function of lighting temples and shrines, and they served a number of ritualistic functions, as well. many of the religious practices in ancient rome involved some form of ritual sacrifice or offering. because light was considered a blessing, oil lamps were frequently dedicated at temples and shrines as votive offerings. they were also a common component in burial practices, and lamps were often buried with the dead in order to light the way into the afterlife and beyond. \n \n in some cases, oil lamps served as a status symbol. wealthy families used and displayed lamps made of metal, a higher quality material, lamps with intricate or exotic imagery, and lamps with multiple nozzles which burned more fuel, making the lamp more costly."},"estimateMax":170,"lotNumber":"59","title":{"es":"egyptian oil lamp, type cahn-klaiber 3.1.6"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17260/view","tags":["esdecorativearts_lamps","esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-30T22:15:35.509Z","textCase":"lower","estimate":"\u20ac140 - \u20ac170","currency":"EUR","id":17260,"dimensions":{"depth":8.3},"estimateMin":140},{"startPrice":160,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17261/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17261/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17261/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17261/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17261/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17261/006/006.jpg"],"available":false,"description":{"es":"item: skyphos \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 112 mm x 182 mm \n \n condition: good condition \n \n provenance: ex english private collection, sussex, mid-20th century private collection. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n a skyphos (from the greek σκύφος) is a two-handled deep wine-cup on a low flanged base or none. the handles may be horizontal ear-shaped thumbholds that project from the rim (in both corinthian and athenian shapes), or they may be loop handles at the rim or that stand away from the lower part of the body."},"estimateMax":400,"lotNumber":"60","title":{"es":"greek skyphos"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17261/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_flatwareservingpieces","esdecorativearts_all","esdecorativearts"],"directSalePrice":160,"lastUpdate":"2026-07-30T22:15:35.511Z","textCase":"lower","estimate":"\u20ac300 - \u20ac400","currency":"EUR","id":17261,"estimateMin":300},{"startPrice":90,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17262/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17262/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17262/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17262/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oil lamp, type kennedy 1, group b \n \n material: pottery \n \n culture: bronze age \n \n period: 1400 - 1200 b.c \n \n dimensions: 55 mm x 128 mm x 127 mm \n \n condition: good condition \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of a major university. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze age oil lamps are fascinating artifacts that offer insights into the daily lives and technological advancements of ancient civilizations during the bronze age, which lasted from around 3300 bce to 1200 bce in the near east and mediterranean regions. these oil lamps were crucial for providing light in households, temples, and other structures during a time when alternative sources of illumination were limited. crafted primarily from bronze, these lamps were often simple in design but served a vital function in ancient society. \n \n the construction of bronze age oil lamps typically involved a shallow bowl or reservoir for holding oil, with a spout or nozzle for the wick. the design varied across different regions and time periods, reflecting local preferences and technological developments. some oil lamps featured intricate decorations or inscriptions, showcasing the craftsmanship and artistic skills of ancient artisans. these lamps were primarily fueled by vegetable oils such as olive oil or animal fats, which were readily available and relatively inexpensive. \n \n bronze age oil lamps played a significant role not only in providing light but also in religious rituals and ceremonies. in many ancient cultures, lighting lamps was associated with religious practices and offerings to deities. archaeological evidence suggests that oil lamps were used in temples and sanctuaries as part of religious ceremonies, symbolizing spiritual enlightenment and divine presence."},"estimateMax":170,"lotNumber":"61","title":{"es":"bronze age oil lamp, type kennedy 1, group b"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17262/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"soldPrice":90,"lastUpdate":"2026-07-01T18:52:26.700Z","textCase":"lower","estimate":"\u20ac140 - \u20ac170","currency":"EUR","id":17262,"dimensions":{"depth":12.7},"estimateMin":140},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17263/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17263/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17263/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17263/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17263/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17263/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17263/007/007.jpg"],"available":false,"description":{"es":"item: oinochoe \n \n material: bronze \n \n culture: greek \n \n period: 5th century b.c \n \n dimensions: 173 mm x 160 mm \n \n condition: damaged, without handle \n \n provenance: ex english private collection, east anglian, acquired between 1990 - 2000 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n a greek bronze jug, a testament to ancient metallurgy, boasted a graceful silhouette and intricate details. employing skilled craftsmanship, it combined form and function for daily use or rituals. often adorned with ornate handles and motifs, it reflected greek artistic sensibilities. serving as vessels for liquids or offerings, these jugs showcased greek aesthetics and practicality. through their durable material and design, greek bronze jugs provide a tangible link to the culture and craftsmanship of ancient greece."},"estimateMax":450,"lotNumber":"62","title":{"es":"greek oinochoe"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17263/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":180,"lastUpdate":"2026-07-30T22:15:31.778Z","textCase":"lower","estimate":"\u20ac300 - \u20ac450","currency":"EUR","id":17263,"estimateMin":300},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17264/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17264/002/002.jpg"],"available":false,"description":{"es":"item: sling bullet with fork and inscription 'eyboylidas' \n \n material: lead \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 15 mm x 34 mm \n \n condition: good condition \n \n provenance: ex english private collection, acquired before 1990s \n \n parallel: draskowski, n., & weiss, p., neue griechische schleuderbleie. tissaphernes und weitere kommandeure, p. 136 - 143 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"glandes\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"sphendonetes.\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"take that\" or \"catch this.\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":180,"lotNumber":"63","title":{"es":"greek sling bullet with fork and inscription 'eyboylidas'"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17264/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":120,"lastUpdate":"2026-07-30T22:15:31.781Z","textCase":"lower","estimate":"\u20ac160 - \u20ac180","currency":"EUR","id":17264,"estimateMin":160},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17265/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17265/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17265/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17265/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17265/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17265/006/006.jpg"],"available":false,"description":{"es":"item: bowl \n \n material: pottery \n \n culture: roman, north africa \n \n period: 4th \u2013 6th century a.d \n \n dimensions: 50 mm x 290 mm diameter \n \n condition: good condition, repaired \n \n provenance: ex german private collection, l. w. r., acquired before 1970s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman north african bowls from the 4th to the 6th centuries ad are a fascinating archaeological and historical subject, reflecting the complex cultural and economic interactions in this region during the late antiquity period. these centuries witnessed a transition from the roman empire to the byzantine empire, and north africa played a crucial role in this transformation. north african pottery, including bowls, provides insights into the changing political, economic, and cultural dynamics of the time. \n \n one significant type of pottery from this period is the african red slip ware, known for its characteristic red slip (a red, glossy surface) and finely decorated designs. these bowls were widely produced in north african pottery workshops and exported throughout the mediterranean. they often featured intricate motifs, including geometric patterns, floral designs, and even christian symbols as christianity became more prominent in the region. the exchange of these bowls served not only utilitarian purposes but also acted as a form of cultural exchange and status symbol. the transition from roman to byzantine rule in north africa is reflected in these ceramics, with some showing a shift in style and iconography that aligns with byzantine artistic influences. \n \n the 4th to 6th centuries in north africa were marked by political and economic changes, including the vandal invasions and later the byzantine reconquest. these shifts are mirrored in the pottery production of the time."},"estimateMax":300,"lotNumber":"64","title":{"es":"roman bowl"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17265/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":140,"lastUpdate":"2026-07-01T18:52:26.702Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17265,"dimensions":{"depth":29},"estimateMin":250},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17266/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17266/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17266/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17266/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17266/005/005.jpg"],"available":false,"description":{"es":"item: scarab with representation of uraeus-serpent above neb-figure (\u201clord\u201d), protection/luck \n \n material: steatite \n \n culture: egyptian \n \n period: second intermediate period, 1700 - 1500 b.c \n \n dimensions: 13 mm x 10 mm \n \n condition: good condition \n \n provenance: ex american egyptologist collection, active in the early part of the 20th century, brought to the us with the family in 1954. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the egyptians saw the egyptian scarab (scarabaeus sacer) as a symbol of renewal and rebirth. the beetle was associated closely with the sun god because scarabs roll large balls of dung in which to lay their eggs, a behavior that the egyptians thought resembled the progression of the sun through the sky from east to west. its young were hatched from this ball, and this event was seen as an act of spontaneous self-creation, giving the beetle an even stronger association with the sun god\u2019s creative force. the connection between the beetle and the sun was so close that the young sun god was thought to be reborn in the form of a winged scarab beetle every morning at sunrise. as this young sun god, known as khepri, rose in the sky, he brought light and life to the land. \n \n scarab amulets were used for their magical rejuvenating properties by both the living and the dead. scarabs were used by living individuals as seals from the start of the middle kingdom (ca. 2055 bce) onwards. the most common inscription for these scarabs was the owner\u2019s name. the incised design was often a schematic combination of hieroglyphs and geometric patterning. patterns could often denote the specific administrative office held by the wearer. \n \n scarabs were also often rendered naturalistically in the round. the regenerative powers of scarabs of this nature could be used by either the living or the dead for healing and protection during quotidian activities or during a deceased person\u2019s passage into the afterlife. the striking red/orange color of this amulet\u2019s carnelian strengthens its solar associations."},"estimateMax":250,"lotNumber":"65","title":{"es":"egyptian scarab with representation of uraeus-serpent above neb-figure (\u201clord\u201d), protection/luck"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17266/view","tags":["esdecorativearts_figurines","esdecorativearts_all","esdecorativearts"],"directSalePrice":140,"lastUpdate":"2026-07-30T22:15:31.783Z","textCase":"lower","estimate":"\u20ac200 - \u20ac250","currency":"EUR","id":17266,"estimateMin":200},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17267/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17267/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17267/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17267/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17267/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: miniature amphora \n \n material: pottery \n \n culture: greek \n \n period: 4th - 2nd century b.c \n \n dimensions: 94 mm x 58 mm \n \n condition: good condition \n \n provenance: ex english private collection, sussex, mid-20th century private collection. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n miniature amphoras were a common type of ceramic vessel produced during various periods of ancient greek history, particularly in the classical and hellenistic periods. these small amphoras were typically crafted with the same techniques and styles as their larger counterparts but on a much smaller scale, often measuring only a few centimeters in height. despite their diminutive size, miniature amphoras served a variety of purposes and were prized for their craftsmanship and decorative appeal. \n \n one of the primary functions of miniature amphoras was as votive offerings in religious contexts. these small vessels were often deposited in sanctuaries or placed in graves as offerings to the gods or as funerary gifts for the deceased. their small size made them convenient and affordable offerings for individuals from all social classes, and they were often decorated with religious symbols, mythological scenes, or inscriptions invoking divine protection or blessings. \n \n miniature amphoras also served as decorative items in domestic settings, where they were displayed as symbols of status and refinement. wealthy households might collect sets of miniature vessels to showcase their appreciation for greek art and culture. these miniature replicas allowed individuals to admire and study the intricate designs and craftsmanship of larger amphoras without the need for extensive storage space. additionally, miniature amphoras were sometimes used as children's toys, providing young greeks with miniature versions of everyday objects and familiarizing them with cultural and religious practices from an early age."},"estimateMax":200,"lotNumber":"66","title":{"es":"greek miniature amphora"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17267/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-01T18:52:26.704Z","textCase":"lower","estimate":"\u20ac170 - \u20ac200","currency":"EUR","id":17267,"estimateMin":170},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17268/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17268/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17268/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17268/004/004.jpg"],"available":false,"description":{"es":"item: chalice \n \n material: pottery \n \n culture: iron age \n \n period: 1st millenium b.c \n \n dimensions: 175 mm x 190 mm \n \n condition: good condition, foot repaired \n \n provenance: ex jerusalem private collection, acquired between 1975 \u2013 1990. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n iron age pottery chalices found in the holy land provide valuable insights into the religious and cultural practices of ancient civilizations in the region. dating back to the iron age, which roughly spans from around 1200 bce to 500 bce, these chalices were used in ritualistic contexts, often associated with offerings and ceremonies. their design and decoration vary across different archaeological sites, reflecting the diversity of cultures and religious beliefs present in the holy land during this period. \n \n one notable aspect of iron age pottery chalices is their craftsmanship, showcasing the skill and artistry of ancient potters. these chalices were typically handcrafted using local clay, then fired in kilns to harden them. decorative elements such as geometric patterns, incisions, and painted motifs adorn many of these vessels, illustrating the symbolic significance attributed to them by their creators and users. some chalices also feature inscriptions or symbols associated with deities or religious practices of the time, providing clues to the spiritual beliefs of ancient societies. \n \n archaeological excavations have uncovered iron age pottery chalices in various contexts, including within burial sites, temples, and domestic dwellings. their presence in burial contexts suggests that they may have been used in funerary rituals, possibly as offerings to accompany the deceased into the afterlife. in temples and domestic settings, these chalices likely played roles in religious ceremonies, feasting, or other communal activities."},"estimateMax":250,"lotNumber":"67","title":{"es":"iron age chalice"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17268/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"lastUpdate":"2026-07-01T18:52:26.706Z","textCase":"lower","estimate":"\u20ac200 - \u20ac250","currency":"EUR","id":17268,"dimensions":{"depth":19},"estimateMin":200},{"startPrice":280,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17269/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17269/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17269/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17269/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17269/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17269/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17269/007/007.jpg"],"available":false,"description":{"es":"item: amphora \n \n material: pottery \n \n culture: chinese, neolithic \n \n period: 3rd millenium b.c \n \n dimensions: 265 mm x 260 mm \n \n condition: good condition \n \n provenance: ex english private collection, north yorkshire, acquired before 1990s \n bibliography: the metropolitan museum, new york, accession number 2015.500.7.9 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n chinese neolithic pottery represents some of the earliest examples of ceramic production in human history. this period, spanning roughly from 10,000 bc to 2000 bc, witnessed the transition of human societies from hunter-gatherer lifestyles to settled agricultural communities. pottery played a crucial role in this transition, serving not only as containers for food and water but also as vessels for rituals, ceremonies, and cultural expression. neolithic pottery in china is characterized by its diverse forms, intricate decorations, and regional variations, reflecting the rich cultural tapestry of ancient chinese societies. \n \n one of the most iconic types of chinese neolithic pottery is the painted pottery of the yangshao culture, dating back to around 5000 bc. this pottery is notable for its vibrant colors, intricate designs, and depictions of animals, humans, and geometric patterns. these paintings are believed to have had symbolic and religious significance, offering insights into the spiritual beliefs and cultural practices of neolithic communities. additionally, the craftsmanship of yangshao pottery demonstrates advancements in ceramic technology, such as the use of wheel-thrown pottery and kiln firing, which laid the foundation for future developments in chinese ceramic art. \n \n another significant neolithic pottery tradition in china is associated with the longshan culture, which emerged around 3000 bc. longshan pottery is characterized by its distinctive black color, thin walls, and elegant shapes, reflecting a high level of technical skill and aesthetic refinement. unlike the painted pottery of the yangshao culture, longshan pottery tends to be more understated in its decoration, often featuring simple incised or impressed designs. this minimalist approach to pottery reflects a shift towards more utilitarian purposes, as longshan communities focused on the practicalities of agriculture and urbanization."},"estimateMax":600,"lotNumber":"68","title":{"es":"chinese, neolithic amphora"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17269/view","tags":["esinternational_chinese","esinternational","esinternational_all"],"directSalePrice":280,"lastUpdate":"2026-07-01T18:52:26.708Z","textCase":"lower","estimate":"\u20ac500 - \u20ac600","currency":"EUR","id":17269,"estimateMin":500},{"startPrice":320,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17270/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17270/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17270/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17270/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17270/005/005.jpg"],"available":false,"description":{"es":"item: scarab with prenomen for ramesses ii \n \n material: steatite \n \n culture: egyptian \n \n period: new kingdom, xixth dynasty, 1304 \u2013 1195 b.c \n \n dimensions: 15 mm x 11 mm \n \n condition: good condition \n \n provenance: ex american egyptologist collection, active in the early part of the 20th century, brought to the us with the family in 1954. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n scarabs crafted from steatite during the reign of ramesses ii, one of ancient egypt\u2019s most celebrated pharaohs, provide valuable insights into the religious and political ideologies of the time. ramesses ii, also known as ramesses the great, ruled egypt during the 19th dynasty (circa 1279\u20131213 bce) of the new kingdom period. his reign was marked by military conquests, monumental building projects, and a revival of traditional egyptian religion and culture, all of which are reflected in the iconography and inscriptions found on scarabs produced during his rule. \n \n scarabs featuring ramesses ii\u2019s prenomen, or throne name, provide important evidence of his royal propaganda and self-representation. ramesses ii\u2019s prenomen, usermaatre setepenre, meaning \u201cthe justice of ra is powerful, chosen of ra, \u201d emphasized his divine mandate to rule and his connection to the sun god ra, one of the most important deities in the egyptian pantheon. scarabs bearing this prenomen often depicted ramesses ii in the guise of a warrior pharaoh, victorious in battle and favored by the gods, reinforcing his status as a powerful and legitimate ruler. \n \n the use of steatite for crafting scarabs during ramesses ii\u2019s reign allowed artisans to create finely detailed designs and inscriptions, showcasing the technical skill and artistic craftsmanship of ancient egyptian artisans. these scarabs served various functions, including as amulets for protection, seals for official documents, and commemorative items for religious or ceremonial purposes. the inclusion of ramesses ii\u2019s prenomen on these scarabs not only served as a form of royal propaganda but also imbued the artifacts with divine authority and legitimacy, ensuring their efficacy as talismans and symbols of power. \n \n ramesses ii\u2019s reign witnessed a flourishing of scarab production, with these artifacts being widely distributed throughout egypt and beyond. they were often exchanged as diplomatic gifts, distributed to soldiers as rewards for valor, or buried with the deceased as part of funerary offerings. scarabs bearing ramesses ii\u2019s prenomen can be found in archaeological contexts ranging from royal tombs and temple caches to domestic dwellings and foreign sites, attesting to their widespread popularity and significance in ancient egyptian society."},"estimateMax":800,"lotNumber":"69","title":{"es":"egyptian scarab with prenomen for ramesses ii"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17270/view","tags":["esdecorativearts_figurines","esdecorativearts_all","esdecorativearts"],"directSalePrice":320,"lastUpdate":"2026-07-30T22:15:31.785Z","textCase":"lower","estimate":"\u20ac700 - \u20ac800","currency":"EUR","id":17270,"estimateMin":700},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17271/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17271/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17271/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17271/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17271/005/005.jpg"],"available":false,"description":{"es":"item: mastoid bowl \n \n material: pottery \n \n culture: greek, hellenistic period \n \n period: 3rd \u2013 1st century b.c \n \n dimensions: 90 mm x 140 mm \n \n condition: good condition \n \n provenance: ex german private collection, b. k., in germany since before 1950. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the hellenistic period, which lasted from the death of alexander the great in 323 bce to the establishment of the roman empire in 31 bce, greek pottery underwent significant changes in style, technique, and function. hellenistic pottery was influenced by the artistic trends of the time, which were characterized by a greater emphasis on realism, theatricality, and individual expression. this period saw the rise of regional styles as greek culture spread throughout the mediterranean world, leading to a diverse array of pottery traditions. \n \n one notable development in hellenistic pottery was the increased popularity of utilitarian wares, such as cooking vessels, storage jars, and tableware. these objects were often decorated with simple, functional designs and served practical purposes in everyday life. at the same time, there was a continued demand for luxury pottery, including finely crafted vessels adorned with elaborate scenes and motifs. hellenistic potters experimented with new forms and techniques, producing innovative shapes and decorative patterns that reflected the eclectic tastes of the period. \n \n hellenistic pottery also played a significant role in the dissemination of greek art and culture beyond the borders of the greek world. as greek colonies spread throughout the mediterranean and beyond, so too did the influence of greek pottery. hellenistic pottery found its way into the hands of traders, diplomats, and settlers, serving as both a commodity for trade and a means of cultural exchange."},"estimateMax":350,"lotNumber":"70","title":{"es":"greek mastoid bowl"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17271/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":180,"lastUpdate":"2026-07-01T18:52:26.709Z","textCase":"lower","estimate":"\u20ac300 - \u20ac350","currency":"EUR","id":17271,"estimateMin":300},{"startPrice":60,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17272/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17272/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17272/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17272/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oil lamp, type rosenthal & sivan k and hadad 36 \n \n material: pottery \n \n culture: islamic, umayyads \n \n period: 7th - 8th century a.d \n \n dimensions: 45 mm x 70 mm x 91 mm \n \n condition: good condition \n \n provenance: ex german private collection, dr. c.h.h., acquired before 1960 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the islamic umayyad dynasty, which ruled from 661 to 750 ce, oversaw a period of remarkable artistic and cultural development in the islamic world. umayyad oil lamps are significant artifacts that provide insights into the material culture and artistic achievements of this era. these lamps were typically made of ceramic or glass and served as important sources of illumination in domestic, religious, and public spaces throughout the umayyad empire, which stretched from spain to central asia. \n \n umayyad oil lamps are known for their distinctive decorative motifs and intricate designs. many lamps featured geometric patterns, floral motifs, and calligraphic inscriptions, reflecting the artistic influences of the diverse regions within the umayyad empire. these lamps often incorporated elements of byzantine, sassanian, and roman artistic traditions, demonstrating the multicultural exchange and artistic synthesis that characterized umayyad art and architecture. \n \n beyond their practical function, umayyad oil lamps also held symbolic and religious significance. the inclusion of quranic verses or religious invocations on lamp designs served to sanctify the act of lighting the lamp and imbue the space with spiritual significance. additionally, the widespread use of oil lamps in mosques, madrasas, and other islamic religious institutions underscored their role in facilitating communal worship and religious observance. umayyad oil lamps thus stand as testament to the rich artistic heritage and religious devotion of the islamic world during the umayyad period."},"estimateMax":170,"lotNumber":"71","title":{"es":"islamic, umayyads oil lamp, type rosenthal & sivan k and hadad 36"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17272/view","tags":["esdecorativearts_lamps","esinternational_middleeastern","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":60,"soldPrice":70,"lastUpdate":"2026-07-01T18:52:33.291Z","textCase":"lower","estimate":"\u20ac150 - \u20ac170","currency":"EUR","id":17272,"dimensions":{"depth":9.1},"estimateMin":150},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17273/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17273/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17273/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17273/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17273/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17273/006/006.jpg"],"available":false,"description":{"es":"item: seal with animals \n \n material: stone \n \n culture: bronze age, anatolian \n \n period: 3000 - 1500 b.c \n \n dimensions: 20 mm x 20 mm x 19 mm \n \n condition: good condition, repaired \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of a major university. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the anatolians during the bronze age, particularly in regions like modern-day turkey, were part of a diverse cultural landscape that included various civilizations such as the hittites, luwians, and others. seals were significant cultural artifacts in anatolian societies during this period, serving multiple purposes ranging from administrative to religious and artistic. these seals were typically made of materials like stone, metal, or clay, and they played a crucial role in the socio-political and economic systems of bronze age anatolia. \n \n in administrative contexts, seals were used to authenticate documents and mark ownership or authority. anatolian seals often featured engraved designs or inscriptions that identified the owner or indicated the purpose of the document. these seals helped maintain order and facilitate communication within complex bureaucratic structures, such as those found in hittite administrative centers like hattusa. they were also employed in trade and commerce to certify the authenticity of goods and transactions, contributing to the development of commercial networks across anatolia and beyond. \n \n beyond their practical functions, anatolian seals were also imbued with religious and symbolic significance. many seals depicted mythological figures, deities, or scenes from religious narratives, reflecting the spiritual beliefs and cultural values of bronze age anatolian societies. these seals were sometimes used in religious rituals or as amulets for protection and spiritual guidance."},"estimateMax":250,"lotNumber":"72","title":{"es":"bronze age, anatolian seal with animals"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17273/view","tags":["esinternational_middleeastern","esinternational","esinternational_all"],"directSalePrice":110,"lastUpdate":"2026-07-01T18:52:33.293Z","textCase":"lower","estimate":"\u20ac200 - \u20ac250","currency":"EUR","id":17273,"dimensions":{"depth":1.9},"estimateMin":200},{"startPrice":40,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17274/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17274/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17274/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17274/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17274/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: ring \n \n material: bronze \n \n culture: iron age, amlash \n \n period: 1st millenium b.c \n \n dimensions: 20 mm x 27 mm diameter \n \n condition: good condition \n \n provenance: ex english private collection, acquired from london gallery (1970s - 2000s) \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the amlash culture thrived in the coastal region of the caspian sea, in what is now iran, during the first millennium bce and particularly flourished between the 9th and 6th centuries bce. while relatively little is known about this culture compared to some of the more prominent ancient civilizations, archaeologists have unearthed significant archaeological remnants in the amlash region that shed light on its history and cultural characteristics. \n \n the amlash culture was characterized by its decorative pottery, which often featured intricate geometric designs and zoomorphic motifs, such as birds and animals. bronze objects, tools, and jewelry have also been discovered, reflecting a notable level of craftsmanship. the economy of the amlash culture was based on agriculture, fishing, and trade. its coastal location allowed for interaction with nearby civilizations, such as the assyrians and the medes. although the amlash culture eventually merged with other cultures over time, its archaeological legacy remains an important testament to cultural diversity in the ancient caspian sea region."},"estimateMax":120,"lotNumber":"73","title":{"es":"iron age, amlash ring"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17274/view","tags":["esinternational_middleeastern","esinternational","esinternational_all"],"directSalePrice":40,"soldPrice":50,"lastUpdate":"2026-07-01T18:52:33.295Z","textCase":"lower","estimate":"\u20ac100 - \u20ac120","currency":"EUR","id":17274,"estimateMin":100},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17275/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17275/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17275/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17275/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: textile fragment depicting a woman with bird \n \n material: linen \n \n culture: egyptian, coptic \n \n period: 4th - 9th century a.d \n \n dimensions: 40 mm x 47 mm (without stand) \n \n condition: good condition. includes stand \n \n provenance: ex english private collection, acquired from an american private collection between 1970s-1996 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n coptic textiles from the 4th to the 9th century are significant artifacts of late antiquity and early christianity. these textiles, woven in egypt, are known for their intricate weaving and vibrant colors. they feature a blend of indigenous egyptian traditions and early christian iconography, with motifs including christian symbols, biblical scenes, and saints. these textiles offer insights into daily life, religious practices, and burial customs in the region. their preservation in the arid egyptian climate has made them invaluable for understanding the transition from the classical world to the medieval era and the spread of christianity in egypt and the wider mediterranean. \n \n coptic textiles are culturally and historically significant, reflecting the fusion of artistic traditions and religious influences during a transformative period."},"estimateMax":200,"lotNumber":"74","title":{"es":"egyptian, coptic textile fragment depicting a woman with bird"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17275/view","tags":["esinternational_middleeastern","esinternational","esinternational_all"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-01T18:52:33.297Z","textCase":"lower","estimate":"\u20ac170 - \u20ac200","currency":"EUR","id":17275,"estimateMin":170},{"startPrice":580,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17276/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17276/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17276/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17276/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17276/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17276/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17276/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17276/008/008.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: kylix \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 55 mm x 162 mm x 112 mm \n \n condition: good condition. includes thermoluminescence test by qed laboratoire (reference qed1334/bg-0704) \n \n provenance: ex swiss private collection, since at least 1978 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek kylix is a type of shallow drinking cup that was popular during the archaic and classical periods of ancient greece, from the 6th to the 4th centuries bce. kylikes were typically made from clay and featured a wide, shallow bowl with two horizontal handles known as \"\"ear\"\" handles. these handles allowed the cup to be easily lifted and shared among drinkers during symposia, social gatherings where men would drink wine, converse, and engage in intellectual and recreational activities. \n \n one of the distinctive features of the kylix is its artistic decoration, often found on the interior surface of the bowl. red-figure and black-figure painting techniques were commonly used to adorn kylikes with scenes from mythology, daily life, athletics, or symposium scenes. these intricate designs not only served an aesthetic purpose but also provided a focal point for conversation and entertainment during the symposium. the exterior of the kylix was usually left plain or decorated with simple geometric patterns. \n \n the shape and function of the kylix were closely tied to the culture of ancient greece, particularly its emphasis on communal drinking and social interaction. the shallow bowl allowed for easy access to the wine, while the handles facilitated sharing among participants. the symposium, where kylikes were prominently featured, played a significant role in greek social life, serving as a space for intellectual exchange, philosophical discourse, and the forging of social bonds.\""},"estimateMax":900,"lotNumber":"75","title":{"es":"greek kylix with thermoluminescence test (tl)"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17276/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":580,"soldPrice":550,"lastUpdate":"2026-07-01T18:52:33.298Z","textCase":"lower","estimate":"\u20ac800 - \u20ac900","currency":"EUR","id":17276,"dimensions":{"depth":11.2},"estimateMin":800},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17277/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17277/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17277/003/003.jpg"],"available":false,"description":{"es":"item: oil lamp depicting a erotic scene, type bussière b iv 2 \n \n material: pottery \n \n culture: roman \n \n period: 1st - 2nd century a.d \n \n dimensions: 28 mm x 75 mm x 107 mm \n \n condition: good condition, repaired \n \n provenance: ex french private collection, montauban, acquired between 1980 \u2013 1990. \n parallel: deneauve, j., lampes de carthage, pl. l, fig. 481 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman oil lamps are fascinating artifacts that provide valuable insights into the daily life, customs, and artistic tastes of ancient rome. these lamps were commonly used for illumination in households, public spaces, and religious settings during the roman empire, which spanned from approximately 27 bce to 476 ce. while many roman oil lamps featured traditional decorative motifs such as geometric patterns, floral designs, or mythological scenes, some lamps depicted erotic imagery, reflecting the romans' fascination with sexuality and sensuality. \n \n the depiction of erotic scenes on roman oil lamps was not uncommon, and such imagery served various purposes. in some cases, these lamps were used as decorative items in private residences, where they could be displayed as conversation pieces or objects of curiosity. the presence of erotic imagery on oil lamps may have also served a practical function, as the lighting of lamps during intimate gatherings or romantic encounters could create a mood of intimacy and sensuality. \n \n the artistic portrayal of erotic scenes on roman oil lamps reveals the broader cultural attitudes towards sexuality and desire in ancient rome. while roman society was generally more permissive regarding sexual matters compared to some other ancient cultures, attitudes towards sexuality varied depending on social class, gender, and religious beliefs."},"estimateMax":600,"lotNumber":"76","title":{"es":"roman oil lamp depicting a erotic scene, type bussière b iv 2"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17277/view","tags":["esdecorativearts_lamps","esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":180,"lastUpdate":"2026-07-01T18:52:33.300Z","textCase":"lower","estimate":"\u20ac400 - \u20ac600","currency":"EUR","id":17277,"dimensions":{"depth":10.7},"estimateMin":400},{"startPrice":130,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17278/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17278/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17278/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17278/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17278/005/005.jpg"],"available":false,"description":{"es":"item: jar \n \n material: pottery \n \n culture: bronze age \n \n period: 3500 - 2000 b.c \n \n dimensions: 180 mm x 170 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, acquired between 1975 \u2013 1990. \n \n parallel: amiran, r., ancient pottery of the holy land, p. 53, plate 12, fig. 19 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze age vessels, spanning roughly from 3300 to 1200 bce, are crucial artifacts that provide insight into the daily life, trade, and technological advancements of ancient civilizations. this period, marked by the widespread use of bronze for tools and weapons, also saw significant developments in pottery and metalwork. vessels from the bronze age were typically made from materials such as clay, bronze, and occasionally gold and silver, serving various functions from everyday domestic use to ceremonial purposes. \n \n clay pottery from the bronze age is especially abundant and diverse, reflecting the technological and artistic progress of the time. early bronze age pottery often featured simple, utilitarian designs, but as techniques improved, more intricate and decorated vessels emerged. pottery from this period includes a wide range of forms, such as jars, bowls, cups, and storage containers. these items were often decorated with geometric patterns, incised lines, and sometimes painted motifs. the use of the potter's wheel, which became more widespread during this era, allowed for greater uniformity and refinement in the shape and size of the vessels. in many cultures, pottery styles can be used to distinguish different phases of the bronze age and to understand cultural interactions and trade. \n \n bronze and metal vessels from the bronze age showcase the advanced metallurgical skills of ancient artisans. bronze, an alloy of copper and tin, was favored for its durability and workability. metal vessels were often used in elite and ceremonial contexts, indicating their high value and the status of their owners. these vessels could be intricately decorated with repoussé (hammered) designs, engravings, and sometimes inlaid with precious materials like gold or silver. the production of metal vessels required sophisticated knowledge of smelting and casting techniques, reflecting a high level of craftsmanship."},"estimateMax":190,"lotNumber":"77","title":{"es":"bronze age jar"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17278/view","tags":["esinternational_middleeastern","esdecorativearts_porcelainceramicsglass","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":130,"lastUpdate":"2026-07-01T18:52:33.302Z","textCase":"lower","estimate":"\u20ac160 - \u20ac190","currency":"EUR","id":17278,"estimateMin":160},{"startPrice":60,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17279/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17279/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17279/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17279/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: statuette of harpocrates \n \n material: bronze \n \n culture: egyptian, roman period \n \n period: 332 b.c \u2013 2nd century a.d \n \n dimensions: 34 mm x 11 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, r.j., with israeli export licence number 57470 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n harpocrates was the god of silence in the hellenistic religion, adapted by the greeks from the god horus, who in egypt represented the rising sun. harpocrates took on the childish image of horus: he was usually depicted as a naked child, holding his right index finger to his mouth \u2013 while the egyptians believed that this gesture symbolised childhood, the greeks understood it as a reference to the sign for silence \u2013 using the double crown of upper and lower egypt and wearing a side braid. \n \n the name harpocrates was an adaptation of an egyptian word that literally translated to horus, the child. like his adult version, the god also symbolised the rising sun and the first strength of the winter sun."},"estimateMax":140,"lotNumber":"78","title":{"es":"egyptian statuette of harpocrates"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17279/view","tags":["esdecorativearts_figurines","esinternational_middleeastern","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":60,"soldPrice":75,"lastUpdate":"2026-07-01T18:52:33.303Z","textCase":"lower","estimate":"\u20ac120 - \u20ac140","currency":"EUR","id":17279,"estimateMin":120},{"startPrice":40,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17280/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17280/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17280/003/003.jpg"],"available":false,"description":{"es":"item: polyhedron weight \n \n material: bronze \n \n culture: byzantine \n \n period: 10th - 13th century a.d \n \n dimensions: 15 mm x 20 mm \n \n condition: good condition \n \n provenance: ex english private collection, london, acquired between 1980s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n polyhedron weights were common in the byzantine period as a means of measuring and standardizing the weight of various goods for trade and commerce. these weights were typically small, geometrically shaped objects made of materials such as bronze, lead, or stone, and they were often inscribed with numerical markings indicating their weight. polyhedron weights took on various forms, including cubes, octahedrons, dodecahedrons, and other geometric shapes, each with a specific weight value corresponding to its size and density. \n \n the use of polyhedron weights in byzantine commerce helped ensure fairness and accuracy in transactions by providing a standardized system of measurement. merchants and traders relied on these weights to determine the value of goods such as precious metals, grains, and other commodities, facilitating trade and economic exchange within the byzantine empire and beyond. polyhedron weights were also used in official capacities, such as tax collection, where they played a crucial role in assessing duties and tariffs based on the weight of goods. \n \n polyhedron weights are frequently found in archaeological contexts throughout the byzantine empire, providing valuable insights into byzantine trade networks, economic activity, and material culture. the inscriptions and markings on polyhedron weights often include information"},"estimateMax":110,"lotNumber":"79","title":{"es":"byzantine polyhedron weight"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17280/view","tags":["esinternational_middleeastern","esinternational","esinternational_all"],"directSalePrice":40,"lastUpdate":"2026-07-01T18:52:33.305Z","textCase":"lower","estimate":"\u20ac100 - \u20ac110","currency":"EUR","id":17280,"estimateMin":100},{"startPrice":40,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17281/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17281/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17281/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17281/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: vessel with decoration \n \n material: pottery \n \n culture: indus valley \n \n period: 2nd millenium b.c \n \n dimensions: 65 mm x 115 mm \n \n condition: good condition \n \n provenance: ex english private collection, a., acquired between 1980 - 2015 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the indus valley culture was a bronze age civilization that developed from around 3300 bc to 1300 bc along the indus river valley in afghanistan, pakistan and northwest india. it encompassed about a hundred settlements and two major cities: harappa and mohenjo-daro, both in pakistan. together, it comprised the largest area of all ancient civilisations, over a million square kilometres, and spanned several periods, with its peak between 2600 and 1900 bc. \n \n like the civilisations of mesopotamia and egypt, it was dependent on its river. like the nile, the indus overflowed every year, flooding vast areas and depositing fertile sediments. this immense agricultural potential was the basis on which urbanism developed around the indus river. with the prehistoric cultures of the indus valley, the first chapter in the history of india is being prepared. it is a long prehistoric period, proven by lithic testimonies. on the other hand, prehistoric remains can be found up to the first millennium bc, that is, up to a time when the peninsula had already entered history. strictly speaking, the cultures of the indus belong to prehistory as they have only left archaeological remains without literary documents, but to appreciate indian history it is necessary to take into consideration these prehistoric urban cultures."},"estimateMax":100,"lotNumber":"80","title":{"es":"indus valley vessel with decoration"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17281/view","tags":["esinternational_southasian","esdecorativearts_porcelainceramicsglass","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":40,"soldPrice":40,"lastUpdate":"2026-07-01T18:52:33.306Z","textCase":"lower","estimate":"\u20ac75 - \u20ac100","currency":"EUR","id":17281,"estimateMin":75},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17282/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17282/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17282/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17282/004/004.jpg"],"available":false,"description":{"es":"item: oil lamp, type kennedy 1, group c \n \n material: pottery \n \n culture: bronze age \n \n period: 1300 - 1200 b.c \n \n dimensions: 30 mm x 122 mm x 120 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, acquired between 1975 \u2013 1990. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze age oil lamps are fascinating artifacts that offer insights into the daily lives and technological advancements of ancient civilizations during the bronze age, which lasted from around 3300 bce to 1200 bce in the near east and mediterranean regions. these oil lamps were crucial for providing light in households, temples, and other structures during a time when alternative sources of illumination were limited. crafted primarily from bronze, these lamps were often simple in design but served a vital function in ancient society. \n \n the construction of bronze age oil lamps typically involved a shallow bowl or reservoir for holding oil, with a spout or nozzle for the wick. the design varied across different regions and time periods, reflecting local preferences and technological developments. some oil lamps featured intricate decorations or inscriptions, showcasing the craftsmanship and artistic skills of ancient artisans. these lamps were primarily fueled by vegetable oils such as olive oil or animal fats, which were readily available and relatively inexpensive. \n \n bronze age oil lamps played a significant role not only in providing light but also in religious rituals and ceremonies. in many ancient cultures, lighting lamps was associated with religious practices and offerings to deities. archaeological evidence suggests that oil lamps were used in temples and sanctuaries as part of religious ceremonies, symbolizing spiritual enlightenment and divine presence."},"estimateMax":180,"lotNumber":"81","title":{"es":"bronze age oil lamp, type kennedy 1, group c"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17282/view","tags":["esdecorativearts_lamps","esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":110,"lastUpdate":"2026-07-30T22:15:31.786Z","textCase":"lower","estimate":"\u20ac140 - \u20ac180","currency":"EUR","id":17282,"dimensions":{"depth":12},"estimateMin":140},{"startPrice":100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17283/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17283/002/002.jpg"],"available":false,"description":{"es":"item: sling bullet with inscription 'axa(?) / blank?' \n \n material: lead \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 15 mm x 31 mm \n \n condition: good condition \n \n provenance: ex english private collection, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"glandes\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"sphendonetes.\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"take that\" or \"catch this.\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":190,"lotNumber":"82","title":{"es":"greek sling bullet with inscription 'axa(?) / blank?'"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17283/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":100,"lastUpdate":"2026-07-23T01:04:31.242Z","textCase":"lower","estimate":"\u20ac140 - \u20ac190","currency":"EUR","id":17283,"estimateMin":140},{"startPrice":110,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17284/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17284/002/002.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: enclopion decorated with inscription \n \n material: bronze \n \n culture: byzantine \n \n period: 10th - 13th century a.d \n \n dimensions: 59 mm x 29 mm \n \n condition: good condition \n \n provenance: ex german private collection, acquired before 2000s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the byzantine pendant enclopion, also known as an enkolpion or encolpion, was a type of religious pendant worn by members of the byzantine clergy and devout christians. these pendants typically took the form of small metal containers, often made of gold, silver, or bronze, and were worn suspended from a chain around the neck. the enclopion served as a portable reliquary or shrine, containing sacred relics, such as bone fragments of saints, pieces of the true cross, or holy oil, believed to possess healing or protective powers. \n \n byzantine pendant enclopia were intricately crafted and often adorned with elaborate designs, including religious symbols, scenes from the life of christ or the saints, and inscriptions in greek or latin. they were considered objects of veneration and devotion, serving as tangible reminders of the wearer's faith and piety. the enclopion played a significant role in byzantine religious rituals and practices, serving as a focal point for prayer, meditation, and spiritual contemplation. \n \n the use of byzantine pendant enclopia reflects the byzantine empire's rich tradition of religious art and devotion. these pendants served as personal talismans and symbols of divine protection, worn by individuals seeking spiritual guidance, healing, or divine favor."},"estimateMax":200,"lotNumber":"83","title":{"es":"byzantine enclopion decorated with inscription"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17284/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":110,"soldPrice":110,"lastUpdate":"2026-07-30T22:15:31.788Z","textCase":"lower","estimate":"\u20ac180 - \u20ac200","currency":"EUR","id":17284,"estimateMin":180},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17285/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17285/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17285/003/003.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: sling bullet with inscription 'cn mag\u2019, gnaeus pompeius \n \n material: lead \n \n culture: roman \n \n period: 45 b.c \n \n dimensions: 20 mm x 37 mm \n \n condition: good condition \n \n provenance: ex english private collection, m. c., acquired in 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n sling, implement for propelling missiles, one of the first missile weapons used in warfare. it consisted of a small strap or socket of leather to which two cords were attached. the warrior, or slinger, held the ends of the cords in one hand, placed the missile snugly in the strap, and whirled the socket and missile rapidly around his head; by letting go of one cord at the right moment, the slinger could let the missile fly out of the socket at a high speed. \n \n in the roman army of the time of the punic wars (3rd\u20132nd century bc), the slingers were auxiliaries from greece, syria, and africa. the balearic islanders who constituted a part of hannibal\u2019s carthaginian army fighting the romans were renowned as slingers. \n \n thanks to its inscription \u2018cn mag / imp\u2019, we can identify that it comes from the famous battle of munda that on march 17, 45 b.c. decided in favour of caesar the war against the sons of pompey the great, gnaeus and sextus \n \n the legend cn mag reads as cn(aeus) mag(nus), and refers with certainty to gnaeus pompeius magnus, i.e. pompey\u2019s eldest son, of the same name as his father. we know that, during his stay in hispania, he minted coins on which he was mentioned as cnaeus magnus imperator."},"estimateMax":200,"lotNumber":"84","title":{"es":"roman sling bullet with inscription 'cn mag\u2019, gnaeus pompeius"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17285/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-23T01:04:31.245Z","textCase":"lower","estimate":"\u20ac150 - \u20ac200","currency":"EUR","id":17285,"estimateMin":150},{"startPrice":350,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17286/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17286/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17286/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17286/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17286/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: head, fragment \n \n material: stone \n \n culture: roman \n \n period: 2nd - 3rd century a.d \n \n dimensions: 130 mm x 128 mm x 86 mm (without stand) \n \n condition: good condition. includes stand \n \n provenance: ex english private collection, acquired late 20th century \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman heads are significant artifacts that exemplify the artistry and cultural values of the roman empire. these sculpted heads, often part of larger statues or busts, were created to depict deities, emperors, important public figures, and sometimes ordinary citizens. the romans were heavily influenced by greek art but developed their own distinct style that emphasized realism and individualism. this focus on realistic representation, known as \"verism, \" is particularly evident in portraiture, where artists meticulously carved features to capture the unique likeness and personality of the subject. \n \n the heads of emperors and other political leaders were especially prominent in roman sculpture, serving both decorative and propagandistic purposes. emperors were frequently depicted with idealized features that conveyed their power, divine favor, and authority. these portraits were often disseminated throughout the empire in public spaces such as forums, temples, and basilicas to reinforce the presence and legitimacy of the ruling class. notable examples include the busts of julius caesar, augustus, and hadrian, each characterized by distinct facial features that have allowed historians to identify and study them in detail. the realism of these sculptures provides invaluable insights into the physical appearances and personalities of these historical figures. \n \n beyond political leaders, roman stone and marble heads also captured a wide range of individuals, including philosophers, military leaders, and wealthy patrons. these portraits often highlighted the individual's virtues, achievements, and social status. for example, the detailed carving of wrinkles, scars, and other signs of aging in the portraits of older men was intended to convey wisdom and experience. in contrast, the heads of women and younger individuals might emphasize ideal beauty and youth. the artistic techniques used, such as drilling to achieve deep-set eyes and detailed hair, demonstrate the high level of skill possessed by roman sculptors."},"estimateMax":1100,"lotNumber":"85","title":{"es":"roman head, fragment"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17286/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":350,"soldPrice":340,"lastUpdate":"2026-07-01T18:52:26.519Z","textCase":"lower","estimate":"\u20ac800 - \u20ac1,100","currency":"EUR","id":17286,"dimensions":{"depth":8.6},"estimateMin":800},{"startPrice":240,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17287/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17287/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17287/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17287/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17287/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: factory oil lamp depicting a lion and a crocodile with makers mark, type bussièree d ii 1 \n \n material: pottery \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 38 mm x 72 mm x 102 mm \n \n condition: good condition \n \n provenance: ex swedish private collection, bought in the 1970s and inherited there by the present owner \n \n parallel: getty museum inventory no. 83.aq.377.137 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman oil lamps were essential household items in the ancient roman world, used for illumination in homes, temples, and public spaces. these lamps were typically made from clay, though bronze and other metals were also used. the basic design of a roman oil lamp included a reservoir to hold oil, usually olive oil, and a wick that protruded from a nozzle or spout. when lit, the wick would draw the oil up and burn, providing a steady source of light. the compact and efficient design of these lamps made them a practical solution for lighting needs throughout the roman empire. \n \n the decoration and motifs on roman oil lamps are diverse and reflect a wide range of cultural and artistic influences. lamps often featured intricate designs, including geometric patterns, mythological scenes, animals, and everyday life depictions. some lamps were molded with figures of gods and goddesses, such as venus, hercules, or minerva, while others showcased scenes from popular myths or gladiatorial combat. these decorative elements not only added aesthetic value but also held symbolic meanings, possibly invoking protection, good fortune, or divine favor. the wide variety of designs and the spread of roman oil lamps across different regions also highlight the extent of cultural exchange and influence within the roman empire. \n \n in addition to their practical use for lighting, roman oil lamps also played roles in religious and funerary contexts. they were commonly used in domestic religious practices, such as household shrines (lararia), where lamps would be lit as offerings to household gods. in funerary practices, oil lamps were often placed in tombs and graves, symbolizing the light that would guide the deceased in the afterlife."},"estimateMax":500,"lotNumber":"86","title":{"es":"roman factory oil lamp depicting a lion and a crocodile with makers mark, type bussièree d ii 1"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17287/view","tags":["esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":240,"soldPrice":240,"lastUpdate":"2026-07-23T01:04:31.247Z","textCase":"lower","estimate":"\u20ac400 - \u20ac500","currency":"EUR","id":17287,"dimensions":{"depth":10.2},"estimateMin":400},{"startPrice":180,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17288/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17288/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17288/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17288/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17288/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: piriform aryballos depicting bands and running dogs \n \n material: pottery \n \n culture: greek, proto-corinthian \n \n period: 675 - 650 b.c \n \n dimensions: 68 mm x 38 mm \n \n condition: good condition, small repair at the top \n \n provenance: ex swiss private collection, dr. r.h., acquired in the swiss art market in the 1980s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n proto-corinthian piriform aryballoi depicting running dogs are captivating examples of ancient greek pottery that offer insights into the artistic and cultural milieu of the early archaic period. these vessels, typically crafted from clay and adorned with intricate painted designs, feature scenes of hunting or animal motifs, such as running dogs. the piriform aryballos, with its distinctive pear-shaped body and narrow neck, was commonly used for storing perfumed oils or other precious liquids in ancient greece. \n \n the depiction of running dogs on proto-corinthian aryballoi suggests a connection to the world of hunting and outdoor pursuits, which held significant cultural and symbolic importance in ancient greek society. dogs were valued companions and skilled hunters in greek culture, often portrayed in art and literature as faithful allies of heroes and gods. scenes of running dogs on pottery may have served as visual representations of the hunt or as symbols of strength, agility, and loyalty. \n \n proto-corinthian aryballoi with running dog motifs also showcase the artistic techniques and stylistic conventions of the time. the intricate designs were painted using a black-figure technique, where black pigment was applied to the clay surface using fine brushes or incised lines, creating detailed patterns and images against a reddish-orange background. these vessels were produced in workshops throughout the greek world, with distinctive regional variations in style and iconography."},"estimateMax":350,"lotNumber":"87","title":{"es":"greek, proto-corinthian piriform aryballos depicting bands and running dogs"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17288/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":180,"soldPrice":180,"lastUpdate":"2026-07-23T01:04:31.249Z","textCase":"lower","estimate":"\u20ac300 - \u20ac350","currency":"EUR","id":17288,"estimateMin":300},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17289/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17289/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17289/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17289/004/004.jpg"],"available":false,"description":{"es":"item: flask \n \n material: glass \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 70 mm x 41 mm \n \n condition: good condition \n \n provenance: ex french private collection, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman glass flasks and bottles were essential containers in ancient roman society, used for storing and transporting a wide range of liquids, including wine, oil, perfume, and medicine. these vessels were typically made from glass, a material that was highly valued for its transparency, durability, and versatility. roman glassmakers employed various techniques, such as blowing, molding, and cutting, to create vessels of different shapes, sizes, and decorative styles to suit their intended function and aesthetic preferences. \n \n roman glass flasks and bottles came in a variety of shapes and sizes, ranging from small, delicate perfume bottles to large, amphora-shaped vessels for storing wine or oil. the most common types of glass vessels included unguentaria (perfume bottles), ampullae (flasks), and unguentarium (oil flasks), each with distinct shapes and characteristics. unguentaria were typically small, narrow-necked bottles used for holding perfumed oils or ointments, often buried in tombs as offerings to the deceased. ampullae were flask-shaped vessels with wide bodies and narrow necks, often used for storing and transporting liquids such as wine or water. unguentarium were elongated, narrow-necked bottles specifically designed for holding oils or unguents, with some examples featuring elaborate decorative motifs or inscriptions. \n \n roman glass flasks and bottles were not only practical containers but also objects of beauty and craftsmanship, often decorated with intricate patterns, relief designs, or colored glass. glassmakers used a variety of decorative techniques, including trailing, marvering, and dipping, to create vessels with stunning visual effects. some glass bottles featured relief decorations depicting mythological scenes, religious symbols, or intricate floral motifs, while others were adorned with colorful enamel or glass applications."},"estimateMax":180,"lotNumber":"88","title":{"es":"roman flask"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17289/view","tags":["esdecorativearts_antiqueglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"lastUpdate":"2026-07-23T01:04:31.250Z","textCase":"lower","estimate":"\u20ac140 - \u20ac180","currency":"EUR","id":17289,"estimateMin":140},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17290/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17290/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17290/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17290/004/004.jpg"],"available":false,"description":{"es":"item: lion applique \n \n material: bronze \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 37 mm x 34 mm \n \n condition: good condition \n \n provenance: ex austrian private collection, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman lion appliqués in bronze were ornamental decorations commonly used in various contexts during the roman empire. these appliqués, typically crafted from bronze or other metals, depicted stylized representations of lions and were often attached to a variety of objects, including furniture, architectural elements, military equipment, and personal adornments. the lion held symbolic significance in roman culture, representing strength, power, and courage, and its image was frequently employed to convey these attributes in both secular and religious contexts. \n \n one of the most notable uses of roman lion appliqués was in furniture decoration. bronze lion appliqués adorned items such as chests, tables, chairs, and thrones, adding a touch of elegance and prestige to household furnishings. these appliqués were often intricately detailed, with finely rendered features and muscular forms, showcasing the skill and artistry of roman metalworkers. lion appliqués on furniture not only served a decorative purpose but also conveyed social status and wealth, as owning such elaborately adorned pieces was a sign of affluence and refinement. \n \n in addition to furniture decoration, roman lion appliqués were also utilized in architectural ornamentation. they adorned buildings, temples, and public structures, adding embellishments to facades, friezes, and doorways. these appliqués contributed to the grandeur and magnificence of roman architecture, reflecting the empire's penchant for opulence and ostentation. furthermore, the presence of lion motifs in architectural contexts may have held symbolic connotations related to protection, guardianship, and the imperial authority of rome."},"estimateMax":180,"lotNumber":"89","title":{"es":"roman lion applique"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17290/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":90,"lastUpdate":"2026-07-30T22:15:31.790Z","textCase":"lower","estimate":"\u20ac140 - \u20ac180","currency":"EUR","id":17290,"estimateMin":140},{"startPrice":450,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17291/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17291/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17291/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17291/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17291/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17291/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17291/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17291/008/008.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: ostrakon with coptic text \n \n material: wood \n \n culture: egyptian, coptic \n \n period: 4th - 7th century a.d \n \n dimensions: 85 mm x 210 mm x 15 mm \n \n condition: good condition \n \n provenance: ex english private collection, london, acquired before 1980s \n \n parallel: the metropolitan museum of art, accession number x.608.1 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n ostraka with coptic text from egypt are valuable artifacts that provide insights into the daily life, language, and culture of late antique egypt, particularly during the early christian period. an ostrakon (plural: ostraka) is a piece of pottery or stone, often a fragment of a broken vase or a flat piece of limestone, used as a writing surface. coptic, the final stage of the egyptian language written in a script derived from greek with additional characters for sounds specific to egyptian, became the dominant written language of egypt from the 3rd century ce onwards. ostraka with coptic text are significant as they offer a glimpse into the everyday activities, administrative functions, and religious practices of the coptic-speaking population. \n \n the texts on these ostraka vary widely in content, including letters, receipts, tax records, school exercises, and religious texts. this diversity provides a comprehensive picture of various aspects of life in coptic egypt. for example, many ostraka contain personal letters that reveal details about family relationships, economic transactions, and social interactions. administrative ostraka might record tax payments or deliveries of goods, illustrating the bureaucratic workings of the time. religious ostraka often feature prayers, biblical quotations, or liturgical instructions, shedding light on the spread of christianity and the religious practices of the coptic community. \n \n the study of coptic ostraka is crucial for understanding the linguistic and cultural transition from the ancient egyptian to the early christian period in egypt. as coptic evolved from demotic egyptian and incorporated greek elements, these texts demonstrate the linguistic shifts and the blending of cultural influences. moreover, because ostraka were used for informal or everyday writing, they provide a more immediate and personal perspective compared to the more formal and monumental inscriptions on papyri or stelae."},"estimateMax":700,"lotNumber":"90","title":{"es":"egyptian ostrakon with coptic text"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17291/view","tags":["escollectibles_booksmagazinespaper","escollectibles_all","escollectibles"],"directSalePrice":450,"soldPrice":440,"lastUpdate":"2026-07-30T22:15:31.791Z","textCase":"lower","estimate":"\u20ac600 - \u20ac700","currency":"EUR","id":17291,"dimensions":{"depth":1.5},"estimateMin":600},{"startPrice":60,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17292/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17292/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17292/003/003.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: textile fragment \n \n material: linen \n \n culture: egyptian, coptic \n \n period: 4th - 9th century a.d \n \n dimensions: 127 mm x 90 mm (without stand) \n \n condition: good condition. includes stand \n \n provenance: ex english private collection, acquired from an american private collection between 1970s-1996 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n coptic textiles from the 4th to the 9th century are significant artifacts of late antiquity and early christianity. these textiles, woven in egypt, are known for their intricate weaving and vibrant colors. they feature a blend of indigenous egyptian traditions and early christian iconography, with motifs including christian symbols, biblical scenes, and saints. these textiles offer insights into daily life, religious practices, and burial customs in the region. their preservation in the arid egyptian climate has made them invaluable for understanding the transition from the classical world to the medieval era and the spread of christianity in egypt and the wider mediterranean. \n \n coptic textiles are culturally and historically significant, reflecting the fusion of artistic traditions and religious influences during a transformative period."},"estimateMax":110,"lotNumber":"91","title":{"es":"egyptian, coptic textile fragment"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17292/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":60,"soldPrice":65,"lastUpdate":"2026-07-30T22:15:31.793Z","textCase":"lower","estimate":"\u20ac100 - \u20ac110","currency":"EUR","id":17292,"estimateMin":100},{"startPrice":380,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17293/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17293/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17293/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17293/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17293/005/005.jpg"],"available":false,"description":{"es":"item: scarab from apopi ii \n \n material: steatite \n \n culture: egyptian \n \n period: second intermediate period, 1580 - 1540 b.c \n \n dimensions: 12 mm x 8 mm \n \n condition: good condition \n \n provenance: ex museum exhibiton of the arbeitsgruppe für biblische archäologie, germany (deaccession) \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n apopi ii, also known as apepi ii or apophis ii, was a significant ruler during the second intermediate period of ancient egypt, specifically during the hyksos domination of the nile delta region. he likely reigned during the 16th century bc, though precise dates are uncertain due to the fragmented nature of historical records from this period. apopi ii was the last ruler of the hyksos dynasty, which was of west semitic origin and had established control over lower egypt, ruling concurrently with the native egyptian rulers of the theban region in upper egypt. \n \n during apopi ii's reign, the hyksos maintained a tenuous hold over lower egypt, while tensions with the theban rulers in upper egypt simmered. apopi ii faced challenges from the theban pharaohs, particularly seqenenre tao and kamose, who sought to reunify egypt and drive out the foreign hyksos rulers. the conflict between the hyksos and the thebans culminated in a series of military campaigns known as the war of liberation, which ultimately led to the expulsion of the hyksos and the reunification of egypt under the new kingdom. \n \n despite his efforts to maintain control over lower egypt, apopi ii was ultimately unsuccessful in resisting the advances of the theban pharaohs. his reign marked the end of hyksos rule in egypt and the beginning of a new era of centralized power and territorial expansion under the new kingdom pharaohs."},"estimateMax":600,"lotNumber":"92","title":{"es":"egyptian scarab from apopi ii, ex museum"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17293/view","tags":["esdecorativearts_figurines","esdecorativearts_all","esdecorativearts"],"directSalePrice":380,"lastUpdate":"2026-07-30T22:15:31.795Z","textCase":"lower","estimate":"\u20ac550 - \u20ac600","currency":"EUR","id":17293,"estimateMin":550},{"startPrice":60,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17294/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17294/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17294/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17294/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17294/005/005.jpg"],"available":false,"description":{"es":"item: ring with monogram \n \n material: bronze \n \n culture: byzantine \n \n period: 5th - 7th century a.d \n \n dimensions: 24 mm x 26 mm \n \n condition: good condition \n \n provenance: ex english private collection, collected before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the use of monograms on rings became a prevalent form of religious expression and identification. these monograms typically consisted of intertwined letters or symbols, often forming abbreviations or representations of important religious phrases or figures. one of the most common monograms found on byzantine rings during this period was the chi-rho symbol, which combined the first two letters of the greek word for christ, χριστος (chi [χ] and rho [ρ]). the chi-rho symbol was closely associated with the emperor constantine and became an emblem of christianity following his conversion and subsequent adoption of the symbol. \n \n the use of monograms on byzantine rings served multiple purposes. firstly, they acted as potent symbols of christian faith, encapsulating the essence of christian beliefs and serving as personal declarations of devotion to christ. secondly, these monograms often functioned as protective talismans, believed to ward off evil and provide spiritual defense for the wearer. as such, byzantine individuals would wear rings adorned with monograms as both expressions of their faith and as tangible aids in their spiritual lives, reflecting the intertwined nature of religion and daily life in byzantine society. \n \n moreover, byzantine rings featuring monograms were not merely religious artifacts but also held socio-political significance. the use of imperial monograms, such as those representing the reigning emperor or members of the imperial family, on rings served to align the wearer with the ruling powers and affirm loyalty to the byzantine state."},"estimateMax":200,"lotNumber":"93","title":{"es":"byzantine ring with monogram"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17294/view","directSalePrice":60,"lastUpdate":"2024-06-29T18:54:11.824Z","textCase":"lower","estimate":"\u20ac150 - \u20ac200","currency":"EUR","id":17294,"estimateMin":150},{"startPrice":120,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17295/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17295/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17295/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17295/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17295/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: scarab with pseudo-hieroglyphic, su-plants and ankh-signs flanking wadj and nefer-signs (luck) \n \n material: steatite \n \n culture: egyptian \n \n period: second intermediate period, 1700 - 1500 b.c \n \n dimensions: 13 mm x 7 mm \n \n condition: good condition \n \n provenance: ex american egyptologist collection, active in the early part of the 20th century, brought to the us with the family in 1954. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the egyptians saw the egyptian scarab (scarabaeus sacer) as a symbol of renewal and rebirth. the beetle was associated closely with the sun god because scarabs roll large balls of dung in which to lay their eggs, a behavior that the egyptians thought resembled the progression of the sun through the sky from east to west. its young were hatched from this ball, and this event was seen as an act of spontaneous self-creation, giving the beetle an even stronger association with the sun god\u2019s creative force. the connection between the beetle and the sun was so close that the young sun god was thought to be reborn in the form of a winged scarab beetle every morning at sunrise. as this young sun god, known as khepri, rose in the sky, he brought light and life to the land. \n \n scarab amulets were used for their magical rejuvenating properties by both the living and the dead. scarabs were used by living individuals as seals from the start of the middle kingdom (ca. 2055 bce) onwards. the most common inscription for these scarabs was the owner\u2019s name. the incised design was often a schematic combination of hieroglyphs and geometric patterning. patterns could often denote the specific administrative office held by the wearer. \n \n scarabs were also often rendered naturalistically in the round. the regenerative powers of scarabs of this nature could be used by either the living or the dead for healing and protection during quotidian activities or during a deceased person\u2019s passage into the afterlife. the striking red/orange color of this amulet\u2019s carnelian strengthens its solar associations."},"estimateMax":250,"lotNumber":"94","title":{"es":"egyptian scarab with pseudo-hieroglyphic, su-plants and ankh-signs flanking wadj and nefer-signs (luck)"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17295/view","tags":["esinternational_african","esdecorativearts_figurines","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":120,"soldPrice":120,"lastUpdate":"2026-07-30T22:15:34.939Z","textCase":"lower","estimate":"\u20ac200 - \u20ac250","currency":"EUR","id":17295,"estimateMin":200},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17296/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17296/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17296/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17296/004/004.jpg"],"available":false,"description":{"es":"item: skyhpos \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 42 mm x 148 mm x 78 mm \n \n condition: good condition. \n \n provenance: ex swiss private collection, since at least 1978 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek skyphos is a type of ancient greek drinking vessel characterized by its deep, bowl-shaped body, two horizontal handles, and often a stemmed foot. it was commonly used for serving wine during symposiums, which were social gatherings where greek men would come together to discuss various topics, drink wine, and enjoy entertainment. the design of the skyphos evolved over time, with earlier examples featuring a more conical shape and later versions becoming broader and more shallow. \n \n skyphoi were crafted from a variety of materials, including pottery, bronze, and silver, with pottery being the most common. they were often decorated with intricate designs, including scenes from greek mythology, daily life, and ornate patterns. these decorations not only added aesthetic appeal but also served as conversation starters during symposiums, where guests would admire and discuss the craftsmanship of the vessel. \n \n the use of the skyphos in greek society was not just about drinking wine but also about fostering social bonds and intellectual discourse. symposiums were integral to greek culture, providing a platform for philosophical debates, poetry recitations, and the exchange of ideas among intellectuals."},"estimateMax":300,"lotNumber":"95","title":{"es":"greek skyphos"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17296/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":140,"lastUpdate":"2026-07-01T18:52:25.171Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17296,"dimensions":{"depth":7.8},"estimateMin":250},{"startPrice":100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17297/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17297/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17297/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17297/004/004.jpg"],"available":false,"description":{"es":"item: eye of horus 'udjat eye' amulet \n \n material: lapis lazuli \n \n culture: egyptian \n \n period: late period, 644 - 332 b.c \n \n dimensions: 17 mm x 20 mm \n \n condition: good condition \n \n provenance: ex american private collection, j.c., acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the eye of horus, wedjat eye or udjat eye is a concept and symbol in ancient egyptian religion that represents well-being, healing, and protection. it derives from the mythical conflict between the god horus with his rival set, in which set tore out or destroyed one or both of horus's eyes and the eye was subsequently healed or returned to horus with the assistance of another deity, such as thoth. horus subsequently offered the eye to his deceased father osiris, and its revivifying power sustained osiris in the afterlife. the eye of horus was thus equated with funerary offerings, as well as with all the offerings given to deities in temple ritual. it could also represent other concepts, such as the moon, whose waxing and waning was likened to the injury and restoration of the eye. \n \n the eye of horus symbol, a stylized eye with distinctive markings, was believed to have protective magical power and appeared frequently in ancient egyptian art. it was one of the most common motifs for amulets, remaining in use from the old kingdom (c. 2686\u20132181 bc) to the roman period (30 bc \u2013 641 ad). pairs of horus eyes were painted on coffins from the first intermediate period (c. 2181\u20132055 bc) and middle kingdom (c. 2055\u20131650 bc). other contexts where the symbol appeared include on carved stone stelae and on the bows of boats. to some extent the symbol was adopted by the people of regions neighboring egypt, such as syria, canaan, and especially nubia. \n \n the ancient egyptian god horus was a sky deity, and many egyptian texts say that horus's right eye was the sun and his left eye the moon. the solar eye and lunar eye were sometimes equated with the red and white crown of egypt, respectively. some texts treat the eye of horus seemingly interchangeably with the eye of ra, which in other contexts is an extension of the power of the sun god ra and is often personified as a goddess. the egyptologist richard h. wilkinson believes the two eyes of horus gradually became distinguished as the lunar eye of horus and the solar eye of ra. other egyptologists, however, argue that no text clearly equates the eyes of horus with the sun and moon until the new kingdom (c. 1550\u20131070 bc); rolf krauss argues that the eye of horus originally represented venus as the morning star and evening star and only later became equated with the moon. \n \n katja goebs argues that the myths surrounding the eye of horus and the eye of ra are based around the same mytheme, or core element of a myth, and that \"rather than postulating a single, original myth of one cosmic body, which was then merged with others, it might be more fruitful to think in terms of a (flexible) myth based on the structural relationship of an object that is missing, or located far from its owner\". in the myths surrounding the eye of ra, the goddess flees ra and is brought back by another deity. in the case of the eye of horus, the eye is usually missing because of horus's conflict with his arch-rival, the god set, in their struggle for the kingship of egypt after the death of horus's father osiris."},"estimateMax":220,"lotNumber":"96","title":{"es":"egyptian eye of horus 'udjat eye' amulet"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17297/view","tags":["esinternational_african","esdecorativearts_figurines","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":100,"lastUpdate":"2026-07-30T22:15:34.942Z","textCase":"lower","estimate":"\u20ac180 - \u20ac220","currency":"EUR","id":17297,"estimateMin":180},{"startPrice":60,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17298/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17298/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17298/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17298/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17298/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: arrowhead \n \n material: bronze \n \n culture: elamite, middle period \n \n period: 1200 - 800 b.c \n \n dimensions: 145 mm x 22 mm \n \n condition: good condition \n \n provenance: ex english private collection, london, acquired between 1980s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the elamite culture began in modern day iran sometime around 2700 bc and continued through 640 bc and included several dynastic lines. there's no certainty about where the elamites originated, but there are clues from other sources including the judeo-christian bible which places the elamites as a semitic culture that sprung from a descendant of shem (one of noah's 3 sons) named elam. the elamites were mentioned in the bible in ezra and acts and the kingdom of elam is mentioned in genesis, nehemiah, ezra, jeremiah, daniel, and i chronicles. regardless of the provenance of the elamites, they occupied a long period of history in the middle east and especially persia. during this period, the elamites maintained power through a strict system of accession and inheritance which allowed power to stay focussed within the elamite mainstream culture. \n \n elamite culture was arranged as many cultures are; around trade and resources. it was a patriarchal (led by men) society, reflecting the vast majority of surrounding civilizations. the area of iran occupied for millennia by the elamite empire was a known trade hot spot. located along the persian gulf with access to major shipping routes across land and sea, elam was a mainstay in getting numerous resources wherever they needed to go throughout the middle east and asia. as a result, the people of elam benefited from the riches, artwork, and resources of many different cultures and places. therefore, the elamite culture was one of great cosmopolitan wealth."},"estimateMax":140,"lotNumber":"97","title":{"es":"elamite arrowhead"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17298/view","tags":["escollectibles_militaria","esinternational_middleeastern","esinternational","escollectibles_all","esinternational_all","escollectibles"],"directSalePrice":60,"soldPrice":90,"lastUpdate":"2026-07-30T22:15:34.943Z","textCase":"lower","estimate":"\u20ac120 - \u20ac140","currency":"EUR","id":17298,"estimateMin":120},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17299/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17299/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17299/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17299/004/004.jpg"],"available":false,"description":{"es":"item: cosmetic palette \n \n material: stone \n \n culture: iron age \n \n period: 1st millenium b.c \n \n dimensions: 8 mm x 125 mm x 88 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, a.k., with israeli export licence number 57470 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n cosmetic palettes represent an important aspect of ancient grooming practices and material culture. these palettes were used for grinding and mixing cosmetic substances such as kohl, a dark pigment used for eyeliner, and various ointments and pigments for body adornment. unlike the smaller, portable cosmetic palettes made of materials like bronze or alabaster, stone cosmetic palettes were typically larger and more stationary, often featuring flat surfaces for grinding and mixing cosmetics. \n \n stone cosmetic palettes were crafted from a variety of materials, including limestone, schist, and alabaster, chosen for their durability and smooth texture. these palettes were often rectangular or oval-shaped, with shallow depressions or grooves carved into the surface to hold the cosmetic substances. some palettes featured intricate engravings or relief carvings, depicting decorative motifs such as floral patterns, geometric designs, or mythological scenes. these embellishments not only added aesthetic appeal to the palettes but also reflected the artistic tastes and cultural influences of the time. \n \n in addition to their practical function, stone cosmetic palettes held symbolic significance in ancient society. the use of cosmetics was not only a means of enhancing one's appearance but also carried religious and social connotations. cosmetic preparation and application were often associated with rituals of purification, beautification, and self-care, reflecting cultural ideals of hygiene and personal grooming. stone cosmetic palettes were sometimes buried as grave goods alongside the deceased, suggesting beliefs in the importance of personal adornment and grooming in the afterlife."},"estimateMax":220,"lotNumber":"98","title":{"es":"iron age cosmetic palette"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17299/view","tags":["esfashion_vanityitems","esfashion_all","esfashion"],"directSalePrice":80,"lastUpdate":"2026-07-30T22:15:34.945Z","textCase":"lower","estimate":"\u20ac170 - \u20ac220","currency":"EUR","id":17299,"dimensions":{"depth":8.8},"estimateMin":170},{"startPrice":380,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17300/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17300/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17300/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17300/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17300/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17300/006/006.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: twisted torque \n \n material: bronze \n \n culture: bronze age, europe, urnfield \n \n period: 12th - 10th century b.c \n \n dimensions: 240 mm x 245 mm \n \n condition: good condition \n \n provenance: ex austrian private collection, acquired from german auction house (2013) \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the urnfield culture was a bronze age culture that flourished across much of europe from around 1300 to 750 bce, characterized by its widespread use of cremation burial practices and the deposition of cremated remains in urns or other ceramic vessels. one distinctive feature of the urnfield culture was the burial custom of burying the deceased along with grave goods, including pottery, weapons, tools, and personal ornaments. among the most iconic and prestigious grave goods associated with the urnfield culture are twisted bronze torques, which were worn as necklaces or ornaments by individuals of high status. \n \n twisted bronze torques are elaborate neck ornaments made from twisted or braided strands of bronze wire, typically fashioned into a circular or spiral-shaped band. these torques were prestigious symbols of wealth, power, and social status in bronze age societies, worn by elite individuals such as chieftains, warriors, or religious leaders. the craftsmanship and intricate designs of bronze torques vary across different regions and time periods within the urnfield culture, reflecting local artistic styles and cultural preferences. \n \n bronze torques were not only symbols of social status and prestige but also served ritualistic and ceremonial purposes within urnfield society. they may have been worn during important religious ceremonies, rituals, or gatherings, where they would have played a role in asserting the wearer's authority and connection to the divine. additionally, bronze torques were sometimes deposited as votive offerings in sacred places, such as rivers, lakes, or hilltop sanctuaries, as part of religious or propitiatory rituals."},"estimateMax":1000,"lotNumber":"99","title":{"es":"bronze age, urnfield twisted torque"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17300/view","directSalePrice":380,"soldPrice":400,"lastUpdate":"2024-06-29T18:13:57.065Z","textCase":"lower","estimate":"\u20ac800 - \u20ac1,000","currency":"EUR","id":17300,"estimateMin":800},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17301/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17301/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17301/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17301/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17301/005/005.jpg"],"available":false,"description":{"es":"item: bracelet \n \n material: silver \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 38 mm x 40 mm \n \n condition: good condition \n \n provenance: ex austrian private collection, acquired on the german art market before 2000s \n \n parallel: the art institute of chicago, accession number 1923.424 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman bracelets crafted in silver were prized adornments worn by both men and women throughout the roman empire. these bracelets served as symbols of status, wealth, and fashion, reflecting the wearer's social standing and personal taste. silver was a highly valued metal in roman society, appreciated for its lustrous appearance, durability, and versatility in jewelry making. roman artisans utilized various techniques such as casting, engraving, and filigree work to create intricate designs and decorative motifs on silver bracelets. \n \n silver bracelets in ancient rome came in a variety of styles and designs, ranging from simple bangles to elaborate cuffs adorned with gemstones, enamel, or engraved patterns. some bracelets featured mythological or religious motifs, while others showcased geometric patterns or botanical designs inspired by nature. the versatility of silver allowed for the creation of bracelets that could be worn for both formal occasions and everyday wear, catering to the diverse tastes and lifestyles of roman citizens. \n \n beyond their aesthetic appeal, roman silver bracelets held cultural and symbolic significance in ancient roman society. they were often given as gifts to mark significant life events such as weddings, births, or coming-of-age ceremonies, symbolizing love, friendship, and social bonds. additionally, silver bracelets were sometimes buried with the deceased as grave goods, serving as symbols of wealth and status in the afterlife."},"estimateMax":240,"lotNumber":"100","title":{"es":"roman bracelet"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17301/view","tags":["esjewelry_braceletsbangles","esjewelry","esjewelry_all"],"directSalePrice":110,"lastUpdate":"2026-07-01T18:52:25.179Z","textCase":"lower","estimate":"\u20ac200 - \u20ac240","currency":"EUR","id":17301,"estimateMin":200},{"startPrice":60,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17302/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17302/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17302/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17302/004/004.jpg"],"available":false,"description":{"es":"item: ring depicting an animal \n \n material: bronze \n \n culture: roman \n \n period: 3rd - 5th century a.d \n \n dimensions: 20 mm x 30 mm \n \n condition: good condition \n \n provenance: ex austrian private collection, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman rings are significant artifacts that reflect the cultural, social, and personal aspects of life in ancient rome. these rings, crafted from various materials such as gold, silver, bronze, and iron, were worn by both men and women and served multiple purposes, ranging from decorative to functional. rings were not only symbols of personal adornment and status but also played vital roles in legal and administrative matters as signet rings used to seal documents. \n \n one of the most notable features of roman rings is their diversity in design and symbolism. many rings were adorned with intricate engravings, gemstones, or cameos. the gemstones, often semi-precious, were selected not just for their beauty but also for their believed protective or healing properties. common motifs included depictions of gods and goddesses, mythological scenes, animals, and geometric patterns. rings also frequently bore inscriptions, such as the names of the owners, short messages, or symbols of good luck. this rich iconography provides valuable insights into the beliefs, values, and daily lives of the romans, showcasing their artistry and the symbolic meanings they attached to personal items. \n \n in addition to their decorative and symbolic roles, roman rings had practical applications, especially in the context of sealing documents. signet rings, which featured a carved or engraved seal on the bezel, were used to imprint a unique mark into wax seals on documents, authenticating the contents and signifying the owner's approval. this practice was widespread among the roman elite and officials, reflecting the importance of secure communication and the legal significance of personal seals. the use of signet rings underscores the interconnectedness of personal identity, authority, and administration in roman society, illustrating how everyday objects like rings could have profound social and legal implications. \n \n roman rings thus offer a multifaceted glimpse into the ancient world, combining elements of personal expression, social status, and practical utility. they are invaluable to historians and archaeologists for understanding the complexities of roman culture, the technological advancements in jewelry-making, and the societal norms of the time."},"estimateMax":140,"lotNumber":"101","title":{"es":"roman ring depicting an animal"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17302/view","directSalePrice":60,"lastUpdate":"2024-06-29T18:54:11.831Z","textCase":"lower","estimate":"\u20ac100 - \u20ac140","currency":"EUR","id":17302,"estimateMin":100},{"startPrice":90,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17303/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17303/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17303/003/003.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: statuette of a horse \n \n material: bronze \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 40 mm x 39 mm \n \n condition: good condition \n \n provenance: ex austrian private collection, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n in the roman period, statuettes of horses held various symbolic and practical roles in roman society. horses were crucial to the roman military, agriculture, and transportation, and their representation in art and statuary reflected their importance. small bronze or terracotta horse statuettes were popular as decorative items in domestic settings, showcasing the romans' appreciation for the beauty and strength of these animals. these statuettes were often crafted with great attention to detail, capturing the anatomy and spirit of the horse in a miniature form. \n \n horse statuettes also had a significant role in religious practices and rituals. in the roman pantheon, various deities were associated with horses, such as neptune, the god of the sea, who was often depicted with sea horses. epona, a celtic-roman goddess, was specifically linked to horses and was worshipped as a protector of horses and riders. as such, horse statuettes were used as votive offerings in temples dedicated to these deities or as personal talismans for those seeking divine favor or protection for their equine companions. \n \n additionally, horse statuettes were employed in funerary contexts. they were sometimes placed in tombs or used as grave markers to symbolize the deceased's affinity for horses or their status in the afterlife. the roman belief in an afterlife and the importance of personal possessions in burial practices led to the inclusion of various symbolic items, including horse statuettes, to accompany individuals into the next realm."},"estimateMax":180,"lotNumber":"102","title":{"es":"roman statuette of a horse"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17303/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":90,"soldPrice":100,"lastUpdate":"2026-07-01T18:52:48.218Z","textCase":"lower","estimate":"\u20ac140 - \u20ac180","currency":"EUR","id":17303,"estimateMin":140},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17304/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17304/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17304/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17304/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: flask \n \n material: glass \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 95 mm x 68 mm \n \n condition: good condition \n \n provenance: ex french private collection, t., paris, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman glass flasks, also known as unguentaria or perfume bottles, were small vessels used for storing and dispensing oils, perfumes, and other aromatic substances in ancient rome. these flasks were crafted from glass, a material that became increasingly popular during the roman empire due to advancements in glassmaking techniques. roman glassmakers developed various methods for shaping and decorating glass, resulting in a wide array of exquisite vessels, including the distinctive glass flasks. \n \n the design of roman glass flasks typically consisted of a narrow neck, a globular body, and a pointed or flattened base, facilitating ease of handling and pouring. the neck of the flask often featured a small mouth or spout, sometimes equipped with a stopper or lid to prevent evaporation and spillage of the precious contents. the body of the flask was often decorated with intricate patterns, such as spirals, waves, or geometric motifs, created using techniques like mold-pressing, trailing, or glass blowing. some flasks also bore decorative handles or applied glass threads for added visual appeal. \n \n roman glass flasks served both practical and aesthetic purposes in ancient roman society. while they were primarily used for storing and dispensing perfumes and oils, these vessels also held symbolic significance in rituals, ceremonies, and daily life. perfumes and aromatic oils were integral to roman grooming and hygiene practices, and the use of elegant glass flasks to contain these precious substances reflected social status and refinement. additionally, glass flasks were often buried as grave goods in roman tombs, attesting to their importance in funerary customs and beliefs about the afterlife."},"estimateMax":160,"lotNumber":"103","title":{"es":"roman flask"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17304/view","tags":["esdecorativearts_antiqueglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-01T18:52:48.220Z","textCase":"lower","estimate":"\u20ac150 - \u20ac160","currency":"EUR","id":17304,"estimateMin":150},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17305/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17305/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17305/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17305/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17305/005/005.jpg"],"available":false,"description":{"es":"item: bowl \n \n material: pottery \n \n culture: roman, north africa \n \n period: 4th \u2013 6th century a.d \n \n dimensions: 50 mm x 310 mm diameter \n \n condition: good condition \n \n provenance: ex german private collection, l. w. r., acquired before 1970s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman north african bowls from the 4th to the 6th centuries ad are a fascinating archaeological and historical subject, reflecting the complex cultural and economic interactions in this region during the late antiquity period. these centuries witnessed a transition from the roman empire to the byzantine empire, and north africa played a crucial role in this transformation. north african pottery, including bowls, provides insights into the changing political, economic, and cultural dynamics of the time. \n \n one significant type of pottery from this period is the african red slip ware, known for its characteristic red slip (a red, glossy surface) and finely decorated designs. these bowls were widely produced in north african pottery workshops and exported throughout the mediterranean. they often featured intricate motifs, including geometric patterns, floral designs, and even christian symbols as christianity became more prominent in the region. the exchange of these bowls served not only utilitarian purposes but also acted as a form of cultural exchange and status symbol. the transition from roman to byzantine rule in north africa is reflected in these ceramics, with some showing a shift in style and iconography that aligns with byzantine artistic influences. \n \n the 4th to 6th centuries in north africa were marked by political and economic changes, including the vandal invasions and later the byzantine reconquest. these shifts are mirrored in the pottery production of the time."},"estimateMax":300,"lotNumber":"104","title":{"es":"roman bowl"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17305/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":120,"lastUpdate":"2026-07-01T18:52:48.221Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17305,"dimensions":{"depth":31},"estimateMin":250},{"startPrice":110,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17306/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17306/002/002.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: sling bullet with inscription 'manes /aiolidas' \n \n material: lead \n \n culture: greek, turkey \n \n period: 4th century b.c \n \n dimensions: 16 mm x 30 mm \n \n condition: good condition \n \n provenance: ex english private collection, acquired before 1990s \n \n parallel: draskowski, n., & weiss, p., neue griechische schleuderbleie. tissaphernes und weitere kommandeure, p. 144 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"\"glandes\"\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"\"sphendonetes.\"\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"\"take that\"\" or \"\"catch this.\"\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":180,"lotNumber":"105","title":{"es":"greek sling bullet with inscription 'manes /aiolidas'"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17306/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":110,"soldPrice":110,"lastUpdate":"2026-07-30T22:15:34.947Z","textCase":"lower","estimate":"\u20ac160 - \u20ac180","currency":"EUR","id":17306,"estimateMin":160},{"startPrice":70,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17307/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17307/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17307/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17307/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17307/005/005.jpg"],"available":false,"description":{"es":"item: textile fragment \n \n material: linen \n \n culture: egyptian, coptic \n \n period: 4th - 9th century a.d \n \n dimensions: 87 mm x 83 mm (without stand) \n \n condition: good condition. includes stand \n \n provenance: ex english private collection, acquired from an american private collection between 1970s-1996 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n coptic textiles from the 4th to the 9th century are significant artifacts of late antiquity and early christianity. these textiles, woven in egypt, are known for their intricate weaving and vibrant colors. they feature a blend of indigenous egyptian traditions and early christian iconography, with motifs including christian symbols, biblical scenes, and saints. these textiles offer insights into daily life, religious practices, and burial customs in the region. their preservation in the arid egyptian climate has made them invaluable for understanding the transition from the classical world to the medieval era and the spread of christianity in egypt and the wider mediterranean. \n \n coptic textiles are culturally and historically significant, reflecting the fusion of artistic traditions and religious influences during a transformative period."},"estimateMax":200,"lotNumber":"106","title":{"es":"egyptian, coptic textile fragment"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17307/view","tags":["esinternational_african","esinternational","esinternational_all"],"directSalePrice":70,"lastUpdate":"2026-07-30T22:15:34.949Z","textCase":"lower","estimate":"\u20ac170 - \u20ac200","currency":"EUR","id":17307,"estimateMin":170},{"startPrice":40,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17308/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17308/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17308/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17308/004/004.jpg"],"available":false,"description":{"es":"item: key \n \n material: bronze \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 20 mm x 57 mm \n \n condition: good condition \n \n provenance: ex german private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze keys were essential tools in ancient roman society, serving as both functional objects for securing doors and chests and symbolic items representing authority, ownership, and access. these keys were crafted from bronze, an alloy of copper and tin known for its durability and malleability, making it well-suited for the production of intricate objects like keys. roman bronze keys varied in size and design, reflecting the diverse architectural styles and locking mechanisms of the time. \n \n one of the most common types of roman bronze keys was the ward key, characterized by its distinctive toothed or ridged blade designed to fit specific locks. these keys were used to secure various types of doors, chests, and storage containers, providing protection for valuable possessions and private spaces. the design of roman bronze keys evolved over time, with later examples featuring more elaborate and decorative elements, such as ornate handles and engraved motifs, reflecting the artistic sensibilities of different periods and regions within the roman empire. \n \n beyond their practical function, roman bronze keys held symbolic significance in roman society. owning a key signified authority and control over property, whether it be a household or a treasury. keys were often associated with concepts of power, ownership, and access to both physical and metaphorical realms. in religious contexts, keys were also attributed to deities such as janus, the roman god of beginnings and transitions, who was depicted holding a key as a symbol of his role as the guardian of gates and passages."},"estimateMax":100,"lotNumber":"107","title":{"es":"roman key"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17308/view","tags":["escollectibles_hardware","escollectibles_all","escollectibles"],"directSalePrice":40,"lastUpdate":"2026-07-01T18:52:48.223Z","textCase":"lower","estimate":"\u20ac80 - \u20ac100","currency":"EUR","id":17308,"estimateMin":80},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17309/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17309/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17309/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17309/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17309/005/005.jpg"],"available":false,"description":{"es":"item: aryballos with quatrefoil motif \n \n material: pottery \n \n culture: greek \n \n period: 6th century b.c \n \n dimensions: 67 mm x 60 mm \n \n condition: good condition \n \n provenance: ex swiss private collection, acquired in 1970s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the aryballos with a quatrefoil motif is a distinctive type of ancient greek vessel that emerged during the geometric and orientalizing periods (circa 900\u2013600 bce). the term \"aryballos\" refers to a small, globular container used to store oils, perfumes, or other precious substances. the quatrefoil motif, characterized by a four-lobed or four-petal design, was a common decorative element on these vessels. aryballoi with quatrefoil motifs were often crafted from terracotta and decorated using the black-figure or red-figure techniques, which involved selectively applying slip (a liquid mixture of clay and water) to create contrasting images. \n \n the quatrefoil motif on these aryballoi was not merely decorative but held symbolic and cultural significance. the motif is reminiscent of floral patterns and was likely inspired by nature. the four-lobed design could represent various symbolic concepts such as symmetry, balance, or the four seasons. additionally, in ancient greek art, the use of geometric and floral motifs often carried deeper meanings related to religious beliefs, mythological narratives, or social customs. \n \n these aryballoi were practical as well as ornamental, serving a utilitarian purpose in daily life. they were designed for the storage and transportation of oils and perfumes, making them valuable personal items. the small size and portability of aryballoi with quatrefoil motifs suggest that they may have been used in grooming rituals or as offerings in religious ceremonies."},"estimateMax":450,"lotNumber":"108","title":{"es":"greek aryballos with quatrefoil motif"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17309/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":180,"lastUpdate":"2026-07-01T18:52:48.224Z","textCase":"lower","estimate":"\u20ac350 - \u20ac450","currency":"EUR","id":17309,"estimateMin":350},{"startPrice":160,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17310/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17310/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17310/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17310/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17310/005/005.jpg"],"available":false,"description":{"es":"item: statuette of a water bearer \n \n material: pottery \n \n culture: greek, hellenistic period \n \n period: 3rd - 1st century b.c \n \n dimensions: 135 mm x 57 mm \n \n condition: good condition \n \n provenance: ex german private collection, i.l., acquired between 1960 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the hellenistic period in greek history, spanning from the death of alexander the great in 323 bce to the roman conquest in 31 bce, is renowned for its advancements in art and sculpture. during this era, artists sought to capture a more naturalistic and expressive style compared to the idealized forms of the classical period. statuettes of water bearers, also known as hydrophoroi, are a prominent example of this trend. these small-scale sculptures typically depicted young women or boys carrying water jars, often in a dynamic, lifelike pose that conveyed a sense of movement and daily activity. \n \n the water bearer statuettes are notable for their intricate detail and realism. artists paid meticulous attention to the folds of clothing, the physical posture of the figures, and the expression on their faces, striving to depict the figures in a moment of action. the drapery of their garments was often rendered with a high degree of precision, creating a sense of lightness and fluidity. the figures' bodies were portrayed with anatomical accuracy, reflecting a deep understanding of human anatomy and movement. these statuettes served both decorative and functional purposes, often being used in domestic settings as part of household shrines or as grave offerings. \n \n the thematic choice of water bearers reflects the importance of daily life and the role of water in hellenistic society. water was a crucial element for both practical purposes and religious rituals, and the act of carrying water was a common, yet essential, chore. by immortalizing such mundane activities in art, hellenistic sculptors celebrated the ordinary and elevated it to a form of artistic expression."},"estimateMax":280,"lotNumber":"109","title":{"es":"greek statuette of a water bearer"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17310/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":160,"lastUpdate":"2026-07-01T18:52:48.226Z","textCase":"lower","estimate":"\u20ac240 - \u20ac280","currency":"EUR","id":17310,"estimateMin":240},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17311/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17311/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17311/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17311/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: vessel with decoration \n \n material: pottery \n \n culture: indus valley \n \n period: 2nd millenium b.c \n \n dimensions: 57 mm x 93 mm diameter \n \n condition: good condition, small crack, see pictures \n \n provenance: ex english private collection, a., acquired between 1980 - 2015 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the indus valley culture was a bronze age civilization that developed from around 3300 bc to 1300 bc along the indus river valley in afghanistan, pakistan and northwest india. it encompassed about a hundred settlements and two major cities: harappa and mohenjo-daro, both in pakistan. together, it comprised the largest area of all ancient civilisations, over a million square kilometres, and spanned several periods, with its peak between 2600 and 1900 bc. \n \n like the civilisations of mesopotamia and egypt, it was dependent on its river. like the nile, the indus overflowed every year, flooding vast areas and depositing fertile sediments. this immense agricultural potential was the basis on which urbanism developed around the indus river.with the prehistoric cultures of the indus valley, the first chapter in the history of india is being prepared. it is a long prehistoric period, proven by lithic testimonies. on the other hand, prehistoric remains can be found up to the first millennium bc, that is, up to a time when the peninsula had already entered history. strictly speaking, the cultures of the indus belong to prehistory as they have only left archaeological remains without literary documents, but to appreciate indian history it is necessary to take into consideration these prehistoric urban cultures."},"estimateMax":160,"lotNumber":"110","title":{"es":"indus valley vessel with decoration"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17311/view","tags":["esinternational_southasian","esdecorativearts_porcelainceramicsglass","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-01T18:52:48.228Z","textCase":"lower","estimate":"\u20ac120 - \u20ac160","currency":"EUR","id":17311,"dimensions":{"depth":9.3},"estimateMin":120},{"startPrice":90,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17312/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17312/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17312/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17312/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oil lamp, type bussière d ii 1 \n \n material: pottery \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 37 mm x 77 mm x 102 mm \n \n condition: good condition \n \n provenance: ex french private collection, acquired between 1960 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman oil lamps, known as \"lucernae, \" were an essential aspect of daily life in ancient rome, serving both practical and decorative purposes. these lamps, typically made of clay or bronze, were used to illuminate homes, public spaces, and temples. the design of a typical roman oil lamp featured a shallow, bowl-like reservoir for holding oil, a nozzle through which the wick protruded, and often a handle for easy carrying. some lamps were simple and utilitarian, while others were elaborately decorated with intricate patterns, inscriptions, or figures from mythology and daily life, reflecting the romans' appreciation for art and craftsmanship. \n \n the production and distribution of roman oil lamps were extensive, indicating their widespread use across the empire. factories, especially in regions like north africa and italy, mass-produced these lamps, making them accessible to a broad spectrum of society. the clay lamps were often produced using molds, which allowed for rapid and consistent creation of intricate designs. bronze lamps, being more expensive, were likely owned by wealthier individuals and often featured more elaborate artistry. the motifs on these lamps ranged from simple geometric patterns to complex scenes depicting gods, animals, and everyday activities, providing valuable insights into roman culture and societal values. \n \n roman oil lamps also played a significant role in religious and funerary practices. they were commonly placed in tombs as grave goods, symbolizing the light needed for the deceased in the afterlife. in temples and household shrines, oil lamps were used as offerings to deities, and their perpetual light symbolized divine presence and protection. the use of lamps in these contexts underscores their symbolic importance beyond mere illumination. additionally, oil lamps were sometimes inscribed with prayers or invocations, further emphasizing their role in spiritual and religious life."},"estimateMax":180,"lotNumber":"111","title":{"es":"roman oil lamp, type bussière d ii 1"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17312/view","tags":["esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"soldPrice":110,"lastUpdate":"2026-07-23T01:04:26.229Z","textCase":"lower","estimate":"\u20ac160 - \u20ac180","currency":"EUR","id":17312,"dimensions":{"depth":10.2},"estimateMin":160},{"startPrice":260,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17313/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17313/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17313/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17313/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17313/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17313/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17313/007/007.jpg"],"available":false,"description":{"es":"item: trefoil jug \n \n material: pottery \n \n culture: bronze age, cypriot \n \n period: 1450 \u2013 1050 b.c \n \n dimensions: 315 mm x 210 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, acquired between 1975 \u2013 1990. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n cypriot pottery from the bronze age is an important area of study for archaeologists and historians interested in the history of cyprus and cultural interactions in the eastern mediterranean during that period. cypriot pottery from the bronze age, spanning approximately from 2300 to 1050 bce, is characterized by its diversity of forms and decorative styles. \n \n one of the most notable types of cypriot pottery from the bronze age is the \u201cbilbil, \u201d a jar with a spherical body and a long, narrow neck. these jars had a variety of uses, including storage and transportation of liquids. cypriot bronze age pottery often features a range of decorative designs, including geometric patterns, stylized animals, and floral motifs. these designs can provide insights into the aesthetics and iconography of the time, as well as the cultural influences that impacted pottery production in cyprus. \n \n furthermore, cypriot bronze age pottery has been found at archaeological sites throughout the island as well as in other locations in the eastern mediterranean. this suggests active participation by cyprus in the trade networks of the era and its influence in cultural diffusion within the region."},"estimateMax":700,"lotNumber":"112","title":{"es":"bronze age trefoil jug"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17313/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":260,"lastUpdate":"2026-07-30T22:15:34.950Z","textCase":"lower","estimate":"\u20ac600 - \u20ac700","currency":"EUR","id":17313,"estimateMin":600},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17314/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17314/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17314/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17314/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17314/005/005.jpg"],"available":false,"description":{"es":"item: spearhead \n \n material: bronze \n \n culture: luristan \n \n period: 2nd - 1st millenium b.c \n \n dimensions: 212 mm x 25 mm \n \n condition: good condition \n \n provenance: ex english private collection, acquired between 1960 - 1980 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the luristan period, named after the region in western iran where many artifacts were discovered, encompasses a span from the late second millennium bce to the early first millennium bce. one distinctive type of artifact from this period is the luristan bronze dagger blade. these dagger blades are renowned for their exquisite craftsmanship and artistic detailing, reflecting the advanced metallurgical skills of the ancient luristan people. \n \n typically made from bronze, the dagger blades from luristan exhibit a high level of skill in metal casting and carving. they often feature intricate geometric patterns, stylized animals, and mythological motifs that are meticulously incised or embossed onto the surface. the blades are characterized by their leaf-shaped or lozenge-shaped designs, with a prominent midrib and a tapering point, showcasing both functional and aesthetic considerations. \n \n these dagger blades were likely used as weapons, but their elaborate ornamentation suggests that they also held symbolic and ritualistic significance. the motifs depicted on the blades often include scenes of hunting, battles, and mythical creatures, indicating a connection to the beliefs and stories of the luristan people."},"estimateMax":200,"lotNumber":"113","title":{"es":"luristan spearhead"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17314/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":90,"lastUpdate":"2026-07-30T22:15:33.153Z","textCase":"lower","estimate":"\u20ac170 - \u20ac200","currency":"EUR","id":17314,"estimateMin":170},{"startPrice":130,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17315/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17315/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17315/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17315/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17315/005/005.jpg"],"available":false,"description":{"es":"item: wine pitcher \n \n material: pottery \n \n culture: bronze age \n \n period: 1550 - 1200 b.c \n \n dimensions: 221 mm x 145 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, acquired between 1975 \u2013 1990. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze age pottery in the holy land, spanning the third to the early second millennium bce, reveals a rich and diverse ceramic tradition that reflects the cultural and technological developments of the time. one notable period within the bronze age is the early bronze age (circa 3300\u20132000 bce), during which the holy land witnessed the rise of urban centers and complex societies. pottery from this era is characterized by wheel-made vessels adorned with intricate designs and distinctive shapes. \n \n in the subsequent middle bronze age (circa 2000\u20131550 bce), the holy land continued to witness advancements in pottery production. this period saw the emergence of a variety of vessel forms, including cooking pots, storage jars, and ritual vessels. red-slipped pottery, where the surface is coated with a fine red slip, became prevalent during this time, and intricate painted decorations, often depicting geometric patterns or stylized animals, adorned the vessels. \n \n the late bronze age (circa 1550\u20131200 bce) marked another significant phase in the holy land's ceramic history. with the rise of powerful city-states and international trade networks, pottery styles became influenced by neighboring cultures. mycenaean and minoan influences are evident in some pottery, showcasing the interconnectedness of the region during this period. the late bronze age also witnessed the production of elaborate and finely crafted pottery, including chalices and libation vessels, often associated with religious and ceremonial practices. overall, bronze age pottery in the holy land provides valuable insights into the social, economic, and religious aspects of ancient communities, offering a tangible link to the past."},"estimateMax":250,"lotNumber":"114","title":{"es":"bronze age wine pitcher"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17315/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":130,"lastUpdate":"2026-07-30T22:15:33.157Z","textCase":"lower","estimate":"\u20ac200 - \u20ac250","currency":"EUR","id":17315,"estimateMin":200},{"startPrice":40,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17316/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17316/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17316/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17316/004/004.jpg"],"available":false,"description":{"es":"item: vessel with decoration \n \n material: pottery \n \n culture: indus valley \n \n period: 2nd millenium b.c \n \n dimensions: 47 mm x 80 mm \n \n condition: good condition. little hole, see pictures \n \n provenance: ex english private collection, a., acquired between 1980 - 2015 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the indus valley culture was a bronze age civilization that developed from around 3300 bc to 1300 bc along the indus river valley in afghanistan, pakistan and northwest india. it encompassed about a hundred settlements and two major cities: harappa and mohenjo-daro, both in pakistan. together, it comprised the largest area of all ancient civilisations, over a million square kilometres, and spanned several periods, with its peak between 2600 and 1900 bc. \n \n like the civilisations of mesopotamia and egypt, it was dependent on its river. like the nile, the indus overflowed every year, flooding vast areas and depositing fertile sediments. this immense agricultural potential was the basis on which urbanism developed around the indus river. with the prehistoric cultures of the indus valley, the first chapter in the history of india is being prepared. it is a long prehistoric period, proven by lithic testimonies. on the other hand, prehistoric remains can be found up to the first millennium bc, that is, up to a time when the peninsula had already entered history. strictly speaking, the cultures of the indus belong to prehistory as they have only left archaeological remains without literary documents, but to appreciate indian history it is necessary to take into consideration these prehistoric urban cultures."},"estimateMax":100,"lotNumber":"115","title":{"es":"indus valley vessel with decoration"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17316/view","tags":["esinternational_southasian","esinternational","esinternational_all"],"directSalePrice":40,"lastUpdate":"2026-07-30T22:15:33.158Z","textCase":"lower","estimate":"\u20ac75 - \u20ac100","currency":"EUR","id":17316,"estimateMin":75},{"startPrice":110,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17317/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17317/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17317/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17317/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17317/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oil lamp depicting a rosette, type bussière e viii 10 \n \n material: pottery \n \n culture: late roman / christian \n \n period: 4th - 5th century a.d \n \n dimensions: 50 mm x 85 mm x 135 mm \n \n condition: good condition \n \n provenance: ex french private collection, acquired from toulouse and montpellier auction houses and antique dealers before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n late roman christian lamps represent a fascinating intersection of religion, art, and everyday life during the later period of the roman empire. with the rise of christianity as the dominant religion in the roman world, the iconography and symbolism found on lamps began to reflect christian themes. these lamps were used in christian households, churches, catacombs, and other places of worship. \n \n one notable feature of late roman christian lamps is the shift in decorative motifs from pagan imagery to christian symbols. instead of scenes from mythology or everyday life, these lamps often featured christian symbols such as the chi-rho monogram (☧), the fish symbol (ichthys), the good shepherd, the cross, and biblical scenes. these symbols served not only to illuminate spaces but also to reinforce the faith of believers and express their identity as christians in a predominantly pagan society. \n \n late roman christian lamps were also significant for their role in religious ceremonies and rituals. they were used in various christian liturgical practices, such as the lighting of lamps during evening prayers or the celebration of mass. additionally, christian lamps were sometimes placed in catacombs and funerary contexts, serving as both practical sources of light and symbols of hope and eternal life in the christian belief system."},"estimateMax":180,"lotNumber":"116","title":{"es":"late roman / christian oil lamp depicting rosette, type bussière e viii 10"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17317/view","tags":["esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":110,"soldPrice":110,"lastUpdate":"2026-07-30T22:15:33.160Z","textCase":"lower","estimate":"\u20ac160 - \u20ac180","currency":"EUR","id":17317,"dimensions":{"depth":13.5},"estimateMin":160},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17318/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17318/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17318/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17318/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17318/005/005.jpg"],"available":false,"description":{"es":"item: scarab with crowned horus-falcon and uraeus-serpent \n \n material: steatite \n \n culture: egyptian \n \n period: new kingdom, 1550 - 1070 b.c \n \n dimensions: 12 mm x 9 mm \n \n condition: good condition \n \n provenance: ex american egyptologist collection, active in the early part of the 20th century, brought to the us with the family in 1954. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the egyptians saw the egyptian scarab (scarabaeus sacer) as a symbol of renewal and rebirth. the beetle was associated closely with the sun god because scarabs roll large balls of dung in which to lay their eggs, a behavior that the egyptians thought resembled the progression of the sun through the sky from east to west. its young were hatched from this ball, and this event was seen as an act of spontaneous self-creation, giving the beetle an even stronger association with the sun god\u2019s creative force. the connection between the beetle and the sun was so close that the young sun god was thought to be reborn in the form of a winged scarab beetle every morning at sunrise. as this young sun god, known as khepri, rose in the sky, he brought light and life to the land. \n \n scarab amulets were used for their magical rejuvenating properties by both the living and the dead. scarabs were used by living individuals as seals from the start of the middle kingdom (ca. 2055 bce) onwards. the most common inscription for these scarabs was the owner\u2019s name. the incised design was often a schematic combination of hieroglyphs and geometric patterning. patterns could often denote the specific administrative office held by the wearer. \n \n scarabs were also often rendered naturalistically in the round. the regenerative powers of scarabs of this nature could be used by either the living or the dead for healing and protection during quotidian activities or during a deceased person\u2019s passage into the afterlife. the striking red/orange color of this amulet\u2019s carnelian strengthens its solar associations."},"estimateMax":200,"lotNumber":"117","title":{"es":"egyptian scarab with crowned horus-falcon and uraeus-serpent"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17318/view","tags":["esdecorativearts_figurines","esdecorativearts_all","esdecorativearts"],"directSalePrice":120,"lastUpdate":"2026-07-30T22:15:33.161Z","textCase":"lower","estimate":"\u20ac175 - \u20ac200","currency":"EUR","id":17318,"estimateMin":175},{"startPrice":50,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17319/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17319/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17319/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17319/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17319/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17319/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17319/007/007.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: bottle \n \n material: bronze \n \n culture: asiatic \n \n period: 8th - 9th century a.d \n \n dimensions: 230 mm x 130 mm \n \n condition: good condition, some areas damaged \n \n provenance: ex american private collection, acquired before 1999 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the asiatic period, spanning the 8th to 9th centuries ad, bronze vessels played a significant role in the material culture of various asian civilizations, particularly in regions such as china, korea, and japan. in china, the tang dynasty (618-907 ad) witnessed a flourishing of bronze craftsmanship, with vessels ranging from ornate incense burners to intricately decorated wine containers. these vessels often featured motifs inspired by nature, mythology, and buddhist iconography, reflecting the cultural and religious influences of the time. \n \n in korea, the unified silla period (668-935 ad) saw the production of bronze vessels known as \"baekje-style\" ware, characterized by their elegant forms and sophisticated decorative patterns. these vessels were used for both practical and ceremonial purposes, serving as offerings to the spirits or as prestigious items in elite households. similarly, in japan, the nara period (710-794 ad) marked a significant development in bronze casting techniques, with artisans creating exquisite ritual vessels such as bells (dōtaku) and mirrors (kagami) adorned with intricate designs. these bronze vessels not only served functional roles but also held symbolic significance within religious rituals and court ceremonies, highlighting the importance of bronze craftsmanship during the asiatic period."},"estimateMax":500,"lotNumber":"118","title":{"es":"asiatic bottle"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17319/view","directSalePrice":50,"soldPrice":50,"lastUpdate":"2024-06-29T18:25:36.719Z","textCase":"lower","estimate":"\u20ac400 - \u20ac500","currency":"EUR","id":17319,"estimateMin":400},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17320/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17320/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17320/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17320/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17320/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17320/006/006.jpg"],"available":false,"description":{"es":"item: oil lamp with confronted eros \n \n material: pottery \n \n culture: greek, hellenistic \n \n period: 2nd \u2013 1st century b.c \n \n dimensions: 23 mm x 70 mm x 98 mm \n \n condition: good condition \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of a major university. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n eros, in greek religion, god of love. in the theogony of hesiod (fl. 700 bce), eros was a primeval god, son of chaos, the original primeval emptiness of the universe, but later tradition made him the son of aphrodite, goddess of sexual love and beauty, by either zeus (the king of the gods), ares (god of war and of battle), or hermes (divine messenger of the gods). \n \n eros was a god not simply of passion but also of fertility. his brother was anteros, the god of mutual love, who was sometimes described as his opponent. the chief associates of eros were pothos and himeros (longing and desire). later writers assumed the existence of a number of erotes (like the several versions of the roman amor). \n \n in alexandrian poetry he degenerated into a mischievous child. in archaic art he was represented as a beautiful winged youth but tended to be made younger and younger until, by the hellenistic period, he was an infant. his chief cult centre was at thespiae in boeotia, where the erotidia were celebrated. he also shared a sanctuary with aphrodite on the north wall of the acropolis at athens."},"estimateMax":250,"lotNumber":"119","title":{"es":"greek oil lamp with confronted eros"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17320/view","tags":["esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":120,"lastUpdate":"2026-07-30T22:15:33.162Z","textCase":"lower","estimate":"\u20ac200 - \u20ac250","currency":"EUR","id":17320,"dimensions":{"depth":9.8},"estimateMin":200},{"startPrice":40,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17321/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17321/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17321/003/003.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: key \n \n material: bronze \n \n culture: roman \n \n period: 3rd - 4th century a.d \n \n dimensions: 27 mm x 50 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, r.j., with israeli export licence number 57470 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze keys were essential tools in ancient roman society, serving as both functional objects for securing doors and chests and symbolic items representing authority, ownership, and access. these keys were crafted from bronze, an alloy of copper and tin known for its durability and malleability, making it well-suited for the production of intricate objects like keys. roman bronze keys varied in size and design, reflecting the diverse architectural styles and locking mechanisms of the time. \n \n one of the most common types of roman bronze keys was the ward key, characterized by its distinctive toothed or ridged blade designed to fit specific locks. these keys were used to secure various types of doors, chests, and storage containers, providing protection for valuable possessions and private spaces. the design of roman bronze keys evolved over time, with later examples featuring more elaborate and decorative elements, such as ornate handles and engraved motifs, reflecting the artistic sensibilities of different periods and regions within the roman empire. \n \n beyond their practical function, roman bronze keys held symbolic significance in roman society. owning a key signified authority and control over property, whether it be a household or a treasury. keys were often associated with concepts of power, ownership, and access to both physical and metaphorical realms. in religious contexts, keys were also attributed to deities such as janus, the roman god of beginnings and transitions, who was depicted holding a key as a symbol of his role as the guardian of gates and passages."},"estimateMax":100,"lotNumber":"120","title":{"es":"roman key"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17321/view","tags":["escollectibles_hardware","escollectibles_all","escollectibles"],"directSalePrice":40,"soldPrice":80,"lastUpdate":"2026-07-30T22:15:33.163Z","textCase":"lower","estimate":"\u20ac80 - \u20ac100","currency":"EUR","id":17321,"estimateMin":80},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17322/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17322/002/002.jpg"],"available":false,"description":{"es":"item: sling bullet with inscription 'na / mer' \n \n material: lead \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 15 mm x 30 mm \n \n condition: good condition \n \n provenance: ex english private collection, acquired before 1990s \n \n parallel: draskowski, n., & weiss, p., neue griechische schleuderbleie. tissaphernes und weitere kommandeure, p. 148 - 149 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"\"glandes\"\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"\"sphendonetes.\"\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"\"take that\"\" or \"\"catch this.\"\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":180,"lotNumber":"121","title":{"es":"greek sling bullet with inscription 'na / mer'"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17322/view","directSalePrice":110,"lastUpdate":"2024-06-29T18:54:11.847Z","textCase":"lower","estimate":"\u20ac140 - \u20ac180","currency":"EUR","id":17322,"estimateMin":140},{"startPrice":50,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17323/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17323/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17323/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17323/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: cross pendant \n \n material: bronze \n \n culture: byzantine \n \n period: 7th - 10th century a.d \n \n dimensions: 44 mm x 24 mm \n \n condition: good condition \n \n provenance: ex dutch private collection, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n byzantine cross pendants are iconic symbols of the byzantine empire's religious and cultural identity. these pendants, often crafted from materials such as gold, silver, or bronze, were worn as personal adornments and religious symbols by byzantine christians. the design of byzantine cross pendants typically featured a distinctive form known as the byzantine cross, characterized by equal-length arms that intersect at the center, with a smaller crossbar above the intersection. this design is rich in symbolism, representing the intersection of heaven and earth, as well as the unity of the holy trinity. \n \n byzantine cross pendants were not only decorative but also served as expressions of faith and devotion. they were worn by byzantine christians as a means of displaying their religious beliefs and affiliations, serving as constant reminders of their commitment to christianity and their allegiance to the byzantine emperor as the defender of the faith. byzantine cross pendants were often adorned with religious imagery, such as depictions of christ, the virgin mary, saints, or angels, further emphasizing their spiritual significance. \n \n the craftsmanship of byzantine cross pendants was highly sophisticated, with artisans employing techniques such as filigree, enameling, and gemstone setting to create intricate designs and decorative motifs. these pendants were sometimes inscribed with prayers, blessings, or religious invocations, adding to their sacred aura and protective qualities."},"estimateMax":140,"lotNumber":"122","title":{"es":"byzantine cross pendant"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17323/view","tags":["esjewelry_costumejewelry","esjewelry","esjewelry_all"],"directSalePrice":50,"soldPrice":55,"lastUpdate":"2026-07-30T22:15:33.165Z","textCase":"lower","estimate":"\u20ac110 - \u20ac140","currency":"EUR","id":17323,"estimateMin":110},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17324/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17324/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17324/003/003.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: flask \n \n material: glass \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 76 mm x 40 mm \n \n condition: good condition \n \n provenance: ex american private collection, n.y., acquired before 2000s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman glass flasks, also known as unguentaria or perfume bottles, were small vessels used for storing and dispensing oils, perfumes, and other aromatic substances in ancient rome. these flasks were crafted from glass, a material that became increasingly popular during the roman empire due to advancements in glassmaking techniques. roman glassmakers developed various methods for shaping and decorating glass, resulting in a wide array of exquisite vessels, including the distinctive glass flasks. \n \n the design of roman glass flasks typically consisted of a narrow neck, a globular body, and a pointed or flattened base, facilitating ease of handling and pouring. the neck of the flask often featured a small mouth or spout, sometimes equipped with a stopper or lid to prevent evaporation and spillage of the precious contents. the body of the flask was often decorated with intricate patterns, such as spirals, waves, or geometric motifs, created using techniques like mold-pressing, trailing, or glass blowing. some flasks also bore decorative handles or applied glass threads for added visual appeal. \n \n roman glass flasks served both practical and aesthetic purposes in ancient roman society. while they were primarily used for storing and dispensing perfumes and oils, these vessels also held symbolic significance in rituals, ceremonies, and daily life. perfumes and aromatic oils were integral to roman grooming and hygiene practices, and the use of elegant glass flasks to contain these precious substances reflected social status and refinement. additionally, glass flasks were often buried as grave goods in roman tombs, attesting to their importance in funerary customs and beliefs about the afterlife."},"estimateMax":160,"lotNumber":"123","title":{"es":"roman flask"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17324/view","tags":["esdecorativearts_antiqueglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-23T01:04:29.214Z","textCase":"lower","estimate":"\u20ac150 - \u20ac160","currency":"EUR","id":17324,"estimateMin":150},{"startPrice":40,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17325/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17325/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17325/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17325/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17325/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oil lamp \n \n material: pottery \n \n culture: roman, holy land \n \n period: 3rd century a.d \n \n dimensions: 20 mm x 60 mm x 75 mm \n \n condition: good condition \n \n provenance: ex french private collection, acquired from toulouse and montpellier auction houses and antique dealers before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n between the 3rd and 5th centuries, the holy land, encompassing modern-day israel, palestine, and parts of jordan and lebanon, experienced significant religious and cultural developments, particularly with the spread of christianity. oil lamps from this period provide valuable insights into the religious practices and iconography of the time. holy land lamps from this era often feature a blend of pagan, jewish, and christian symbols, reflecting the diverse religious landscape of the region. \n \n one characteristic of holy land lamps from the 3rd to 5th centuries is the incorporation of christian motifs alongside traditional greco-roman and jewish symbols. these lamps frequently depict christian symbols such as the chi-rho monogram, the fish symbol (ichthys), crosses, and biblical scenes, reflecting the growing influence of christianity in the region. additionally, lamps from this period may also feature jewish symbols like the menorah, palm branches, and shofars, highlighting the continuation of jewish religious traditions alongside the rise of christianity. \n \n the use of holy land lamps during this period extended beyond mere illumination. they were used in various religious ceremonies, including christian liturgical practices and jewish rituals. in addition to domestic use, these lamps were also employed in churches, synagogues, and other places of worship. furthermore, the widespread use of oil lamps in funerary contexts, such as burial chambers and catacombs, suggests their role in funerary rites and beliefs about the afterlife."},"estimateMax":150,"lotNumber":"124","title":{"es":"roman oil lamp"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17325/view","tags":["esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":40,"soldPrice":40,"lastUpdate":"2026-07-30T22:15:29.037Z","textCase":"lower","estimate":"\u20ac120 - \u20ac150","currency":"EUR","id":17325,"dimensions":{"depth":7.5},"estimateMin":120},{"startPrice":150,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17326/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17326/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17326/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17326/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: amphora \n \n material: pottery \n \n culture: roman, north africa \n \n period: 3rd - 4th century a.d \n \n dimensions: 143 mm x 105 mm \n \n condition: good condition \n \n provenance: ex french private archeological collection in saint-germain en laye of a jewish affluent family \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the 3rd and 4th centuries ad, roman pottery production in north africa flourished, particularly in regions such as modern-day tunisia, algeria, and libya. this period coincided with the height of the roman empire's influence in the region, and pottery played a crucial role in both domestic life and trade networks. among the notable types of pottery produced during this time were the little amphoras, which were small-scale versions of the larger amphorae commonly used for transporting goods such as wine, oil, and grain. \n \n little amphoras from roman north africa were typically crafted from local clay and varied in size and shape depending on their intended use. while larger amphorae were primarily employed for bulk transportation and storage, little amphoras served a more diverse range of functions. they were utilized in household settings for storing and transporting liquids, such as oil or wine, as well as for preserving and transporting other commodities like sauces, spices, and even perfumes. their diminutive size made them convenient for everyday use in both urban and rural contexts. \n \n the production of little amphoras in roman north africa reflects the region's integration into broader mediterranean trade networks during the roman period. these vessels were not only produced for local consumption but were also exported to other regions of the empire, contributing to the exchange of goods and cultural influences across the mediterranean world."},"estimateMax":400,"lotNumber":"125","title":{"es":"roman amphora"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17326/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":150,"soldPrice":180,"lastUpdate":"2026-07-30T22:15:29.041Z","textCase":"lower","estimate":"\u20ac300 - \u20ac400","currency":"EUR","id":17326,"estimateMin":300},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17327/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17327/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17327/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17327/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17327/005/005.jpg"],"available":false,"description":{"es":"item: statuette of a dolphin \n \n material: bronze \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 36 mm x 25 mm x 80 mm \n \n condition: good condition \n \n provenance: ex spanish private collection, acquired between 1980 - 2000 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n in the roman period, dolphin statuettes held symbolic significance and were associated with various aspects of roman life, including mythology, religion, and daily rituals. dolphins were often depicted in roman art and sculpture due to their connection with neptune, the god of the sea. these statuettes served as votive offerings and were commonly placed in temples dedicated to neptune or other marine deities. the romans believed that offering dolphin statuettes would invoke the protection and favor of these sea gods, especially for those involved in maritime activities or seeking safe passage during voyages. \n \n the representation of dolphins in roman statuettes also carried symbolic meanings beyond their association with the sea. dolphins were considered symbols of good fortune, intelligence, and playfulness. as a result, dolphin figurines were sometimes used in domestic settings as decorative items or talismans believed to bring luck and positive energy to the household. the widespread popularity of dolphin imagery in roman art reflects the cultural significance attached to these creatures and their ability to bridge the realms of both the natural and divine. \n \n moreover, dolphin statuettes were not limited to religious or domestic contexts; they were also used as elements in roman funerary art. in some cases, dolphins were incorporated into tomb decorations or placed near burial sites, symbolizing protection for the deceased in the afterlife."},"estimateMax":300,"lotNumber":"126","title":{"es":"roman statuette of a dolphin"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17327/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T18:52:46.648Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17327,"dimensions":{"depth":8},"estimateMin":250},{"startPrice":120,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17328/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17328/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17328/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17328/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17328/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: scarab with uraeus, ankh and neb basket (amun trigram) \n \n material: steatite \n \n culture: egyptian \n \n period: new kingdom, 1550 \u2013 1070 b.c \n \n dimensions: 12 mm x 8 mm \n \n condition: good condition \n \n provenance: ex american egyptologist collection, active in the early part of the 20th century, brought to the us with the family in 1954. \n \n \n egyptian scarabs with the amun trigram, uraeus, ankh, and neb basket are fascinating artifacts that provide insights into ancient egyptian religious beliefs and cultural practices. the scarab, a symbol of rebirth and regeneration, was a popular motif in ancient egypt and often served as a protective amulet or talisman. when combined with other symbols like the amun trigram, uraeus (cobra symbol), ankh (symbol of life), and neb basket (symbol of fertility), these scarabs took on additional layers of meaning and significance. \n \n the amun trigram, consisting of three symbols representing the god amun, was associated with divine protection and power. amun was one of the most important gods in the egyptian pantheon, often depicted as a man with a ram\u2019s head or as a ram itself. the inclusion of the amun trigram on scarabs indicated a connection to this powerful deity, suggesting that the wearer sought amun\u2019s favor and blessings for protection and prosperity. \n \n the uraeus, a symbol of the goddess wadjet often depicted as a rearing cobra, symbolized protection and royal authority. it adorned the crowns of pharaohs and was associated with divine kingship and sovereignty. the ankh, resembling a cross with a loop at the top, represented the concept of eternal life and was often held by deities as a symbol of their ability to grant immortality. the neb basket, symbolizing fertility and abundance, was associated with the goddess renenutet, who was believed to provide nourishment and sustenance. when combined with the scarab, these symbols created powerful talismans believed to offer protection, prosperity, and eternal life to the wearer in both this world and the afterlife."},"estimateMax":400,"lotNumber":"127","title":{"es":"egyptian scarab with amun trigram"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17328/view","tags":["esdecorativearts_figurines","esinternational_middleeastern","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":120,"soldPrice":120,"lastUpdate":"2026-07-30T22:15:29.043Z","textCase":"lower","estimate":"\u20ac300 - \u20ac400","currency":"EUR","id":17328,"estimateMin":300},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17329/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17329/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17329/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17329/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17329/005/005.jpg"],"available":false,"description":{"es":"item: plate \n \n material: terra sigillata \n \n culture: roman, north africa \n \n period: 4th - 6th century a.d \n \n dimensions: 36 mm x 292 mm diameter \n \n condition: good condition \n \n provenance: ex german private collection, acquired before 1970 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n north african pottery during the roman period exemplifies the vibrant cultural exchanges and artistic innovation that characterized this region during antiquity. the roman occupation of north africa, particularly regions such as tunisia, algeria, and libya, led to the integration of roman artistic techniques and styles with indigenous north african traditions. pottery production in north africa during this time was highly diverse, with local workshops producing a wide range of vessels for domestic use, religious rituals, and trade. \n \n one of the most distinctive types of pottery from roman north africa is the red slip ware, which was characterized by its smooth red surface and often adorned with incised or painted decorative motifs. these vessels were commonly used for everyday purposes such as storing food and water, cooking, and serving meals. the red slip ware of north africa reflects the influence of roman pottery traditions, particularly in terms of form and function, while also retaining elements of indigenous north african styles and techniques. \n \n in addition to red slip ware, north african pottery from the roman period also included other types of vessels such as amphorae, storage jars, and oil lamps. these vessels were produced in large quantities and were exported throughout the mediterranean world, attesting to the importance of north africa as a center of ceramic production and trade during antiquity."},"estimateMax":300,"lotNumber":"128","title":{"es":"roman plate"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17329/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":120,"lastUpdate":"2026-07-30T22:15:29.044Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17329,"dimensions":{"depth":29.2},"estimateMin":250},{"startPrice":100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17330/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17330/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17330/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17330/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17330/005/005.jpg"],"available":false,"description":{"es":"item: oil lamp depicting a man lying next to a tree, type bussière d x \n \n material: pottery \n \n culture: roman \n \n period: 2nd - 3rd century a.d \n \n dimensions: 45 mm x 90 mm x 120 mm \n \n condition: good condition \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of a major university. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman oil lamps are significant artifacts that offer insights into ancient roman daily life, technology, and artistic expression. these lamps were essential sources of illumination in households, public spaces, and religious settings throughout the roman empire. they were typically made of clay, bronze, or occasionally glass, and served practical as well as symbolic purposes. \n \n roman oil lamps varied in design and decoration depending on factors such as region, period, and intended use. common motifs included geometric patterns, floral designs, mythological scenes, and religious symbols. some lamps featured intricate relief work or inscriptions, showcasing the craftsmanship and artistic skills of roman artisans. additionally, certain lamps were designed with specific functions in mind, such as those used in religious rituals or funerary contexts. \n \n the use of oil lamps in ancient rome extended beyond mere illumination. they were often employed in religious ceremonies, where the act of lighting a lamp symbolized the presence of the divine and the offering of prayers or sacrifices. oil lamps were also used in domestic rituals and social gatherings, creating a warm and inviting atmosphere."},"estimateMax":270,"lotNumber":"129","title":{"es":"roman oil lamp depicting a man lying next to a tree, type bussière d x"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17330/view","tags":["esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":100,"lastUpdate":"2026-07-30T22:15:29.045Z","textCase":"lower","estimate":"\u20ac250 - \u20ac270","currency":"EUR","id":17330,"dimensions":{"depth":12},"estimateMin":250},{"startPrice":60,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17331/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17331/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17331/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17331/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17331/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oil lamp, type rosenthal & sivan k, group 1, var. b. \n \n material: pottery \n \n culture: islamic, umayyads \n \n period: 7th - 8th century a.d \n \n dimensions: 35 mm x 65 mm x 97 mm \n \n condition: good condition \n \n provenance: ex german private collection, dr. c.h.h., acquired before 1960 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the islamic umayyad dynasty, which ruled from 661 to 750 ce, oversaw a period of remarkable artistic and cultural development in the islamic world. umayyad oil lamps are significant artifacts that provide insights into the material culture and artistic achievements of this era. these lamps were typically made of ceramic or glass and served as important sources of illumination in domestic, religious, and public spaces throughout the umayyad empire, which stretched from spain to central asia. \n \n umayyad oil lamps are known for their distinctive decorative motifs and intricate designs. many lamps featured geometric patterns, floral motifs, and calligraphic inscriptions, reflecting the artistic influences of the diverse regions within the umayyad empire. these lamps often incorporated elements of byzantine, sassanian, and roman artistic traditions, demonstrating the multicultural exchange and artistic synthesis that characterized umayyad art and architecture. \n \n beyond their practical function, umayyad oil lamps also held symbolic and religious significance. the inclusion of quranic verses or religious invocations on lamp designs served to sanctify the act of lighting the lamp and imbue the space with spiritual significance. additionally, the widespread use of oil lamps in mosques, madrasas, and other islamic religious institutions underscored their role in facilitating communal worship and religious observance. umayyad oil lamps thus stand as testament to the rich artistic heritage and religious devotion of the islamic world during the umayyad period."},"estimateMax":190,"lotNumber":"130","title":{"es":"islamic, umayyads oil lamp, type rosenthal & sivan k, group 1, var. b"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17331/view","tags":["esdecorativearts_lamps","esinternational_middleeastern","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":60,"soldPrice":60,"lastUpdate":"2026-07-30T22:15:29.047Z","textCase":"lower","estimate":"\u20ac170 - \u20ac190","currency":"EUR","id":17331,"dimensions":{"depth":9.7},"estimateMin":170},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17332/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17332/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17332/003/003.jpg"],"available":false,"description":{"es":"item: cosmetic bowl / palette \n \n material: stone \n \n culture: iron age \n \n period: 8th \u2013 6th century b.c \n \n dimensions: 18 mm x 66 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, a.k., with israeli export licence number 57470 \n bibliography: the israel museum, jerusalem, accession number 1936-929 and 1980-1161 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the iron age period, cosmetic palettes and bowls held significant cultural and social importance in various ancient civilizations, particularly in regions such as the near east and egypt. these artifacts served as both functional tools for cosmetic preparation and as symbols of status and identity within society. cosmetic palettes from this period typically consisted of flat, circular or oval-shaped pieces of stone or other materials, often adorned with intricate engravings or relief carvings depicting religious, mythological, or symbolic motifs. \n \n in ancient egypt, cosmetic palettes were widely used for grinding and mixing cosmetics, such as kohl for eyeliner or various ointments and pigments for body adornment. these palettes were crafted from materials like schist, slate, or limestone and were often decorated with elaborate designs that reflected the artistic styles and religious beliefs of the time. many palettes featured animal motifs, geometric patterns, or scenes from mythology and everyday life, serving as artistic expressions of the cultural milieu in which they were created. \n \n beyond their utilitarian function, cosmetic palettes also held symbolic significance in ancient societies. in addition to being practical objects for cosmetic preparation, they were often associated with rituals, ceremonies, and beliefs surrounding beauty, health, and spiritual protection. in some cultures, cosmetic palettes were buried as grave goods alongside the deceased, reflecting beliefs in the afterlife and the importance of personal adornment and grooming even in death."},"estimateMax":300,"lotNumber":"131","title":{"es":"iron age cosmetic bowl / palette"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17332/view","tags":["esart_decorative","esinternational_middleeastern","esart","esinternational","esinternational_all","esart_all"],"directSalePrice":110,"lastUpdate":"2026-07-30T22:15:29.048Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17332,"estimateMin":250},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17333/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17333/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17333/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17333/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17333/005/005.jpg"],"available":false,"description":{"es":"item: scarab with nefer-sign flanked by bent papyrus stalks \n \n material: steatite \n \n culture: egyptian \n \n period: second intermediate period, 1700 - 1500 b.c \n \n dimensions: 14 mm x 10 mm \n \n condition: good condition \n \n provenance: ex american egyptologist collection, active in the early part of the 20th century, brought to the us with the family in 1954. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the egyptians saw the egyptian scarab (scarabaeus sacer) as a symbol of renewal and rebirth. the beetle was associated closely with the sun god because scarabs roll large balls of dung in which to lay their eggs, a behavior that the egyptians thought resembled the progression of the sun through the sky from east to west. its young were hatched from this ball, and this event was seen as an act of spontaneous self-creation, giving the beetle an even stronger association with the sun god\u2019s creative force. the connection between the beetle and the sun was so close that the young sun god was thought to be reborn in the form of a winged scarab beetle every morning at sunrise. as this young sun god, known as khepri, rose in the sky, he brought light and life to the land. \n \n scarab amulets were used for their magical rejuvenating properties by both the living and the dead. scarabs were used by living individuals as seals from the start of the middle kingdom (ca. 2055 bce) onwards. the most common inscription for these scarabs was the owner\u2019s name. the incised design was often a schematic combination of hieroglyphs and geometric patterning. patterns could often denote the specific administrative office held by the wearer. \n \n scarabs were also often rendered naturalistically in the round. the regenerative powers of scarabs of this nature could be used by either the living or the dead for healing and protection during quotidian activities or during a deceased person\u2019s passage into the afterlife. the striking red/orange color of this amulet\u2019s carnelian strengthens its solar associations."},"estimateMax":200,"lotNumber":"132","title":{"es":"egyptian scarab with nefer-sign flanked by bent papyrus stalks"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17333/view","tags":["esdecorativearts_figurines","esinternational_middleeastern","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":110,"lastUpdate":"2026-07-30T22:15:29.050Z","textCase":"lower","estimate":"\u20ac175 - \u20ac200","currency":"EUR","id":17333,"estimateMin":175},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17334/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17334/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17334/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17334/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17334/005/005.jpg"],"available":false,"description":{"es":"item: oil lamp \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 32 mm x 57 mm x 76 mm \n \n condition: good condition \n \n provenance: ex french private collection, acquired from toulouse and montpellier auction houses and antique dealers before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the 5th and 4th centuries bc, ancient greek oil lamps underwent significant development in both form and function. these oil lamps, essential for providing light in greek households, sanctuaries, and public spaces, evolved in design and decoration, reflecting changes in greek society and culture. \n \n one notable feature of greek oil lamps from the 5th and 4th centuries bc is their diversity in shape and style. while earlier greek lamps tended to be simple and utilitarian, lamps from this period began to exhibit more elaborate designs and decorative elements. common shapes included the \"biconical\" type, characterized by a double-conical body with a central filling hole and one or more wick holes, as well as the \"kernos\" type, featuring multiple spouts for wicks arranged around a central filling hole. these lamps were typically made of clay and produced using molds or hand-building techniques. \n \n greek oil lamps from the 5th and 4th centuries bc also often featured decorative motifs that reflected the artistic trends of the time. these motifs ranged from geometric patterns and floral designs to mythological scenes and figures. some lamps were adorned with relief sculptures depicting gods, heroes, or mythical creatures, while others were embellished with painted decorations in black-figure or red-figure styles."},"estimateMax":160,"lotNumber":"133","title":{"es":"greek oil lamp"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17334/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"lastUpdate":"2026-07-01T18:52:49.942Z","textCase":"lower","estimate":"\u20ac150 - \u20ac160","currency":"EUR","id":17334,"dimensions":{"depth":7.6},"estimateMin":150},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17335/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17335/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17335/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17335/004/004.jpg"],"available":false,"description":{"es":"item: oil juglet \n \n material: pottery \n \n culture: iron age \n \n period: 700 \u2013 586 b.c \n \n dimensions: 90 mm x 64 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, acquired between 1975 \u2013 1990. \n parallel: amiran, r., ancient pottery of the holy land, p. 263, fig. 263 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n ceramics during the iron age played a crucial role in shaping the material culture and economic activities of various ancient civilizations. these ceramics were typically characterized by their utilitarian functions, with pottery serving as essential vessels for food storage, cooking, and transportation. in addition to their practical purposes, iron age ceramics often displayed decorative elements and intricate designs that reflected the cultural and artistic preferences of the time. \n \n these ceramics provide valuable insights into the daily life, technological advancements, and trade networks of iron age societies. they are essential archaeological artifacts that aid in understanding the socio-economic dynamics, dietary habits, and artistic expressions of these ancient cultures. the study of iron age ceramics enriches our knowledge of the period and helps connect the dots between archaeological findings and the lives of the people who lived during this pivotal era in human history."},"estimateMax":250,"lotNumber":"134","title":{"es":"iron age oil juglet"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17335/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"lastUpdate":"2026-07-01T18:52:49.944Z","textCase":"lower","estimate":"\u20ac200 - \u20ac250","currency":"EUR","id":17335,"estimateMin":200},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17336/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17336/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17336/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17336/004/004.jpg"],"available":false,"description":{"es":"item: vessel \n \n material: pottery \n \n culture: bronze age \n \n period: 2000 - 1200 b.c \n \n dimensions: 132 mm x 97 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, acquired between 1975 \u2013 1990. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze age pottery in the holy land, spanning the third to the early second millennium bce, reveals a rich and diverse ceramic tradition that reflects the cultural and technological developments of the time. one notable period within the bronze age is the early bronze age (circa 3300\u20132000 bce), during which the holy land witnessed the rise of urban centers and complex societies. pottery from this era is characterized by wheel-made vessels adorned with intricate designs and distinctive shapes. \n \n in the subsequent middle bronze age (circa 2000\u20131550 bce), the holy land continued to witness advancements in pottery production. this period saw the emergence of a variety of vessel forms, including cooking pots, storage jars, and ritual vessels. red-slipped pottery, where the surface is coated with a fine red slip, became prevalent during this time, and intricate painted decorations, often depicting geometric patterns or stylized animals, adorned the vessels. \n \n the late bronze age (circa 1550\u20131200 bce) marked another significant phase in the holy land's ceramic history. with the rise of powerful city-states and international trade networks, pottery styles became influenced by neighboring cultures. mycenaean and minoan influences are evident in some pottery, showcasing the interconnectedness of the region during this period. the late bronze age also witnessed the production of elaborate and finely crafted pottery, including chalices and libation vessels, often associated with religious and ceremonial practices. overall, bronze age pottery in the holy land provides valuable insights into the social, economic, and religious aspects of ancient communities, offering a tangible link to the past."},"estimateMax":170,"lotNumber":"135","title":{"es":"bronze age vessel"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17336/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"lastUpdate":"2026-07-01T18:52:49.946Z","textCase":"lower","estimate":"\u20ac150 - \u20ac170","currency":"EUR","id":17336,"estimateMin":150},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17337/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17337/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17337/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17337/004/004.jpg"],"available":false,"description":{"es":"item: oil lamp, type kennedy 1, group c \n \n material: pottery \n \n culture: iron age \n \n period: 1300 - 586 b.c \n \n dimensions: 53 mm x 110 mm x 106 mm \n \n condition: good condition \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of a major university. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the iron age period, oil lamps continued to be an essential source of illumination in households, religious spaces, and other communal settings across various ancient civilizations. these lamps were typically crafted from materials such as clay, bronze, or even stone, reflecting the technological capabilities and artistic preferences of the time. while the basic design of oil lamps remained consistent throughout the iron age, regional variations and stylistic changes emerged, influenced by cultural, religious, and technological factors. \n \n in many iron age societies, oil lamps served not only practical purposes but also held symbolic significance. they were often used in religious rituals and ceremonies, where the act of lighting a lamp represented the presence of divine forces or the offering of prayers and supplications to gods and ancestors. the design and decoration of iron age oil lamps sometimes featured religious symbols, mythological motifs, or scenes from sacred narratives, reinforcing their role in religious expression and devotion."},"estimateMax":200,"lotNumber":"136","title":{"es":"iron age oil lamp, type kennedy 1, group c"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17337/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"lastUpdate":"2026-07-01T18:52:49.947Z","textCase":"lower","estimate":"\u20ac170 - \u20ac200","currency":"EUR","id":17337,"dimensions":{"depth":10.6},"estimateMin":170},{"startPrice":40,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17338/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17338/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17338/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17338/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17338/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oil lamp \n \n material: pottery \n \n culture: islamic \n \n period: 6th - 8th century a.d \n \n dimensions: 32 mm x 56 mm x 90 mm \n \n condition: good condition \n \n provenance: ex french private collection, acquired from toulouse and montpellier auction houses and antique dealers before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the 6th to 8th centuries ad, the islamic world witnessed significant advancements in various fields, including art, science, and technology. islamic oil lamps from this period reflect the cultural and artistic richness of the era, blending influences from diverse regions and traditions. these lamps played a crucial role in providing light for both practical and symbolic purposes in islamic households, mosques, and other communal spaces. \n \n islamic oil lamps from the 6th to 8th centuries exhibit a wide range of styles and designs, reflecting the artistic preferences of different regions within the islamic world. common features include the use of intricate geometric patterns, stylized floral motifs, and calligraphic inscriptions from the quran or other religious texts. the craftsmanship of these lamps often involved skilled metalworkers and potters who utilized techniques such as engraving, inlaying, and glazing to create intricate and visually striking designs. \n \n beyond their functional use as sources of light, islamic oil lamps held symbolic significance in islamic culture and religious practice. they were often used in religious ceremonies, including daily prayers and special occasions such as ramadan and eid. the illumination provided by these lamps was seen as a metaphor for enlightenment and spiritual guidance, symbolizing the light of knowledge and faith."},"estimateMax":80,"lotNumber":"137","title":{"es":"islamic oil lamp"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17338/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_lamps","esdecorativearts_all","esdecorativearts"],"directSalePrice":40,"soldPrice":60,"lastUpdate":"2026-07-01T18:52:49.949Z","textCase":"lower","estimate":"\u20ac70 - \u20ac80","currency":"EUR","id":17338,"dimensions":{"depth":9},"estimateMin":70},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17339/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17339/002/002.jpg"],"available":false,"description":{"es":"item: sling bullet with lance and inscription 'paroida' \n \n material: lead \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 15 mm x 31 mm \n \n condition: good condition \n \n provenance: ex austrian private collection, acquired before 1990s \n \n parallel: manov, m. & torbov, m, inscribed lead sling bullets, p. 35, fig. 24 and 25 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"\"glandes\"\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"\"sphendonetes.\"\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"\"take that\"\" or \"\"catch this.\"\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":160,"lotNumber":"138","title":{"es":"greek sling bullet with lance and inscription 'paroida'"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17339/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":110,"lastUpdate":"2026-07-30T22:15:29.051Z","textCase":"lower","estimate":"\u20ac140 - \u20ac160","currency":"EUR","id":17339,"estimateMin":140},{"startPrice":60,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17340/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17340/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17340/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17340/004/004.jpg"],"available":false,"description":{"es":"item: arrowhead \n \n material: bronze \n \n culture: elamite, middle period \n \n period: 1200 - 800 b.c \n \n dimensions: 90 mm x 23 mm \n \n condition: good condition \n \n provenance: ex english private collection, london, acquired between 1980s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the elamite culture began in modern day iran sometime around 2700 bc and continued through 640 bc and included several dynastic lines. there's no certainty about where the elamites originated, but there are clues from other sources including the judeo-christian bible which places the elamites as a semitic culture that sprung from a descendant of shem (one of noah's 3 sons) named elam. the elamites were mentioned in the bible in ezra and acts and the kingdom of elam is mentioned in genesis, nehemiah, ezra, jeremiah, daniel, and i chronicles. regardless of the provenance of the elamites, they occupied a long period of history in the middle east and especially persia. during this period, the elamites maintained power through a strict system of accession and inheritance which allowed power to stay focussed within the elamite mainstream culture. \n \n elamite culture was arranged as many cultures are; around trade and resources. it was a patriarchal (led by men) society, reflecting the vast majority of surrounding civilizations. the area of iran occupied for millennia by the elamite empire was a known trade hot spot. located along the persian gulf with access to major shipping routes across land and sea, elam was a mainstay in getting numerous resources wherever they needed to go throughout the middle east and asia. as a result, the people of elam benefited from the riches, artwork, and resources of many different cultures and places. therefore, the elamite culture was one of great cosmopolitan wealth."},"estimateMax":140,"lotNumber":"139","title":{"es":"elamite arrowhead"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17340/view","tags":["escollectibles_militaria","esinternational_middleeastern","esinternational","escollectibles_all","esinternational_all","escollectibles"],"directSalePrice":60,"lastUpdate":"2026-07-30T22:15:29.053Z","textCase":"lower","estimate":"\u20ac120 - \u20ac140","currency":"EUR","id":17340,"estimateMin":120},{"startPrice":40,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17341/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17341/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17341/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17341/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: cross pendant \n \n material: bronze \n \n culture: byzantine \n \n period: 7th - 10th century a.d \n \n dimensions: 37 mm x 21 mm \n \n condition: good condition \n \n provenance: ex dutch private collection, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n byzantine cross pendants are iconic symbols of the byzantine empire's religious and cultural identity. these pendants, often crafted from materials such as gold, silver, or bronze, were worn as personal adornments and religious symbols by byzantine christians. the design of byzantine cross pendants typically featured a distinctive form known as the byzantine cross, characterized by equal-length arms that intersect at the center, with a smaller crossbar above the intersection. this design is rich in symbolism, representing the intersection of heaven and earth, as well as the unity of the holy trinity. \n \n byzantine cross pendants were not only decorative but also served as expressions of faith and devotion. they were worn by byzantine christians as a means of displaying their religious beliefs and affiliations, serving as constant reminders of their commitment to christianity and their allegiance to the byzantine emperor as the defender of the faith. byzantine cross pendants were often adorned with religious imagery, such as depictions of christ, the virgin mary, saints, or angels, further emphasizing their spiritual significance. \n \n the craftsmanship of byzantine cross pendants was highly sophisticated, with artisans employing techniques such as filigree, enameling, and gemstone setting to create intricate designs and decorative motifs. these pendants were sometimes inscribed with prayers, blessings, or religious invocations, adding to their sacred aura and protective qualities."},"estimateMax":140,"lotNumber":"140","title":{"es":"byzantine cross pendant"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17341/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":40,"soldPrice":55,"lastUpdate":"2026-07-30T22:15:34.154Z","textCase":"lower","estimate":"\u20ac110 - \u20ac140","currency":"EUR","id":17341,"estimateMin":110},{"startPrice":110,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17342/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17342/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17342/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17342/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: ring depicting goddess nike \n \n material: bronze \n \n culture: greek, hellenistic period \n \n period: 3rd - 1st century b.c \n \n dimensions: 16 mm x 12 mm \n \n condition: good condition \n \n provenance: ex austrian private collection, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n hellenistic rings, particularly those depicting the goddess nike, are a fascinating aspect of ancient greek jewelry that reflect the artistry and cultural values of the period. the hellenistic era, known for its cultural fusion and artistic innovation following the conquests of alexander the great, saw the proliferation of intricate and symbolic jewelry. rings featuring the goddess nike, the personification of victory, were especially popular. these rings were typically crafted from gold and sometimes adorned with gemstones, showcasing the high level of craftsmanship and the importance of luxury in hellenistic society. the depiction of nike often featured her in dynamic poses, emphasizing her association with speed and triumph. \n \n the choice of nike as a motif on rings is significant, as it highlights the value placed on victory and success in hellenistic culture. nike was not only a symbol of military success but also of personal achievement and prosperity. wearing a ring with nike's image could be seen as a talisman, invoking her favor and ensuring success in various endeavors. this period also saw the influence of greek culture spreading throughout the mediterranean and near east, and jewelry featuring nike would have been a recognizable and desirable symbol for those wishing to associate themselves with greek ideals of excellence and victory. \n \n the craftsmanship of hellenistic rings depicting nike is notable for its detailed and expressive artistry. goldsmiths employed advanced techniques such as filigree, granulation, and repoussé to create intricate designs that captured the essence of nike's divine attributes. the rings often showed her with wings outstretched or in the act of crowning a victor, symbolizing the bestowal of honor and glory."},"estimateMax":240,"lotNumber":"141","title":{"es":"greek ring depicting goddess nike"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17342/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":110,"soldPrice":120,"lastUpdate":"2026-07-30T22:15:34.156Z","textCase":"lower","estimate":"\u20ac200 - \u20ac240","currency":"EUR","id":17342,"estimateMin":200},{"startPrice":40,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17343/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17343/002/002.jpg"],"available":false,"description":{"es":"item: key \n \n material: bronze \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 15 mm x 25 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, r.j., with israeli export licence number 57470 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze keys were essential tools in ancient roman society, serving as both functional objects for securing doors and chests and symbolic items representing authority, ownership, and access. these keys were crafted from bronze, an alloy of copper and tin known for its durability and malleability, making it well-suited for the production of intricate objects like keys. roman bronze keys varied in size and design, reflecting the diverse architectural styles and locking mechanisms of the time. \n \n one of the most common types of roman bronze keys was the ward key, characterized by its distinctive toothed or ridged blade designed to fit specific locks. these keys were used to secure various types of doors, chests, and storage containers, providing protection for valuable possessions and private spaces. the design of roman bronze keys evolved over time, with later examples featuring more elaborate and decorative elements, such as ornate handles and engraved motifs, reflecting the artistic sensibilities of different periods and regions within the roman empire. \n \n beyond their practical function, roman bronze keys held symbolic significance in roman society. owning a key signified authority and control over property, whether it be a household or a treasury. keys were often associated with concepts of power, ownership, and access to both physical and metaphorical realms. in religious contexts, keys were also attributed to deities such as janus, the roman god of beginnings and transitions, who was depicted holding a key as a symbol of his role as the guardian of gates and passages."},"estimateMax":100,"lotNumber":"142","title":{"es":"roman key"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17343/view","tags":["escollectibles_hardware","escollectibles_all","escollectibles"],"directSalePrice":40,"lastUpdate":"2026-07-30T22:15:34.157Z","textCase":"lower","estimate":"\u20ac80 - \u20ac100","currency":"EUR","id":17343,"estimateMin":80},{"startPrice":60,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17344/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17344/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17344/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17344/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17344/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: spearhead \n \n material: bronze \n \n culture: bronze age, luristan \n \n period: 2nd - 1st millenium b.c \n \n dimensions: 162 mm x 22 mm \n \n condition: good condition \n \n provenance: ex english private collection, london, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the luristan period, named after the region in western iran where many artifacts were discovered, encompasses a span from the late second millennium bce to the early first millennium bce. one distinctive type of artifact from this period is the luristan bronze dagger blade. these dagger blades are renowned for their exquisite craftsmanship and artistic detailing, reflecting the advanced metallurgical skills of the ancient luristan people. \n \n typically made from bronze, the dagger blades from luristan exhibit a high level of skill in metal casting and carving. they often feature intricate geometric patterns, stylized animals, and mythological motifs that are meticulously incised or embossed onto the surface. the blades are characterized by their leaf-shaped or lozenge-shaped designs, with a prominent midrib and a tapering point, showcasing both functional and aesthetic considerations. \n \n these dagger blades were likely used as weapons, but their elaborate ornamentation suggests that they also held symbolic and ritualistic significance. the motifs depicted on the blades often include scenes of hunting, battles, and mythical creatures, indicating a connection to the beliefs and stories of the luristan people."},"estimateMax":180,"lotNumber":"143","title":{"es":"luristan spearhead"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17344/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":60,"soldPrice":60,"lastUpdate":"2026-07-30T22:15:34.159Z","textCase":"lower","estimate":"\u20ac160 - \u20ac180","currency":"EUR","id":17344,"estimateMin":160},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17345/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17345/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17345/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17345/004/004.jpg"],"available":false,"description":{"es":"item: vessel with decoration \n \n material: pottery \n \n culture: indus valley \n \n period: 2nd millenium b.c \n \n dimensions: 72 mm x 112 mm diameter \n \n condition: good condition, small crack, see pictures \n \n provenance: ex english private collection, a., acquired between 1980 - 2015 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the indus valley culture was a bronze age civilization that developed from around 3300 bc to 1300 bc along the indus river valley in afghanistan, pakistan and northwest india. it encompassed about a hundred settlements and two major cities: harappa and mohenjo-daro, both in pakistan. together, it comprised the largest area of all ancient civilisations, over a million square kilometres, and spanned several periods, with its peak between 2600 and 1900 bc. \n \n like the civilisations of mesopotamia and egypt, it was dependent on its river. like the nile, the indus overflowed every year, flooding vast areas and depositing fertile sediments. this immense agricultural potential was the basis on which urbanism developed around the indus river.with the prehistoric cultures of the indus valley, the first chapter in the history of india is being prepared. it is a long prehistoric period, proven by lithic testimonies. on the other hand, prehistoric remains can be found up to the first millennium bc, that is, up to a time when the peninsula had already entered history. strictly speaking, the cultures of the indus belong to prehistory as they have only left archaeological remains without literary documents, but to appreciate indian history it is necessary to take into consideration these prehistoric urban cultures."},"estimateMax":160,"lotNumber":"144","title":{"es":"indus valley vessel with decoration"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17345/view","tags":["esinternational_southasian","esinternational","esinternational_all"],"directSalePrice":80,"lastUpdate":"2026-07-01T18:52:44.203Z","textCase":"lower","estimate":"\u20ac120 - \u20ac160","currency":"EUR","id":17345,"estimateMin":120},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17346/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17346/002/002.jpg"],"available":false,"description":{"es":"item: miniature votive palstave axehead \n \n material: bronze \n \n culture: bronze age \n \n period: 2nd millenium b.c \n \n dimensions: 25 mm x 45 mm \n \n condition: good condition \n \n provenance: ex english private collection, essex, acquired from london gallery in the 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the palstave axe head is a notable artifact from the bronze age, a period that spans roughly from 3300 to 1200 bce, depending on the region. these axe heads are characterized by their distinctive design, which includes a pronounced midrib and flanges that serve to hold the wooden haft securely in place. the term \"palstave\" is derived from the old norse word \"palstav, \" meaning \"spade, \" reflecting the tool\u2019s elongated and often slightly curved shape. palstave axes were primarily utilitarian tools used for woodworking, but they also had ceremonial and possibly combat uses, indicating their multifunctional role in bronze age societies. \n \n the design of the palstave axe head represents a significant technological advancement over earlier stone and copper axes. the midrib or central ridge running down the length of the blade provided additional strength and durability, allowing for more effective cutting and chopping. the flanges on either side of the blade helped to secure the axe head to its wooden handle more firmly, preventing it from slipping during use. this improved functionality made the palstave axe a crucial tool for bronze age people, facilitating the clearing of land for agriculture, the construction of wooden structures, and the production of other wooden tools and artifacts. \n \n palstave axe heads have been found across various regions in europe, reflecting widespread use and adaptation. the distribution of these artifacts indicates extensive trade networks and the diffusion of metallurgical knowledge during the bronze age. many palstave axes are discovered in hoards, suggesting that they were valuable items often buried for safekeeping or as part of ritual offerings."},"estimateMax":160,"lotNumber":"145","title":{"es":"bronze age miniature votive palstave axehead"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17346/view","tags":["escollectibles_hardware","escollectibles_all","escollectibles"],"directSalePrice":90,"lastUpdate":"2026-07-30T22:15:34.162Z","textCase":"lower","estimate":"\u20ac140 - \u20ac160","currency":"EUR","id":17346,"estimateMin":140},{"startPrice":160,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17347/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17347/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17347/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17347/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17347/005/005.jpg"],"available":false,"description":{"es":"item: piriform aryballos depicting bands and running dogs \n \n material: pottery \n \n culture: greek, proto-corinthian \n \n period: 675 - 650 b.c \n \n dimensions: 74 mm x 36 mm \n \n condition: good condition, little hole, see pictures \n \n provenance: ex swiss private collection, dr. r.h., acquired in the swiss art market in the 1980s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n proto-corinthian piriform aryballoi depicting running dogs are captivating examples of ancient greek pottery that offer insights into the artistic and cultural milieu of the early archaic period. these vessels, typically crafted from clay and adorned with intricate painted designs, feature scenes of hunting or animal motifs, such as running dogs. the piriform aryballos, with its distinctive pear-shaped body and narrow neck, was commonly used for storing perfumed oils or other precious liquids in ancient greece. \n \n the depiction of running dogs on proto-corinthian aryballoi suggests a connection to the world of hunting and outdoor pursuits, which held significant cultural and symbolic importance in ancient greek society. dogs were valued companions and skilled hunters in greek culture, often portrayed in art and literature as faithful allies of heroes and gods. scenes of running dogs on pottery may have served as visual representations of the hunt or as symbols of strength, agility, and loyalty. \n \n proto-corinthian aryballoi with running dog motifs also showcase the artistic techniques and stylistic conventions of the time. the intricate designs were painted using a black-figure technique, where black pigment was applied to the clay surface using fine brushes or incised lines, creating detailed patterns and images against a reddish-orange background. these vessels were produced in workshops throughout the greek world, with distinctive regional variations in style and iconography."},"estimateMax":350,"lotNumber":"146","title":{"es":"greek, proto-corinthian piriform aryballos depicting bands and running dogs"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17347/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":160,"lastUpdate":"2026-07-01T18:52:44.204Z","textCase":"lower","estimate":"\u20ac300 - \u20ac350","currency":"EUR","id":17347,"estimateMin":300},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17348/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17348/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17348/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17348/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17348/005/005.jpg"],"available":false,"description":{"es":"item: skyphos \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 92 mm x 183 mm x 112 mm \n \n condition: good condition \n \n provenance: ex german private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n a skyphos (from the greek σκύφος) is a two-handled deep wine-cup on a low flanged base or none. the handles may be horizontal ear-shaped thumbholds that project from the rim (in both corinthian and athenian shapes), or they may be loop handles at the rim or that stand away from the lower part of the body."},"estimateMax":400,"lotNumber":"147","title":{"es":"greek skyphos"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17348/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":180,"lastUpdate":"2026-07-01T18:52:44.206Z","textCase":"lower","estimate":"\u20ac300 - \u20ac400","currency":"EUR","id":17348,"dimensions":{"depth":11.2},"estimateMin":300},{"startPrice":260,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17349/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17349/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17349/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17349/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17349/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17349/006/006.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: kantharos with vegetal decoration \n \n material: pottery \n \n culture: greek, south italian, apulian \n \n period: 5th century b.c \n \n dimensions: 122 mm x 175 mm \n \n condition: good condition, repaired from original pieces. \n \n provenance: ex dutch private collection, acquired in the 1970s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek kantharos is a type of ancient drinking cup that holds significant cultural and artistic importance in greek history. characterized by its high, looping handles that often extend above the rim and a deep bowl, the kantharos was commonly used for drinking wine, particularly in the context of symposia, which were social gatherings for drinking, intellectual conversation, and entertainment. the form of the kantharos, with its elegant and balanced design, exemplifies the greek emphasis on both functionality and aesthetics in everyday objects. \n \n kantharoi are often associated with the god dionysus, the deity of wine, fertility, and festivity. this association is frequently reflected in the decorative motifs found on these vessels. many kantharoi are adorned with scenes depicting dionysian rituals, including processions, dancing, and the god himself, often accompanied by his entourage of satyrs and maenads. the connection to dionysus highlights the kantharos' role not only as a drinking vessel but also as a symbol of the divine aspects of wine and revelry. in this sense, the kantharos served both a practical purpose and a ritualistic one, linking the mundane act of drinking to the spiritual and cultural significance of dionysian worship. \n \n the craftsmanship of kantharoi varied, with examples ranging from simple, undecorated pottery to elaborately painted and intricately designed pieces. high-quality kantharoi were often made from fine clays and featured the distinctive black-figure or red-figure techniques that characterized much of greek pottery."},"estimateMax":500,"lotNumber":"148","title":{"es":"greek kantharos with vegetal decoration"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17349/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":260,"soldPrice":260,"lastUpdate":"2026-07-01T18:52:44.207Z","textCase":"lower","estimate":"\u20ac400 - \u20ac500","currency":"EUR","id":17349,"estimateMin":400},{"startPrice":90,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17350/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17350/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17350/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17350/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: eye of horus 'udjat eye' amulet mould \n \n material: pottery \n \n culture: egyptian \n \n period: late period, 644 - 332 b.c \n \n dimensions: 7 mm x 26 mm x 24 mm \n \n condition: good condition \n \n provenance: ex american private collection, a.s., acquired in the 1980s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the eye of horus, wedjat eye or udjat eye is a concept and symbol in ancient egyptian religion that represents well-being, healing, and protection. it derives from the mythical conflict between the god horus with his rival set, in which set tore out or destroyed one or both of horus's eyes and the eye was subsequently healed or returned to horus with the assistance of another deity, such as thoth. horus subsequently offered the eye to his deceased father osiris, and its revivifying power sustained osiris in the afterlife. the eye of horus was thus equated with funerary offerings, as well as with all the offerings given to deities in temple ritual. it could also represent other concepts, such as the moon, whose waxing and waning was likened to the injury and restoration of the eye. \n \n the eye of horus symbol, a stylized eye with distinctive markings, was believed to have protective magical power and appeared frequently in ancient egyptian art. it was one of the most common motifs for amulets, remaining in use from the old kingdom (c. 2686\u20132181 bc) to the roman period (30 bc \u2013 641 ad). pairs of horus eyes were painted on coffins from the first intermediate period (c. 2181\u20132055 bc) and middle kingdom (c. 2055\u20131650 bc). other contexts where the symbol appeared include on carved stone stelae and on the bows of boats. to some extent the symbol was adopted by the people of regions neighboring egypt, such as syria, canaan, and especially nubia. \n \n the ancient egyptian god horus was a sky deity, and many egyptian texts say that horus's right eye was the sun and his left eye the moon. the solar eye and lunar eye were sometimes equated with the red and white crown of egypt, respectively. some texts treat the eye of horus seemingly interchangeably with the eye of ra, which in other contexts is an extension of the power of the sun god ra and is often personified as a goddess. the egyptologist richard h. wilkinson believes the two eyes of horus gradually became distinguished as the lunar eye of horus and the solar eye of ra. other egyptologists, however, argue that no text clearly equates the eyes of horus with the sun and moon until the new kingdom (c. 1550\u20131070 bc); rolf krauss argues that the eye of horus originally represented venus as the morning star and evening star and only later became equated with the moon. \n \n katja goebs argues that the myths surrounding the eye of horus and the eye of ra are based around the same mytheme, or core element of a myth, and that \"rather than postulating a single, original myth of one cosmic body, which was then merged with others, it might be more fruitful to think in terms of a (flexible) myth based on the structural relationship of an object that is missing, or located far from its owner\". in the myths surrounding the eye of ra, the goddess flees ra and is brought back by another deity. in the case of the eye of horus, the eye is usually missing because of horus's conflict with his arch-rival, the god set, in their struggle for the kingship of egypt after the death of horus's father osiris."},"estimateMax":180,"lotNumber":"149","title":{"es":"egyptian eye of horus 'udjat eye' amulet mould"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17350/view","tags":["esdecorativearts_porcelainceramicsglass","esinternational_african","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"soldPrice":90,"lastUpdate":"2026-07-30T22:15:34.164Z","textCase":"lower","estimate":"\u20ac160 - \u20ac180","currency":"EUR","id":17350,"dimensions":{"depth":2.4},"estimateMin":160},{"startPrice":160,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17351/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17351/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17351/003/003.jpg"],"available":false,"description":{"es":"item: olpe \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 85 mm x 105 mm \n \n condition: good condition \n \n provenance: ex dutch private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek olpe is a type of pottery vessel used primarily for pouring liquids, such as wine or water, and is characterized by its distinctive shape. typically, an olpe has a tall, cylindrical body that tapers slightly towards the top, a high, narrow neck, and a trefoil mouth, which is designed with three spouts or lobes to facilitate controlled pouring. the vessel usually has a single handle attached vertically from the top of the neck to the body, allowing for easy handling. originating in the geometric period (c. 900-700 bce), the olpe became particularly popular during the archaic (c. 700-480 bce) and classical (c. 480-323 bce) periods of ancient greece. \n \n the decoration of olpai (plural for olpe) reflects the artistic styles and motifs prevalent in their respective periods. in the geometric period, olpai were often adorned with linear patterns, meanders, and geometric shapes. as greek pottery evolved, so did the decoration on these vessels. during the archaic period, black-figure technique became prominent, featuring silhouetted figures painted in black slip on the natural red clay background. scenes depicted on olpai from this period often included mythological narratives, daily life activities, and animal friezes. in the later classical period, the red-figure technique, where the background was painted black and the figures left in red, allowed for greater detail and realism in the depiction of human figures and complex scenes. \n \n the greek olpe was not only a functional object but also held social and ceremonial significance. in domestic settings, it was used during symposia, which were social gatherings where wine played a central role in fostering intellectual discussions and entertainment. the olpe\u2019s elegant shape and intricate decoration made it a suitable vessel for such occasions, symbolizing the host\u2019s wealth and cultural refinement. additionally, olpai were used in religious and funerary contexts, often as offerings to gods or as grave goods."},"estimateMax":240,"lotNumber":"150","title":{"es":"greek olpe"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17351/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":160,"lastUpdate":"2026-07-01T18:52:44.208Z","textCase":"lower","estimate":"\u20ac200 - \u20ac240","currency":"EUR","id":17351,"estimateMin":200},{"startPrice":140,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17352/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17352/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17352/003/003.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oil lamp, type apulian and cnidian \n \n material: pottery \n \n culture: greek \n \n period: 2nd century b.c \n \n dimensions: 60 mm x 60 mm x 105 mm \n \n condition: good condition \n \n provenance: ex dutch private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek oil lamps from the apulian and cnidian regions are notable for their distinctive styles and craftsmanship, reflecting the regional variations in ancient greek ceramic art. these lamps, primarily used for illumination, also provide insights into the cultural and artistic practices of their respective areas. both apulian and cnidian lamps were typically made from clay, and their designs evolved over time, influenced by local traditions and broader greek artistic trends. \n \n apulian oil lamps, originating from the apulia region in southern italy, are often characterized by their ornate decoration and complex shapes. these lamps typically feature intricate reliefs and painted motifs, which frequently depict mythological scenes, floral patterns, and everyday life. the apulian artisans were skilled in the use of vibrant red-figure and black-figure techniques, allowing for detailed and expressive imagery on the lamps' surfaces. these decorative elements not only served an aesthetic purpose but also conveyed cultural narratives and beliefs, making the lamps significant both as functional objects and as carriers of artistic and symbolic meaning. \n \n cnidian oil lamps, from the region of cnidus in asia minor, are known for their distinctive shapes and practical design features. cnidian lamps often have a more utilitarian appearance compared to their apulian counterparts, with simpler forms and less elaborate decoration. however, they are notable for their efficient functionality, including features like multiple nozzles to accommodate several wicks, thereby providing greater illumination. the decoration on cnidian lamps, while generally more restrained, often includes geometric patterns and symbolic motifs that reflect local tastes and cultural influences."},"estimateMax":220,"lotNumber":"151","title":{"es":"greek oil lamp, type apulian and cnidian"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17352/view","tags":["esdecorativearts_lamps","esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":140,"soldPrice":140,"lastUpdate":"2026-07-30T22:15:34.165Z","textCase":"lower","estimate":"\u20ac180 - \u20ac220","currency":"EUR","id":17352,"dimensions":{"depth":10.5},"estimateMin":180},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17353/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17353/002/002.jpg"],"available":false,"description":{"es":"item: sling bullet with inscription 'manes / eyar and manes / pantar' \n \n material: lead \n \n culture: greek, thracia and turkey \n \n period: 4th century b.c \n \n dimensions: 16 mm x 25 mm \n \n condition: good condition \n \n provenance: ex german private collection, acquired before 2000s \n \n parallel: draskowski, n., & weiss, p., neue griechische schleuderbleie. tissaphernes und weitere kommandeure, p. 143 - 144 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"\"glandes\"\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"\"sphendonetes.\"\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"\"take that\"\" or \"\"catch this.\"\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":180,"lotNumber":"152","title":{"es":"greek sling bullet with inscription 'manes / eyar and manes / pantar'"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17353/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":110,"lastUpdate":"2026-07-30T22:15:34.167Z","textCase":"lower","estimate":"\u20ac160 - \u20ac180","currency":"EUR","id":17353,"estimateMin":160},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17354/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17354/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17354/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17354/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17354/005/005.jpg"],"available":false,"description":{"es":"item: bowl \n \n material: pottery \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 55 mm x 185 mm diameter \n \n condition: good condition \n \n provenance: ex dutch private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman bowls, an essential component of ancient roman dining ware, showcase the rich diversity and sophistication of roman ceramic artistry. these bowls, used for a variety of purposes including serving food, mixing ingredients, and holding liquids, were made from a range of materials such as clay, glass, and metal. the most common material was pottery, which was readily available and versatile. roman pottery bowls were typically crafted using a wheel and then fired in a kiln, resulting in durable and functional pieces that were used in both everyday and ceremonial contexts. \n \n one of the most notable types of roman pottery bowls is the terra sigillata, also known as samian ware, which was produced primarily in gaul (modern-day france) and italy. these bowls are distinguished by their smooth, glossy red slip and fine, detailed decorations, which often included motifs of mythology, animals, and everyday life scenes. terra sigillata bowls were highly prized for their aesthetic qualities and were widely traded throughout the roman empire, indicating their popularity and the high regard in which they were held. the production of these bowls involved sophisticated techniques, including the use of molds to create intricate designs, showcasing the advanced level of roman ceramic craftsmanship. \n \n roman glass bowls, another significant category, illustrate the technological advancements and artistic innovations of the time. glass blowing, which became widespread during the roman period, allowed for the creation of delicate and finely crafted glass bowls. these items were often decorated with vibrant colors and intricate patterns achieved through techniques such as millefiori (a mosaic-like pattern) and cameo glass (where layers of glass are carved to create images in relief). glass bowls were luxury items and were often used in elite households for special occasions, reflecting the wealth and status of their owners."},"estimateMax":240,"lotNumber":"153","title":{"es":"roman bowl"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17354/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":140,"lastUpdate":"2026-07-23T01:04:25.579Z","textCase":"lower","estimate":"\u20ac200 - \u20ac240","currency":"EUR","id":17354,"dimensions":{"depth":18.5},"estimateMin":200},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17355/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17355/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17355/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17355/004/004.jpg"],"available":false,"description":{"es":"item: kylix \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 48 mm x 160 mm x 103 mm \n \n condition: good condition \n \n provenance: ex german private collection, acquired before 2000 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek kylix is a type of drinking cup that was widely used in ancient greece, particularly during the archaic and classical periods. it is characterized by its broad, shallow bowl, horizontal handles, and a short stem, which collectively give it a distinctive, elegant profile. the kylix was primarily used for drinking wine, especially during symposia, which were social gatherings where men would drink, discuss various topics, and enjoy entertainment. the shape of the kylix made it ideal for such events, as it allowed drinkers to easily lift and sip from the cup while reclining on couches. \n \n the decoration of kylikes (plural for kylix) often featured intricate and detailed artwork, typically executed in the black-figure or red-figure techniques that were prevalent in greek pottery. black-figure kylikes, produced earlier, involved painting figures in black slip on the natural red clay body, with details incised to reveal the underlying clay. red-figure kylikes, which became popular later, reversed this process by painting the background in black and leaving the figures in the natural red of the clay, allowing for greater detail and more naturalistic depictions. the interior of the kylix, known as the tondo, frequently displayed scenes related to dionysus, the god of wine, as well as other mythological or everyday life scenes, offering visual delight and narrative intrigue as the drinker finished their wine. \n \n beyond their functional and aesthetic appeal, kylikes also had a social and symbolic significance. the imagery on kylikes often depicted scenes of revelry, music, and athletic competition, reflecting the cultural values and practices of the symposia."},"estimateMax":280,"lotNumber":"154","title":{"es":"greek kylix"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17355/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":180,"lastUpdate":"2026-07-23T01:04:25.582Z","textCase":"lower","estimate":"\u20ac260 - \u20ac280","currency":"EUR","id":17355,"dimensions":{"depth":10.3},"estimateMin":260},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17356/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17356/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17356/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17356/004/004.jpg"],"available":false,"description":{"es":"item: jug \n \n material: pottery \n \n culture: bronze age \n \n period: 2nd millenium b.c \n \n dimensions: 132 mm x 145 mm \n \n condition: good condition \n \n provenance: ex jerusalem private collection, acquired between 1975 \u2013 1990. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze age pottery in the holy land, spanning the third to the early second millennium bce, reveals a rich and diverse ceramic tradition that reflects the cultural and technological developments of the time. one notable period within the bronze age is the early bronze age (circa 3300\u20132000 bce), during which the holy land witnessed the rise of urban centers and complex societies. pottery from this era is characterized by wheel-made vessels adorned with intricate designs and distinctive shapes. \n \n in the subsequent middle bronze age (circa 2000\u20131550 bce), the holy land continued to witness advancements in pottery production. this period saw the emergence of a variety of vessel forms, including cooking pots, storage jars, and ritual vessels. red-slipped pottery, where the surface is coated with a fine red slip, became prevalent during this time, and intricate painted decorations, often depicting geometric patterns or stylized animals, adorned the vessels. \n \n the late bronze age (circa 1550\u20131200 bce) marked another significant phase in the holy land's ceramic history. with the rise of powerful city-states and international trade networks, pottery styles became influenced by neighboring cultures. mycenaean and minoan influences are evident in some pottery, showcasing the interconnectedness of the region during this period. the late bronze age also witnessed the production of elaborate and finely crafted pottery, including chalices and libation vessels, often associated with religious and ceremonial practices. overall, bronze age pottery in the holy land provides valuable insights into the social, economic, and religious aspects of ancient communities, offering a tangible link to the past."},"estimateMax":160,"lotNumber":"155","title":{"es":"bronze age jug"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17356/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"lastUpdate":"2026-07-23T01:04:25.584Z","textCase":"lower","estimate":"\u20ac120 - \u20ac160","currency":"EUR","id":17356,"estimateMin":120},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17357/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17357/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17357/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17357/004/004.jpg"],"available":false,"description":{"es":"item: flask \n \n material: glass \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 112 mm x 47 mm \n \n condition: good condition, cracks in the body \n \n provenance: ex french private collection, t., paris, acquired before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman glass flasks, also known as unguentaria or perfume bottles, were small vessels used for storing and dispensing oils, perfumes, and other aromatic substances in ancient rome. these flasks were crafted from glass, a material that became increasingly popular during the roman empire due to advancements in glassmaking techniques. roman glassmakers developed various methods for shaping and decorating glass, resulting in a wide array of exquisite vessels, including the distinctive glass flasks. \n \n the design of roman glass flasks typically consisted of a narrow neck, a globular body, and a pointed or flattened base, facilitating ease of handling and pouring. the neck of the flask often featured a small mouth or spout, sometimes equipped with a stopper or lid to prevent evaporation and spillage of the precious contents. the body of the flask was often decorated with intricate patterns, such as spirals, waves, or geometric motifs, created using techniques like mold-pressing, trailing, or glass blowing. some flasks also bore decorative handles or applied glass threads for added visual appeal. \n \n roman glass flasks served both practical and aesthetic purposes in ancient roman society. while they were primarily used for storing and dispensing perfumes and oils, these vessels also held symbolic significance in rituals, ceremonies, and daily life. perfumes and aromatic oils were integral to roman grooming and hygiene practices, and the use of elegant glass flasks to contain these precious substances reflected social status and refinement. additionally, glass flasks were often buried as grave goods in roman tombs, attesting to their importance in funerary customs and beliefs about the afterlife."},"estimateMax":160,"lotNumber":"156","title":{"es":"roman flask"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17357/view","tags":["esdecorativearts_antiqueglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":80,"lastUpdate":"2026-07-23T01:04:25.586Z","textCase":"lower","estimate":"\u20ac150 - \u20ac160","currency":"EUR","id":17357,"estimateMin":150},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17358/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17358/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17358/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17358/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17358/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17358/006/006.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: plate \n \n material: terra sigillata \n \n culture: roman, north africa \n \n period: 4th - 6th century a.d \n \n dimensions: 42 mm x 230 mm diameter \n \n condition: good condition \n \n provenance: ex french private collection, acquired before 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n north african pottery during the roman period exemplifies the vibrant cultural exchanges and artistic innovation that characterized this region during antiquity. the roman occupation of north africa, particularly regions such as tunisia, algeria, and libya, led to the integration of roman artistic techniques and styles with indigenous north african traditions. pottery production in north africa during this time was highly diverse, with local workshops producing a wide range of vessels for domestic use, religious rituals, and trade. \n \n one of the most distinctive types of pottery from roman north africa is the red slip ware, which was characterized by its smooth red surface and often adorned with incised or painted decorative motifs. these vessels were commonly used for everyday purposes such as storing food and water, cooking, and serving meals. the red slip ware of north africa reflects the influence of roman pottery traditions, particularly in terms of form and function, while also retaining elements of indigenous north african styles and techniques. \n \n in addition to red slip ware, north african pottery from the roman period also included other types of vessels such as amphorae, storage jars, and oil lamps. these vessels were produced in large quantities and were exported throughout the mediterranean world, attesting to the importance of north africa as a center of ceramic production and trade during antiquity."},"estimateMax":300,"lotNumber":"157","title":{"es":"roman plate"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17358/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-23T01:04:25.588Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17358,"estimateMin":250},{"startPrice":220,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17359/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17359/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17359/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17359/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17359/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: kylix \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 82 mm x 222 mm x 168 mm \n \n condition: good condition, repaired \n \n provenance: ex dutch private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek kylix is a type of drinking cup that was widely used in ancient greece, particularly during the archaic and classical periods. it is characterized by its broad, shallow bowl, horizontal handles, and a short stem, which collectively give it a distinctive, elegant profile. the kylix was primarily used for drinking wine, especially during symposia, which were social gatherings where men would drink, discuss various topics, and enjoy entertainment. the shape of the kylix made it ideal for such events, as it allowed drinkers to easily lift and sip from the cup while reclining on couches. \n \n the decoration of kylikes (plural for kylix) often featured intricate and detailed artwork, typically executed in the black-figure or red-figure techniques that were prevalent in greek pottery. black-figure kylikes, produced earlier, involved painting figures in black slip on the natural red clay body, with details incised to reveal the underlying clay. red-figure kylikes, which became popular later, reversed this process by painting the background in black and leaving the figures in the natural red of the clay, allowing for greater detail and more naturalistic depictions. the interior of the kylix, known as the tondo, frequently displayed scenes related to dionysus, the god of wine, as well as other mythological or everyday life scenes, offering visual delight and narrative intrigue as the drinker finished their wine. \n \n beyond their functional and aesthetic appeal, kylikes also had a social and symbolic significance. the imagery on kylikes often depicted scenes of revelry, music, and athletic competition, reflecting the cultural values and practices of the symposia."},"estimateMax":280,"lotNumber":"158","title":{"es":"greek kylix"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17359/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":220,"soldPrice":220,"lastUpdate":"2026-07-23T01:04:25.590Z","textCase":"lower","estimate":"\u20ac260 - \u20ac280","currency":"EUR","id":17359,"dimensions":{"depth":16.8},"estimateMin":260},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17360/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17360/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17360/003/003.jpg"],"available":false,"description":{"es":"item: statuette of a horse \n \n material: bronze \n \n culture: luristan \n \n period: 1st millenium b.c \n \n dimensions: 36 mm x 38 mm \n \n condition: good condition \n \n provenance: ex english private collection, a.d, acquired in 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n luristan statuettes of horses are artifacts originating from the ancient region of luristan, located in modern-day western iran. these bronze statuettes are renowned for their exquisite craftsmanship and artistic detail, reflecting the skills of the artisans who produced them during the iron age, approximately from the 10th to the 7th century bce. the luristan statuettes of horses are characterized by their dynamic and lifelike poses, capturing the vitality and strength of the animals they represent. \n \n the luristan statuettes of horses typically depict the animals in various poses, such as standing, trotting, or rearing, often with intricate details such as finely rendered manes, tails, and facial features. these statuettes were likely used for votive or ceremonial purposes, possibly as offerings in religious rituals or as symbols of status and wealth. horses held significant cultural and symbolic importance in ancient luristan society, serving as symbols of power, mobility, and prestige. \n \n the discovery of luristan statuettes of horses provides valuable insights into the artistic and cultural practices of ancient iranian civilizations during the iron age. these artifacts demonstrate the mastery of bronze casting techniques by luristan artisans and highlight the importance of horses in the socio-economic and religious life of the region."},"estimateMax":180,"lotNumber":"159","title":{"es":"luristan statuette of a horse"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17360/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":80,"lastUpdate":"2026-07-01T18:52:45.776Z","textCase":"lower","estimate":"\u20ac160 - \u20ac180","currency":"EUR","id":17360,"estimateMin":160},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17361/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17361/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17361/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17361/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17361/005/005.jpg"],"available":false,"description":{"es":"item: bowl \n \n material: terra sigillata \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 37 mm x 176 mm diameter \n \n condition: good condition, repaired \n \n provenance: ex dutch private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman bowls, an essential component of ancient roman dining ware, showcase the rich diversity and sophistication of roman ceramic artistry. these bowls, used for a variety of purposes including serving food, mixing ingredients, and holding liquids, were made from a range of materials such as clay, glass, and metal. the most common material was pottery, which was readily available and versatile. roman pottery bowls were typically crafted using a wheel and then fired in a kiln, resulting in durable and functional pieces that were used in both everyday and ceremonial contexts. \n \n one of the most notable types of roman pottery bowls is the terra sigillata, also known as samian ware, which was produced primarily in gaul (modern-day france) and italy. these bowls are distinguished by their smooth, glossy red slip and fine, detailed decorations, which often included motifs of mythology, animals, and everyday life scenes. terra sigillata bowls were highly prized for their aesthetic qualities and were widely traded throughout the roman empire, indicating their popularity and the high regard in which they were held. the production of these bowls involved sophisticated techniques, including the use of molds to create intricate designs, showcasing the advanced level of roman ceramic craftsmanship. \n \n roman glass bowls, another significant category, illustrate the technological advancements and artistic innovations of the time. glass blowing, which became widespread during the roman period, allowed for the creation of delicate and finely crafted glass bowls. these items were often decorated with vibrant colors and intricate patterns achieved through techniques such as millefiori (a mosaic-like pattern) and cameo glass (where layers of glass are carved to create images in relief). glass bowls were luxury items and were often used in elite households for special occasions, reflecting the wealth and status of their owners."},"estimateMax":240,"lotNumber":"160","title":{"es":"roman bowl"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17361/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":120,"lastUpdate":"2026-07-23T01:04:25.591Z","textCase":"lower","estimate":"\u20ac200 - \u20ac240","currency":"EUR","id":17361,"dimensions":{"depth":17.6},"estimateMin":200},{"startPrice":40,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17362/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17362/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17362/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17362/004/004.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: key \n \n material: bronze \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 23 mm x 37 mm \n \n condition: good condition \n \n provenance: ex german private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze keys were essential tools in ancient roman society, serving as both functional objects for securing doors and chests and symbolic items representing authority, ownership, and access. these keys were crafted from bronze, an alloy of copper and tin known for its durability and malleability, making it well-suited for the production of intricate objects like keys. roman bronze keys varied in size and design, reflecting the diverse architectural styles and locking mechanisms of the time. \n \n one of the most common types of roman bronze keys was the ward key, characterized by its distinctive toothed or ridged blade designed to fit specific locks. these keys were used to secure various types of doors, chests, and storage containers, providing protection for valuable possessions and private spaces. the design of roman bronze keys evolved over time, with later examples featuring more elaborate and decorative elements, such as ornate handles and engraved motifs, reflecting the artistic sensibilities of different periods and regions within the roman empire. \n \n beyond their practical function, roman bronze keys held symbolic significance in roman society. owning a key signified authority and control over property, whether it be a household or a treasury. keys were often associated with concepts of power, ownership, and access to both physical and metaphorical realms. in religious contexts, keys were also attributed to deities such as janus, the roman god of beginnings and transitions, who was depicted holding a key as a symbol of his role as the guardian of gates and passages."},"estimateMax":100,"lotNumber":"161","title":{"es":"roman key"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17362/view","tags":["escollectibles_hardware","escollectibles_all","escollectibles"],"directSalePrice":40,"soldPrice":45,"lastUpdate":"2026-07-23T01:04:25.593Z","textCase":"lower","estimate":"\u20ac80 - \u20ac100","currency":"EUR","id":17362,"estimateMin":80},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17363/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17363/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17363/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17363/004/004.jpg"],"available":false,"description":{"es":"item: statuette of a cockerel \n \n material: bronze \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 55 mm x 57 mm \n \n condition: good condition \n \n provenance: ex spanish private collection \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n cockerels held symbolic significance in roman culture, representing various qualities such as courage, vigilance, and divine protection. in roman mythology, the cockerel was associated with the god mercury, who was often depicted accompanied by a rooster. as a symbol of mercury, the cockerel was believed to possess the power to ward off evil spirits and bring good fortune. additionally, cockerels were associated with the sun god apollo and were sometimes sacrificed in his honor during religious ceremonies and festivals. \n \n in roman society, cockerels were also associated with everyday life and domestic rituals. they were commonly kept in households for their practical benefits, such as providing eggs, meat, and feathers. cockerels were often depicted in roman art and decoration, appearing on various objects such as pottery, mosaics, and coins. their image adorned household items such as lamps, vessels, and jewelry, serving as symbols of prosperity, fertility, and domestic harmony. \n \n the symbolism of cockerels extended beyond the realm of religion and domestic life to include military and political contexts as well. cockerels were often used as military standards, or vexilla, carried into battle as symbols of courage and bravery. additionally, cockerels were sometimes depicted on roman coins, representing the military prowess and leadership qualities of roman emperors."},"estimateMax":160,"lotNumber":"162","title":{"es":"roman statuette of a cockerel"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17363/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":80,"lastUpdate":"2026-07-01T18:52:45.866Z","textCase":"lower","estimate":"\u20ac140 - \u20ac160","currency":"EUR","id":17363,"estimateMin":140},{"startPrice":60,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17364/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17364/002/002.jpg"],"available":false,"description":{"es":"item: dice \n \n material: bronze \n \n culture: roman \n \n period: 1st - 3rd century a.d \n \n dimensions: 19 mm x 18 mm \n \n condition: good condition \n \n provenance: ex spanish private collection, mr. c. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman dice made from bronze offer intriguing insights into the recreational activities and gaming culture of ancient rome. dice games were immensely popular among people of all social classes and were played for entertainment, gambling, and even religious rituals. the use of bronze to craft dice was practical due to the metal's durability and malleability, ensuring that the dice would withstand frequent use and retain their shape over time. \n \n bronze roman dice typically featured six sides, each marked with dots or pips representing numbers ranging from one to six. the numbering system on roman dice was often arranged in such a way that opposite sides of the dice added up to seven, a design feature known as \"opposite faces add up to seven\" or \"sevens-out.\" this design ensured fairness and randomness in the outcome of dice rolls, crucial for maintaining the integrity of the game. \n \n roman dice were not only used for recreational purposes but also held cultural and symbolic significance. dice games were often associated with concepts of luck, fate, and fortune, and were sometimes employed in divination practices to predict the outcome of future events. the imagery and symbolism associated with dice were also reflected in roman art and literature, where dice games were depicted as common pastimes enjoyed by people from all walks of life."},"estimateMax":140,"lotNumber":"163","title":{"es":"roman dice"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17364/view","directSalePrice":60,"lastUpdate":"2024-06-29T18:54:11.880Z","textCase":"lower","estimate":"\u20ac120 - \u20ac140","currency":"EUR","id":17364,"dimensions":{"depth":1.8},"estimateMin":120},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17365/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17365/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17365/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17365/004/004.jpg"],"available":false,"description":{"es":"item: oil lamp \n \n material: pottery \n \n culture: roman \n \n period: 1st century a.d \n \n dimensions: 33 mm x 68 mm x 87 mm \n \n condition: good condition \n \n provenance: ex german private collection, i.l., acquired between 1960 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n roman oil lamps, known as \"lucernae, \" were a vital aspect of daily life in ancient rome, serving as the primary source of artificial light. these lamps were typically made from clay, although bronze and other metals were sometimes used for more elaborate and expensive versions. the basic design of a roman oil lamp included a reservoir to hold the oil, a wick inserted into a nozzle or spout, and often a handle for carrying. the simplicity and functionality of these lamps made them indispensable household items, used for lighting homes, streets, and public spaces, as well as for religious and funerary purposes. \n \n the production and design of roman oil lamps evolved over time, reflecting changes in technology, fashion, and social practices. early roman lamps were generally simple and utilitarian, but as the craft developed, they became more decorative and complex. molds were used to mass-produce lamps with intricate designs and motifs, ranging from geometric patterns to detailed scenes from mythology, daily life, and nature. these decorations not only enhanced the aesthetic appeal of the lamps but also made them objects of cultural and artistic significance. lamps could feature imagery of gods and goddesses, animals, gladiatorial combat, and erotic scenes, providing insights into roman beliefs, values, and everyday activities. \n \n roman oil lamps also held significant symbolic and ritual importance. in religious contexts, lamps were used in temples and household shrines, serving as offerings to deities and symbols of divine presence. they played a crucial role in various ceremonies and rituals, including funerary practices where lamps were placed in tombs to light the way for the deceased in the afterlife."},"estimateMax":160,"lotNumber":"164","title":{"es":"roman oil lamp"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17365/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"lastUpdate":"2026-07-01T18:52:45.868Z","textCase":"lower","estimate":"\u20ac140 - \u20ac160","currency":"EUR","id":17365,"dimensions":{"depth":8.7},"estimateMin":140},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17366/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17366/002/002.jpg"],"available":false,"description":{"es":"item: sling bullet with bee and inscription 'kalla' \n \n material: lead \n \n culture: greek, turkey \n \n period: 4th century b.c \n \n dimensions: 17 mm x 31 mm \n \n condition: good condition \n \n provenance: ex german private collection, acquired before 2000s \n \n parallel: manov, m. & torbov, m, inscribed lead sling bullets, p. 35, fig. 23 (instead of scorpion, bee) \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"\"glandes\"\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"\"sphendonetes.\"\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"\"take that\"\" or \"\"catch this.\"\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":160,"lotNumber":"165","title":{"es":"greek sling bullet with bee and inscription 'kalla'"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17366/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":110,"lastUpdate":"2026-07-23T01:04:25.595Z","textCase":"lower","estimate":"\u20ac140 - \u20ac160","currency":"EUR","id":17366,"estimateMin":140},{"startPrice":90,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17367/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17367/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17367/003/003.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oinochoe \n \n material: pottery \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 162 mm x 110 mm \n \n condition: good condition, repaired \n \n provenance: ex dutch private collection, acquired between 1970 - 1990 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n the greek oinochoe, a type of wine jug, is one of the most iconic and versatile vessels from ancient greek pottery. used primarily for pouring wine, the oinochoe has a distinctive shape characterized by a trefoil mouth, a single handle, and a rounded or ovoid body. the trefoil mouth, with its three-lobed design, facilitated the easy and controlled pouring of liquids, making it a practical tool for symposia and other social gatherings where wine was a central element. the form and function of the oinochoe highlight the importance of wine in greek social and religious life, serving as a key vessel in both everyday and ceremonial contexts. \n \n the decoration of oinochoai (plural for oinochoe) varied widely, reflecting different artistic styles and periods in greek pottery. in the geometric period, these vessels often featured linear motifs and patterns, while later, during the archaic and classical periods, the black-figure and red-figure techniques became predominant. black-figure oinochoai showcased silhouetted figures against the natural red clay, with intricate details incised into the black slip. in contrast, red-figure oinochoai reversed this approach, allowing for greater flexibility and detail in depicting human figures, mythological scenes, and daily activities. the choice of imagery on these vessels was significant, often illustrating stories from greek mythology, religious rituals, or scenes of leisure, thereby embedding cultural narratives into functional objects. \n \n oinochoai were not only used in domestic settings but also held ceremonial and ritualistic importance. in religious rituals, they were used to pour libations, a practice of offering wine to the gods, which was a fundamental aspect of greek worship. the presence of oinochoai in tombs and graves also suggests their role in funerary practices, possibly to provide for the deceased in the afterlife or to symbolize ongoing commemoration."},"estimateMax":220,"lotNumber":"166","title":{"es":"greek oinochoe"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17367/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":90,"soldPrice":90,"lastUpdate":"2026-07-01T18:52:45.869Z","textCase":"lower","estimate":"\u20ac180 - \u20ac220","currency":"EUR","id":17367,"estimateMin":180},{"startPrice":80,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17368/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17368/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17368/003/003.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: pyxis \n \n material: pottery \n \n culture: bronze age, canaanite \n \n period: 1400 - 1200 b.c \n \n dimensions: 60 mm x 60 mm \n \n condition: good condition \n \n provenance: ex german private collection, acquired before 2000s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n canaan was the name of a large and prosperous ancient country (at times independent, at others a tributary to egypt) located in the levant region of present-day lebanon, syria, jordan, and israel. it was also known as phoenicia. the origin of the name \u2018canaan\u2019 comes from various ancient texts and there is no scholarly consensus on precisely where the name originated nor what it meant. \n \n according to the bible, the land was named after a man called canaan, the grandson of noah (genesis 10). other theories cite \u2018canaan\u2019 as derived from the hurrian language for \u2018purple\u2019 and, as the greeks knew the canaanites as \u2018phoenicians\u2019 (greek for `purple\u2019) and as the phoenicians worked in purple dye and so were called by the greeks \u2018purple people\u2019, this explanation is the most probable. the theory has also been advanced that the name comes from the hebrew root-verb kana which denotes order from chaos, a blending, or synchronous existence. \n \n the earliest habitation in the region was around the city of jericho in the paleolithic age and this early rural community would then develop into the city which is the oldest urban center in the region (and, arguably, the world). other cities developed during the early bronze age but were abandoned, probably because of overpopulation, and the people returned to an agrarian lifestyle for a number of years. cities again grew up during the middle bronze age which saw the development of trade with other civilizations and, most notably, egypt. canaan (also referred to as phoenicia at this time) continued to prosper until c. 1250 \u2013 c. 1150 bce during the so-called bronze age collapse. \n \n following the upheaval of c. 1250 \u2013 c. 1150 bce, however, the hebrews (israelites), to whom joshua is said to have given the land, populated the region and established the kingdoms of israel and judah. these kingdoms lasted until the region was conquered in succession by the assyrians, babylonians, persians, alexander the great, the seleucids, and the roman empire."},"estimateMax":160,"lotNumber":"167","title":{"es":"bronze age pyxis"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17368/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":80,"soldPrice":80,"lastUpdate":"2026-07-01T18:52:45.871Z","textCase":"lower","estimate":"\u20ac120 - \u20ac160","currency":"EUR","id":17368,"estimateMin":120},{"startPrice":60,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17369/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17369/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17369/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17369/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17369/005/005.jpg"],"soldDate":"2024-06-29","available":false,"description":{"es":"item: oil lamp, type rosenthal & sivan k, group 3 and hadad 32 var.2 \n \n material: pottery \n \n culture: islamic \n \n period: 6th - 8th century a.d \n \n dimensions: 34 mm x 66 mm x 107 mm \n \n condition: good condition \n \n provenance: ex french private collection, acquired from toulouse and montpellier auction houses and antique dealers before 1990s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n during the 6th to 8th centuries ad, the islamic world witnessed significant advancements in various fields, including art, science, and technology. islamic oil lamps from this period reflect the cultural and artistic richness of the era, blending influences from diverse regions and traditions. these lamps played a crucial role in providing light for both practical and symbolic purposes in islamic households, mosques, and other communal spaces. \n \n islamic oil lamps from the 6th to 8th centuries exhibit a wide range of styles and designs, reflecting the artistic preferences of different regions within the islamic world. common features include the use of intricate geometric patterns, stylized floral motifs, and calligraphic inscriptions from the quran or other religious texts. the craftsmanship of these lamps often involved skilled metalworkers and potters who utilized techniques such as engraving, inlaying, and glazing to create intricate and visually striking designs. \n \n beyond their functional use as sources of light, islamic oil lamps held symbolic significance in islamic culture and religious practice. they were often used in religious ceremonies, including daily prayers and special occasions such as ramadan and eid. the illumination provided by these lamps was seen as a metaphor for enlightenment and spiritual guidance, symbolizing the light of knowledge and faith."},"estimateMax":140,"lotNumber":"168","title":{"es":"islamic oil lamp, type rosenthal & sivan k, group 3 and hadad 32 var.2"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17369/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":60,"soldPrice":75,"lastUpdate":"2026-07-01T18:52:45.873Z","textCase":"lower","estimate":"\u20ac120 - \u20ac140","currency":"EUR","id":17369,"dimensions":{"depth":10.7},"estimateMin":120},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17370/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17370/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17370/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17370/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17370/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17370/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17370/007/007.jpg"],"available":false,"description":{"es":"item: vessel \n \n material: bronze \n \n culture: roman \n \n period: 1st century b.c - 1st century a.d \n \n dimensions: 160 mm x 113 mm \n \n condition: good condition \n \n provenance: ex american private collection, acquired before 1999 \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n bronze vessels were a significant part of roman material culture, reflecting the sophistication and artistic prowess of the civilization. these vessels served a variety of purposes, ranging from practical household items to ceremonial and religious objects. crafted primarily from bronze, an alloy of copper and tin, these vessels exhibited intricate designs and skilled craftsmanship. \n \n one notable type of roman bronze vessel is the situla, a bucket-like container often adorned with elaborate reliefs and decorative motifs. situlae were commonly used for carrying water, wine, or other liquids, and they were often found in affluent households as symbols of wealth and status. additionally, bronze cauldrons were another prevalent type of vessel, utilized for cooking, heating, and sometimes even as burial offerings."},"estimateMax":500,"lotNumber":"169","title":{"es":"roman vessel"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17370/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":140,"lastUpdate":"2026-07-30T22:15:34.168Z","textCase":"lower","estimate":"\u20ac400 - \u20ac500","currency":"EUR","id":17370,"estimateMin":400},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17371/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17371/002/002.jpg"],"available":false,"description":{"es":"item: sling bullet with inscription 'aiolithoy' \n \n material: lead \n \n culture: greek \n \n period: 4th century b.c \n \n dimensions: 16 mm x 35 mm \n \n condition: good condition \n \n provenance: ex german private collection, acquired before 2000s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"\"glandes\"\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"\"sphendonetes.\"\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"\"take that\"\" or \"\"catch this.\"\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":180,"lotNumber":"170","title":{"es":"greek sling bullet with inscription 'aiolithoy'"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17371/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":90,"lastUpdate":"2026-07-30T22:15:23.222Z","textCase":"lower","estimate":"\u20ac140 - \u20ac180","currency":"EUR","id":17371,"estimateMin":140},{"startPrice":40,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17372/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17372/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17372/003/003.jpg"],"available":false,"description":{"es":"item: polyhedron weight \n \n material: bronze \n \n culture: byzantine \n \n period: 10th - 13th century a.d \n \n dimensions: 13 mm x 16 mm \n \n condition: good condition \n \n provenance: ex english private collection, london, acquired between 1980s \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n polyhedron weights were common in the byzantine period as a means of measuring and standardizing the weight of various goods for trade and commerce. these weights were typically small, geometrically shaped objects made of materials such as bronze, lead, or stone, and they were often inscribed with numerical markings indicating their weight. polyhedron weights took on various forms, including cubes, octahedrons, dodecahedrons, and other geometric shapes, each with a specific weight value corresponding to its size and density. \n \n the use of polyhedron weights in byzantine commerce helped ensure fairness and accuracy in transactions by providing a standardized system of measurement. merchants and traders relied on these weights to determine the value of goods such as precious metals, grains, and other commodities, facilitating trade and economic exchange within the byzantine empire and beyond. polyhedron weights were also used in official capacities, such as tax collection, where they played a crucial role in assessing duties and tariffs based on the weight of goods. \n \n polyhedron weights are frequently found in archaeological contexts throughout the byzantine empire, providing valuable insights into byzantine trade networks, economic activity, and material culture. the inscriptions and markings on polyhedron weights often include information"},"estimateMax":110,"lotNumber":"171","title":{"es":"byzantine polyhedron weight"},"url":"https://es.bidspirit.com/ui/lotPage/yourantiquarian/source/catalog/auction/46339/lot/17372/view","tags":["escollectibles_scientificinstruments","escollectibles_all","escollectibles"],"directSalePrice":40,"lastUpdate":"2026-07-30T22:15:23.225Z","textCase":"lower","estimate":"\u20ac100 - \u20ac110","currency":"EUR","id":17372,"estimateMin":100},{"startPrice":70,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17373/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/yourantiquarian/cloned-images/17373/002/002.jpg"],"available":false,"description":{"es":"item: sling bullet with scorpion and thunderbolt \n \n material: lead \n \n culture: greek, israel / palestine \n \n period: 4th century b.c \n \n dimensions: 15 mm x 32 mm \n \n condition: good condition \n \n provenance: ex emeritus collection (usa), collected from the 1950\u2019s to the 1980\u2019s by a distinguished university professor who served as department head, dean and vice president of lehigh university in pennsylvania. \n \n \n comes with certificate of authenticity and export licence. if you are from outside the european union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. \n \n greek sling bullets, also known as \"\"glandes\"\" (singular: glans), were small, often egg-shaped projectiles used with slings by ancient greek soldiers. these bullets were typically made of lead, although stone and clay examples have also been found. lead was preferred due to its density, which allowed the bullets to travel farther and with more force than those made from lighter materials. the use of slings and sling bullets dates back to ancient times, but they became particularly significant in greek warfare from the 5th century bce onwards, used by specialized troops known as slingers or \"\"sphendonetes.\"\" \n \n the design of greek sling bullets was often quite sophisticated, with many bullets bearing inscriptions or symbols. inscriptions could include the names of the city-state or military unit, the names of commanders, or messages intended to demoralize the enemy, such as \"\"take that\"\" or \"\"catch this.\"\" some bullets were even crafted in the shape of acorns or almonds to enhance their aerodynamic properties. the addition of such inscriptions and designs not only served practical purposes in identifying and intimidating foes but also provided a psychological edge in battle, showcasing the ingenuity and resourcefulness of greek soldiers. \n \n sling bullets played a crucial role in various military engagements throughout greek history, particularly in skirmishes and sieges where ranged attacks were advantageous. the effectiveness of slings was notable in their ability to strike enemies at a distance, penetrate armor, and cause significant injuries or fatalities. slingers were valued members of greek armies and often operated alongside archers and infantry, contributing to the tactical flexibility and overall combat effectiveness of greek forces."},"estimateMax":180,"lotNumber":"172","title":{"es":"greek sling bullet with scorpion and 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